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Worksheets

Literary Review

Total questions: 50

Worksheet time: 25mins

Name
Class
Date
1.

The depiction of fate or the universe as malicious or indifferent to human suffering, creating a painful contract between our purposeful activity and its (in this context) ultimate meaningless.

a)

Situational Irony

b)

Cosmic Irony

c)

Verbal Irony

d)

Ironing

2.

The mention a spot that is most vulnerable; one weakness a person may have is an allusion to

a)

Aeolian

b)

Hector

c)

Achilles' Heel

d)

Halcyon

3.

When everything falls apart at the end of a text and there is little to no promise of resolution.

a)

denouement

b)

falling action

c)

catastrophe

d)

verbal irony

4.

The text's attitude toward the subject of characters of a story or poem or toward the reader.

a)

mood

b)

tone

c)

narrative perspective

d)

symbol

5.

" We shall fight on the beaches,

we shall fight on the landing grounds,

we shall fight in the fields and in the streets,

we shall fight in the hills"

(Winston S. Churchill)

a)

anaphora

b)

mesodiplosos

c)

antanclasis

d)

dicope

6.

One thousand sails pursued Paris when he fled with Helen of Troy.

a)

epic simile

b)

metaphor

c)

synecdoche

d)

tragic diction

7.

A fundamental human truth or universal idea explored in a literary work.

a)

argument

b)

colonialism

c)

subject

d)

theme

8.

A story recounted in part or entirely through letters written by a character or characters.

a)

indirect characterization

b)

correspondia

c)

epistolary

d)

alphabetia

9.

The associated or implied meaning that a word carries along with its literal meaning

a)

situational irony

b)

denotation

c)

connotation

d)

aberration

10.

A technique that draws attention to the discrepancy between words and their meanings, between expectation and fulfillment, or, most commonly, between what is and what seems to be.

a)

mimesis

b)

reductionism

c)

pathetic fallacy

d)

irony

11.

A recurring idea, structure, contrast, or device that develops or informs the major themes of a work of literature.

a)

regression

b)

motif

c)

epiphany

d)

emblem

12.

The explicit, literal meaning of a word.

a)

connotation

b)

metaphor

c)

denotation

d)

figurative element

13.

He is not unfriendly.

a)

litotes

b)

overstatement

c)

understatement

d)

cliché

14.

A process of narration in which the narrator is revealed over time to be an untrustworthy source of information.

a)

mimesis

b)

didacticism

c)

unreliable narrator

d)

narrative structure

15.

A word or idea that can be understood in multiple ways; frequently refers to the condition of being obscure or difficult to understand

a)

ambiguous

b)

denotation

c)

literal

d)

epiphanous

16.

I have told you a million times already.

a)

Conceit

b)

Repetition

c)

Redundancy

d)

Hyperbole

17.

The atmosphere of a work of literature; the emotion created by the work (most notably by the setting)

a)

Imagery

b)

Adjective

c)

Mood

d)

Psyche

18.

"As Caesar loved me, I weep for him.

As he was fortunate, I rejoice at it.

As he was valiant, I honor him

But as he was ambitious, I slew him"

(Shakespeare Julius Caesar)

a)

Antithesis

b)

Anagnorisis

c)

Simile

d)

Anaphora

19.

A literary style in which the narrator tells the story his/her own point of view and refers to him/herself as I. The narrator may be an active participant in the story or just an observer.

a)

Third person narration

b)

Limited omniscient narration

c)

First-person narration

d)

Objective narration

20.

same difference, jumbo shrimp

a)

understatement

b)

parallelism

c)

hyperbole

d)

oxymoron

21.

When the going gets tough, the tough get going.

a)

compunction

b)

overstatement

c)

juxtaposition

d)

chiasmus

22.

A character who illuminates the qualities of another character by means of contrast.

a)

Juxtaposer

b)

Foil

c)

Stock Character

d)

Tragic Hero

23.

"My love is like a red, red rose." Robert Burns

a)

Anaphora

b)

Metaphor

c)

Simile

d)

Idiom

24.

The ship was crewed by fifty hands.

a)

Synecdoche

b)

Villanelle

c)

Understatement

d)

Metonymy

25.

Bow-wow. Crackle. Buzz. Zoom

a)

Simile

b)

Truncation

c)

Euphony

d)

Onomatopoeia

26.

A protagonist who is not admirable or who challenges our notions of what should be considered admirable.

a)

Antihero

b)

Everyman

c)

Romantic Hero

d)

Nemisis

27.

A pleasing arrangement of sounds that usually emphasizing the vowel sounds

a)

Polyphony

b)

Monotony

c)

Cacophony

d)

Euphony

28.

As hot as the sun.

a)

Simile

b)

Metaphor

c)

Metonymy

d)

Synedoche

29.

"A literary style in which the narrator remains outside the story and describes the characters in the story using proper names and pronouns like he, she, it, and they."

a)

First Person Point of View

b)

Second Person Point of view

c)

Third Person Point of View

d)

Variable Focalization

30.

When a writer addresses an absent or dead person or an object, quality, or idea.

a)

Amalgamation

b)

Protolide

c)

Apostrophe

d)

Thanatos

31.

"Sweet-scented stuff"

a)

Assonance

b)

Slant Rhyme

c)

Alliteration

d)

Antithesis

32.

The repetition of consonants in the a sequence of nearby words, especially at the end of stressed syllables.

a)

Consonance

b)

Assonance

c)

Visual Rhyme

d)

Physiognomy

33.

A novel about the education or psychological growth of the protagonist

a)

Epiphany

b)

Anagnorisis

c)

Climax

d)

Bildungsroman

34.

An extended metaphor, or elaborate parallel between two seemingly dissimilar objects or ideas in a poem.

a)

Volta

b)

Conceit

c)

Parallelaxisism

d)

Bildungsroman

35.

The choice of the poet e.e. cummings to dispense with capitalization rules in this name and his writing.

a)

Bellicosity

b)

Polydactyl

c)

poetic license

d)

Super Ego

36.

An informal expression, or slang term; acceptable in conversation but not usually in formal writing.

a)

Colloquialism

b)

Onomatopoeia

c)

Plebian

d)

Anaphora

37.

Want to take a ride in my new wheels?

a)

Truncated foot

b)

Prolepsis

c)

Elevated Diction

d)

Synecdoche

38.

In Sophocles' Oedipus Rex, Oedipus vows to discover his father's murderer, not knowing, as the audience does, that he is the murderer.

a)

Verbal Irony

b)

Situational Irony

c)

Dramatic Irony

d)

Cosmic Irony

39.

My sister is a total psychopath.

a)

Indirect Characterization

b)

Epanalepsis

c)

Epistrophe

d)

Hyperbole

40.

The moon smiled down at us as we sat by the river.

a)

Hyperbole

b)

Personification

c)

Metonymy

d)

Synecdoche

41.

A cleaning purification of one's emotions through art

a)

Anagnorisis

b)

Sepulcher

c)

Catharsis

d)

Blank Verse

42.

In Wuthering Heights the nightmares Lockwood has the night he sleeps in Catherine's bed prefigure later events in the novel.

a)

Foreshadowing

b)

Pathetic Fallacy

c)

Anagnorisis

d)

Dramatic Irony

43.

A sudden powerful, and often spiritual or life changing realization that a character reaches in an otherwise ordinary or everyday moment.

a)

Rising Action

b)

Hegira

c)

Status quo

d)

Epiphany

44.

A horrible creature of the imagination, an absurd impossible idea; wild fancy is an allusion to

a)

chimera

b)

aurora

c)

titan

d)

jovial

45.

A creature or person that is a source of inspiration is an allusion to

a)

parnassus

b)

mnemonics

c)

muses

d)

pegasus

46.

Someone who is overly idealistic to the point of having impossible dreams is an allusion to

a)

Narcissus

b)

Stygian

c)

Frankenstein

d)

Don Quixote

47.

a person with irresistible hypnotic power over others

a)

Svengali

b)

Heracles

c)

Milquetoast

d)

Rodmontade

48.

Destructively or frenetically violent

a)

beserk

b)

philistine

c)

sepulcher

d)

chauvinist

49.

poem of 17 syllables in three lines of 5, 7 and 5 syllables, traditionally evoking images of the natural world

a)

Limerick

b)

stanza

c)

haiku

d)

line

50.

a warning in indication of a future event

a)

Foreshadowing

b)

Plot

c)

Suspense

d)

exposition