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South Africa Quiz

Total questions: 77

Worksheet time: 41mins

Name
Class
Date
1.

What percentage of South Africa's population is of Bantu ancestry?

a)

20%

b)

50%

c)

80%

d)

100%

2.

What is South Africa referred to as, due to its multicultural composition?

a)

Diamond Nation

b)

Rainbow Nation

c)

Gold Nation

d)

Unity Nation

3.

How many official languages does the RSA Constitution recognize?

a)

5

b)

9

c)

11

d)

15

4.

Which two European languages are recognized by the RSA Constitution for legal, public, and commercial purposes?

a)

French and German

b)

Spanish and Italian

c)

Afrikaans and English

d)

Dutch and Portuguese

5.

What was the Apartheid Laws of 1948?

a)

A policy of economic reform

b)

A policy of discrimination based on race

c)

A policy of environmental protection

d)

A policy of technological advancement

6.

When was apartheid abolished in South Africa?

a)

1960s

b)

1970s

c)

1980s

d)

1990s

7.

Which political party imposed apartheid in 1948?

a)

African National Congress

b)

National Party

c)

Liberal Democratic Party

d)

Unity Movement

8.

What is Mbaqanga music?

a)

A traditional Zulu a cappella style

b)

A modern soul music style

c)

A tougher, urban music popularized by Mahotela Queens, Mahlathini

d)

A type of youth music associated with rebellion

9.

Which group is associated with popularizing Isicathamiya music?

a)

Mahotela Queens

b)

Ladysmith Black Mambaso

c)

Mahlathini

d)

Pedi

10.

What type of music is Mbube?

a)

Gospel-oriented

b)

A cappella Zulu music

c)

Urban tough music

d)

Neo-traditional music

11.

Which of the following is not a native South African music style?

a)

Swing

b)

Marabi

c)

South African jazz

d)

Pop

12.

What does the term 'Youth Music' refer to in the context of South African music?

a)

Neo-traditional music

b)

Isicathamiya

c)

Soul music associated with youth rebellion

d)

Mbube

13.

What does "A capella" mean in the context of South African music terminology?

a)

Singing without musical instruments

b)

A type of dance music with heavy bass

c)

A traditional South African instrument

d)

A genre of music specific to South African townships

14.

What is "Bubblegum" in the South African music glossary?

a)

A genre of music from the 1930s-1960s

b)

A smooth style of RSA harmony singing

c)

Modern RSA pop music featuring synthesizers and disco beats

d)

A traditional South African candy

15.

What does "Cothoza Mfana" refer to?

a)

A music style named after a German autoharp

b)

A choral Zulu a capella singing style

c)

A smooth style of RSA harmony singing

d)

RSA's iconic pennywhistle music

16.

What is "HAREPA" associated with?

a)

A 3-chord progressive RSA music style

b)

A music style of Pedi-speaking people

c)

A type of RSA pop music

d)

A loud, harsh Zulu harmony singing style

17.

Which term describes a choral Zulu a capella singing style in a "call-and-response" format?

a)

Kwela

b)

Isicathamiya

c)

Marabi

d)

Ishikwela Jo

18.

What characterizes "Ishikwela Jo"?

a)

It is a type of RSA pop music

b)

It is a smooth style of RSA harmony singing

c)

It is a strident Zulu harmony singing style from the 1950s

d)

It is RSA's iconic pennywhistle music

19.

What is "KWELA" known for in South African music?

a)

It is a type of modern RSA township pop music

b)

It is a smooth style of RSA harmony singing

c)

It is RSA's iconic pennywhistle music

d)

It is a 3-chord progressive RSA music style

20.

What is "MARABI" in the context of South African music?

a)

A choral Zulu a capella singing style

b)

A music style of Pedi-speaking people

c)

A 3-chord progressive RSA music style from the 1930s-1960s

d)

A modern RSA pop music genre

21.

What does the term "Maskanda" refer to in South African music?

a)

A fusion of traditional and urban choral music

b)

Zulu traditional music

c)

Sotho traditional a cappella music

d)

A music style patterned from American country music

22.

What characterizes "Mbube" music?

a)

High-pitch lead vocalist and bass-rich 4-part harmony

b)

Groaning male vocals

c)

Music played with a pennywhistle

d)

Music style of youth rebellion

23.

"Mbaqanga" is a combination of which types of music?

a)

Traditional and urban choral music with bass and guitars

b)

Traditional Sotho a cappella music

c)

Music patterned from American country music

d)

Music played with a pennywhistle

24.

What is "Mohabelo" known for?

a)

Being a tougher version of mbaqanga

b)

Being a traditional Sotho a cappella music that became urbanized

c)

Being a music style of youth rebellion

d)

Being a music style patterned from American country music

25.

Which term describes a music style that was influenced by American country music in South Africa?

a)

Maskanda

b)

Mbube

c)

Mohabelo

d)

Trane trekker

26.

During which period was Pennywhistle music especially popular in South Africa?

a)

From 1950's to 1960's

b)

From 1960's to 1970's

c)

From 1940's to 1950's

d)

From 1970's to 1980's

27.

What does "SAN" music refer to?

a)

Music by hunter-gatherers who sing in an ethnic Bantu language

b)

Zulu traditional music

c)

Music style of youth rebellion

d)

Music patterned from American country music

28.

What era is SOUL Music associated with in South Africa?

a)

From 1950's to 1960's

b)

From 1960's to 1970's

c)

From 1940's to 1950's

d)

From 1970's to 1980's

29.

Who were the earliest known music makers in the Republic of South Africa (RSA)?

a)

Khoi

b)

Zulu

c)

San

d)

Sotho

30.

What language did the San use in their music?

a)

A Bantu dialect

b)

A distinct "click" Bantu language

c)

Portuguese

d)

English

31.

Which people came after the San and were greeted by Vasco de Gama with reed-flute ensembles?

a)

Zulu

b)

Sotho

c)

Khoi

d)

Xhosa

32.

What was a characteristic of the earliest Bantu music?

4 lines
33.

What is the structure called that is seen in many Afro-American songs and was used in the earliest Bantu music?

a)

Verse-chorus-verse

b)

Call-and-response

c)

AABA form

d)

Rondo form

34.

When did the Republic of South Africa first come into contact with Western music?

a)

17th century

b)

18th century

c)

19th century

d)

20th century

35.

What inspired the national anthem "NKOSI SIKELEL iAFRICA"?

a)

Indigenous music

b)

Christian music

c)

Western classical music

d)

Military music

36.

What was one of the most important catalysts of musical evolution in South Africa?

a)

The discovery of diamonds

b)

Urbanization

c)

The invention of new musical instruments

d)

The introduction of television

37.

Which American group visited Cape Town in the 1890s and performed a concert series of spiritual singers to great acclaim in South Africa?

a)

The Jazz Crusaders

b)

The Harlem Globetrotters

c)

The JUBILLEE Singers

d)

The Cotton Club Performers

38.

In the 1920s, how did Africans in Johannesburg respond to severe government restrictions on their musical performances?

a)

They stopped performing music

b)

They performed underground without government knowledge

c)

They developed "Concert & Dance" shows conforming to 11pm curfew

d)

They protested against the government

39.

What are the characteristics of MARABI-jive music?

a)

Long improvisational solos

b)

Single phrase, 3-chord progression, and repeated endlessly

c)

Complex orchestral arrangements

d)

Use of electronic synthesizers

40.

What instruments are commonly used in MARABI-jive music?

a)

Drums and saxophones

b)

Banjo and guitars

c)

Pianos and violins

d)

Synthesizers and electric bass

41.

What is AFRICAN "JAZZ" a combination of?

a)

Marabi and Latin swing

b)

Marabi and European classical music

c)

Marabi and American swing

d)

Marabi and reggae

42.

What year did commercial recordings start in South Africa?

a)

In the 1930s

b)

In 1950

c)

In 1912

d)

In the 1950s-1970s

43.

Which company began commercial recordings in South Africa?

a)

Trutone

b)

EMI Records

c)

Gramophone Company

d)

RSA Music

44.

Who was the head of the Gramophone Company that started commercial recordings in South Africa?

a)

Strike Vilakazi

b)

Eric Gallo

c)

Spokes Mashiyane

d)

EMI Records

45.

In which cities did Eric Gallo head the Gramophone Company's operations in South Africa?

a)

Cape Town and Johannesburg

b)

Johannesburg and London

c)

Cape Town and London

d)

London and RSA

46.

What is the name of the branch of EMI Records that came to RSA in the 1950s?

a)

RSA Music

b)

Gramophone Company

c)

Trutone

d)

Talent scouts

47.

Who managed Trutone's black division from the 1950s-1970s?

a)

Eric Gallo

b)

EMI Records

c)

Spokes Mashiyane

d)

Strike Vilakazi

48.

Which musician's recording did Strike Vilakazi initiate in 1954?

a)

Eric Gallo

b)

Himself

c)

Spokes Mashiyane

d)

An unnamed talent scout

49.

Who was the founder of Troubadour Records?

a)

Rupert Bopape

b)

Cuthbert Matumba

c)

Zacks Nkosi

d)

Elijah Nkawanyane

50.

What was unique about the way Troubadour Records gauged public opinion on their recordings?

a)

They conducted online surveys.

b)

They used a "mobile van" to ask people in town.

c)

They hosted live concerts.

d)

They used radio broadcasts.

51.

Which record label did Rupert Bopape work for?

a)

MVUTHELA Records

b)

Troubadour Records

c)

EMI Records

d)

Gallo Records

52.

What style of music did MVUTHELA Records produce?

a)

Jazz

b)

MQASHIYO style

c)

Afrobeat

d)

Kwaito

53.

Which of the following groups was developed by Rupert Bopape?

a)

DARK CITY SISTERS

b)

BLACK MAMBASO

c)

Both A and B

d)

Neither A nor B

54.

What is MQASHIYO in the context of South African music?

a)

A modern pop music genre

b)

A traditional female choral music with added male vocal

c)

A type of musical instrument

d)

A famous South African music festival

55.

What does MAVUTHELA RECORDS refer to?

a)

A music festival in South Africa

b)

A modified version of the music genre mbaqanga

c)

A record label that developed mbaqanga

d)

A famous South African artist

56.

Which group is associated with DAVID THEKWANE and known for hits with fusions of marabi and soul music?

a)

The Inn-Lawes

b)

The Soul Brothers

c)

The Movers

d)

The Boyoyo Boys

57.

Who is known for managing ZACKS NKOSI and various bubblegum pop artists?

a)

Marks Mankwane

b)

Hamilton Nzimadne

c)

David Thekwane

d)

Lucky Monama

58.

What was the purpose of encouraging monolingual programming in South African cities from the 1940s to the 1960s?

a)

To promote cultural diversity

b)

To develop a national identity

c)

To support international music

d)

To increase radio listenership

59.

What was the main reason for the Bantu local radio stations to feature only local folk music?

a)

To gain a wider audience

b)

To celebrate local artists

c)

To prevent the unification of several rural bantustans culturally and politically

d)

To revolutionize the music industry

60.

How did radio in the 1950s impact the way artists could impart messages to their listeners?

a)

By limiting the reach to local communities

b)

By providing immediate and far-reaching communication to millions

c)

By restricting the content to government-approved messages

d)

By focusing solely on entertainment without political content

61.

In what year was the "BANTU RADIO Program" launched, which allowed radio artists to become more radical and political?

a)

1950

b)

1962

c)

1970

d)

1980

62.

What is the RSA music instrument mentioned in the text?

a)

Drum

b)

Guitar

c)

The Tin Flute (Pennywhistle)

d)

Violin

63.

What was the original use of the pennywhistle according to the text?

a)

It was used in theaters.

b)

It was used by cattle herders.

c)

It was used in films.

d)

It was used by city musicians.

64.

Who developed a technique that made the pennywhistle versatile?

a)

A group of pennywhistlers in the 1950s

b)

Willard Cele

c)

Lead flutists

d)

Cele himself

65.

What did Willard Cele's technique allow a player to change on the pennywhistle?

a)

The volume of each note

b)

The pitch of each note

c)

The number of fingerholes

d)

The type of music played

66.

What was a significant development in pennywhistle music during the 1950s?

a)

Solo performances became popular.

b)

Pennywhistles were used in agricultural settings.

c)

Groups of pennywhistlers made elaborate arrangements with a lead flutist.

d)

The instrument was abandoned for more modern instruments.

67.

Where did the pennywhistle move to from its humble agricultural origins according to the text?

a)

To the city centers, theaters, and films

b)

To international concerts

c)

To rock music bands

d)

To classical music orchestras

68.

What is the meaning of the term "KWELA" as used in the context of South African music?

a)

Dance rhythm

b)

Flute jive

c)

Street performance

d)

Musical instrument

69.

Who was known as the greatest pennywhistler according to the text?

a)

SPOKES MASHIYANE

b)

ABIA TEMBA

c)

BEN NKOSI

d)

The BLACK MAMBASO

70.

In what year did the Kwela mania end, as mentioned in the text?

a)

1956

b)

1957

c)

1958

d)

1959

71.

What instrument did Mashiyanerecord "Big Joe Special" on?

a)

Guitar

b)

Drums

c)

SAX

d)

Pennywhistle

72.

What is the "Saxophone Jive" more commonly known as in South Africa?

a)

Mbqanga

b)

Big Joe Special

c)

Sax Jive

d)

Flute Jive

73.

What sax piece made South Africans interested in the saxophone?

a)

Sax Jive

b)

Mbqanga

c)

Big Joe Special

d)

Michael Xaba Special

74.

Why was it difficult for African street musicians to perform in cities and suburbs?

a)

They preferred to play in townships

b)

The saxophone was too sophisticated for them

c)

They were limited to townships

d)

The saxophone was not versatile enough

75.

What instrument did the sax jive overtake in popularity?

a)

Electric bass

b)

Flute

c)

Pennywhistle

d)

Guitar

76.

What rhythm is the Sax Jive backed with?

a)

3/4 rhythm

b)

2/4 rhythm

c)

4/4 rhythm

d)

6/8 rhythm

77.

Which of the following artists is associated with Sax Jive?

a)

Michael Xaba

b)

Makgona Tsohle Band

c)

Big Joe

d)

Mbqanga