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Theatre Hierarchy Quiz

Total questions: 68

Worksheet time: 34mins

Name
Class
Date
1.

What is the role of the person at the top of the theatre hierarchy?

a)

Director

b)

Producer

c)

Stage Manager

d)

Technical Director

2.

Who is responsible for the actors in the theatre hierarchy?

a)

Music Director

b)

Choreographer

c)

Director

d)

Stage Manager

3.

Which role is directly responsible for the lighting design?

a)

Costume Designer

b)

Scenic Designer

c)

Lighting Designer

d)

Sound Designer

4.

Who manages the running crew in the theatre hierarchy?

a)

Assistant Stage Manager

b)

Deck Manager

c)

Stage Manager

d)

Technical Director

5.

Who is responsible for deciding what play will be done in a production?

a)

Director

b)

Actor

c)

Producer

d)

Stage Manager

6.

In a school theatre program, who typically handles the responsibilities of a producer?

a)

Students

b)

District and theatre teachers

c)

Parents

d)

Principal

7.

What is one of the key responsibilities of a producer in a theatre production?

a)

Designing costumes

b)

Writing the script

c)

Communicating vision to the director

d)

Acting in the play

8.

Who is responsible for the budget in a theatre production?

a)

Lighting Technician

b)

Producer

c)

Director

d)

Set Designer

9.

What is one of the responsibilities of a House Manager?

a)

Managing the lighting crew

b)

Overseeing the box office manager

c)

Directing the actors

d)

Designing the set

10.

Who does the House Manager communicate with before the show and during intermission?

a)

The director

b)

The actors

c)

The stage manager

d)

The costume designer

11.

What areas is the House Manager in charge of?

a)

Dressing rooms and backstage

b)

Box office/lobby and crews for both

c)

Lighting and sound

d)

Set design and props

12.

What is the primary responsibility of a Box Office Manager?

a)

Managing the stage crew

b)

In charge of ticket sales

c)

Directing the performance

d)

Designing the set

13.

Which of the following tasks is handled by a Box Office Manager?

a)

Organizing rehearsals

b)

Handling pre-sold tickets and group sales

c)

Writing the script

d)

Operating the lighting

14.

What are two main roles of a publicist in a production?

a)

Advertises the production and manages finances

b)

Acts as a spokesperson and directs the production

c)

Advertises the production and acts as a spokesperson

d)

Manages finances and directs the production

15.

What is one of the primary roles of a director in a show?

a)

Designing costumes

b)

Liaison between all people working on a show

c)

Writing the script

d)

Managing ticket sales

16.

Which of the following is a responsibility of a director?

a)

Conducting auditions

b)

Interpreting text

c)

Operating lighting equipment

d)

Selling merchandise

17.

How does a director contribute to the creative concept of a show?

a)

By having a say on all elements

b)

By creating the soundtrack

c)

By designing the set

d)

By managing the catering

18.

What is one of the tasks a director must do to ensure the production stays on track financially?

a)

Cast the show

b)

Work to stay within budget

c)

Write the script

d)

Design the costumes

19.

What is one of the responsibilities of a Technical Director?

a)

Designing costumes for the production

b)

Overseeing all technical crews/personnel

c)

Writing the script for the production

d)

Directing the actors on stage

20.

Which task is NOT a responsibility of a Technical Director?

a)

Ensuring that a budget is followed

b)

Overseeing all designers

c)

Directing the actors

d)

Ensuring work meets the unified concept

21.

What does a Technical Director ensure regarding the budget?

a)

It is exceeded

b)

It is followed

c)

It is ignored

d)

It is reduced

22.

During which phase does a Technical Director oversee all technical crews?

a)

Pre-production

b)

Post-production

c)

Production

d)

Marketing

23.

What is one of the primary responsibilities of a sound designer?

a)

Designing costumes

b)

Creating all sound effects

c)

Writing scripts

d)

Directing actors

24.

How does a sound designer contribute to the atmosphere of a production?

a)

By painting sets

b)

By organizing rehearsals

c)

By creating atmosphere through sound

d)

By managing ticket sales

25.

With whom does a sound designer collaborate to support the concept of a production?

a)

Costume designers

b)

Directors and other designers

c)

Audience members

d)

Lighting technicians

26.

What is one of the tasks a sound designer performs related to sound effects?

a)

Organizes sound effects into cues

b)

Writes dialogue

c)

Constructs stage props

d)

Designs lighting

27.

What is one of the primary responsibilities of a costume designer?

a)

Designing the lighting for a production

b)

Designing the costumes for a production

c)

Designing the set for a production

d)

Designing the sound for a production

28.

Why does a costume designer communicate with other designers?

a)

To ensure a unified concept is maintained

b)

To ensure the costumes are colorful

c)

To ensure the costumes are inexpensive

d)

To ensure the costumes are unique

29.

What does a costume designer create to organize their work?

a)

Costume plot

b)

Lighting plot

c)

Sound plot

d)

Set plot

30.

Who does a costume designer communicate with to align their vision?

a)

The audience

b)

The director

c)

The actors

d)

The stage manager

31.

What is one of the primary responsibilities of a lighting designer in a production?

a)

Designing costumes

b)

Designing the lighting looks

c)

Writing the script

d)

Directing the actors

32.

Who does the lighting designer communicate with to ensure a unified concept is maintained?

a)

The audience

b)

The actors

c)

Other designers

d)

The stage crew

33.

What does a lighting designer create as part of their job?

a)

A costume plot

b)

A light plot

c)

A sound plot

d)

A script

34.

Why does a lighting designer attend rehearsals?

a)

To perform on stage

b)

To design costumes

c)

To ensure lighting is properly integrated

d)

To write the script

35.

With whom does the lighting designer communicate to align the vision of the production?

a)

The director

b)

The audience

c)

The actors

d)

The stage crew

36.

What is one of the primary responsibilities of a make-up designer?

a)

Designing costumes for a production

b)

Creating makeup renderings

c)

Directing the actors

d)

Writing the script

37.

Who does a make-up designer primarily communicate with to ensure a unified concept?

a)

The actors

b)

The director

c)

Other designers, particularly costume designers

d)

The audience

38.

What type of specialty looks might a make-up designer be responsible for developing?

a)

Lighting effects

b)

Blood/gore, old age, etc.

c)

Sound effects

d)

Set design

39.

In addition to other designers, who else does a make-up designer communicate with?

a)

The director

b)

The audience

c)

The scriptwriter

d)

The lighting technician

40.

What is one of the primary responsibilities of a Scenic/Props Designer?

a)

Designing costumes for actors

b)

Designing the set for a production

c)

Writing the script for the play

d)

Directing the actors

41.

Why does a Scenic/Props Designer communicate with other designers?

a)

To ensure a unified concept is maintained

b)

To learn acting skills

c)

To manage the budget

d)

To schedule rehearsals

42.

Which type of drawings does a Scenic/Props Designer create?

a)

Costume sketches

b)

Ground plan, elevation, and perspective drawings

c)

Storyboards

d)

Lighting plots

43.

What is one of the activities a Scenic/Props Designer attends?

a)

Auditions

b)

Rehearsals

c)

Marketing meetings

d)

Film screenings

44.

Who does a Scenic/Props Designer communicate with besides other designers?

a)

The director

b)

The audience

c)

The playwright

d)

The lighting technician

45.

What is one of the primary responsibilities of a stage manager?

a)

Designing costumes

b)

Communicating with the director and technical crew

c)

Performing on stage

d)

Writing the script

46.

Who does the stage manager act as a liaison between?

a)

The audience and the actors

b)

The director and the actors

c)

The lighting crew and the sound crew

d)

The producer and the director

47.

What does it mean when a stage manager "calls" the show?

a)

They decide the show's theme

b)

They coordinate the technical cues during the performance

c)

They choose the cast

d)

They write the dialogue

48.

Which of the following is NOT a responsibility of a stage manager?

a)

Overseeing technical crews

b)

Creating paperwork

c)

Directing the actors

d)

Ensuring the smooth running of the show

49.

What is one of the responsibilities of the sound crew?

a)

Designing costumes

b)

Interpreting the sound cue documents

c)

Directing the actors

d)

Writing the script

50.

Who does the sound crew report to?

a)

The director

b)

The stage manager

c)

The technical director

d)

The lighting designer

51.

During a performance, what does the sound crew do?

a)

Runs the lighting cues

b)

Runs the sound cues

c)

Manages the audience

d)

Operates the camera

52.

What is one of the responsibilities of a Costume Mistress/Master during a production?

a)

Designing the stage set

b)

Directing the actors

c)

Overseeing the costume crew

d)

Writing the script

53.

Who does the Costume Mistress/Master report to?

a)

The director

b)

The technical director

c)

The lead actor

d)

The producer

54.

What does the Costume Mistress/Master keep track of during a production?

a)

The lighting design

b)

The costume plot

c)

The sound effects

d)

The choreography

55.

What is one of the responsibilities of a Master Electrician?

a)

Designing costumes for a play

b)

Interpreting and hanging the light plot

c)

Writing scripts for a performance

d)

Directing actors on stage

56.

Who does the Master Electrician report to?

a)

The stage manager

b)

The technical director

c)

The lead actor

d)

The costume designer

57.

What does the Master Electrician determine and add to the light plot?

a)

Sound effects

b)

Set designs

c)

Channels and dimmers

d)

Costume colors

58.

What is one of the roles of a Master Electrician?

a)

Overseeing the electricians

b)

Conducting the orchestra

c)

Designing the set

d)

Writing the script

59.

What is one of the responsibilities of a Lead Carpenter?

a)

Designing costumes for the actors

b)

Interpreting and articulating the scenic documents

c)

Directing the actors on stage

d)

Writing the script for the play

60.

Who does the Lead Carpenter report to?

a)

The director of the play

b)

The lighting technician

c)

The technical director

d)

The sound engineer

61.

What does the Lead Carpenter oversee?

a)

The lighting crew

b)

The set crew

c)

The costume design team

d)

The marketing team

62.

What is built by the Lead Carpenter and the set crew?

a)

The costumes for the actors

b)

The lighting setup

c)

The set and anything that appears permanent to the audience

d)

The sound system

63.

What is one of the main responsibilities of a Property Master?

a)

Directing the actors

b)

Designing the costumes

c)

In charge of property design

d)

Writing the script

64.

Who does the Property Master report to?

a)

Costume Designer

b)

Technical Director

c)

Stage Manager

d)

Lighting Technician

65.

What does the Property Master do during rehearsals?

a)

Directs the play

b)

Provides rehearsal props

c)

Operates the lighting

d)

Manages ticket sales

66.

Which task is NOT a responsibility of the Property Master?

a)

Pulls or builds the props

b)

Makes and keeps props list

c)

Communicates with the audience

d)

Delegates to prop crew

67.

What is one of the responsibilities of the Audio/Sound Crew?

a)

Designing costumes

b)

Developing sound cues

c)

Managing lighting

d)

Directing actors

68.

Who does the Audio/Sound Crew communicate with?

a)

Costume designer

b)

Stage manager

c)

Technical director

d)

Lighting technician