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WorksheetsMajorship 1
Total questions: 146
Worksheet time: 1hrs 29mins
When was Francisca Reyes-Aquino born?
March 9, 1898
March 9, 1899
March 9, 1900
March 9, 1901
When did Francisca Reyes-Aquino died?
November 21, 1983
November 29, 1983
November 14, 1983
November 7, 1983
Where was Francisca Reyes-Aquino born?
Manila
Lolomboy, Bocaue, Bulacan
Tondo, Manila
Cebu City
What was Francisca Reyes-Aquino’s highest educational attainment?
High School Teacher’s Certificate (HSTC)
Bachelor of Science in Education
Master of Arts
Doctorate in Dance
In which university did Francisca Reyes-Aquino study and later work?
Ateneo de Manila University
University of Santo Tomas
University of the Philippines (UP)
De La Salle University
Who sent Francisca Reyes-Aquino to research folk songs and dances in the provinces?
President Ramon Magsaysay
Dr. Jorge Bocobo
President Ferdinand Marcos
Dr. Jose Rizal
What was the result of her research in 1927?
Publication of a book on Philippine history
Exhibition of Philippine dances at the Philippine Carnival Auditorium
Creation of a new dance academy
A national dance competition
Approximately how many basic steps and folk dances did she gather in her research?
30 basic steps and 100 folk dances
50 basic steps and 200 folk dances
100 basic steps and 300 folk dances
20 basic steps and 50 folk dances
Which prestigious award did Francisca Reyes-Aquino NOT receive?
Republic Award of Merit
Ramon Magsaysay Award
National Artist of the Philippines for Dance
Nobel Peace Prize
In what year was she designated National Artist of the Philippines for Dance?
1965
1973
1980
1991
What was her role at the University of the Philippines before becoming director in charge of women?
Student assistant
Instructor of physical education
Assistant physical director
All of the above
Francisca was the eldest of the three children ___ & ___.
Felipe Reyes
Joaquin Niez
Jonathan Reyes
Juliana Santos
Early Schooling of Francisca
Tondo Intermediate School
Manila High School
Bulacan East School
UP President
(a)
Dr. Jorge Bocobo was the up president who sent her to the provinces to research in what year?
(a)
High School Teacher's certificate
1923
1924
1926
1922
1973
Bachelor of Science in Education Degree
1923
1924
1926
1922
1973
Master of Arts Degree in UP
1923
1924
1926
1922
1973
While still studying at the University, she worked as a student assistant at its of department of physical education.
1923
1924
1926
1922
1973
She was designated National Artist of the Philippines for Dance
1923
1924
1926
1922
1973
Dances of the Cordillera Groups
BANGA
RAGRAGSAKAN
JOTA
PANDANGGO
VALSE/BALSE
This literally means pots. This is a contemporary
performance of Kalinga of the Mountain Province.
heavy earthen pots, as many as seven or eight at a time, are balanced on the
heads of maidens as they trudge to the beat of the "gangsa" displaying their
stamina and strength as they go about their daily task of fetching water and
balancing the ---------
BANGA
RAGRAGSAKAN
JOTA
PANDANGGO
VALSE/BALSE
This dance portrays the walk of the industrious Kalinga women, carrying BASKETS on their heads and wearing the colorful hand-woven “blankets of life” around their necks. Their walk imitates the climb up the rice terraces in the Mountain Province.
BANGA
RAGRAGSAKAN
JOTA
PANDANGGO
VALSE/BALSE
"knotted rope"
(a)
Jumbled rolls & dips of this long-range traversing the northern part of Luzon Island.
(a)
They used METAL GONGS & other percussive instruments to accompany their dances dunng rituals, festivities and other socials gatherings.
(a)
WESTERN-INFLUENCED DANCES/MARIA CLARA DANCES
BANGA
HABANERA
JOTA
PANDANGGO
VALSE/BALSE
were probably the first dances introduced, they resemble the French dances of the Middle Age and were preserved for the aristocrat class and special fiestas
Rigodon
Virginia
Lanceros
Balse
Jota
became fashionable among different social classes were adopted and adapted to the tastes and needs of a colonial society and the conditions of a tropical archipelago.
Escotis
Paseo
Lanceros
Balse
Jota
The costumes and props of the original dances (Western influenced) were either adopted or done away with:
• The round CASTANETS transformed into two elongated bamboos.
• To cover shoulder and back, the women used PANUELO.
• To cover the face of women using JABON.
• The BARONG TAGALOG displaced the French Tuxedo.
The round (a) transformed into two elongated bamboos.
• To cover shoulder and back, the women used (a) .
The (a) displaced the French Tuxedo.
The adaptations and interpretation of the _____ vary from region to region, performed during fiestas and usually by the elite. Their names were derived from the place where they are originated.
BANGA
HABANERA
JOTA
PANDANGGO
VALSE/BALSE
It is a lively Spanish dance done to a slow to quick music. It is usually performed for merry making and entertainment.
BANGA
HABANERA
JOTA
PANDANGGO
VALSE/BALSE
It is evident in majority of the Philippines folk dances.
BANGA
HABANERA
JOTA
PANDANGGO
VALSE/BALSE
It is a piece of music named after Havana in Cuba. Most of this dances come from Pangasinan and Ilocos Region.
BANGA
HABANERA
JOTA
PANDANGGO
VALSE/BALSE
A festive dance from Moncada, Tarlac which was originally danced during a funeral procession in the early times.
(a)
a jota version from Bicol Region performed during social gatherings
(a)
a festive originated in Camohaguin, Gumaca, Quezon which derived from the word’s jota and blase
(a)
a festival dance from the province of Bicol depicting the happy and contented life of the people
(a)
a dance from Mindoro using tinghoy or oil lamps placed on the top of the head and one on each hand
(a)
a dance performed after the Lutrina, a religious procession.
(a)
a dance performed during thanksgiving feasts after a good harvest, during balaihan, weddings or religious occasions.
(a)
a dance which was supposedly performed in the earlier days in honor of a departing priest
(a)
from the word “haba” in habanera and “sinan” form Pangasinan is a courtship dance
(a)
Common to their dances are the use of fingers to express feelings and emotions.
Dances of the (a) Groups?
Here are an example of muslim dance specifically Maranao Tribe:
Asik
Pag-apir
Sagayan
Kappa Malong Malong
Singkil
a maranao dance derived from the sounds of the bell anklets worn by the Princess as she leaps in and out of the crisscrossed bamboo poles
Asik
Pag-apir
Sagayan
Kappa Malong Malong
Singkil
fan dance of Maranao maidens showcasing their simplicity and character.
Asik
Pag-apir
Sagayan
Kappa Malong Malong
Singkil
a warrior dance that depicts the hero-warrior prince Bantugan’s preparation for the war, the actual combat and the victory
Asik
Pag-apir
Sagayan
Kappa Malong Malong
Singkil
also called SAMBI SA MALONG, this Maranao dance shows the many ways of donning the MALONG, a tabular circle of cloth used as skirt, shawl or mantle.
Asik
Pag-apir
Sagayan
Kappa Malong Malong
Singkil
Here are an example of muslim dance specifically Maguindanao Tribe:
Asik
Pag-apir
Sagayan
Kappa Malong Malong
Singkil
-It is a solo dance performance portrays an unmarried young woman who tries to gain the approval and support of her sultan master.
-She can dance for two reasons. The first is to try to win the heart of her master and the second is to be able to make up for a mistake she has done.
-In this dance, the performer dances and poses in doll-like motions.
Asik
Pag-apir
Sagayan
Kappa Malong Malong
Singkil
Here are an example of muslim dance specifically Tausug Tribe:
Asik
Pangalay Ha Patong
Sua-Ku-Sua
Kappa Malong Malong
Singkil
a dance imitating the graceful movement of the swift vinta as well as of the birds and fish of the Tausug world
Asik
Pangalay Ha Patong
Sua-Ku-Sua
Kappa Malong Malong
Singkil
a dance from Jolo, Sulu with an influence of chinese movements meaning “my pomelo tree”
Asik
Pangalay Ha Patong
Sua-Ku-Sua
Kappa Malong Malong
Singkil
• these are dances that reflects rituals and animals, beliefs in “spirits” and shamans
• these tribes pride themselves in their concept of beauty and are known for creating colorful sets of jewelry and clothing out of dyed pineapple and banana fibers with are showcased in their traditional dances.
Dances of the (a) Groups?
Here are an example of ethnic dance specifically T'boli Tribe:
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
a dance imitating the movements of the MONKEY
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
is a traditional dance from the T’boli tribe, from Lake Cebu in the South Cotabato Province. This dramatic dance is performed during their planting and harvesting seasons and depicts the movements of an injured bird among its flock
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
Here are an example of ethnic dance specifically Bukidnon Tribe:
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
a dance by women commonly wearing a bell anklet done during thanksgiving for driving away bad spirits
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
Here are an example of ethnic dance specifically Manobo Tribe:
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
version of a HAWK dance
courtship dance that portrays and imitates the movement of a “banog” or hawk while flying originated by the Panay Suludnun/Bukidnon/Tumandok.
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
Here are an example of ethnic dance specifically Mandaya Tribe:
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
a dance imitating the movements of a HAWK
Kadal Taho
Kadal Iwas
Dugso
Binanog
Kinabua
Here are an example of ethnic dance specifically Higaonon Tribe:
Binaylan
Kadal Iwas
Dugso
Binanog
Kinabua
a typical dance of the Higaonons depicting a mother hen and her chicks being attacked by a ferocious hawk, three hunters save the hen from the clutches of the “Banog” or hawk
Binaylan
Kadal Iwas
Dugso
Binanog
Kinabua
Here are an example of ethnic dance specifically Countryside/Rural Dances:
MAGLALATIK
KALAPATI
SINALAMPATI
LA JOTA MANILEÑA
TINIKLING
The subject matter of this dance is open combat between Christian and Muslim soldier over “LATIK” or coconut residue. What is unique is that no sword or dummy are used. Instead, each combatant has eight coconut shells tied to his body on the chest, behind the shoulders, above the knees, and on the hips. In addition, each combatant has a pierce of shell in each hand.
MAGLALATIK
KALAPATI
SINALAMPATI
LA JOTA MANILEÑA
TINIKLING
Depicts the movements of DOVES.
MAGLALATIK
KALAPATI
SINALAMPATI
LA JOTA MANILEÑA
TINIKLING
Dance from Tanjay, Negros Oriental which depicts the actions of mother doves fonding, caressing and feeding their young.
MAGLALATIK
KALAPATI
SINALAMPATI
LA JOTA MANILEÑA
TINIKLING
It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.
MAGLALATIK
KALAPATI
SINALAMPATI
LA JOTA MANILEÑA
TINIKLING
Dancers hopping between two bamboo poles held just above the ground and struck together in time to music. Originated from Leyte Province, this dance is in fact a mimic movement of tikling birds hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.
MAGLALATIK
KALAPATI
SINALAMPATI
LA JOTA MANILEÑA
TINIKLING
This dance is one of the most popular dance in the Philippines and the favorite in Batangas. This dance is simply ceremonial in nature and this is performed as homage to the Holy Cross. The Holy Cross is known by the locals as the 'Mahal na Poong Santa Krus', and the Holy Cross plays an important role in the development of the dance. In fact, the Holy Cross is considered at the center of the dance and without the Holy Cross the dance will not materialize.
Subli-Batangas
Binatbatan Dance
Pandanggo Santa Clara
Maramion
Binasuan
The _____ is an occupational dance from Paoay, Ilocos Norte. It depicts the beating of cotton pods to separate the seeds drom the fibers. Weavers in Paoay often engage themselves in abel-making contests. Dancers maneuver in and out of parallel batbat sticks, each about 18 inches long. The rhythm and speed of the beating of the sticks make for a lively and colorful display.
Subli-Batangas
Binatbatan Dance
Pandanggo Santa Clara
Maramion
Binasuan
More popular as the Sayaw sa Obando, this among the few fertility dances of the Philippines, particularly among the lowland Christianized Filipinos. The dance is a sort a supplication prayer to Santa Clara (the town’s patroness) for married couple who find it hard bear a child. The supplicants, as we may call the dancers, follow the route of the procession dancing the pandanggo. The prayer ends with the ritualistic offering of duck or chicken eggs to the patroness.
Subli-Batangas
Binatbatan Dance
Pandanggo Santa Clara
Maramion
Binasuan
It is a courtship dance that is popular in the islands of Cebu and Bohol. It is a pantomime of a courtship story. Females are dressed in Visayan folk costume, in patadyong while males are dressed in barong tagalog with white trousers.
Subli-Batangas
Binatbatan Dance
Pandanggo Santa Clara
Maramion
Binasuan
It is a folk dance that originated in Bayambang, Pangasinan,. The word “binasuan” means “with the use of drinking glasses.” The dancers balance glasses
on their heads and in their hands as they move. The glasses are filled with rice wine, which makes any misstep a messy mistake.
Subli-Batangas
Binatbatan Dance
Pandanggo Santa Clara
Maramion
Binasuan
Bamboo noisemakers played by Cuyunen men to accompany gaily dressed ladies in a boisterous street parade.
Karatong
Binatbatan Dance
Pandanggo Santa Clara
Maramion
Binasuan
Meaning “Dance of the Doves”. This dance is the highlight of Sorsogon’s Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from imitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.
Pantomina
Sayaw Ed Tapew na Bangko
Pandanggo Santa Clara
Maramion
Binasuan
Dance which means “Dance of a Bench”. A lively and skillful dance from the barrio of Pangapisan, Lingayen, Pangasinan.
Sakuting
Sayaw Ed Tapew na Bangko
Bendian
Kuratsa
Itik-itik
It is a dance from the orovince of Abra. It was originally an all-male dance performance presenting a mock fight between Ilocano Christians and non-
Christians using sticks.
Sakuting
Sayaw Ed Tapew na Bangko
Bendian
Kuratsa
Itik-itik
It is a circle dance, of Ibaloy. This was long known as a dance to celebrate the arrival of successful headhunters. The circular movements pf the dance symbolize unity and harmony among the Ibaloys. Now a part of every Benguet festivity with the circles slowly giving way to other formations and interpretations. .
Sakuting
Sayaw Ed Tapew na Bangko
Bendian
Kuratsa
Itik-itik
It is commonly performed during festivals in Bohol and other Visayan towns, this dance portrays a young playful couple’s attempt to get each other’s attention.
Sakuting
Sayaw Ed Tapew na Bangko
Bendian
Kuratsa
Itik-itik
According to history of this dance, a young woman named Kanang (short for Cayetana) happened to be the best performer in the province of Surigao del Norte. At one baptismal reception, she was asked to dance the Sibay, and began improvising her steps in the middle of her performance imitating the movements of an “itik”, a duck, as it walks with choppy steps and splashes water on its back while attracting its mate.
Sakuting
Sayaw Ed Tapew na Bangko
Bendian
Kuratsa
Itik-itik
Kalinga, Cordillera. This is a courtship dance that symbolizes a rooster trying to attract the attention of a hen. This is performed and portrayed by both male and female dancers as the rooster and hen respectively.
Salisad
Palok
Lumagen
Idudu
Dinuyya
Kalinga, Cordillera. A tribal dance. The natives of Kalinga perform this dance in most of their social events. Male dancers hold gangsa or gong- a percussion instrument made of copper, and beat it with wooden stick.
Salisad
Palok
Lumagen
Idudu
Dinuyya
Kalinga, Cordillera A tribal dance. This is a tradistional thanksgiving dance by the Kalinga tribe performed to celebrate good harvest and events such as birth of first-born child, victory in battles and weddings.
Bendayan
Binaylan
Lumagen
Idudu
Dinuyya
Abra, Cordillera A tribal dance. This dance stages a common family life in the Itneg or Tinguian society. It illustrates the family as the main foundation of the tribe`s community. Several traits of an ordinary family are shown. It depicts a father plowing the field while the mother caring for the children. But as soon as the father finishes work, the mother takes over on planting, sowing and all the remaining chores to do in the field. At this time the father is left to take care of the kids. During the dance a Local singer breaks into ______ or lullaby to put the baby to sleep. This is a dance taken from ____ lullaby, obviously portrays the different roles in a Tinguian family.
Bendayan
Binaylan
Lumagen
Idudu
Dinuyya
Cordillera Ifugao dance Famous in the Ifugao region, this dance is regularly staged during festivals in Lagawe. Three kinds of gong instruments such as, ordinary gongs, tobtob- a brass gong played by beating with open palms and, hibat, a kind of gong played by beating the inner surface with a softwood are used in this dance.
Bendayan
Binaylan
Lumagen
Idudu
Dinuyya
Benguet. This dance, which is more known as Bendian, is performers dance in a circle and show off their lively traditional steps.
Bendayan
Binaylan
Lumagen
Idudu
Dinuyya
Agusan. This is a ritual dance, which originated from Bagobo tribe living in the central uplands of Mindanao, imitating the movements of a hen, here banog or baby chicks, and a hawk. The hawk is sacred and is believed that it has the power over the well being of the tribe. The hawk tries to capture one of the baby chicks and is killed by the hunters.
Bendayan
Binaylan
Lumagen
Idudu
Dinuyya
Sulu.The dance is a unique fighting dance in a form of martial arts by the Tausug tribe. Performers demonstrate a battle between hawk and a cat. With their acrobatic movements and tough facial expressions, this dance is highlighted with the accompanying energetic beat of drums and gongs.
Burung-Talo
Kadal-Blelah
Sayaw sa Cuyo
Gayong-gayong
Pangalay
South Cotabato. A tribal dance where in the dancers perform simulation of movements of birds.
Burung-Talo
Kadal-Blelah
Sayaw sa Cuyo
Gayong-gayong
Pangalay
Palawan Cuyo is a small island and capital of Palawan. There, the feast day of St. Augustin is traditionally celebrated with parades, processions and small performances by groups coming from all over Cuyo Island and the nearby islets. Island dances, blended with strong Old Cuyo ethnicity and Spanish-influenced steps, are all brought out when Cuyo celebrates its festivals. Today, pretty young girls daintily swirl hats to the waltz and other European steps designed to bring out the freshness and glow of the performers.
Burung-Talo
Kadal-Blelah
Sayaw sa Cuyo
Gayong-gayong
Pangalay
Capiz- A Muslim dance. In rural gatherings, this dance offers much fun. ____ is a pet name for Leodegario. According to the legend and to the words of the song. ____ and Maisong (pet name for Dalmacio) once attended a feast commemorating the death of a townsman. While eating, Masiong choked on a piece of adobo so he called, “____! ____!” to ask for help to dislodge a bone from the adobo meal from his throat. In this dance, Masiong’s liking for feasts and the consequence of his gluttony are held up to playful ridicule.
Burung-Talo
Kadal-Blelah
Sayaw sa Cuyo
Gayong-gayong
Pangalay
Zamboanga Del Sur. A muslim dance. Originally performed by wealthy families during a wedding celebration, this fingernail dance is now a popular festival dance in Sulu.
Burung-Talo
Kadal-Blelah
Sayaw sa Cuyo
Gayong-gayong
Pangalay
A lively dance in triple meter where small steps were essential part of the dance gained popularity during the time of King Louis XIV, the Sun King.
(a)
which owes its name from the Latin volvere – to turn, was introduced to fashionable ballrooms in the early 19th century and became the most popular of all the new dances.
(a)
It is an American round dance mixer and it is used as a prerequisite to square dancing.
(a)
It is an American dance traditionally performed with one boy at the middle and two girls in each set of three. The dancers sing aloud as they perform the dance.
(a)
This arrived from Argentine. Its origin can be traced to a slave dance in Cuba, and by no means respectable. It was introduced into Europe at the beginning of the 20th century, and in France, where it was transformed into a more polite form.
(a)
This was originated by a comedian, Harry Fox, who worked in the Ziegfeld Follies, emerged in 1914.
(a)
DANCE IN LATIN AMERICA:
____ is a relic of Spanish occupation, a dance usually given by four men, whose leader is identified as St. James.
Los Moros
Los Viejetos (the little old men)
La Costilla
La Cucaracha
La Virgencita
DANCE IN LATIN AMERICA:
____ is danced by young men who disguised themselves with masks and lean on sticks.
Los Moros
Los Viejetos (the little old men)
La Costilla
La Cucaracha
La Virgencita
DANCE IN LATIN AMERICA:
____ is a popular couple dance among the rancheros of Mexico.
“Costilla” is an affection term used in Mexico for wives.
Los Moros
Los Viejetos (the little old men)
La Costilla
La Cucaracha
La Virgencita
DANCE IN LATIN AMERICA:
____ means the “little cockroach” is a dance known all over Mexico.
Los Moros
Los Viejetos (the little old men)
La Costilla
La Cucaracha
La Virgencita
DANCE IN LATIN AMERICA:
____ which means “the little maiden” is a dance popular in Mexico.
Los Moros
Los Viejetos (the little old men)
La Costilla
La Cucaracha
La Virgencita
EUROPEAN FOLK DANCES
__________ is a very lively dance for big men due to the characteristic gesture of the arms and the energetic steps inherent among Russian dancers.
Arkadsky
Bavarian Landler
Barbary Bell
Cshebogar
Danish Dance of Greetings
EUROPEAN FOLK DANCES
__________ is a traditional dance of farmers in Alemania.
Dutch Couple Dance
Bavarian Landler
Barbary Bell
Cshebogar
Danish Dance of Greetings
EUROPEAN FOLK DANCES
__________ is an old-fashioned country dance among the village people in England.
Dutch Couple Dance
Highlang Fling
Barbary Bell
Cshebogar
Danish Dance of Greetings
EUROPEAN FOLK DANCES
__________ is a Hungarian “grief dance”.
Dutch Couple Dance
Highlang Fling
Kalvelis
Cshebogar
Danish Dance of Greetings
EUROPEAN FOLK DANCES
__________ is a simple dance showing the national traits of the Danish people – friendly, kind, and helpful.
Dutch Couple Dance
Highlang Fling
Kalvelis
Norwegian Mountain March
Danish Dance of Greetings
EUROPEAN FOLK DANCES
__________ is a humorous dance of Holland depicting how the boy teasingly asks a bite from an apple.
Dutch Couple Dance
Highlang Fling
Kalvelis
Norwegian Mountain March
Oyda
EUROPEAN FOLK DANCES
__________ is a vigorous folk dance from Scotland especially adapted for boys.
Puttjenter
Highland Fling
Kalvelis
Norwegian Mountain March
Oyda
EUROPEAN FOLK DANCES
__________ is an occupational dance which means “little smith” where the clapping of the hands suggest the hammer and the anvil of the blacksmith.
Puttjenter
Tropanka
Kalvelis
Norwegian Mountain March
Oyda
EUROPEAN FOLK DANCES
__________ is a dance from Norway that depicts mountain climbing with the boy at the center as guide of the two girls behind him.
Puttjenter
Tropanka
Varsovienne
Norwegian Mountain March
Oyda
EUROPEAN FOLK DANCES
__________ is a dance which is a good example of round dances performed in the earlier centuries.
Puttjenter
Tropanka
Varsovienne
Norwegian Mountain March
Oyda
EUROPEAN FOLK DANCES
__________ originated in the province of Westphalia, is a popular dance among the peasants of Germany.
Puttjenter
Tropanka
Varsovienne
Norwegian Mountain March
Oyda
EUROPEAN FOLK DANCES
__________ is Bulgarian stamping dance.
Puttjenter
Tropanka
Varsovienne
Norwegian Mountain March
Oyda
EUROPEAN FOLK DANCES
__________ is a German delightful dance for girls.
Puttjenter
Tropanka
Varsovienne
Norwegian Mountain March
Oyda
Western Influenced - Quadrille Dances
A quadrille dance commonly performed in formal gatherings in a quadrille formation.
Rigodon de Honor
Lanceros de Tayabas
Pasakat
Lanceros de Lingayen
Lanceros de Negros
Western Influenced - Quadrille Dances
A quadrille dance from Tayabas, Quezon performed by old folks during the early 2 days.
Rigodon de Honor
Lanceros de Tayabas
Pasakat
Lanceros de Lingayen
Lanceros de Negros
Western Influenced - Quadrille Dances
A quadrille dance from Sta. Rosa, Laguna.
Rigodon de Honor
Lanceros de Tayabas
Pasakat
Lanceros de Lingayen
Lanceros de Negros
Western Influenced - Quadrille Dances
A version of lanceros from Pangasinan.
Rigodon de Honor
Lanceros de Tayabas
Pasakat
Lanceros de Lingayen
Lanceros de Negros
Western Influenced - Quadrille Dances
A dance from Silay, Negros Occidental which was not in quadrille formation but in linear formation.
Rigodon de Honor
Lanceros de Tayabas
Pasakat
Lanceros de Lingayen
Lanceros de Negros
Western Influenced - Mazurka Dances
A social dance from Cuyo Island, and early Spanish settlement in Palawan.
Mazurka
Mazurka De Jagna
Mazurka Mindoreña
Mazurka Boholana
Mazurka Val
Western Influenced - Mazurka Dances
A ______ named after Jagna town.
Mazurka
Mazurka De Jagna
Mazurka Mindoreña
Mazurka Boholana
Mazurka Val
Western Influenced - Mazurka Dances
A premiere dance of the elite in Mindoro, and Don Antonio Luna, who considered best dancer of his time popularized it.
Mazurka
Mazurka De Jagna
Mazurka Mindoreña
Mazurka Boholana
Mazurka Val
Western Influenced - Mazurka Dances
A traditional dance from Bohol which was originally performed by couples informally gathered in the ballroom with no definite sequence steps.
Mazurka
Mazurka De Jagna
Mazurka Mindoreña
Mazurka Boholana
Mazurka Val
Western Influenced - Mazurka Dances
A combination of the two dances, mazurka and valse, which features the skill of coordination of movement of both dancers as the boy carries the girl on his feet while dancing.
Mazurka
Mazurka De Jagna
Mazurka Mindoreña
Mazurka Boholana
Mazurka Val
Western Influenced - Polka Dances
A dance which acquired its name from two well-known steps polka and valse, corrupted into one word as polkabal, by the people of Atimonan, Quezon.
Polkabal
Polka Tagala
Maliget-Ah-Polka
Sileleddaang
Polka sa Nayon
Western Influenced - Polka Dances
A dance from Bataan, where one of the figures, the ladies pick their voluminous skirts forward and backward to show-off their beautiful lace petticoats.
Polkabal
Polka Tagala
Maliget-Ah-Polka
Sileleddaang
Polka sa Nayon
Western Influenced - Polka Dances
A dance from Pangasinan which means happy polka.
Polka sa Sala
Polka Tagala
Maliket-Ah-Polka
Sileleddaang
Polka sa Nayon
Western Influenced - Polka Dances
A dance which means laden with sorrow in Ilocos Norte.
Polka sa Sala
Polka Tagala
Maliket-Ah-Polka
Sileleddaang
Polka sa Nayon
Western Influenced - Polka Dances
A polka dance version from Batangas.
Polka sa Sala
Polka Tagala
Maliket-Ah-Polka
Sileleddaang
Polka sa Nayon
Western Influenced - Polka Dances
A polka dance version from Mindoro.
Polka sa Sala
Polka Tagala
Maliket-Ah-Polka
Sileleddaang
Polka sa Nayon
ASIAN DANCES
A famous theatrical dance performance that takes place outdoors and last all nights which is held in Burma.
Pwe
Bharata Natyam
Chinese Fan Dance
Odori
Furi
ASIAN DANCES
It is the oldest dance in the world that is still performed today. It is a dance originally performed in the temples of India, combines rhythmically complicated dancing with Hindu legends told in song and pantomime.
Pwe
Bharata Natyam
Chinese Fan Dance
Odori
Furi
ASIAN DANCES
It is a simple but interesting dance from China suitable for girls.
Bon Dance
Japanese Parasol Dance
Chinese Fan Dance
Odori
Furi
ASIAN DANCES
The popular style taken from folk art (Japan).
Bon Dance
Japanese Parasol Dance
Chinese Fan Dance
Odori
Furi
ASIAN DANCES
This are realistic mime movements and gestures which have been introduced from daily life. (Japan)
Bon Dance
Japanese Parasol Dance
Chinese Fan Dance
Odori
Furi
ASIAN DANCES
It is a Japanese folk dance performed during the blooming of the Cherry Blossoms or during full moon.
Bon Dance
Japanese Parasol Dance
Chinese Fan Dance
Odori
Furi
ASIAN DANCES
It is an easy, very colorful dance for girls. It is customary with the Japanese girls to use umbrella for rain or shine.
Bon Dance
Japanese Parasol Dance
Chinese Fan Dance
Odori
Furi
