This ifugao wedding festival dance is accompanied by gongs and is performed by affluent to attain the second level of wealthy class.

Dance that dramatizes a dance that portrait the rooster and the hen, Lady Lien. They try to attract her by making use of blankets that depict their feathers and wings.

They carry pots that are placed above their heads. They also wear small hand woven blankets around their necks which represent the “blankets of life.”

Literally means clay pot, so the dance is known as clay pot dance.

This was originally performed with couples scattered informally about the room with no definite sequence of steps and direction followed.

This ballroom was popular in province of during the Spanish time. It was usually danced during fiestas and in big social affairs.

The dance could have derived from its name which means the all-string band that plays the dance music in the many 'baylihan' during the Spanish colonial period.

It portrays the creation of the first man and woman.

In tiboli means "to imitate or to copy" also it portrays the movements of bird.

This dance mimics dark and copy the behavior of tahaw bird. Upon performing this dance, malong and salakot is worn. It is usually performed to celebrate a good harvest.

This folk dance represents the movements of a hawk, a hen, and her baby chicks. Where the hawk try to take one of the chicks of a hen.

Portrays the cycle of planting and harvesting of rice.

Originally only women, particularly royalty, danced this, which serves as either a conscious or unconscious advertisement to potential suitors.

Dance characterized by elaborate body postures and gestures and the graceful arm and hand movement of the dancer, amplified by the use of janggay or metal claws.

A moro wedding dance. When the natives from Jolo perform this dance, no definite number of steps, no sequence of figures, no lines of directions and no particular feet and arm movements are incorporated.

Dance shows how the malong can be wear in different ways.

Involves a man and his wife performing complicated hand and foot movements while their faces are painted white to hide their identity from evil spirits.

The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.

The dancers balance glasses on their heads and in their hands as they move.

A dance imitating the “movements of a duck” such as wading, flying, and short steps and splashing water on their backs like the ducks do.

The hats are embellished and enhances the graceful dance movements of the dancers.

It is performed by male dancers. Coconut shell halves are secured onto the dancers' hands and on vests upon which are hung four or six more coconut shell halves.