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HISTORY FOREVER

Total questions: 48

Worksheet time: 26mins

Name
Class
Date
1.

GREEK 4 METHODS OF WALLING SURFACE FINISHES:

a)

Cyclopean

b)

Polygonal

c)

Curvilinear

d)

Rectangular

2.

GREEK 4 METHODS OF WALLING SURFACE FINISHES

a)

Cyclopean

b)

Polygonal

c)

Curvilinear

d)

Rectangular

3.

GREEK 4 METHODS OF WALLING SURFACE FINISHES

a)

Cyclopean

b)

Polygonal

c)

Curvilinear

d)

Rectangular

4.

GREEK 4 METHODS OF WALLING SURFACE FINISHES

a)

Cyclopean

b)

Polygonal

c)

Curvilinear

d)

Rectangular

5.

INTERCOLUMNATION:

STYLE : PYCNOSTYLE (Tight-Columned)

a)

b)

c)

d)

e)

6.

INTERCOLUMNATION:

STYLE : SYSTYLE (Close-Columned)

a)

b)

c)

d)

e)

7.

INTERCOLUMNATION:

STYLE: EUSTYLE (Well-Columned)

a)

b)

c)

d)

e)

8.

INTERCOLUMNATION:

STYLE: DIASTYLE (Broad-Columned)

a)

b)

c)

d)

e)

9.

INTERCOLUMNATION:

STYLE: ARAEOSTYLE (Light-Columned)

a)

b)

c)

d)

e)

10.

ROMAN CONCRETE WALLS:

 Made up of rectangular blocks of stone with or w/ out

mortar joints but frequently secured with dowels and cramps.

 Masonry of squared stones in regular ashlar course

a)

Opus Quadratum

b)

Opus Incertum

c)

Opus Recticulatum

d)

Opus Testaceum

11.

ROMAN CONCRETE WALLS:

 Made up of small stones laid in a loose pattern roughly

assembling the polygonal work.

 Masonry formed of small rough stones set irregularly in mortar,

sometimes traversed by beds of bricks or tiles

a)

Opus Incertum

b)

Opus Quadratum

c)

Opus Recticulatum

d)

Opus Testaceum

12.

ROMAN CONCRETE WALLS:

 Fine joints were in diagonal lines like the meshes of a net.

 Backed by a concrete core, formed of small pyramidal stones

with their points embedded in the wall, their exposed square

bases, set diagonally, forming a net-like pattern

a)

Opus Recticulatum

b)

Opus Testaceum

c)

Opus Incertum

d)

Opus Quadratum

13.

ROMAN CONCRETE WALLS:

Triangular bricks (plan) specially made for facing the walls.

a)

Opus Testaceum

b)

Opus Quadratum

c)

Opus Incertum

d)

Opus Recticulatum

14.

ROMAN CONCRETE WALLS:

 Consisted of bands of “tufa” introduced at intervals in the ordinary brick

facing or alteration of rectangular blocks with small squared stone

blocks. Formed from mix of wall surfaces

a)

Opus Mixtum

b)

Opus Sectile

c)

Opus Alexandinum

d)

Opus Vermiculatum

15.

ROMAN CONCRETE WALLS:

 Any mosaic of regularly cut material

a)

Opus Sectile

b)

Opus Alexandinum

c)

Opus Vermiculatum

d)

Opus Mixtum

16.

ROMAN CONCRETE WALLS:

 A form of opus sectile having geometric pattern formed with few colors such as Black and White, or Dark Green and Red

a)

Opus Alexandinum

b)

Opus Vermiculatum

c)

Opus Mixtum

d)

Opus Sectile

17.

ROMAN CONCRETE WALLS:

 A mosaic of tessera arranged in waving lines resembling the form or tracks of a worm.

a)

Opus Vermiculatum

b)

Opus Alexandinum

c)

Opus Sectile

d)

Opus Mixtum

18.

ARRANGEMENT OF GREEK TEMPLES:

a)

anta

b)

double anta

c)

tholos

d)

prostyle

e)

ampi prostyle

19.

ARRANGEMENT OF GREEK TEMPLES:

a)

anta

b)

double anta

c)

tholos

d)

prostyle

e)

ampi prostyle

20.

ARRANGEMENT OF GREEK TEMPLES:

a)

anta

b)

double anta

c)

tholos

d)

prostyle

e)

amphi prostyle

21.

ARRANGEMENT OF GREEK TEMPLES:

a)

anta

b)

double anta

c)

tholos

d)

prostyle

e)

ampi prostyle

22.

ARRANGEMENT OF GREEK TEMPLES:

a)

anta

b)

double anta

c)

tholos

d)

prostyle

e)

amphi prostyle

23.

ARRANGEMENT OF GREEK TEMPLES:

a)

dipteral

b)

peripteral

c)

pseudo peripteral

d)

pseudo dipteral

24.

ARRANGEMENT OF GREEK TEMPLES:

a)

dipteral

b)

peripteral

c)

psuedo peripteral

d)

pseudo dipteral

25.

ARRANGEMENT OF GREEK TEMPLES:

a)

deptiral

b)

peripteral

c)

pseudo peripteral

d)

pseudo deptiral

26.

ARRANGEMENT OF GREEK TEMPLES:

a)

dipteral

b)

peripteral

c)

pseudo dipteral

d)

pseudo peripteral

27.

TWO WAYS OF DESCRIBING TEMPLES: (rectangular)

a) According to the number of columns on the entrance front.

b) By the arrangement of the exterior columns of the temple in relation to naos as below:

what is

Henostyle, Distyle , Tristyle

a)

b)

c)

d)

28.

TWO WAYS OF DESCRIBING TEMPLES: (rectangular)

a) According to the number of columns on the entrance front.

b) By the arrangement of the exterior columns of the temple in relation to naos as below:

what is

Tetrastyle, Pentastyle, Hexastyle

a)

b)

c)

d)

29.

TWO WAYS OF DESCRIBING TEMPLES: (rectangular)

a) According to the number of columns on the entrance front.

b) By the arrangement of the exterior columns of the temple in relation to naos as below:

what is

Heptastyle, Octastyle, Enneastyle

a)

b)

c)

d)

30.

EGYPTIAN STRUCTURES:

Flat top or tapered solid temple.

a)

Mastaba

b)

Pyramids

c)

Rock-Cut Tombs or Rock-Hewn Tombs

d)

Mortuary Temple

31.

EGYPTIAN STRUCTURES:

4 sides facing the cardinal points; Tomb of Pharaohs; built by 100 men in 100 years

a)

Mastaba

b)

Pyramids

c)

Rock-Cut Tombs or Rock-Hewn Tombs

d)

Mortuary Temple

32.

EGYPTIAN STRUCTURES:

Tombs of Nobility; Tombs hewn out of native rock, presenting only an architectural front with dark interior chambers

a)

Rock-Cut Tombs or Rock-Hewn Tombs

b)

Mortuary Temple

c)

Mastaba

d)

Pyramids

33.

EGYPTIAN STRUCTURES:

Built in honor of Pharaohs; Temples for offerings and worship of deceased person, usually a deified king

a)

Mortuary Temple

b)

Rock-Cut Tombs or Rock-Hewn Tombs

c)

Pyramids

d)

Mastaba

34.

EGYPTIAN STRUCTURES:

Temple devoted to the worship of divinity; Built for the worship of gods

a)

Cult Temple

b)

Obelisks

c)

Sphinx

d)

Pylon

35.

EGYPTIAN STRUCTURES:

Tall, monumental, sour-sided stone shaft tapering to a pyramidal tip; Mostly covered with hieroglyphs; Originally erected as cult symbol to the sun god, Heliopolis.

Height usually 9-10 times the size of the base.

a)

Obelisks

b)

Sphinx

c)

Pylon

d)

Cult Temple

36.

EGYPTIAN STRUCTURES:

A mystical monster with a body of a lion and head of a man (androsphinx), head of a hawk (heirasphinx); head of a ram (criosphinx)

a)

Sphinx

b)

Pylon

c)

Cult Temple

d)

Obelisks

37.

EGYPTIAN STRUCTURES:

Massive sloping towers fronted by an obelisk known as gateways

a)

Pylon

b)

Cult Temple

c)

Obelisks

d)

Sphinx

38.

(simplicity, monumentality, solidity or massiveness)/ (post & lintel; columnar or trabeated)

(a)  

39.

[(1) vastness & magnificence, (2) ostentation & ornateness]

(a)  

40.

[(1) simplicity & harmony, (2) purity of lines, (3) perfection of proportions, (4) refinement of details]

(a)  

41.

Private bath in

Roman palaces &

houses containing

a)

BALNEUM

b)

THEATERS / ODEION

c)

THERMAE

d)

AMPHITHEATERS

42.

ROMAN HOUSES:

Center of family apartments.

The type of house occupied by the upper classes and some wealthy

freedmen during the Republican and Imperial eras.

a)

DOMUS

b)

VILLA

c)

INSULA

d)

NOTA

43.

DOMUS (Private House) :

Corridor from main door to atrium

a)

Ostium

b)

Vestibulum

c)

Fauces

d)

Tabernae

e)

Atrium

44.

DOMUS (Private House) :

Living room / study or office for the dominus

a)

Tablinum

b)

Triclinium

c)

Impluvium

d)

Compluvium

e)

Alae

45.

DOMUS (Private House) :

Kitchen

a)

Cullina

b)

Cubiculum

c)

Posticum

d)

Peristylium

e)

Piscina

46.

DOMUS (Private House) :

Bedroom

a)

Cubiculum

b)

Cullina

c)

Posticum

d)

Piscina

e)

Lararium

47.

ROMAN HOUSES:

A luxurious country house with surrounding terraces and gardens, colonnades, palasestae theater, and thermae.

a)

VILLA

b)

DOMUS

c)

INSULA

d)

HOTEL

48.

ROMAN HOUSES:

Many storeyed tenements also called “Workmen’s Dwelling”.

A kind of apartment building that housed most of the urban citizen

population of ancient Rome, including ordinary people of lower- or middle-

class status (the plebs)

a)

INSULA

b)

VILLA

c)

DOMUS

d)

MOTEL