A multi-awarded theater singer and began her career as a child lead production of Repertory Philippines.

In the 1900s, the Philippine theater group _____ also began mounting Grant productions of originally-written musicals with a slant towards good values for children and the whole family.

Established in 1994 by Monique Wilson, a Repertory Philippines’ protégée who went on to star on the international stage. Has earned a reputation for staging thought-provoking productions on daring and deep topics.

Was founded in 1999 by a group of dedicated classically trained singers lead by soprano Karla Gutierrez as artistic directress. Seeks to develop performers as well as audiences for classical music performances both foreign and Filipino.

In 2007, this was founded, with Philippine theater mainstay Michael Williams as artistic director. The vision of the company is to widen the reach of stage productions beyond the traditional centers within metro manila and therefore develop a broader audience base.

Founded in 1967 by Cecile Guidote-Alvarez, and Tanghalang Pilipino, the resident theater company of the Cultural Center of the Philippines, founded in 1987. The productions of these groups span the range from daring new presentations of classical works to the spectacle of Philippine myths and legends, to commentaries on current social and political issues.

Takes the play from a mere concept to an actual finish presentation; chooses all the team members and assign them their functions; oversees The casting of actors and actresses for the different roles.

Overall artistic coordinator of the entire production; he has vision of the desired total effect and impact of the performance; he ensures that each one in the production hits all the right notes to create a cohesive, seamless performance that will engage the audience.

The writer of the script intended for a stage performance; the script forms the basis of the entire production and contains the exact lines of dialogue that each character will memorize and deliver on stage:

The concept and creation of the physical stage set up; builds the set that was simulate the world that the play’s characters are supposed to live in; ensures that the set will enable the actors to move about easily and naturally to make their roles believable.

Coordinating closely with the set designer; Critical in creating the mood of each scene in the play, highlighting a dramatic moment, signaling the entrance of a character, focusing on specific spot on stage.

Helps actors and actresses to look believable in the roles; studies the general setting that the play is meant to take place in; decides what attire will not only give the audience a clear sense of the setting but also express the character’s distinct qualities

Serves a vital role in creating and enhancing the atmosphere of the performance.

Coordinating all the complex behind the scenes details of staging a play; overseeing the crews for the sets and props, sound and music, lighting and costumes; ensuring all needed elements facilities and equipment are in good working order.

Shadows the play’s director throughout the entire production process; carefully notes how each actor and every member of the stage, sound, lighting and costume crews need to be coordinated to bring the director’s vision to life.

Cases where a play involves dance in certain scenes; Siri who says the actors until they are able to perform the dance skillfully

Plans the hairstyles and make up to complement the costumes; makes the actors look natural for the respective roles