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Lighting I

Total questions: 77

Worksheet time: 41mins

Name
Class
Date
1.

Lighting can be split up in two Categories

a)

Outdoor and Indoor

b)

Natural and Artificial

c)

Color and Black and White

2.

Natural Light

a)

None of these answers apply

b)

Any light that comes from lightbulb

c)

Any light that occurs Naturally

3.

Sunlight

a)

Artificial Light

b)

Natural Light

4.

Moonlight

a)

Natural Light

b)

Artificial

c)

None Of these answers Apply

5.

Firelight

a)

Natural Light

b)

Artificial

c)

None Of these answers Apply

6.

Light powered by Electricity

a)

Natural Light

b)

Artificial

c)

None Of these answers Apply

7.

Ambient Lighting

a)

None of these answers don't apply

b)

Any Lighting that is on location

c)

Lighting That the crew Brought

8.

Ambient Lighting

a)

None of these answers don't apply

b)

Any Lighting that is on location

c)

Lighting That the crew Brought

9.

Ambient Lighting

a)

Your Car Lights

b)

Street Lights

c)

Lighting That the crew Brought

10.

Ambient Lighting

a)

Your Car Lights

b)

Moon Light

c)

Lighting That the crew Brought

11.

Ambient Lighting

a)

Neon Signs already at Location

b)

Your Car Lights

c)

Lighting That the crew Brought

12.

Practical Lighting

a)

Lighting source seen outside the frame

b)

Lighting source seen inside the frame

c)

Any light inside or outside the frame

13.

Practical Lighting can be ambient or placed there by a gaffer

a)

False

b)

True

14.

Practical Lighting can be ambient or Artificial

a)

False

b)

True

15.

Lumens

a)

Measurement of how much light a source produces

b)

Measurement of The time it takes a light source to power up to full capacity

c)

Is the Tone Of The Light

d)

Hue

16.

Lux or Foot-candles

a)

Measurement of how much light a source produces

b)

Measurement of The time it takes a light source to power up to full capacity

c)

How much of that light hits the subject

d)

Hue

17.

Lux or Foot-candles

a)

Measurement of how much light a source produces

b)

Measurement of The time it takes a light source to power up to full capacity

c)

Is also Known as Incidental Light

d)

Is also Known as Hue

18.

Reflective Light

a)

Measurement of how much light a source produces

b)

Measurement of The time it takes a light source to power up to full capacity

c)

Is also known as Incidental Light

d)

Amount Of Light that reaches the camera

19.

Light Falloff

a)

Measurement of how much light a source produces

b)

As soon as light leaves the source it begins to lose intensity

c)

Is also known as Incidental Light

d)

Amount Of Light that reaches the camera

20.

Inverse Square Law

a)

Measurement of how much light a source produces

b)

As soon as light leaves the source it begins to lose intensity

c)

Is also known as Incidental Light

d)

Use to measure the the fall off of the intensity of light

21.

Inverse Square Law

a)

Measurement of how much light a source produces

b)

As soon as light leaves the source it begins to lose intensity

c)

Is also known as Incidental Light

d)

The intensity of light is equal to one over the distance squared

22.

Inverse Square Law The intensity of light is equal to one over the distance squared

a)

Measurement of how much light a source produces

b)

As soon as light leaves the source it begins to lose intensity

c)

Is also known as Incidental Light

d)

Means everytime you double the distancd away from the source the light is reduced by 75%

23.

Color Temperature

a)

Measured by foot

b)

Measured in Yards

c)

Measured in units called Kelvins

24.

Daylight in reference to Kelvins are

a)

Yellower Than Most Artificial light

b)

Bluer Than Most Artificial light

c)

Greener Than Most Artificial light

25.

Daylight

a)

1500

b)

1000 Kelvins

c)

5600 Kelvins

26.

Tungsten lights

a)

3200 kelvins

b)

1000 Kelvins

c)

5600 Kelvins

27.

Exposure

a)

Amount of falloff lighting

b)

Amount of light that reaches the sensor

c)

Amount of light that's reflected

28.

Aperture

a)

Amount of falloff lighting

b)

Ajustable mechanism that determine how much light enters the lens

c)

Amount of light that's reflected

29.

Aperture

a)

Amount of falloff lighting

b)

Ajustable mechanism that determine how much light enters the lens

c)

Amount of light that's reflected

30.

Lighting is (Check all that apply)

a)

Key element to creating cinematic images

b)

Big factor that separate amateur looking films from professional looking films

c)

Image will look flat and washed out without proper lighting

d)

Image will not look flat and washed out without proper lighting

31.

What are the Characteristics of lighting?

a)

Direction

b)

Color

c)

Speed

d)

Quantity

e)

Quality

32.

Depending on where you place your light the shadows will allow you to form different shapes or patterns

a)

True

b)

False

33.

Depending on where you place your light the shadows will allow you to form different shapes or patterns is

a)

Direction

b)

Quality

c)

Quantity

d)

Color

34.

Basic Three-Point Light setup

a)

Overhead light

b)

Key Light

c)

Back Light

d)

Fill Light

e)

Low Head Light

35.

Main light used to light up your subject

a)

Fill Light

b)

Key Light

c)

Back light

d)

Overhead Light

36.

Most common placement of a key light ?

a)

Directly in front of your subject

b)

Slightly below your subject about 45 degrees from the camera off to one side

c)

Slightly above your subject about 45 degrees from the camera off to one side

37.

Reason for placement of your key-light slightly above your subject about 45 degrees from the camera off to one side is so that subjects appear more three dimensional

a)

True

b)

False

38.

Reason for placement of your key-light slightly below your subject about 45 degrees from the camera off to one side is so that subjects appear more three dimensional

a)

True

b)

False

39.

Creating depth by light placement is what helps images feel more cinematic

a)

False

b)

True

40.

You will start creating raccoon eyes if you place your light too high above subject

a)

False

b)

True

41.

If you place light too low (Check all that apply)

a)

Will give you raccoon eyes

b)

Will give you the flashlight campfire look !

c)

Doesn't look very natural because light sources usually don't come from below us

42.

If you want a spooky scary feel you place the light

a)

High above the subject

b)

slightly to the side at 45 degrees in front of subject

c)

below the subject

43.

Having light slightly above subject Creates a nice drop shadow meaning the shadow underneath the chin that outlines the jaw .

a)

True

b)

False

44.

Having light slightly below subject Creates a nice drop shadow meaning the shadow underneath the chin that outlines the jaw

a)

False

b)

True

45.

Having light slightly below subject creates a dimension of depth and you also have the subjects eyes lit up nicely

a)

True

b)

False

46.

Having light slightly above subject creates a dimension of depth and you also have the subjects eyes lit up nicely

a)

True

b)

False

47.

With Key light properly positioned you can see light sources reflection in subject's eye which is called

a)

Back light

b)

Fill light

c)

Catch light

d)

Go light

48.

When we move the key light directly in front of our subject we get

a)

Flat look called flat lighting

b)

Back look called lighting

c)

Front look called front lighting

d)

Fill lighting

49.

When we move our light in in front of our subject for Flat Lighting (Check all that apply)

a)

Subject well lit without any shadows on face

b)

Least dramatic look

c)

Used for commercials

d)

Used for beauty shops that allow you to see every detail of the skin

50.

If we keep light in same spot (right in front of subject) we get

a)

Flat lighting

b)

Paramount/Butterfly lighting

c)

Loop lighting

d)

Split Lighting

51.

Paramount lighting refers to Paramount pictures who used this as their signature lighting style

a)

False

b)

True

52.

Butterfly Lighting

a)

Refers to the shadow under the nose that lighting position creates and is shaped like a butterfly

b)

Butterfly shaped shadow on setting

53.

Butterfly lighting is more of a masculine lighting pattern

a)

False

b)

True

54.

Butterfly lighting is more of a feminine lighting pattern

a)

True

b)

False

55.

Butterfly Lighting when applied properly shadows will accentuate the cheekbones creating depth to the face

a)

True

b)

False

56.

If you bring the light too low you will lose the drop shadow under the chin along with the butterfly shadow under the nose thus going back to a flatter two dimensional image.

a)

False

b)

True

57.

You will go from the butter fly lighting to raccoon eyes if

a)

If you bring the light too low you will lose the drop shadow under the chin along with the butterfly shadow under the nose thus going back to a flatter two dimensional image

b)

Raise it too high

58.

When you move your key light slightly to the side you will see side nose shadow that's referred to as

a)

Split Lighting

b)

Flat Lighting

c)

Loop Lighting

d)

Paramount Lighting

59.

This lighting pattern is used on rounder faces because it helps the face seem slimmer and longer

a)

Loop Lighting

b)

Split Lighting

c)

Flat Lighting

d)

Fill lighting

60.

When the light is moved to the side about 45 degrees the nose shadow connects with the check shadow it's called

a)

Loop Lighting

b)

Split Lighting

c)

Fill Lighting

d)

Rembrandt Lighting

61.

Know for creating a a triangle of light on the cheek of the subject and is most popular lighting pattern used in hollywood films

a)

Flat Lighting

b)

Rembrandt Lighting

c)

Fill Lighting

d)

Back lighting

62.

Creates a cinematic three dimensional depth to the subjects face

a)

Flat Lighting

b)

Rembrandt Lighting

c)

Fill Lighting

d)

Back lighting

63.

With Rembrandt lighting if you position your camera on the broader side of your subject it's called

a)

Broad light

b)

Fill Light

c)

Side light

64.

When you position your camera on the darker side of the subject this is called _________________

a)

Short light

b)

Long Light

c)

Fill Light

65.

Creates more Drama and depth with camera positioned on

a)

Bright side and from nose up to top of head

b)

Broad light /Bright side

c)

Dark side/Short light

66.

When light is moved to 90 degrees to one side of head the entire side of head becomes shadowed this is called

a)

Back lighting

b)

Fill lighting

c)

Split Lighting

67.

Used to create a more dramatic look ( Check all that apply)

a)

Split lighting

b)

Entire side of face becomes shadowed

c)

Splits face in half

d)

Used in scenes that's supposed to be super. dramatic

68.

Used to make subjects look more masculine

a)

Broad Lighting

b)

Split Lighting

c)

Fill Lighting

d)

Back lighting

69.

Lights up the Back of subjects is known as ( Check all that apply)

a)

Back light

b)

Rim Light

c)

Hair light

70.

Source of backlight can be anything in background (window, lamp and etc)

a)

False

b)

True

71.

Purpose of backlight is to create a rim or halo around the outline of your subject

a)

True

b)

False

72.

Fills in light on opposite side of Your key light making your shadows more dramatic

a)

True

b)

False

73.

Fills in light on opposite side of Your key light making your shadows less dramatic

a)

True

b)

False

74.

High Key Lighting

a)

More fill light for less contrast for your image

b)

Less fill light for less contrast for your image

75.

Used more in comedies commercials and romances

a)

High Key light

b)

Low Key Light

c)

Medium key light

76.

Less contrast on Your subject

a)

High Key Light

b)

Low Key Light

c)

Medium Key Light

77.

Checkerboard Lighting

a)

Light up background s

b)

Light up background on the dark side of the subject but leave the background dark behind the bright side of subject

c)

Light up background on the bright side of the subject but leave the background dark behind the dark side of the subject