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arts 10

Total questions: 60

Worksheet time: 3hrs 0mins

Name
Class
Date
1.

Art movement that emerged in the second half of the 19th century among a group of Paris-based artists

(a)  

2.

Impression, soleil levant in english

(a)  

3.

  • Freely brushed colors that conveyed more of a visual effect than a detailed rendering of the subject. 



(a)  

4.

  • Primarily Concerns: Line, form, and composition 



(a)  

5.

  • Captured scenes of life around them



(a)  

6.

  • Outdoors in natural lights to capture ever-changing light of color rather than it in studios.  



(a)  

7.

  • Experimented with unusual visual angles, sizes of objects that appeared out of proportion, off-center placement, and empty spaces on canvas.



(a)  

8.

  • capture fleeting moments of an action (landscapes, day-to-day lives of people) 



(a)  

9.

  • Key figure in the transition from realism to impressionism



(a)  

10.

  • Most prominent and influential figure of impressionism



(a)  

11.

  • Central figure of the impressionist movement

  • Snapshots of real life that are of sparkling colors and light



(a)  

12.

  • Expanded and experimented their approach by using geometric patterns, fragmenting objects, distorting faces and body parts, and applying colors that are not realistic or natural



(a)  

13.

  • Exemplified the transition from impressionism to a different world of art



(a)  

14.

  • Remarkable for the strong, heavy brush strokes, and intense emotions and colors in his works



(a)  

15.

  • More emotional force rather than realistic/natural images); Distorted outlines, applied strong colors, and exaggerated forms



(a)  

16.

  • Incorporated elements from the South Sea Islanders and wood carvings of African Tribes



(a)  

17.

  • artwork: head, yellow sweater



(a)  

18.

  • artwork: blue window, woman with hat



(a)  

19.

  • Used bold, vibrant colors, and visual distortions



(a)  

20.

  • Characterized by dream fantasies, memory images, and visual tricks and surprises



(a)  

21.

  • Derived from “les fauves” or



(a)  

22.

  • “dada” refers to their new



(a)  

23.

  • Depicted an illogical, subconscious world



(a)  

24.

  • surrealism came from the term " (a)   "

25.

  • Used to protest against injustices, inequalities, immorality, and ugliness of the human condition



(a)  

26.

  • artwork: Miner’s Wives



(a)  

27.

  • monumental and comprehensive statement of social realism against the brutality of war



(a)  

28.

  • Logical and rational style

  • Involves analyzing, detaching, selecting, and simplifying



(a)  

29.

  • 2 types of abstractionism



(a)  

30.

  • Derived its name from the cube, a three-dimensional geometric figure composed of measured lines, planes, angles



(a)  

31.

  • artwork: 3 musicians, a girl before a mirror



(a)  

32.

  • Art for a fast-paced, machine propelled age

  • Admitted the motion, force, and strength of mechanical force



(a)  

33.

  • artwork: Armored Train



(a)  

34.

  • A result of the futurist movement

  • Basic forms such as planes, cones, spheres, and cylinders all fit together precisely and neatly in their appointed place



(a)  

35.

  • artwork of leger



(a)  

36.

  • artwork of mondrian



(a)  

37.

  • From the very term “non-object,”



(a)  

38.

  • did not make use of figures or even representations of figures



(a)  

39.

  • creating their own synthesis of Europe’s cubist and surrealist styles.



(a)  

40.

  •  opens channels for unconscious forces to make it visible 



(a)  

41.

  • philippines: pioneered abstract expressionism; paint is applied spontaneously, broad strokes



(a)  

42.

  • huge canvas spread on the floor, He splatters, squirt, and dribble the paint with no pre-planned pattern or design in mind. 



(a)  

43.

  • Used diff color saturations (purity, vividness, intensity) to create desired effects



(a)  

44.

  • artwork: magenta, black, green on orange



(a)  

45.

  • artwork: vir heroicus sublimus



(a)  

46.

  • artwork of gottlieb



(a)  

47.

  • artowk of krasner



(a)  

48.

  • Wanted to make reforms in traditional values 

  • Made use of: common place, trivial, nonsensical object



(a)  

49.

  • american pop artist; leading figure in this movement



(a)  

50.

  • artworks: 12 cars, marilyn monroe



(a)  

51.

  • Took concrete form for a time and then disappeared

  • Questioned the idea of objects to be bought and sold



(a)  

52.

  • Required little to no  physical craftsmanship because most of the time are consumed by artist’s time and effort by thinking of a concept



(a)  

53.

  • artwork of joseph kosuth



(a)  

54.

  • artwork of riley



(a)  

55.

  • A form of “action painting” - experiment of visual experience 

    • Action of taking place in the viewer’s eye



(a)  

56.

  • makes use of space and materials in truly innovative ways 



(a)  

57.

  • Uses sculptural materials and other media to modify the way the viewer experiences a particular space



(a)  

58.

  • The actions of an individual or a group at a particular place at a particular time constitute the work



(a)  

59.

  • makes use of the human body, facial expressions, gestures, and sounds 



(a)  

60.

  • artwork of roberto villanueva



(a)