WorksheetsLighting I
Total questions: 77
Worksheet time: 41mins
Lighting can be split up in two Categories
Outdoor and Indoor
Natural and Artificial
Color and Black and White
Natural Light
None of these answers apply
Any light that comes from lightbulb
Any light that occurs Naturally
Sunlight
Artificial Light
Natural Light
Moonlight
Natural Light
Artificial
None Of these answers Apply
Firelight
Natural Light
Artificial
None Of these answers Apply
Light powered by Electricity
Natural Light
Artificial
None Of these answers Apply
Ambient Lighting
None of these answers don't apply
Any Lighting that is on location
Lighting That the crew Brought
Ambient Lighting
None of these answers don't apply
Any Lighting that is on location
Lighting That the crew Brought
Ambient Lighting
Your Car Lights
Street Lights
Lighting That the crew Brought
Ambient Lighting
Your Car Lights
Moon Light
Lighting That the crew Brought
Ambient Lighting
Neon Signs already at Location
Your Car Lights
Lighting That the crew Brought
Practical Lighting
Lighting source seen outside the frame
Lighting source seen inside the frame
Any light inside or outside the frame
Practical Lighting can be ambient or placed there by a gaffer
False
True
Practical Lighting can be ambient or Artificial
False
True
Lumens
Measurement of how much light a source produces
Measurement of The time it takes a light source to power up to full capacity
Is the Tone Of The Light
Hue
Lux or Foot-candles
Measurement of how much light a source produces
Measurement of The time it takes a light source to power up to full capacity
How much of that light hits the subject
Hue
Lux or Foot-candles
Measurement of how much light a source produces
Measurement of The time it takes a light source to power up to full capacity
Is also Known as Incidental Light
Is also Known as Hue
Reflective Light
Measurement of how much light a source produces
Measurement of The time it takes a light source to power up to full capacity
Is also known as Incidental Light
Amount Of Light that reaches the camera
Light Falloff
Measurement of how much light a source produces
As soon as light leaves the source it begins to lose intensity
Is also known as Incidental Light
Amount Of Light that reaches the camera
Inverse Square Law
Measurement of how much light a source produces
As soon as light leaves the source it begins to lose intensity
Is also known as Incidental Light
Use to measure the the fall off of the intensity of light
Inverse Square Law
Measurement of how much light a source produces
As soon as light leaves the source it begins to lose intensity
Is also known as Incidental Light
The intensity of light is equal to one over the distance squared
Inverse Square Law The intensity of light is equal to one over the distance squared
Measurement of how much light a source produces
As soon as light leaves the source it begins to lose intensity
Is also known as Incidental Light
Means everytime you double the distancd away from the source the light is reduced by 75%
Color Temperature
Measured by foot
Measured in Yards
Measured in units called Kelvins
Daylight in reference to Kelvins are
Yellower Than Most Artificial light
Bluer Than Most Artificial light
Greener Than Most Artificial light
Daylight
1500
1000 Kelvins
5600 Kelvins
Tungsten lights
3200 kelvins
1000 Kelvins
5600 Kelvins
Exposure
Amount of falloff lighting
Amount of light that reaches the sensor
Amount of light that's reflected
Aperture
Amount of falloff lighting
Ajustable mechanism that determine how much light enters the lens
Amount of light that's reflected
Aperture
Amount of falloff lighting
Ajustable mechanism that determine how much light enters the lens
Amount of light that's reflected
Lighting is (Check all that apply)
Key element to creating cinematic images
Big factor that separate amateur looking films from professional looking films
Image will look flat and washed out without proper lighting
Image will not look flat and washed out without proper lighting
What are the Characteristics of lighting?
Direction
Color
Speed
Quantity
Quality
Depending on where you place your light the shadows will allow you to form different shapes or patterns
True
False
Depending on where you place your light the shadows will allow you to form different shapes or patterns is
Direction
Quality
Quantity
Color
Basic Three-Point Light setup
Overhead light
Key Light
Back Light
Fill Light
Low Head Light
Main light used to light up your subject
Fill Light
Key Light
Back light
Overhead Light
Most common placement of a key light ?
Directly in front of your subject
Slightly below your subject about 45 degrees from the camera off to one side
Slightly above your subject about 45 degrees from the camera off to one side
Reason for placement of your key-light slightly above your subject about 45 degrees from the camera off to one side is so that subjects appear more three dimensional
True
False
Reason for placement of your key-light slightly below your subject about 45 degrees from the camera off to one side is so that subjects appear more three dimensional
True
False
Creating depth by light placement is what helps images feel more cinematic
False
True
You will start creating raccoon eyes if you place your light too high above subject
False
True
If you place light too low (Check all that apply)
Will give you raccoon eyes
Will give you the flashlight campfire look !
Doesn't look very natural because light sources usually don't come from below us
If you want a spooky scary feel you place the light
High above the subject
slightly to the side at 45 degrees in front of subject
below the subject
Having light slightly above subject Creates a nice drop shadow meaning the shadow underneath the chin that outlines the jaw .
True
False
Having light slightly below subject Creates a nice drop shadow meaning the shadow underneath the chin that outlines the jaw
False
True
Having light slightly below subject creates a dimension of depth and you also have the subjects eyes lit up nicely
True
False
Having light slightly above subject creates a dimension of depth and you also have the subjects eyes lit up nicely
True
False
With Key light properly positioned you can see light sources reflection in subject's eye which is called
Back light
Fill light
Catch light
Go light
When we move the key light directly in front of our subject we get
Flat look called flat lighting
Back look called lighting
Front look called front lighting
Fill lighting
When we move our light in in front of our subject for Flat Lighting (Check all that apply)
Subject well lit without any shadows on face
Least dramatic look
Used for commercials
Used for beauty shops that allow you to see every detail of the skin
If we keep light in same spot (right in front of subject) we get
Flat lighting
Paramount/Butterfly lighting
Loop lighting
Split Lighting
Paramount lighting refers to Paramount pictures who used this as their signature lighting style
False
True
Butterfly Lighting
Refers to the shadow under the nose that lighting position creates and is shaped like a butterfly
Butterfly shaped shadow on setting
Butterfly lighting is more of a masculine lighting pattern
False
True
Butterfly lighting is more of a feminine lighting pattern
True
False
Butterfly Lighting when applied properly shadows will accentuate the cheekbones creating depth to the face
True
False
If you bring the light too low you will lose the drop shadow under the chin along with the butterfly shadow under the nose thus going back to a flatter two dimensional image.
False
True
You will go from the butter fly lighting to raccoon eyes if
If you bring the light too low you will lose the drop shadow under the chin along with the butterfly shadow under the nose thus going back to a flatter two dimensional image
Raise it too high
When you move your key light slightly to the side you will see side nose shadow that's referred to as
Split Lighting
Flat Lighting
Loop Lighting
Paramount Lighting
This lighting pattern is used on rounder faces because it helps the face seem slimmer and longer
Loop Lighting
Split Lighting
Flat Lighting
Fill lighting
When the light is moved to the side about 45 degrees the nose shadow connects with the check shadow it's called
Loop Lighting
Split Lighting
Fill Lighting
Rembrandt Lighting
Know for creating a a triangle of light on the cheek of the subject and is most popular lighting pattern used in hollywood films
Flat Lighting
Rembrandt Lighting
Fill Lighting
Back lighting
Creates a cinematic three dimensional depth to the subjects face
Flat Lighting
Rembrandt Lighting
Fill Lighting
Back lighting
With Rembrandt lighting if you position your camera on the broader side of your subject it's called
Broad light
Fill Light
Side light
When you position your camera on the darker side of the subject this is called _________________
Short light
Long Light
Fill Light
Creates more Drama and depth with camera positioned on
Bright side and from nose up to top of head
Broad light /Bright side
Dark side/Short light
When light is moved to 90 degrees to one side of head the entire side of head becomes shadowed this is called
Back lighting
Fill lighting
Split Lighting
Used to create a more dramatic look ( Check all that apply)
Split lighting
Entire side of face becomes shadowed
Splits face in half
Used in scenes that's supposed to be super. dramatic
Used to make subjects look more masculine
Broad Lighting
Split Lighting
Fill Lighting
Back lighting
Lights up the Back of subjects is known as ( Check all that apply)
Back light
Rim Light
Hair light
Source of backlight can be anything in background (window, lamp and etc)
False
True
Purpose of backlight is to create a rim or halo around the outline of your subject
True
False
Fills in light on opposite side of Your key light making your shadows more dramatic
True
False
Fills in light on opposite side of Your key light making your shadows less dramatic
True
False
High Key Lighting
More fill light for less contrast for your image
Less fill light for less contrast for your image
Used more in comedies commercials and romances
High Key light
Low Key Light
Medium key light
Less contrast on Your subject
High Key Light
Low Key Light
Medium Key Light
Checkerboard Lighting
Light up background s
Light up background on the dark side of the subject but leave the background dark behind the bright side of subject
Light up background on the bright side of the subject but leave the background dark behind the dark side of the subject
