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Dramatic Survey 1 2025

Total questions: 50

Worksheet time: 25mins

Name
Class
Date
1.

Greek festivals honored __________, while Roman festivals honored __________.

a)

Dionysus; Jupiter

b)

Apollo; Venus

c)

Silenus; Poseidon

d)

Greek emperors; Roman senators

2.

Which of the following was not a change made to theater by Roman playwrights?

a)

The chorus was removed from the play.

b)

Music played a more pivotal role in the performance.

c)

Masks were removed so that actors' facial expressions were visible.

d)

Three-dimensional stage sets were introduced.

3.

Closet tragedies were not:

a)

written with a hidden agenda to incite revolution.

b)

intended to be read or performed for a limited audience.

c)

written in a highly stylized form of Latin.

d)

notable for avoiding the presentation of violent actions onstage.

4.

What kind of stage did Roman theatres have?

a)

storefront

b)

thrust

c)

raised platform

d)

amphitheatre

5.

What made Indian theater spaces uniquely different from Greek and Roman theaters?

a)

The extensive use of candles and incense

b)

The requirement to purchase tickets

c)

Multiple stages that allowed for different locations and actions to be staged simultaneously

d)

The use of large caves carved into hillsides

6.

Who wrote the classical Indian treatise on theatre titled Natyasastra?

a)

Aristotle

b)

Bharata Muni

c)

Horace

d)

Confucius

7.

In Indian theatre, rasas refer to:

a)

one of eight moods that a play creates in the spectator

b)

the upstage area

c)

plays in elevated language

d)

dances

8.

In classical Indian theatre, prakarana plays are 

a)

characterized by invented stories and less exalted characters

b)

stories drawn from mythology or history

c)

verse plays

d)

plays using the popular dialect

9.

In Atsumori, why is Rensho traveling to the place where Atsumori was killed?

a)

To join a revolutionary group

b)

To deliver supplies to stricken armies

c)

To pray for Atsumori

d)

To negotiate a treaty

10.

Why is Waki shocked to hear the grass cutter playing music?

a)

The lyre looks valuable.

b)

He thought the sounds were coming from farther away.

c)

The grass cutter is missing a hand.

d)

Few people from the working class play music.

11.

In Atsumori, whom does the Kyōgen discover the Waki to be at the end of the interlude?

a)

The grasscutter who played the flute.

b)

The man who killed Atsumori.

c)

The priest who left provisions.

d)

The young man who danced for him.

12.

In Zeami's "A Mirror Held to the Flower," the best synonym for yugen would be:

a)

reflection

b)

inelegance

c)

honor

d)

grace

13.

In the context of yugen, grace is best defined as:

a)

unmerited favor

b)

refinement of movement

c)

a short prayer

d)

privilege

14.

Means "skill" or "craft".

a)

sargaku

b)

noh

c)

kagura

d)

nohgaku

15.

Who is the actor, playwright, and theorist who wrote Atsumori?

a)

Zeami Motokiyo

b)

Kanami Kiyotsugu

c)

Ashikaga Yoshimitsu

d)

Guan Hanqing

16.

Which is a key prop in Noh theatre?

a)

stick

b)

fan

c)

sword

d)

flute

17.

What is a key feature of the Noh stage?

a)

Tile floors

b)

Pine Backdrop

c)

Altar

d)

Triangular shape

18.

Which of the following is NOT an example of an allegorical character?

a)

Patience

b)

Ill-Advised

c)

Pope Urban IV

d)

Greed

19.

How do morality plays differ from mystery cycles?

a)

Morality plays deal with moral issues; mystery plays present an unsolved practical dilemma.

b)

"Morality play" is the earlier term used for "mystery play".

c)

Morality plays are concerned with an individual Christian's soul, while mystery plays are concerned with sin and redemption in human history.

d)

Morality plays were censored by the church, while mystery plays were performed by church laity.

20.

Which country most influenced stage design in Europe during the sixteenth and seventeenth centuries?

a)

Spain

b)

Italy

c)

France

d)

England

21.

Who are the three classes of characters in commedia dell'arte?

a)

Shudra, Vaishya, Kshatriya

b)

Ita, Hinnin, Burakumin

c)

Farmers, Artisans, Warriors

d)

Padroni, Innamorati, Zanni

22.

Who often spoke in "blank verse" in Shakespeare's plays?

a)

nobles

b)

clowns

c)

servants

d)

soldiers

23.

What act structure do Shakespeare's plays follow?

a)

One

b)

Two with an interlude

c)

Three

d)

Five

24.

On the Iberian Peninsula, now Spain, what was the main theme of plays performed during the Muslim occupation?

a)

prohibition of alcohol

b)

colonization of the Americas

c)

Islam and the attempted mass conversion of the Spanish people

d)

honor

25.

Who took over the production of autos sacramentales after the mid-sixteenth century?

a)

patrons of Ferdinand's court

b)

municipal authorities

c)

trade guilds

d)

the Catholic Church

26.

What was unique about Sor Juana Inés de la Cruz?

a)

He was an exile from Mexico.

b)

He was a Catholic priest who abandoned the church to become a secular poet.

c)

She was a nun.

d)

She was from the only non-Catholic city in Spain.

27.

Which of the following is a subgenre of the Spanish comedia nueva?

a)

Loas

b)

Sentimental drama

c)

Comedias de capa y espada (cape-and-sword plays)

d)

Wig plays

28.

Who originally received licenses for the corrales (public theaters)?

a)

the king

b)

noble patrons

c)

charitable organizations

d)

trade guilds

29.

Why was Sor Juana considered a "daughter of the Church"?

a)

She was born out of wedlock

b)

She was an orphan

c)

She entered the convent as a child

d)

She dedicated her poetry and plays to the Church

30.

What ultimately forced Sor Juana to renounce her studies?

a)

She was preoccupied with caring for the sick during a plague.

b)

Controversy that followed Sor Juana's criticism of a Jesuit sermon.

c)

A romantic relationship with her patron and protector.

d)

She became a missionary.

31.

Which god is honored in the opening lines of the loa?

a)

God of Roman Catholicism—Jesus

b)

God of Seeds—Huitzilopochtli

c)

God of Wisdom—Apollo

d)


God of Women—the Virgin Mary

32.

What purpose does the character Religion serve in the play?

a)


Represents Christianity.

b)

Represents the people's ability to focus on faith rather than money.

c)

Represents a warning not to deprive America of its native gold.

d)

Represents a warning that sinners will suffer from a bout of plague, which, ironically, took Sor Juana's life months after writing this loa.

33.

What role did the sedes (mansions) and platea (place) play in the staging of Corpus Christi plays?

a)

They emphasized the growing separation between the poor and the wealthy.

b)

They symbolized the space between the audience and the actors.

c)

They represented stable and temporary stage environments during a performance.

d)

They were part of Terentian comedy, not Corpus Christi plays.

34.

Who published Sor Juana's plays?

a)

Sor Filotea

b)

The Bishop

c)

Viceroy Marqués de la Laguna and his wife María Luisa, Condesa de Paredes

d)

Núñez de Miranda

35.

Early modern refers to:

a)

The fall of the Roman Empire up to the Renaissance.

b)

Early Enlightenment through the French Revolution.

c)

The end of the Middle Ages through the beginning of the Industrial Revolution.

d)

The Renaissance up through modernism.

36.

What function did the proscenium serve on a stage?

a)

It was the area where actors ascended from a trap door.

b)

It functioned as a scenic archway.

c)

It was the area where the orchestra performed.

d)

It was the area where characters other than the main actor performed.

37.

William Shakespeare’s troupe was originally named:

a)

commedia dell'arte.

b)

the Lord Chamberlain's Men.

c)

the London Actors Guild.

d)

the Globe Dramatists.

38.

Which of the following is not an element of the Early Modern period?

a)

Abandonment of ancient aesthetics for a more abstract approach to art

b)

Emergence of a mercantile economy and the middle class

c)

New World explorations

d)

Reformation of church and state

39.

The term renaissance was first used by artist and critic Giorgio Vasari to define a rediscovery of classical values that he claimed had disappeared during which period?

a)

the Middle Ages

b)

the Decline of Rome

c)

the Reformation

d)

the English Civil Wars

40.

Which of the following was true of commedia dell’arte during the 1600s?

a)

Troupes performed Greek plays.

b)

Commedia troupes established themselves at one theater.

c)

Performances were mostly improvised from a comic scenario.

d)

Women could not be actors.

41.

Dryden’s Essay of Dramatic Poesy was written:

a)

to replace Aristotle's model with English rules of tragedy.

b)

to diminish the French influence on English playwrights.

c)

to criticize the immorality of Restoration theater.

d)

to act as the first theater review independent of newspaper print.

42.

Two rival troupes during the Restoration were:

a)

The King's Men and Everyman

b)

The Duke's Company and the Killigrew Men

c)

The King's Company and the Duke's Company

d)

Shakespeare and Dryden

43.

Which of the following was not true of the comedy of manners?

a)

They were set in contemporary London.

b)

They were used as morality plays to restore faith in middle-class spectators.

c)

They often contained a secondary plot about a conventional relationship.

d)

Masculinity and marriage as a social contract were treated as important themes.

44.

Which of the following is not a characteristic of Restoration performance?

a)

Audience members often sat on stage and disturbed the performance.

b)

Women increasingly took over female roles previously played by young boys.

c)

The stage was lit by candelabra.

d)

To accommodate the growing London population, theaters were very large and open-air.

45.

What were the roles called in which women played men and wore tight-fitting pants?

a)

slack roles

b)

pantaloon roles

c)

breeches roles

d)

trouser roles

46.

Who was England’s first professional female playwright?

a)

Susanna Centlivre

b)

Nell Gwynn

c)


Elizabeth Barry

d)


Aphra Behn

47.

What purpose did the amphithéâtre serve in French theater?

a)

It allowed for special effects and modern equipment.

b)

It provided sloped boxes for better stage visibility.

c)

It provided an advanced sound system.

d)

It was the general place for public entertainment.

48.

Neoclassical theater evolved primarily as a result of __________ being translated into Italian.

a)

Aristotle's Poetics

b)

Vitruvius's Treatise on Architecture

c)

Kant's Critique of Pure Reason

d)

Plato's Dialogues

49.

The foremost writer of French comedy in the seventeenth century was

a)

Defoe

b)

Goldoni

c)

Moliere

d)

Shakespeare

50.

How did eighteenth-century theaters differ from their predecessors?

a)

Angled perspectives replaced symmetrical views.

b)

Illusory effects arose from advanced lighting and sound.

c)

All of the answer options are correct.