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Worksheets

Final Battle gaslight

Total questions: 66

Worksheet time: 33mins

Name
Class
Date
1.

It is a step toward a deeper comprehension of how the world is perceived and how his or her personality is seen.

a)

Brainstorming

b)

Mind-blowing

c)

Soulmaking

d)

Dream catching

2.

If you were to create your art; you can create your ideas in a ______ form

a)

Abstract

b)

Tangible

c)

Indefinite

d)

General

3.

In art making, everyday experiences and observations would help you _____ and ______

a)

reflect and draw

b)

express and feel

c)

fantasize and tell stories

d)

make choices and reflect

4.

It will depend on your temperament, artistic style, and medium that is used to do your artwork. At what stage is this?

a)

Creation

b)

Inspiration

c)

Percolation

d)

Preparation

5.

Julienne copied a drawing from her classmate Jame

a)

Adaptation

b)

Cultural Appropriation

c)

Culture

d)

Appropriation

6.

A man painting the same book cover from it

a)

Content Appropriation

b)

Stylistic Appropriation

c)

Object Appropriation

d)

Motif Appropriation

7.

This includes the production, by various forms and methods, of visual representations of images.

a)

Crafting Images

b)

Crafting Stories

c)

Crafting Instruments

d)

Arts Crafting

8.

When transforming any found or use object into a musical instrument; it allows one to discover harmony and balance to produce a sound that is entertaining

a)

Crafting Images

b)

Crafting Stories

c)

Crafting Instruments

d)

Arts Crafting

9.

This is when an individual writes down his or her feedback, life values, deep feelings, ideas, ideals, and even high and low emotions

a)

Crafting Images

b)

Crafting Stories

c)

Crafting Instruments

d)

Arts Crafting

10.

It is an art movement concerned with popularizing handmade craftsmanship as a way to shrink the gap between design and manufacture.

a)

Abstract Expressionism

b)

Pop Art

c)

Crafting

d)

Art Nouveau

11.

One of the phases of soul-making refers to the artist's quest to connect with their deepest inner self and express that inner self through their art.

a)

Seeking

b)

Settling

c)

Surrender

d)

Soaring

12.

It is a powerful symbol that represents the human desire for growth and trans formation which reminds us that we are capable of transcending our limitations and reaching for the highest possibilities of our lives.

a)

Seeking

b)

Settling

c)

Surrender

d)

Soaring

13.

The fourth step is when the person moves from a stage of developing reflective practice to being a practitioner of soul-making.

a)

Seeking

b)

Settling

c)

Surrender

d)

Soul making

14.

You need an insatiable curiosity for life. Great minds have one characteristic in common: they continuously ask questions throughout their lives

a)

Curiosita

b)

Settling

c)

Surrender

d)

Soul making

15.

A commitment to test knowledge through experience. Wisdom comes from experience and the principle of this helps you get the most out of your experience

a)

Sfumato

b)

Dimostrazione

c)

Sensazione

d)

Curiosita

16.

The continual refinement of the senses, especially sight, as the means to clarify experience. Accordingto Da Vinci, we can best practice this principle throug hour senses, particularly sight.

a)

Sensazione

b)

Sfumato

c)

Dimostrazione

d)

Curiosita

17.

A willingness to embrace ambiguity, paradox, and uncertainty.Anessentialcharacteristicof Da Vinci’sgeniusishisabilitytohandle a senseofmystery.

a)

Sfumato

b)

Sensazione

c)

Dimostrazione

d)

Curiosita

18.

The development of the balance between science and art, logic and imagination (“wholebrain thinking”).

a)

Arte/Scienza

b)

Corporalita

c)

Connessione

d)

All of the above

19.

The cultivation of ambidexterity, fitness, and poise. Itis “the cultivation of grace, ambidexterity, fitness, and poise”.

a)

Corporalita

b)

Connessione

c)

Arte/Scienza

d)

T’nalak

20.

A recognition and appreciation for the connectedness of all things and phenomena; “systems thinking.”It is systems thinking

a)

Connessione

b)

Tone

c)

Color

d)

All of the above

21.

What is true about textile art?

a)

Textile arts are crafts and arts that use plants, animals, or synthetic fibers to construct practical decorative objects

b)

Textile art is a way of creating beautiful multi-colored designs by tying and dyeing fabrics in an array of bright paint colors.

c)

Textile art is the use of old materials to create new crafts.

d)

None of the above

22.

Which are the elements of art present in creating Textile Art?

a)

Color

b)

. Tone

c)

Motif

d)

All of the above

23.

_____ is a ritual textile, its creation is connected to the T’boli spiritually; one very famous traditional cloth, particularly in South Cotabato.

a)

T’nalak

b)

T’bolis

c)

Seputangan

d)

Inaul

24.

T’nalak is made by a group of people in Lake Sebu called the _____.

a)

T’nalak

b)

T’bolis

c)

Seputangan

d)

Inaul

25.

T’nalak production is a labor-intensive process; the ____ fibers are stripped from the tree, cleaned and dried, and separated into strands.

a)

Anahaw

b)

Piña

c)

Abaca

d)

banana

26.

The _____, handwoven cloth with intricate designs, has been worn as women’s skirts but it is also used as blankets and wraps for the dead by the Mandayas.

a)

Dagmay

b)

Saya

c)

Pisyabit

d)

Baro

27.

The _____ is the traditional cloth tapestry worn as a head covering by the Tausugs of Sulu.

a)

T’nalak

b)

Pis-yabit

c)

Seputangan

d)

Inaul

28.

Pis-yabitis a multi-purpose headwear that may be worn on the shoulder, tied around the hilt of the kris (sword) or wrapped around the head used by the Tausug men, usually a sign of ____.

a)

Marital Status

b)

Malehood

c)

Womanhood

d)

Rank

29.

It is the most intricate design worn by the women around the waist or as a head cloth and is patterned after the colors of the rainbow, worn by the Yakan of Basilan and Sulu.

a)

T’nalak

b)

Pis-yabit

c)

Inau

d)

Seputangan

30.

It is a technique for making malong – the wrap-around skirts commonly worn both genders.

a)

T’nalak

b)

Pis-yabit

c)

Seputangan

d)

Inaul

31.

____ can be used to change the meaning of a word or phrase and they canchange the way we view things.

a)

Theme

b)

Motif

c)

Symbols

d)

Classifications

32.

____ can be used to change the meaning of a word or phrase and they canchange the way we view things

a)

Theme

b)

Motif

c)

Symbols

d)

Classifications

33.

_____ designs are those which represent flowers, birds, fish, landscapes etc. in an easily recognizable form

a)

Naturalistic

b)

Geometric

c)

Realistic or Natural

d)

Abstract

34.

_____ designs distorts real and natural objects

a)

Naturalistic

b)

Geometric

c)

Stylized

d)

Abstract

35.

_____ designs have little or no reference to real objects.

a)

Naturalistic

b)

Geometric

c)

Realistic or Natural

d)

Abstract

36.

_____ designs are the forms composed of lines and curves

a)

Naturalistic

b)

Geometric

c)

Realistic or Natura

d)

Abstract

37.

An updated version of the traditional bahay kubo

a)

Bahay Pawid B.

b)

Bahay na Bato

c)

Bahay na Mandaya

d)

Bahay-bahayan

38.

It is the house of the Higaonan.

a)

Stone House

b)

Clay House

c)

Tree House

d)

Nipa House

39.

The houseboats of _____, sea gypsies of the Philippines, cruise along the islands in the Sulu archipelago.

a)

Yakan

b)

Maranao

c)

Tausug

d)

Badjao

40.

____ in art is when the elements of a painting or drawing balance each other out.

a)

Symmetry

b)

Okir

c)

Lines

d)

Colors

41.

What is a Culture?

a)

The same thing as society

b)

Limited to humans

c)

Possessed only by males

d)

None of the above

42.

What does Matilak mean?

a)

Wavy

b)

Straight line

c)

Circle

d)

Horizontal

43.

____ is a design or pattern often rendered or curved in hardwood, brass, silver, and wall painting in curvilinear lines and Arabic geometric figures

a)

Okir

b)

Symmet

c)

Matilak

d)

Torogan

44.

A symmetrically balanced image is weighted _____ on either side of the center of the image.

a)

unequally

b)

bravely

c)

equally

d)

normally

45.

Because of its structured and equally balanced nature, a symmetrical design is perfect when the desired effect is a sense of _____, clarity, and consistency.

a)

time

b)

motion

c)

metrics

d)

order

46.

Refers to the lightness or darkness of a color.

a)

value

b)

shape

c)

intensity

d)

texture

47.

Refers to the brightness or dullness of a color.

a)

value

b)

intensity

c)

texture

d)

texture

48.

The element that refers to the tactile qualities is ____________.

a)

texture

b)

intensity

c)

shape

d)

value

49.

May be real or simulated as in rubbings or drawn wood-grain.

a)

texture

b)

shape

c)

value

d)

intensity

50.

May be geometric or organic.

a)

shape

b)

intensity

c)

texture

d)

value

51.

The pure hue is at its brightest _______ right from the bottle.

a)

intensity

b)

value

c)

texture

d)

shape

52.

Rough is an example of _________.

a)

texture

b)

intensity

c)

shape

d)

shape

53.

It's a technique where the dancers connect their entire body with the environment such as air, floor, and the energy of others, forming an interconnection by just standing.

a)

Contact Improvisation

b)

Release Technique

c)

Flying Low

d)

Body-Mind Centering

54.

Contemporary focuses on freedom of movement

a)

ganern

b)

ligwak

55.

This dancing technique teaches to release unnecessary tensions used while moving to create freedom of movement.

a)

Release Technique

b)

Flying Low

c)

Body-Mind Centering

d)

Contact Improvisation

56.

Contact Improvisation is considered a technique since the goals of its practice are acquired with repetition in time, and it works over physical skills, too.

a)

ligwak

b)

ganern

57.

This Contemporary dancing provides emphasis in breathing, body alignment, mental control, and relaxation.

a)

Release Technique

b)

Body-Mind Centering

c)

Contact Improvisation

d)

Flying Low

58.

Which of the following best describes "contemporary art”?

a)

It is the art of the past.

b)

It is a traditional art.

c)

. It is a religious art

d)

.It is the art of the present

59.

In terms of cultural overview, which of the following characteristics refers to contemporary art?

a)

indigenous

b)

ritua

c)

lowland

d)

popular

60.

Which of the following is not an example of contemporary forms?

a)

Mobile

b)

Assemblage

c)

Collage

d)

Pottery

61.

What is the Islam building of worship called?

a)

church

b)

mosque

c)

temple

d)

ziggurat

62.

Decorations of Islamic mosques could be described by all of the following EXCEPT

a)

Containing Living Creatures

b)

Islam

c)

Buddhism

d)

Paganism

63.

Early Christians were only able to worship in underground ______.

a)

catacombs

b)

Islam

c)

Buddhism

d)

Paganism

64.

For architecture during the Arts and Crafts Movement, which of the following was not characteristic?

a)

The use of warm-colored woods in architecture and furnishings.

b)

Creating architecture that was for personal use by the artist, and not to be sold for money.

c)

Designing and creating architecture that looked used and rustic

d)

Ensuring architecture was connected to the environment it was in

65.

A craft

a)

emphasizes the physical effort and skill in the creative process.

b)

is a creative expression of an idea in some form.

c)

is made using hand skills and generally serves a utilitarian rather than fine art function.

d)

refers to any type of art that has a purpose or use

66.

The focus of the Art and Architecture of the Romanesque and Gothic periods was

a)

Christianity

b)

Islam

c)

Buddhism

d)

Paganism