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EngEd 312 (Finals 1)

Total questions: 130

Worksheet time: 1hrs 5mins

Name
Class
Date
1.

Who asserted -“Literature and poetry in particular has a way of exploiting resources in a language which has not been codified as correct usage –it has no place in an approach to teaching that insists on the gradual accumulation of correct linguistic forms.”

a)

Widdowson

b)

Slater

c)

Mackay

d)

Carter

2.

This is the teaching of literature based on the understanding of the central theme and the sub themes.

a)

Stylistic approach

b)

Group approach

c)

Thematic approach

d)

Response approach

3.

This has to do with looking at the text in respect of the author’s style and in comparison with another author.

a)

Stylistic approach

b)

Thematic approach

c)

Group approach

d)

Response approach

4.

This engages the weak and the strong in a common activity possibly to strengthen the weak.

a)

Stylistic approach

b)

Thematic approach

c)

Group approach

d)

Response approach

5.

This has to do with looking at a text as a whole entity.

a)

response approach

b)

Integrated approach

c)

problem posing approach

d)

group approach

6.

Requires the students to unravel a given mystery in the text.

a)

response approach

b)

Integrated approach

c)

problem posing approach

d)

group approach

7.

This could be an effective means of ensuring that students read the text and acquire the correct information.

a)

Criticism method

b)

Discovery method

c)

discussion method

d)

project method

8.

This stems from problem posing approach and can achieve greater result when fused with discussion method.

a)

Criticism method

b)

Discovery method

c)

discussion method

d)

project method

9.

Here it is recommended that creative writing based on some topics from the text becomes a regular exercise.

a)

Criticism method

b)

Discovery method

c)

discussion method

d)

project method

10.

This can be best portrayed with dramatization technique which is great value to the teaching of literature.

a)

Criticism method

b)

Discovery method

c)

discussion method

d)

Activity method

11.

This involves prompting students to share literary claims, evidence from text, and reasoning that describes how the evidence and claims are linked.

a)

Eliciting and Responding to Student Thinking

b)

Positioning Students as Competent Sensemakers

c)

Orienting Students to the Content

d)

Orienting Students to One Another

12.

It is most centrally enacted in the service of the discipline when you’re positioning students as participants in a literary community.

a)

Eliciting and Responding to Student Thinking

b)

Positioning Students as Competent Sensemakers

c)

Orienting Students to the Content

d)

Orienting Students to One Another

13.

This involves facilitating students’ text-based talk/writing so that students learn to share their literary reasoning with one another and consider multiple, potentially conflicting interpretations.

a)

Eliciting and Responding to Student Thinking

b)

Positioning Students as Competent Sensemakers

c)

Orienting Students to the Content

d)

Orienting Students to One Another

14.

This involves teaching students how to make meaning with literary works, including specific practices.

a)

Eliciting and Responding to Student Thinking

b)

Positioning Students as Competent Sensemakers

c)

Orienting Students to the Content

d)

Orienting Students to One Another

15.

This may involve collecting information about students’ literal and figurative meaning.

a)

Orienting Students to the Content

b)

Assessing Student Understanding

c)

Teaching Towards an Instructional Goal

d)

Teaching Towards an Instructional Goal

16.

This includes all of the ways that you get students into text quickly, the routines that you set for listening to one another’s interpretations.

a)

Orienting Students to the Content

b)

Assessing Student Understanding

c)

Teaching Towards an Instructional Goal

d)

Creating and Maintaining a Productive Learning Environment

17.

This involves making decisions, given your specific instructional focus.

a)

Orienting Students to the Content

b)

Assessing Student Understanding

c)

Teaching Towards an Instructional Goal

d)

Creating and Maintaining a Productive Learning Environment

18.

This may involve collecting information about students’ literal and figurative meaning making.

a)

Orienting Students to the Content

b)

Assessing Student Understanding

c)

Teaching Towards an Instructional Goal

d)

Creating and Maintaining a Productive Learning Environment

19.

Centrally enacted in the service of the discipline when you’re assessing students’ understanding of text and their practices with text.

a)

Orienting Students to the Content

b)

Assessing Student Understanding

c)

Teaching Towards an Instructional Goal

d)

Creating and Maintaining a Productive Learning Environment

20.

Centrally enacted in the service of the discipline when you’re creating and maintaining a productive literary community.

a)

Orienting Students to the Content

b)

Assessing Student Understanding

c)

Teaching Towards an Instructional Goal

d)

Creating and Maintaining a Productive Learning Environment

21.

Fiction is derived from the Latin word _____ which means created.

a)

Fiscum

b)

Fiscum

c)

Fictum

d)

Ficion

22.

Which of the following statements is incorrect about the definition of fiction?

a)

Stories are imaginary and invented by its author.

b)

an act of creative imagination, so its total faithfulness to the real-world is typically assumed by its audience.

c)

It used to denote stories or accounts that are not real.

d)

It is not adhering precisely to the real world, is generally understood as being more open to interpretation.

23.

Which of the following is the correct arrangement of the development of fiction?

I. Early tales about human

II. Fables

III. Fairy tales

IV. Romance

V. Novel

VI. Modern fiction

a)

I, II, III, IV, V, VI

b)

V, II, III, VI, I, IV

c)

IV, V, III, VI, II, I

d)

III, II, I, VI, IV, V

24.

In what period of development did the 1st realistic fiction in English was developed?

a)

Romance

b)

Modern Fiction

c)

Novel

d)

Early tales about human

25.

It is the period when stories created were about imaginary world which the right and wrong are balanced, and people pictures out their desired life.

a)

Romance

b)

Modern Fiction

c)

Modern Fiction

d)

Early tales about human

26.

It is a story that gives representation of life as it actually is without supernatural elements.

a)

Romance

b)

Modern Fiction

c)

Novel

d)

Early tales about human

27.

This is described as long versified narratives about Medieval knight in 15th Century.

a)

Romance

b)

Modern Fiction

c)

Novel

d)

Early tales about human

28.

Which of the following is not an example of Early tales about humans?

a)

The Canterbury Tales

b)

Pride and Prejudice

c)

Decameron

d)

The Arabian Nights

29.

Which of the following states the correct answer?

Statement I: In novel, details and elaboration is no longer emphasized in the story.

Statement II: Novel is loose with no definite structure like drama.

a)

Statement 1 is true while statement II is false.

b)

Statement 1 is false while statement II is true

c)

Both statements are true

d)

Both statements are false

30.

Which of the following states the correct answer?

Statement I: Tales like Metamorphoses, Kata-Serita-Sagara and Panchatantra are the major works during the period of Early tales about human.

Statement II: Stories like Arcadia, Tom Jones and Euphues are the major works during the period of Romance.

a)

Statement 1 is true while statement II is false.

b)

Statement 1 is false while statement II is true

c)

Both statements are true

d)

Both statements are false

31.

Writers establish at least an aesthetic order, and may impose philosophical order upon their materials. What is the nature of fiction based on the sentence?

a)

Fact

b)

Fiction is a make-believe

c)

Principle of order of coherence

d)

It uses story elements

32.

Which among the following sentences is true about fiction?

a)

It informs us more because we are in the process of being entertained

b)

Fiction is explicit and not implicit

c)

Fiction does not affect people’s emotion and interest

d)

The stories of fiction are based on true-to-life stories

33.

All of these are characteristics of fiction except...

a)

Fiction is a make-believe

b)

The purpose is to entertain

c)

The stories either never happened, or could not really happen

d)

It does not use story elements

34.

It is the element of fiction which usually follows the Freytag’s Pyramid.

a)

Setting

b)

Plot

c)

Character

d)

Point of view

35.

It is made by the writers; they can produce “this” at will, and fit them into a coherent plan. What nature of fiction is this?

a)

Fact

b)

Fiction is a make-believe

c)

Principle of order of coherence

d)

It uses story elements

36.

They see reality as united to psychological perception, as reflected through the minds of individuals. What is the nature of fiction used in the statement?

a)

Facts

b)

Principle of order of coherence

c)

Perception of writers

d)

Represented not reported

37.

This element of fiction usually contains some insight into the human condition – telling something about humans and life.

a)

Plot

b)

Theme

c)

Setting

d)

Character

38.

It refers to the methods used by the writer to create his or her characters.

a)

Characterization

b)

Conflict

c)

Characters

d)

Foreshadowing

39.

Fiction includes made-up or imaginary elements, and has the potential for being: 1.) True to the nature of reality 2.) True to human experience. Which statement is true?

a)

Statement 1

b)

Statement 2

c)

Both statement

d)

None of the above

40.

Fiction is ___________ because it greatly affects people’s emotion that is sudden and extreme, it attracts attention that makes people listen carefully.

a)

Narrative

b)

Not true

c)

True

d)

Dramatic

41.

Which of the following sentences is not true?

a)

Fiction can be as short as few lines or as long as a novel.

b)

A work of fiction is an act of creative imagination.

c)

Real characters may be used for fictions story that embraces imaginary event or setting.

d)

Imaginary characters in fictitious story might not be in a real world setting such as a well-known city or a particular country.

42.

Which of the following is a genre of fiction?

a)

Setting

b)

Reality show

c)

Romance

d)

Documentary

43.

It is a genre of fiction where the setting is in the frontier American West and usually stories about cowboys and Indians.

a)

Westerners

b)

Drama

c)

Comedy

d)

Horror

44.

It is a fantasy that incorporates science and technology in the story.

a)

Fairy tale

b)

Science fiction

c)

Comedy

d)

Horror

45.

It is a classification or type of any imaginary story.

a)

Fiction

b)

Drama

c)

Fantasy

d)

Mystery

46.

Which of the following is not a method in teaching fiction?

a)

Dramatization and Active learning

b)

Thematic Teaching

c)

Reading and Writing

d)

Oration

47.

What is absolutely the most important step in teaching Fiction?

a)

Align the Story with a Universal Theme

b)

Choose and Read a Fiction Book

c)

Choose and Read a Fiction Book

d)

Choose and Read a Fiction Book

48.

It is an effective method that motivates students for better understanding and maintains psychology for further study of the fiction.

a)

Close Reading

b)

Thematic Teaching

c)

Dramatization

49.

Active LearningAre also called essential questions that a teacher asks to capture the core concepts, issues, and understanding that are most significant in the theme of the fiction story.

a)

Significant Questions

b)

Guiding Questions

c)

Relevant Questions

d)

Final Questions

50.

The following are examples of Culminating Activity to celebrate the closing of fiction story being discussed, expect?

a)

Theatrical version of the story/book

b)

Deconstructing the story/book

c)

Presentations of writing and other projects based upon the novel

d)

A film version of the story/book

51.

It comes from the Greek word to do’ or ‘to act’ and in theatre, film and TV, actors attempt to portray and reflect the human condition.

a)

Dream

b)

Drama

c)

theatre

d)

work

52.

The following are kinesics features of communication developed in a student through learning drama.

a)

gestures

b)

movement

c)

tone of voice

d)

facial expression

53.

The following statements are benefits of learning drama except;

a)

The following statements are benefits of learning drama except;

b)

Drama builds trust between learners,

c)

Drama doesn’t reduce stress and doesn’t build confidence.

d)

Drama increases self-esteem and motivation of students.

54.

It is a sound pedagogy that reaches students of multiple intelligences and different learning styles.

a)

Creative drama

b)

Creative song

c)

Creative song

d)

Innovative play

55.

These are universal forms of communication understood in all cultures except;

a)

Emotion

b)

Skills work

c)

gesture

d)

imitation

56.

It is considered as the core of innovation, invention, problem solving, science and the arts.

a)

Creation

b)

Innovation

c)

technology

d)

Imagination

57.

In pairs you keep going round and round saying one, two, tree alternately as fast as you can. A development is to substitute the numbers with a sound or an action.

a)

Hello, goodbye

b)

Counting 1,2,3

c)

True or False

d)

Alphabet circle

58.

Each member of the group tells a partner two true facts about themselves – and one false fact – the partner has to decide which the false fact is! Then vice versa.

a)

Hello, goodbye

b)

Counting 1,2,3

c)

True or False

d)

Alphabet circle

59.

In a circle everyone copies you. Use simple action and do them slowly. Send one person out – he/she has three guesses to see who the leader is.

a)

Invention

b)

Counting 1,2,3

c)

True or False

d)

Mirror Exercises

60.

In pairs give each pair a simple object e.g. a stone or a ring etc., observe the object in detail – the first person then describes it to the rest of your group and the second person tells the group an invented history for the object.

a)

Invention

b)

Counting 1,2,3

c)

True or False

d)

Mirror Exercises

61.

This strategy encourages students to consider possible problems, outcomes, and solutions to their presented situations.

a)

Mantle of Expert

b)

“What if”

c)

Alter-ego

d)

Freeze frame

62.

This strategy enables the teacher actively participate and model appropriate behaviour within the classroom.

a)

Teacher in Role

b)

Alter-ego

c)

Freeze frame

d)

Storytelling

63.

In this strategy the action within a scene can be frozen at a particular moment to allow the audience to appreciate what is happening.

a)

Mantle of Expert

b)

Freeze frame

c)

Alter-ego

d)

“What if”

64.

The focus on this strategy is for students to develop communication, teamwork and critical thinking skills while having to defend or argue a position within an issue.

a)

Storytelling

b)

Alter-ego

c)

Mantle of Expert

d)

Freeze frame

65.

It is an approach to teaching and learning where teachers and students work collaboratively to create a fictional world in which they assume roles to explore issues that are of concern to them.

a)

Acting Approach

b)

"a" type analytical approach

c)

Drama-in-education (DIE) approach

d)

Drama-in-education (DIE) approach

66.

This approach helps a teacher or course designer to think of a series of structures, language items that were to be 'taught.

a)

"a" type analytical approach

b)

"b" type experiential approach

c)

Semi-controlled drama approaches

d)

Open communication approaches

67.

This approach leads focus on the need of active workshops for teaching drama with its great use in class.

a)

Closed and controlled drama approaches

b)

Acting approach

c)

Drama-in-education (DIE)

d)

"b" type experiential approach

68.

In this approach, language was not seen as object but as a tool. Much more emphasis was placed upon the inductive method of learning, responses and expression based on the text or its theme/topic.

a)

Acting approach

b)

"a" type analytical approach

c)

Closed and controlled drama approaches

d)

"b" type experiential approach

69.

These approaches offer learners situation where they can interact with each other with greater authenticity since the social and linguistic environment encourages towards authentic communication.

a)

Semi-controlled drama approach

b)

Open communication approaches

c)

Drama-in-education (DIE) approach

d)

"b" type experiential approach

70.

These drama approaches usually require learners to use a variety of different functions of language, such as informing, describing, re-telling, persuading and questioning.

a)

Acting approach

b)

Open communication approaches

c)

"b" type experiential approach

d)

Closed and controlled drama approach

71.

It is a type of poem that lacks in consistent rhyme scheme, metrical pattern, or musical form.

a)

Blank verse

b)

Sonnet

c)

Free verse

d)

Haiku

72.

It is a three-line poetic form originating in Japan. The first line has five syllables, the second line has seven syllables, and the third line again has five syllables.

a)

Haiku

b)

Sonnet

c)

Pastoral poetry

d)

Soliloquy

73.

In Italian, the word “stanza” means

a)

space

b)

room

c)

area

d)

line

74.

A type of figurative language that compare an object, person, or event to something else.

a)

Hyperbole

b)

Simile

c)

Personification

d)

Metaphor

75.

It is when a poet uses objects, colors, sounds, or places to represent something else.

a)

Hyperbole

b)

Simile

c)

Synecdoche

d)

Symbolism

76.

The following are the different types of stanza except

a)

Ballad

b)

Monostich

c)

Couplet

d)

Octave

77.

It is also known as "vowel rhyme"

a)

Consonance

b)

Alliteration

c)

Assonance

d)

Onomatopoeia

78.

It is the pattern of sounds that repeats at the end of a line or stanza.

a)

Repetition

b)

Rhyme scheme

c)

Rhythm

d)

Rhyming

79.

A 14-line poem that includes three, four-line stanzas and a concluding couplet.

a)

Coupled rhyme

b)

Terza rima

c)

Limerick

d)

Shakespearean sonnet

80.

A five-line poem with the rhyme scheme AABBA

a)

Coupled rhyme

b)

Terza rima

c)

Limerick

d)

Shakespearean sonnet

81.

A composition in verse.

a)

Poem

b)

Language

c)

Poet

d)

Poetry

82.

The words, their pronunciation, and the methods of combining them used and understood by a community.

a)

Poem

b)

Language

c)

Poet

d)

Poetry

83.

An approach that addresses the formation of poetic canons and the positionof the reader as an agent and a consumer.

a)

The Rare-Book-Room Approach

b)

The Used-Book-Store Approach

c)

The Subway Approach

d)

Systematic Approach

84.

An approach that gives an example of close reading in a setting where theworld within the poem, the world within the reader, and the world outside the reader lose their borders.

a)

The Rare-Book-Room Approach

b)

The Used-Book-Store Approach

c)

The Subway Approach

d)

Systematic Approach

85.

An approach that examines the impulse to seek the real thing that poetry can trigger and proposes that the first critical step for the reader consists inassessing the status of the poem as his or her object.

a)

The Rare-Book-Room Approach

b)

The Used-Book-Store Approach

c)

The Subway Approach

d)

Systematic Approach

86.

One who writes poetry

a)

Poem

b)

Language

c)

Poet

d)

Poetry

87.

Writing that formulates imaginative awareness of experience in language chosen and arranged to create a specific emotional response through meaning, rhythm, and sound.

a)

Poem

b)

Language

c)

Poet

d)

Poetry

88.

A careful plan or method

a)

Strategy

b)

Approaches

c)

Teaching

d)

Instruction

89.

To conduct instruction regularly/ to cause to know how

a)

Strategy

b)

Approaches

c)

Teaching

d)

Instruction

90.

To make advances or especially in order to create a desired result.

a)

Strategy

b)

Approaches

c)

Teaching

d)

Instruction

91.

Examining the text and preparing to read it effectively

a)

Pre-Reading

b)

Interpretative Reading

c)

Critical Reading

d)

Post- Reading

92.

Understanding what the author argues, what the author concludes, and exactly how he or she reached that conclusion

a)

Pre-Reading

b)

Interpretative Reading

c)

Critical Reading

d)

Post- Reading

93.

Questioning, examining, and expanding upon what the author says with your own arguments.

a)

Syntopic or Synoptic Reading

b)

Interpretative Reading

c)

Critical Reading

d)

Post- Reading

94.

. Putting the author's argument in a larger context by considering what several others have written or argued bout the same subject.

a)

Pre-Reading

b)

Interpretative Reading

c)

Syntopic or Synoptic Reading

d)

Post- Reading

95.

Ensuring that you won't forget your new insights.

a)

Pre-Reading

b)

Pre-Reading

c)

Syntopic or Synoptic Reading

d)

Post- Reading

96.

Requires you to read through the whole essay slowly and carefully, looking at every single sentence, every single word.

a)

Pre-Reading

b)

Interpretative Reading

c)

Syntopic or Synoptic Reading

d)

Post- Reading

97.

It occurs when an individual does a close reading of several sources, and then compares and contrasts them.

a)

Pre-Reading

b)

Interpretative Reading

c)

Syntopic or Synoptic Reading

d)

Post- Reading

98.

It requires you to read between the lines and think about the context in which the material was originally written and what that might mean today.

a)

Ask Questions to the Text

b)

Ask Questions About Yourself

c)

Ask Questions About Context

d)

Ask Questions About Broader Implications

99.

It requires you to monitor your own emotions as you read.

a)

Ask Questions to the Text

b)

Ask Questions About Yourself

c)

Ask Questions About Context

d)

Ask Questions About Broader Implications

100.

It forces you to think, and that's the point of critical reading.

a)

Ask Questions to the Text

b)

Ask Questions About Yourself

c)

Ask Questions About Context

d)

Ask Questions About Broader Implication

101.

What is the main point of reading an essay?

a)

Read for entertainment

b)

Read to comprehend

c)

Read for a purpose

102.

When dissecting a writing prompt, what strategy can you apply?

a)

Who, What, How and Do Strategy

b)

When, What, How, and Why Strategy

c)

WH-questions Strategy

103.

Which editing tools can students use for independently problem-solve spelling pattern errors?

a)

Independent Spelling Editing Chart

b)

Mechanics Rules Chart

c)

Irregular Verbs Chart

104.

What tool is useful for highlighting important parts of the text?

a)

Sticky Notes

b)

Essay Notes

c)

Margin Notes

105.

This type of approach focuses on linguistic knowledge such as vocabulary, syntax, and cohesive devices.

a)

Product Approach

b)

Process Approach

c)

Genre Approach

106.

This type of approach can be also referred to as ‘how’ of essay writing.

a)

Product Approach

b)

Process Approach

c)

Genre Approach

107.

Which stage of the Product Approach that enables the learners to incorporate their own thoughts or ideas in attempting to write a sentence?

a)

Guided Writing

b)

Familiarization

c)

Controlled Writing

108.

Which stage of the Process Approach wherein graphic organizers are helpful, to begin with, the central idea of making an essay?

a)

Revising & Editing

b)

Draft

c)

Pre-writing

109.

This strategy means focusing on writing mistakes and at the same time can expand the knowledge of the learner.

a)

Peer Editing

b)

Revising and Editing

c)

Creating Thesis Statements

110.

.It is a strategy that allows the writer to attach a general idea of what the entire essay will be about?

a)

Find some background information on the author

b)

Read the title

c)

Underline important points of the text

111.

It is an activity that integrates literature in teaching listening skills which provides students the opportunity to hear books and at the same time, helps them to understand the development and evolution of characters in the story

a)

teacher read-aloud

b)

listening guides

c)

readers' theater

d)

listening logs

112.

This technique of teaching literature aims to create interest and curiosity about the selection to be read among students.

a)

teacher read-aloud

b)

listening guides

c)

readers' theater

d)

listening logs

113.

What activity is involved if the teacher shows several of the photographs from the book to students before reading a story and involves them in a prediction exercise?

a)

teacher read-aloud

b)

listening guides

c)

readers' theater

d)

listening logs

114.

The process of this activity requires a close and critical reading of a work. In this technique, either the teacher or students turn a story into a script for students to read aloud.

a)

teacher read-aloud

b)

listening guides

c)

readers' theater

d)

listening logs

115.

What are the purposes of the first three questions of a teacher prepared before reading a story in the listening guide technique?

a)

help students focus their listening

b)

help students focus their listening and also help students prepare for what they will be listening to.

c)

help students in their cognitive aspects of reading.

d)

help students to focus on the specific elements of a work.

116.

What are the categories of viewing comprehension strategies in teaching literature?

a)

Before, During and After Viewing

b)

Before and After Viewing

c)

Before, During and Extended

d)

During, After, and Extended Viewing

117.

What category of viewing is when a student would predict the sequence of event in the story?

a)

During

b)

After

c)

Before

d)

Extended Viewing

118.

Where does making true or false statements about the video belong?

a)

During Viewing

b)

After Viewing

c)

Before Viewing

d)

Extended Viewing

119.

. In the strategies of teaching literature for 21st Century learners, what does RAFT means?

a)

Role, Audience, Format, and Topic/Tone/Theme

b)

Role, Audience, Frequency, and Topic

c)

Role, Audience, Format, and Theme

d)

Role, Audience, Format, and Topic/Tone

120.

Which of the following strategies of teaching literature is interesting and needs creativity when it comes to incorporating media projects?

a)

Use a thematic focus to design units, assessments, and whatever activities students touch.

b)

Use tools for digital text annotation on pdfs and note-sharing.

c)

Have students create and produce an ongoing podcast or YouTube channel on, as above, relevant themes, authors, texts, etc.

d)

Connect the old with the new in authentic ways to center the knowledge demands of modern readers.

121.

It consist of those writing that interprets the meaning of nature and life, in words of charm and power, touched with the personality of the author in artistic forms of permanent interests.

a)

Skills

b)

Literature

c)

Genres

d)

Stories

122.

A form of literature that uses beauty, patterns of sounds or rhyme and qualities of language.

a)

Poetry

b)

Story

c)

Novel

d)

Drama

123.

It is a drama-like activity in which the students take different roles in a typical situation.

a)

Story Telling

b)

Picture Poem

c)

Debate

d)

Role-play

124.

This is a group performance where participants recite speeches in unison, often with elements of choreography and costuming to help bring the speeches to life.

a)

Reader's Theater

b)

Speech choir

c)

Story Telling

d)

Role-playing

125.

A creative way to conduct a close reading of character or figure from an assigned or selected fiction or nonfiction text.

a)

Character Silhouette

b)

Reader's Theater

c)

Choral Reading

d)

Think-Aloud

126.

Is a strategy for developing reading fluency. It involves students in oral reading through reading parts in scripts.

a)

Character Silhouette

b)

Reader's Theater

c)

Choral Reading

d)

Think-Aloud

127.

This activity encourage students to see the poetry in everyday language around them, while helpfully reinforcing their understanding of some of the conventionsof the genre.

a)

Think-Aloud

b)

Poetry Scavenger Hunt

c)

Choral Reading

d)

Picture Poem

128.

An activity in which the whole class or group of students will read aloud in unison. This helps build student's fluency, self-confidence, and motivation.

a)

Think-Aloud

b)

Choral Reading

c)

Poetry Scavenger Hunt

d)

Picture Poem

129.

According to Oster (2001), this strategy is a technique in which students verbalize their thoughts as they read.

a)

Think-Aloud

b)

Choral Reading

c)

Poetry Scavenger Hunt

d)

Picture Poem

130.

Which of the following does NOT belong to macro skills?

a)

Viewing

b)

Writing

c)

Speaking

d)

Thinking