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AP Lit Final Review

Total questions: 136

Worksheet time: 2hrs 58mins

Name
Class
Date
1.

1st Person POV possible comment:

a)

The effect of the particular character being chosen to see into; How we get information about a character that the character would not choose to reveal if he were narrating

b)

How relying on only outside observations increases complexity

c)

The effect of this character being chosen to narrate; the significance of the fact that the character has chosen to reveal certain info about himself

d)

How having access to multiple characters' thoughts increases complexity; Information we get about characters that the character would not choose to reveal if he were narrating

2.

3rd Person POV Omniscient possible comments:

a)

How having access to multiple characters' thoughts increases complexity; Information we get about characters that the character would not choose to reveal if he were narrating

b)

The effect of the particular character being chosen to see into; How we get information about a character that the character would not choose to reveal if he were narrating

c)

How relying on only outside observations increases complexity

d)

The effect of this character being chosen to narrate; the significance of the fact that the character has chosen to reveal certain info about himself

3.

3rd Person POV Limited Omniscient

a)

The effect of the particular character being chosen to see into; How we get information about a character that the character would not choose to reveal if he were narrating

b)

How having access to multiple characters' thoughts increases complexity; Information we get about characters that the character would not choose to reveal if he were narrating

c)

The effect of this character being chosen to narrate; the significance of the fact that the character has chosen to reveal certain info about himself

d)

How relying on only outside observations increases complexity

4.

3rd Person POV Objective

a)

The effect of this character being chosen to narrate; the significance of the fact that the character has chosen to reveal certain info about himself

b)

The effect of the particular character being chosen to see into; How we get information about a character that the character would not choose to reveal if he were narrating

c)

How relying on only outside observations increases complexity

d)

How having access to multiple characters' thoughts increases complexity; Information we get about characters that the character would not choose to reveal if he were narrating

5.

1st Person POV possible bias:

a)

May have a more unbiased view of all characters involved

b)

May be trying to make self look better; may have bias toward or against other characters

c)

May have a more unbiased view of POV character but has no access to other characters' thoughts

d)

May have a more unbiased view of characters but has no insights about their actual thoughts

6.

3rd Person Omniscient possible bias:

a)

May have a more unbiased view of characters but has no insights about their actual thoughts

b)

May have a more unbiased view of POV character but has no access to other characters' thoughts

c)

May have a more unbiased view of all characters involved

d)

May be trying to make self look better; may have bias toward or against other characters

7.

3rd Person POV Limited Omniscient possible bias:

a)

May have a more unbiased view of all characters involved

b)

May have a more unbiased view of POV character but has no access to other characters' thoughts

c)

May be trying to make self look better; may have bias toward or against other characters

d)

May have a more unbiased view of characters but has no insights about their actual thoughts

8.

3rd Person POV Objective possible bias:

a)

May have a more unbiased view of characters but has no insights about their actual thoughts

b)

May have a more unbiased view of POV character but has no access to other characters' thoughts

c)

May have a more unbiased view of all characters involved

d)

May be trying to make self look better; may have bias toward or against other characters

9.

Definition: Narrator is a character within story. Narrating character is choosing what information about self and other characters to reveal.

a)

3rd Person Objective POV

b)

3rd Person Limited Omniscient POV

c)

3rd Person Omniscient POV

d)

1st Person POV

10.

Definition: Narrator is outside story and has access to all characters' thoughts and is choosing what thoughts of and information about multiple characters to reveal

a)

3rd Person Objective POV

b)

3rd Person Omniscient Limited POV

c)

3rd Person Omniscient POV

d)

1st Person POV

11.

Definition: Narrator is outside the story and has access to one character's thoughts and is choosing what thoughts of and information about one character to reveal.

a)

1st Person POV

b)

3rd Person Omniscient POV

c)

3rd Person Limited Omniscient POV

d)

3rd Person Objective POV

12.

Definition: Narrator is outside the story and has no access to any characters' thoughts and is choosing which observations (not thoughts) to reveal.

a)

3rd Person Objective POV

b)

3rd Person Limited Omniscient POV

c)

3rd Person Omniscient POV

d)

1st Person POV

13.

Definition: the "opposing actor" that actively opposes the protagonist.

(a)  

14.

Definition: A highly regarded work of literature or other art form that has withstood the test of time

(a)  

15.

Definition: The turning point of a narrative, point of highest tension and drama.

(a)  

16.

Definition: The author or narrator explicitly describes the background, motivation, temperament, or appearance of a character

a)

Limited Omniscient Narrator

b)

In Medias

c)

Indirect Characterization

d)

Direct Characterization

17.

Definition: Occurs when an author requires the audience to infer what a character is like through what the character says, does, or thinks, or what others say about the character

a)

Direct Characterization

b)

Indirect Characterization

c)

In Medias

d)

Limited Omniscient Narrator

18.

Definition: Moment of insight, discovery, or revelation by which a character's life or view of life is greatly altered

(a)  

19.

Definition: A Latin term for a narrative that starts not at the beginning of events but at some other critical point

(a)  

20.

Definition: The author limits the narration to the actions and thoughts of one major character

(a)  

21.

Definition: An unidentified speaker reports things in a way that is similar to a hovering video camera or "fly on the wall"

(a)  

22.

Definition: The speaker presents the action and dialogue, and the thoughts and reactions of the characters

(a)  

23.

Definition: Refers to the speaker, narrator, persona, or voice created by authors to tell stories. Determines how we read, respond, and understand.

(a)  

24.

Definition: The leading character or one of the major characters in a drama, movie, novel, or other fictional text- a round character who is central to the action of the story, exhibiting the ability to adapt to new situations

(a)  

25.

Definition: A natural, manufactured, political, cultural, and temporal environment, including everything that characters own, know and otherwise experience

(a)  

26.

A two-line stanza, usually rhymed. Tend to be equal in length and two lines that contain a complete thought are a (a)   .

27.

Definition: Presents the voice of an imaginary character (or characters) speaking directly, without any additional narration by the author

(a)  

28.

Definition: The continuation of a sentence without a pause beyond the end of a line, couplet, or stanza

(a)  

29.

Definition: A lyric poem or passage that describes a kind of ideal life or place

(a)  

30.

Definition: A short poem expressing the thoughts and feelings of a single speaker

(a)  

31.

Definition: A statement that one thing is something else, which, in a literal sense, it is not

(a)  

32.

Definition: A form of verse or prose that tells a story

(a)  

33.

Definition: A comparison of two things, indicated by some form of connective, usually like, as, then, or a verb such as resembles

(a)  

34.

Definition: A group of two or more lines in poetry combined according to subject matter, rhyme, or some other plan

(a)  

35.

Definition: Group of 3 lines, if rhymed they keep to just one rhyme sound

(a)  

36.

Definition: Composition in lines of more or less regular rhythm, often ending in rhymes

(a)  

37.

Definition: An artistic form in which human or individual vices, follies, abuses, or shortcomings are held up for criticism - caricature: characteristics are exaggerated

(a)  

38.

Definition: A universal idea, lesson, or message explored throughout a work of literature

(a)  

39.

Definition: How narrator's, characters, or speakers see their circumstances

(a)  

40.

Definition: A stanza consisting of 4 lines

(a)  

41.

Definition: A type of feeling that readers get from a narrative, based on details such as setting, background, and objects, place-focused

(a)  

42.

Definition: Have a simple sentence plus one or more dependent clauses sprouting off of it. Introduced by subordinating conjunction.

(a)  

43.

Definition: Use a comma followed by a coordinating conjunction or a semicolon to join what would otherwise be two complete simple sentences

(a)  

44.

Definition: Have at least two complete thoughts joined by a coordinating conjunction as well as at least one dependent clause introduced by a subordinating conjunction

(a)  

45.

Definition: Choice of words

(a)  

46.

Definition: The emotional tone in a work of literature that a reader senses. Reader-Focused: can be affected by atmosphere and other details

(a)  

47.

Definition: The name given to the central figure or whom the POV is focused.

(a)  

48.

Definition: A style of writing in which the author tries to reproduce the random flow of thoughts in the human mind

(a)  

49.

Definition: Lets the reader absorb one single without with distractions or "bunny trails"

(a)  

50.

Definition: The individual traits or characteristics of a piece of writing

(a)  

51.

Definition: Whatever leads us to infer the author's attitude

(a)  

52.

Definition: Succession of similar consonant sounds

(a)  

53.

Definition: An indirect reference to any person, place, or thing - fictitious, historical, or actual

(a)  

54.

Definition: The repetition of the same word or phrase throughout a work or section of a work in order to lend weight or emphasis

(a)  

55.

Definition: A way of addressing someone or something invisible or not ordinarily spoken to, like an inanimate object, some dead or absent person, or an abstract thing

(a)  

56.

Definition: Repetition of vowel sounds

(a)  

57.

Definition: A pause somewhere in the middle of a verse, often (but not always) marked by the punctuation

(a)  

58.

Definition: Overtones or suggestions of additional meanings that it gains from the contexts in which it is often used

(a)  

59.

Definition: A kind of slant rhyme that occurs when the rhymed words or phrases have the same beginning and ending consonant sounds but a different vowel

(a)  

60.

Definition: A meaning as defined in a dictionary

(a)  

61.

Definition: Overstatement; gross exaggeration for rhetorical effect

(a)  

62.

Definition: A word or sequence of words that refer to any sensory experience visual, auditory, tactile, olfactory, and gustatory

(a)  

63.

Definition: The pattern of stressed and unstressed syllables found in poetry

(a)  

64.

Definition: When an object closely identified with another is used in place of that object

(a)  

65.

Definition: An attempt to represent a thing or action by a word that imitates the sound associated with it

(a)  

66.

Definition: A line of poetry made up of five feet

(a)  

67.

Definition: A figure of speech in which a thing, an animal, or an abstract term is made human.

(a)  

68.

Definition: Wordplay stemming from the fact that words with different meanings have surprisingly similar or even identical sounds or that some words have differing or contradictory meanings

(a)  

69.

Definition: The repetition of similar sounds at regular intervals that occurs when two or more words or phrases

(a)  

70.

Definition: The pattern of rhymes within a given poem

(a)  

71.

Definition: The recurrence of stresses and pauses

(a)  

72.

Definition: Poem of 14 lines in any # of rhyme schemes, usually has 10 syllables and in Iambic Pentameter

(a)  

73.

Definition: A device in which a part stands for the whole or a whole for a part

(a)  

74.

Definition: adj marked by keen caution, cunning, and watchfulness especially in detecting and escaping danger

(a)  

75.

Definition: noun the practice of strict self-denial as a measure of personal and especially spiritual discipline

(a)  

76.

Definition: noun a branch of philosophy dealing with the nature of beauty, art, and taste and with the creation and appreciation of beauty

(a)  

77.

Definition: noun simultaneous and contradictory attitudes or feelings toward an object, person, or action

(a)  

78.

Definition: adj of or relating to the ancient Greek and Roman world and especially to its literature, art, architecture, or ideals

(a)  

79.

Definition: adj lacking congruity: such as not harmonious (incompatible), not conforming (disagreeing), inconsistent within itself; lacking propriety or unsuitable.

(a)  

80.

Definition: adj stubbornly persistent in wrongdoing

(a)  

81.

Definition: adj painfully affecting the feelings, deeply affecting

(a)  

82.

Definition: adj lofty, grand, or exalted in thought, expression, or manner; tending to inspire awe usually because of elevated quality (as of beauty, nobility, or grandeur) or transcendent excellence.

(a)  

83.

Definition: adj full of yearning or desire tinged with melancholy

(a)  

84.

Definition: adj used in or characteristic of familiar and informal conversation

(a)  

85.

Definition: adj containing or made up of fundamentally different and often incongruous elements

(a)  

86.

Definition: verb to spend or use up wastefully or foolishly

(a)  

87.

Definition: adj made to feel uncomfortable, disconcerted, or embarrassed by something that has happened or been done or said

(a)  

88.

Definition: verb to speak slightingly of; to cause (a person or thing) to seem little or less

(a)  

89.

Definition: adj lasting a very short time

(a)  

90.

Definition: noun a peculiarity of constitution or temperament : an individualizing characteristic or quality

(a)  

91.

Definition: adj having an artistically beautiful or expressive quality suggestive of song

(a)  

92.

Definition: noun wealth, affluence

(a)  

93.

Definition: adj excessively grasping or covetous

(a)  

94.

Definition: adj not influenced by strong feeling

(a)  

95.

Definition: verb to decrease in force or intensity

(a)  

96.

Definition: adj having or showing shrewdness and an ability to notice and understand things clearly: mentally sharp or clever.

(a)  

97.

Definition: verb to be lavish or excessive in one's attention, fondness, or affection —usually used with “on”

(a)  

98.

Definition: noun an ambiguous or deliberately evasive (avoiding) statement

(a)  

99.

Definition: adj of little weight or importance, lacking in seriousness

(a)  

100.

Definition: adj marked by or indicating a liking for companionship; sociable; often talkative

(a)  

101.

Definition: adj having a gradual and cumulative (usually negative) effect; subtle; awaiting a chance to entrap

(a)  

102.

Definition: noun one that serves merely for wages

(a)  

103.

Definition: adj filled with uncertainty; puzzled

(a)  

104.

Definition: adj relating to, arising from, or influencing feelings or emotions

(a)  

105.

Definition: adj removed or distant either physically or emotionally

(a)  

106.

Definition: verb to call forth or up; to bring to mind or recollection

(a)  

107.

Definition: adj having a false look of truth or genuineness; having deceptive attraction or allure

(a)  

108.

Definition: noun one apparently or professedly indifferent to pleasure or pain

(a)  

109.

Definition: noun an ethical consideration or principle that inhibits action; a mental reservation

(a)  

110.

Definition: verb to free from allegation or blame; to provide justification or defense for: justify

(a)  

111.

Definition: adj disposed to seek revenge; intended to cause anguish or hurt; spiteful

(a)  

112.

Definition: noun a sudden desire or change of mind, especially one that is unusual or unexplained

(a)  

113.

Definition: adj cleverly and often ironically or grimly humorous

(a)  

114.

Types of Sentences Effects: Gives information that is direct, clear, short, and to the point. If

there are many in a row, it can create a choppy effect. If it’s placed

amongst longer, complex sentences, the impact of the ________ is increased.

a)

Compound Sentences

b)

Simple Sentences

c)

Complex Sentences

d)

Compound-Complex Sentences

115.

Types of Sentences Effect: Links related but separate short, clear, direct, and to-the-point

thoughts. They can emphasize balance and parallelism.

a)

Simple Sentences

b)

Complex Sentences

c)

Compound-Complex Sentences

d)

Compound Sentences

116.

Types of Sentences Effect: Communicate more elaborate and extended ideas, gracefully

incorporate several ideas into one sentence, demonstrate complex

relationships between ideas. Slows the pace of a narrative to enmesh

readers in the situation.

a)

Compound Sentences

b)

Compound-Complex Sentences

c)

Simple Sentences

d)

Complex Sentences

117.

Types of Sentences Effect: Brings together a range of different pieces of information and

orders them in relation to one another. It can clarify complexity, or an

author could use it to create or mirror confusion.

a)

Simple Sentences

b)

Compound-Complex Sentences

c)

Compound Sentences

d)

Complex Sentences

118.

Indirect Characterization possible effect:

a)

Provides a straightforward description of the character

b)

Allows readers to infer character traits through actions and dialogue

c)

Gives a biased view of the character

d)

Limits the understanding of the character to only external observations

119.

What is the primary characteristic of a 3rd Person Limited POV?

a)

The narrator only knows the thoughts and feelings of one character

b)

The narrator knows all characters' thoughts and feelings

c)

The narrator has no insight into any character's thoughts

d)

The narrator is a character in the story

120.

Which of the following is an example of indirect characterization?

a)

The author describes a character's appearance directly

b)

The narrator tells the reader about a character's background

c)

A character's personality is revealed through their actions

d)

The author explicitly states a character's motivation

121.

What is a potential drawback of using 1st Person POV in storytelling?

a)

It provides a limited perspective, potentially leading to bias

b)

It allows access to multiple characters' thoughts

c)

It offers an unbiased view of all characters

d)

It makes the story less personal and engaging

122.

What is the significance of the setting in George Orwell's '1984'?

a)

It serves as a backdrop for a love story.

b)

It represents a utopian society where everyone is happy.

c)

It is a historical recount of World War II events.

d)

It illustrates a dystopian world where totalitarianism is prevalent.

123.

Which of the following best describes the role of 'Big Brother' in '1984'?

a)

A fictional character in a children's story.

b)

A benevolent leader who cares for the citizens.

c)

A revolutionary figure fighting against the regime.

d)

A symbol of the oppressive government and constant surveillance.

124.

What is the primary theme explored in '1984' by George Orwell?

a)

The power of love and relationships.

b)

The dangers of a totalitarian government and loss of individual freedom.

c)

The importance of technological advancement.

d)

The beauty of nature and its impact on human life.

125.

What is the role of Big Brother in '1984'?

a)

A benevolent leader who cares for the citizens

b)

A symbolic figurehead representing the Party's power

c)

A minor character with little influence

d)

A rebel leader fighting against the Party

126.

How does Winston Smith's character develop throughout '1984'?

a)

He remains unchanged and indifferent

b)

He grows increasingly rebellious against the Party

c)

He becomes more loyal to the Party

d)

He becomes a leader of the Party

127.

What is the significance of Julia's character in '1984'?

a)

She is a spy for the Party

b)

She is a minor character with no impact

c)

She is a symbol of hope and rebellion

d)

She represents blind loyalty to the Party

128.

Which character in '1984' is known for their unwavering loyalty to the Party and acts as a symbol of the oppressive regime?

a)

O'Brien

b)

Julia

c)

Big Brother

d)

Winston Smith

129.

What is the primary role of the character Winston Smith in '1984'?

a)

He is a prole living outside the Party's control.

b)

He works at the Ministry of Truth, altering historical records.

c)

He is a member of the Thought Police.

d)

He is a high-ranking Party official.

130.

Which character in '1984' represents the concept of rebellion against the Party?

a)

Syme

b)

Julia

c)

O'Brien

d)

Big Brother

131.

How does Winston's character evolve throughout the novel '1984'?

a)

He becomes increasingly submissive and loses his individuality.

b)

He remains unchanged and indifferent to the Party's control.

c)

He becomes more rebellious and confident in his beliefs.

d)

He starts as a loyal Party member and ends as a leader of the resistance.

132.

What role does Julia play in Winston's character development in '1984'?

a)

She betrays him and causes his downfall from the beginning.

b)

She is indifferent to his struggles and offers no support.

c)

She acts as a catalyst for his rebellion against the Party.

d)

She encourages him to conform to the Party's rules.

133.

Which event marks a significant turning point in Winston's character arc in '1984'?

a)

His arrest by the Thought Police.

b)

His initial encounter with Julia.

c)

His promotion at the Ministry of Truth.

d)

His first meeting with O'Brien.

134.

What is the primary setting of George Orwell's '1984'?

a)

Eurasia

b)

Atlantis

c)

Oceania

d)

Eastasia

135.

Which city serves as the main location for the events in '1984'?

a)

Berlin

b)

London

c)

Paris

d)

New York

136.

In '1984', what is the name of the government that controls the setting?

a)

The Coalition

b)

The Union

c)

The Alliance

d)

The Party