Worksheetsphoto 2 fall final
Total questions: 75
Worksheet time: 38mins
Combining elements to add a feeling of equilibrium or stability
unity
gradation
balance
shape
Combining similar elements to accent their similarities - harmony
contrast
harmony
line
value
An element made up of three distinct qualities hue, and intensity.
color
contrast
variety
emphasis
An individual which indicates the lightness or darkness in the work
texture
line
movement
contrast
Combining elements by using gradual changes in those elements
movement
gradation
emphasis
gradient
Combining elements to stress the differences between them.
rhythm
emphasis
proportion
variety
Combining elements causes the viewer's eyes to sweep over the entire work
value
movement
line
balance
A continuous work
color
shape
movement
line
Combining elements in involved ways to create intricate and complicated backgrounds
texture
proportion
balance
variety
the look or feel of wholeness in a work of art or photography
unity
balance
gradation
emphasis
The surface quality
rhythm
texture
color
line
Combining repeated elements to create a visual tempo or beat
proportion
rhythm
emphasis
movement
The relationship of certain elements to the whole end each other
balance
emphasis
proportion
harmony
a natural grouping of related objects
simplicity
cluster
rule of thirds
s or c curve
lines in the image create curving lines similar to a letter
leading line
framing
bullseye
s/c curve
line that leads to a vanishing point which creates depth
leading line
rule of thirds
bullseye
simplicity
defined by a point that radiates out
simplicity
leading line
bullseye
rule of third
the image is split into nine squares with four lines
rule of thirds
bullseye
leading line
simplicity
everything but the subject is blurred, small, or not as interesting
framing
simplicity
bullseye
cluster
utilizing other elements to create a frame
simplicity
leading line
cluster
framing
The standardized numbers used to measure a film’s speed
iso
shutter speed
tetrameters
viewfinder
Camera that uses a mirror and prism system allowing the photographer to see through the lens exactly what will be captured.
iso
shutter speed
single lens reflex
aperture priority
The film's relative sensitivity to light is called
fisheye lens
shutter speed
bracketing
f/2
This determines how much light will pass through the lens
exposure meter
zoom lens
aperture and shutter speed
shutter speed
Camera setting where you set the shutter speed and camera sets the aperture
aperture priority
tetrameters
shutter speed priority
bracketing
Camera setting where you set the aperture and the camera sets the shutter speed
aperture priority
shutter speed
f/22
shutter priority
Exposure is controlled primarily by these two camera controls
f/2
shutter speed and aperture
panning
f/22
This lens has a variable focal length
zoom lens
fisheye lens
viewfinder
shutter speed
A lens that has a very wide angle of view and produces barrel distortion
iso
exposure meter
fisheye lens
tetrameters
The f/stop that will admit a large amount of light and very little depth of field
f/2
f/22
F/stops that has a deep depth of field
f/22
f/2
Type of measurement of modern lens focal length
tetrameters
exposure meter
Minimum shutter speed to hand hold the camera
1/60
1/125
This measures the correct combination of shutter speed and aperture
panning
shutter speed
exposure meter
viewfinder
Making several exposures of the same scene
panning
bracketing
tetrameters
iso
This allows you to see the scene the camera is recording
panning
shutter speed
bracketing
viewfinder
Method of producing a relatively sharp subject and a background blurred by movement
aperture
panning
iso
shutter speed
Creates a triangle of light on one side of the face. This is the most common type of lighting. The light is placed at an angle and above the sitter.
rembrandt
side
butterfly
front
This is a very dramatic lighting technique. The light is placed directly to the side of the sitter. You may need to use a second fill light to highlight the other side of the sitters face.
halo
side
frontal
butterfly
Creates a soft effect. The light is placed directly behind the sitter. A second fill light is used from the side or an angle to highlight features.
front
side
rembrandt
halo
Creates a butterfly-shaped shadow under the nose. It is used to thin a round or chubby face and create cheekbones. The light is placed directly in front and above the sitter.
butterfly
halo
frontal
side
Reduces and virtually eliminates wrinkles on aged faces. The light is placed directly in front of the sitter.
side
rembrandt
frontal
butterfly
Strand was a citizen of this country
france
america
germany
britian
strand was born in this year
1890
1870
1980
1975
1917 Strands photos appeared in this magazine
vanity fair
rolling stone
camera works
This photographer did the most to promote Strands work
berenice abbott
alfred stieglitz
paul strand himself
ansel adams
strand was credited with taking the first ____ photograph
modern
beautiful
film
portrait
Strand ‘s negatives inspired this person to become a photographer
berenice abbott
ansel adams
Description of Strand’s early work
“street
people” taken from unusual viewpoints which hid as much as they revealed.
aesthetic images, things like defaced walls, weathered wood, and blistered paint
Person Strand studied with in High School
lewis hine
queen elizabeth the second
berenice abbott
Year Siskind was born
1860
1890
1776
1903
Type of photography Siskind was originally known for
documentary
portraits
candid shots
street
Siskind took close ups of these subjects
rocks and boulders
defaced walls, peeling paint
Element of photography that Siskind was interested in
shape
line
value
texture
Objects Siskind turned to photograph that were unrecognizable into
aesthetic images
something new
paintings
Schools where Siskind taught
chicago institute of design, rhode island school of design
he was never a teacher
harvard and yale
Siskind was inspired by
abstract expressionists
pictoralists
Siskind relies on this to convey meaning and beauty in photos
the photograph itself not meaning the scene shows
the elements and principles prominent in the image
City and year of birth of Abbott
springfield, 1898
new york city, 1922
paris, 1890
Where did Abbott move at age 20 when she first left home
houston
paris
new york city
Where did Abbott move in 1921
paris
new york
springfield
What job did Abbott have in Paris
dark room assistant
photographer for rolling stones
Why did she return to New York
she disliked living in paris and felt she needed to move back
she was sick of the people in paris
she wanted new challenges and a fresh start
she missed her old life
What type of photographer was Man Ray
landscape
portrait
sports
animal
What was Man Ray's style
romantic and experimental
upclose shots
street photography
Who was more popular Man Ray or Abbott
man ray
berenice abbott
they were equally popular
Weston opened his own studio specializing in this
portraits
holiday card photos
magazine photos
Early in Westons career Weston was influenced by
famous artists
berenice abbott
pictoralists
Weston helped form a group called
f/2 (group 2)
f/64 (group 64)
f/22 (group 22)
After spending time in Mexico, Weston became interested in _______ _____for which he became famous for.
nature studies
experimental styles
animal studies
doctoral studies
Weston work changed because of the influence of these two photographers
vivian maier and annie leibovitz
ansel adams and berenice abbott
alfred steiglitz and paul strand
Liebovitz photography style
candid portraits, street photography, often in black and white
portraits in carefully staged settings, superb lighting, and used vivid color
What was Liebovitz job from 1973-1983
rolling stone chief photographer
rolling stone prime editor
dark room assistant
1983 Liebovitz began work for this magazine
people magazine
vogue
vanity fair
new york times
In 1948, Liebovitz won this from American Society or Photographer
photographer of the year
photo of the year
photo of the decade
photographer of the decade
