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Tonal Harmony - Chapter 1

Total questions: 54

Worksheet time: 27mins

Name
Class
Date
1.

Pitch

a)

the highness or lowness of a sound

b)

from any c up or down to the next c

c)

an extension of lines above or below the five lines and four spaces on the staff

d)

specific pattern of whole steps and half steps; W W H W W W H

2.

Octave

a)

all pitches from one C only up to, but not including, the next C

b)

used to indicate the precise pitch desired

c)

From any C up or down to the next C

d)

appears at the beginning of the staff to indicate which pitches are associated with which lines and spaces

3.

All pitches from one C up to, but not including, the next C

(a)  

4.

Used to indicate the exact pitch desired

(a)  

5.

Ledger Lines

a)

the highness or lowness of a sound

b)

An extension of lines above or below the five lines and four spaces on the staff; indefinitely

c)

distance from a key on the piano to the very next key, white or black

d)

used to indicate the exact pitch desired

6.

Appears at the beginning of the staff to indicate which pitches are associated with which lines and spaces; most common are treble, bass, alto, and tenor

(a)  

7.

Grand Staff

a)

used to indicate the precise pitch desired

b)

A combination of two staves joined by a brace (top staff treble, bottom staff bass)

c)

All pitches from one C up to, but not including, the next C

d)

specific pattern of whole steps + half steps; W W H W W W H

8.

Major Scale

a)

four note patterns separated by a whole step (W W H) W (W W H)

b)

Symbol that raises or lowers a pitch by a half step

c)

pattern of sharps or flats at the beginning of the staff that indicates notes meant to be consistently raised or lowered

d)

Specific pattern of whole steps and half steps; W W H W W W H

9.

Order of a major scale

(a)  

10.

Half Step

a)

distance from a key on the piano to the very next key, white or black

b)

an extension of lines above or below the five lines and four spaces on the staff; indefinitely

c)

notes that have the same pitch, but are spelled different. Ex: E and F-flat

d)

skips the very next key and goes to the next one

11.

Skips the very next key and goes to the next one

(a)  

12.

Tetrachords

a)

an extension of lines above or below the five lines and four spaces on the staff; indefinitely

b)

Four note patterns separated by a whole step; (WWH) W (WWH)

c)

symbol that raises or lowers a pitch by a half step

d)

chords built with triads

13.

A symbol that raises or lowers a pitch by a half step

(a)  

14.

An accidental that raises the pitch by a whole step

(a)  

15.

An accidental that raises the pitch by a half step

(a)  

16.

An accidental that cancels out a previous accidental

(a)  

17.

An accidental that lowers a pitch by a half step

(a)  

18.

An accidental that lowers the pitch by a whole step

(a)  

19.

Key

a)

Pattern of sharps or flats at the beginning of the staff that indicates notes meant to be consistently raised or lowered

b)

used to indicate the precise pitch desired

c)

The first degree of a scale

d)

a symbol that raisees or lowers a pitch by a half step

20.

Key Signature

a)

the first degree of a scale

b)

A diagram like a clock, reading clockwise each new key is the fifth of the key before it

c)

notes that have the same pitch, but are spelled different

d)

pattern of sharps or flats at the beginning of the staff that indicates notes meant to be consistently raised or lowered

21.

Enharmonic (enharmonically equivalent)

a)

to write or play music in a key different than the original

b)

Notes that have a different pitch, but are spelt the same

c)

Notes that have the same pitch, but are spelled different

d)

A symbol that raises or lowers a pitch by a half step

22.

Which keys are enharmonic?

a)

B major and C-flat major

b)

F-sharp major and G-flat major

c)

C-sharp major and D-flat major

d)

B-flat major and A-sharp major

23.

To write or play music in a key different than the original

(a)  

24.

Circle of fifths

a)

A symbol that raises or lowers a pitch by a half step

b)

A diagram like a clock , reading clockwise each new key is the fifth of the key before it

c)

the highness or lowness of a sound

d)

appears at the beginning of the staff to indicate which pitches are associated with which lines and spaces

25.

What interval is it if you read the circle of fifths counterclockwise?

a)

Fourth

b)

Fifth

c)

Third

d)

Sixth

26.

A natural minor scale is a major scale with a lowered:

a)

3

b)

3, 6

c)

6, 7

d)

3, 6, 7

27.

A harmonic minor scale is a major scale with a lowered:

a)

3

b)

3, 6

c)

3, 6, 7

d)

6, 7

28.

A melodic minor is a:

a)

harmonic minor with a raised 6 when ascending, major when descending

b)

natural minor when ascending, harmonic minor with a raised 6 when descending

c)

harmonic minor with a raised 6

d)

harmonic minor with a raised 6 when ascending, natural minor when descending

29.

Minor Pentachord

(a)  

30.

Major and minor scales that share the same key

(a)  

31.

Relative major starts on the (a)   of the minor scale

32.

Relative minor starts on the (a)   of the major

33.

Major and minor that start on the same not (Ex: C major + C minor)

(a)  

34.

Interval

a)

When two notes are performed at the same time

b)

A measurement of the distance in pitch between two notes

c)

How close two notes are to each other

d)

When two notes are played successively

35.

An interval where two notes are performed at the SAME TIME

(a)  

36.

An interval where two notes are played SUCCESSIVELY

(a)  

37.

Unison

a)

When two of the same pitch are played at the same time

b)

Used instead of 8 in relation to intervals

c)

Refers to the 1 when talking about intervals

d)

Only exists with simple intervals

38.

Octave (8ve)

a)

a measurement of the distance in pitch between two notes

b)

Used instead of 8 in relation to intervals

c)

refers to 1 when talking about intervals

d)

Only exists in compound intervals

39.

Intervals smaller than 8ve are (a)  

40.

Intervals larger than OR EQUAL TO 8ve are known as (a)  

41.

Modifier only used for unison, fourths, fifths, and octaves

(a)  

42.

Modifiers only used for seconds, thirds, sixths, and sevenths

(a)  

43.

Augmented

a)

Made if perfect is raised half step without altering the note name

b)

Made if major is raised half step without altering the note name

c)

Made if perfect OR major is raised half step without altering the note name

d)

Made if perfect OR major is lowered half setp without altering the note name

44.

Diminished

a)

If perfect is made a half step smaller without altering the note name

b)

If perfect OR minor is made a half step smaller without altering the note name

c)

If minor is made a half step smaller without altering the note name

d)

If perfect OR minor is made a half step larger without altering the note name

45.

d <--> m <--> M <--> A

a)

Correct

b)

Not Correct

46.

d <--> m <--> P <--> A

a)

Correct

b)

Not Correct

47.

m <--> M <--> A

a)

Correct

b)

Not correct

48.

d <--> P <--> A

a)

Correct

b)

Not Correct

49.

m <--> P <--> A

a)

Correct

b)

Not Correcet

50.

The augmented fourth (enharmonically, the diminished fifth)

(a)  

51.

Created by putting bottom pitch above top one or reverse, makes reading large intervals easier

(a)  

52.

Pleasing to the ear (thirds, sixths, perfect fifths, octaves)

(a)  

53.

NOT pleasing to the ear

(a)  

54.

Lowest voice / note

a)

Bass

b)

Tenor

c)

Alto

d)

Soprano