a strong pause within a line of verse (usually marked by punctuation)

a run-on line of poetry where it carries over into the next line because there is no punctuation

I’m nobody! || Who are you?

Are you nobody, too?

Then there’s a pair of us || – don’t tell!

They’d banish || – you know!

“April is the cruelest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain."

change in focus, point of view, time, or tone in a poem

stanza

emotional or figurative value of words that goes beyond dictionary definition

Chocolate is my Achilles' heel

a metrical foot consisting of an unaccented (unstressed) syllable followed by an accented (stressed) one

The pen is mightier than the sword--

the wind whistled through the forest:

pattern of beats in poetry

An eight line stanza

The repetition of the same or similar sounds at the beginning of words: "What would the world be, once bereft.Of wet and wildness?"(Gerald Manley Hopkins, "Inversnaid")

The repetition or a pattern of similar sounds, especially vowel sounds: "Thou still unravished bride of quietness,/ Thou foster child of silence and slow time" ("Ode to a Grecian Urn," John Keats).

Poetry that is written in unrhymed iambic pentameter. Shakespeare wrote most of his plays this way.

a special kind of metaphor that gives human attributes to a nonhuman object, such as an animal, object, or concept

Occurs when a poem's speaker addresses someone absent, someone dead, or something nonhuman as if it were present and could respond

The use of the part for the whole

The use of something closely related for the thing actually meant; for example, using blood for "life"

how the speaker feels about the subject or another character in a poem

The feelings evoked in the reader because of the author's use of diction and imagery

14 line long lyric poems with regular meter (usually iambic pentameter) ABAB CDCD EFEFGG

What is a lyric poem usually marked by serious, respectful, and exalted feelings toward the subject.

"Victoria vrooms in the van very vivaciously."

personification

Pattern of end rhymes in a stanza

the voice talking to the reader in a poem

A six-line stanza

The Petrarchan/Italian Sonnet has

a word, phrase, line or group of lines repeated at times throughout a poem or song, especially at the end of a stanza

the author places a person, concept, place, idea, or theme parallel to another to highlight the CONTRAST between the two to compare them.

a metrical unit composed of stressed and unstressed syllables

a line made up of four feet

brief, intentional reference to a historical, mythic, or literary person, place, event, movement

metrical foot consisting of an accented (stressed) syllable followed by an unaccented (unstressed) syllable

a comparison developed over a series of lines rather than just within one line

shared consonants or resemblance in sound