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Majorship 1

Total questions: 146

Worksheet time: 1hrs 29mins

Name
Class
Date
1.

When was Francisca Reyes-Aquino born?

a)

March 9, 1898

b)

March 9, 1899

c)

March 9, 1900

d)

March 9, 1901

2.

When did Francisca Reyes-Aquino died?

a)

November 21, 1983

b)

November 29, 1983

c)

November 14, 1983

d)

November 7, 1983

3.

Where was Francisca Reyes-Aquino born?

a)

Manila

b)

Lolomboy, Bocaue, Bulacan

c)

Tondo, Manila

d)

Cebu City

4.

What was Francisca Reyes-Aquino’s highest educational attainment?

a)

High School Teacher’s Certificate (HSTC)

b)

Bachelor of Science in Education

c)

Master of Arts

d)

Doctorate in Dance

5.

In which university did Francisca Reyes-Aquino study and later work?

a)

Ateneo de Manila University

b)

University of Santo Tomas

c)

University of the Philippines (UP)

d)

De La Salle University

6.

Who sent Francisca Reyes-Aquino to research folk songs and dances in the provinces?

a)

President Ramon Magsaysay

b)

Dr. Jorge Bocobo

c)

President Ferdinand Marcos

d)

Dr. Jose Rizal

7.

What was the result of her research in 1927?

a)

Publication of a book on Philippine history

b)

Exhibition of Philippine dances at the Philippine Carnival Auditorium

c)

Creation of a new dance academy

d)

A national dance competition

8.

Approximately how many basic steps and folk dances did she gather in her research?

a)

30 basic steps and 100 folk dances

b)

50 basic steps and 200 folk dances

c)

100 basic steps and 300 folk dances

d)

20 basic steps and 50 folk dances

9.

Which prestigious award did Francisca Reyes-Aquino NOT receive?

a)

Republic Award of Merit

b)

Ramon Magsaysay Award

c)

National Artist of the Philippines for Dance

d)

Nobel Peace Prize

10.

In what year was she designated National Artist of the Philippines for Dance?

a)

1965

b)

1973

c)

1980

d)

1991

11.

What was her role at the University of the Philippines before becoming director in charge of women?

a)

Student assistant

b)

Instructor of physical education

c)

Assistant physical director

d)

All of the above

12.

Francisca was the eldest of the three children ___ & ___.

a)

Felipe Reyes

b)

Joaquin Niez

c)

Jonathan Reyes

d)

Juliana Santos

13.

Early Schooling of Francisca

a)
Meisic Elementary School
b)

Tondo Intermediate School

c)

Manila High School

d)

Bulacan East School

14.

UP President

(a)  

15.

Dr. Jorge Bocobo was the up president who sent her to the provinces to research in what year?

(a)  

16.

High School Teacher's certificate

a)

1923

b)

1924

c)

1926

d)

1922

e)

1973

17.

Bachelor of Science in Education Degree

a)

1923

b)

1924

c)

1926

d)

1922

e)

1973

18.

Master of Arts Degree in UP

a)

1923

b)

1924

c)

1926

d)

1922

e)

1973

19.

While still studying at the University, she worked as a student assistant at its of department of physical education.

a)

1923

b)

1924

c)

1926

d)

1922

e)

1973

20.

She was designated National Artist of the Philippines for Dance

a)

1923

b)

1924

c)

1926

d)

1922

e)

1973

21.

Dances of the Cordillera Groups

a)

BANGA

b)

RAGRAGSAKAN

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

22.

This literally means pots. This is a contemporary

performance of Kalinga of the Mountain Province.

heavy earthen pots, as many as seven or eight at a time, are balanced on the

heads of maidens as they trudge to the beat of the "gangsa" displaying their

stamina and strength as they go about their daily task of fetching water and

balancing the ---------

a)

BANGA

b)

RAGRAGSAKAN

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

23.

This dance portrays the walk of the industrious Kalinga women, carrying BASKETS on their heads and wearing the colorful hand-woven “blankets of life” around their necks. Their walk imitates the climb up the rice terraces in the Mountain Province

a)

BANGA

b)

RAGRAGSAKAN

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

24.

"knotted rope"

(a)  

25.

Jumbled rolls & dips of this long-range traversing the northern part of Luzon Island.

(a)  

26.

They used METAL GONGS & other percussive instruments to accompany their dances dunng rituals, festivities and other socials gatherings.

(a)  

27.

WESTERN-INFLUENCED DANCES/MARIA CLARA DANCES

a)

BANGA

b)

HABANERA

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

28.

were probably the first dances introduced, they resemble the French dances of the Middle Age and were preserved for the aristocrat class and special fiestas

a)

Rigodon

b)

Virginia

c)

Lanceros

d)

Balse

e)

Jota

29.

became fashionable among different social classes were adopted and adapted to the tastes and needs of a colonial society and the conditions of a tropical archipelago. 

a)

Escotis

b)

Paseo

c)

Lanceros

d)

Balse

e)

Jota

30.

The costumes and props of the original dances (Western influenced) were either adopted or done away with:

a)

• The round CASTANETS transformed into two elongated bamboos.

b)

• To cover shoulder and back, the women used PANUELO.

c)

• To cover the face of women using JABON.

d)

• The BARONG TAGALOG displaced the French Tuxedo.

31.

The round (a)   transformed into two elongated bamboos.

32.

• To cover shoulder and back, the women used  (a)   .

33.

The (a)   displaced the French Tuxedo. 

34.

The adaptations and interpretation of the _____ vary from region to region, performed during fiestas and usually by the elite. Their names were derived from the place where they are originated. 

a)

BANGA

b)

HABANERA

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

35.

It is a lively Spanish dance done to a slow to quick music. It is usually performed for merry making and entertainment. 

a)

BANGA

b)

HABANERA

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

36.

It is evident in majority of the Philippines folk dances.

a)

BANGA

b)

HABANERA

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

37.

It is a piece of music named after Havana in Cuba. Most of this dances come from Pangasinan and Ilocos Region. 

a)

BANGA

b)

HABANERA

c)

JOTA

d)

PANDANGGO

e)

VALSE/BALSE

38.

A festive dance from Moncada, Tarlac which was originally danced during a funeral procession in the early times.

(a)  

39.

a jota version from Bicol Region performed during social gatherings

(a)  

40.

a festive originated in Camohaguin, Gumaca, Quezon which derived from the word’s jota and blase

(a)  

41.

a festival dance from the province of Bicol depicting the happy and contented life of the people

(a)  

42.

a dance from Mindoro using tinghoy or oil lamps placed on the top of the head and one on each hand

(a)  

43.

a dance performed after the Lutrina, a religious procession.

(a)  

44.

a dance performed during thanksgiving feasts after a good harvest, during balaihan, weddings or religious occasions.

(a)  

45.

a dance which was supposedly performed in the earlier days in honor of a departing priest

(a)  

46.

from the word “haba” in habanera and “sinan” form Pangasinan is a courtship dance

(a)  

47.

Common to their dances are the use of fingers to express feelings and emotions.

Dances of the (a)   Groups?

48.

Here are an example of muslim dance specifically Maranao Tribe:

a)

Asik

b)

Pag-apir

c)

Sagayan

d)

Kappa Malong Malong

e)

Singkil

49.

a maranao dance derived from the sounds of the bell anklets worn by the Princess as she leaps in and out of the crisscrossed bamboo poles

a)

Asik

b)

Pag-apir

c)

Sagayan

d)

Kappa Malong Malong

e)

Singkil

50.

fan dance of Maranao maidens showcasing their simplicity and character.

a)

Asik

b)

Pag-apir

c)

Sagayan

d)

Kappa Malong Malong

e)

Singkil

51.

a warrior dance that depicts the hero-warrior prince Bantugan’s preparation for the war, the actual combat and the victory

a)

Asik

b)

Pag-apir

c)

Sagayan

d)

Kappa Malong Malong

e)

Singkil

52.

also called SAMBI SA MALONG, this Maranao dance shows the many ways of donning the MALONG, a tabular circle of cloth used as skirt, shawl or mantle.

a)

Asik

b)

Pag-apir

c)

Sagayan

d)

Kappa Malong Malong

e)

Singkil

53.

Here are an example of muslim dance specifically Maguindanao Tribe:

a)

Asik

b)

Pag-apir

c)

Sagayan

d)

Kappa Malong Malong

e)

Singkil

54.
  • -It is a solo dance performance portrays an unmarried young woman who tries to gain the approval and support of her sultan master.

  • -She can dance for two reasons. The first is to try to win the heart of her master and the second is to be able to make up for a mistake she has done.

-In this dance, the performer dances and poses in doll-like motions.

a)

Asik

b)

Pag-apir

c)

Sagayan

d)

Kappa Malong Malong

e)

Singkil

55.

Here are an example of muslim dance specifically Tausug Tribe:

a)

Asik

b)

Pangalay Ha Patong

c)

Sua-Ku-Sua

d)

Kappa Malong Malong

e)

Singkil

56.

a dance imitating the graceful movement of the swift vinta as well as of the birds and fish of the Tausug world

a)

Asik

b)

Pangalay Ha Patong

c)

Sua-Ku-Sua

d)

Kappa Malong Malong

e)

Singkil

57.

a dance from Jolo, Sulu with an influence of chinese movements meaning “my pomelo tree”

a)

Asik

b)

Pangalay Ha Patong

c)

Sua-Ku-Sua

d)

Kappa Malong Malong

e)

Singkil

58.

• these are dances that reflects rituals and animals, beliefs in “spirits” and shamans

• these tribes pride themselves in their concept of beauty and are known for creating colorful sets of jewelry and clothing out of dyed pineapple and banana fibers with are showcased in their traditional dances.

Dances of the (a)   Groups?

59.

Here are an example of ethnic dance specifically T'boli Tribe:

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

60.

a dance imitating the movements of the MONKEY

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

61.

is a traditional dance from the T’boli tribe, from Lake Cebu in the South Cotabato Province. This dramatic dance is performed during their planting and harvesting seasons and depicts the movements of an injured bird among its flock

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

62.

Here are an example of ethnic dance specifically Bukidnon Tribe:

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

63.

a dance by women commonly wearing a bell anklet done during thanksgiving for driving away bad spirits

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

64.

Here are an example of ethnic dance specifically Manobo Tribe:

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

65.

version of a HAWK dance

courtship dance that portrays and imitates the movement of a “banog” or hawk while flying originated by the Panay Suludnun/Bukidnon/Tumandok.

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

66.

Here are an example of ethnic dance specifically Mandaya Tribe:

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

67.

a dance imitating the movements of a HAWK

a)

Kadal Taho

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

68.

Here are an example of ethnic dance specifically Higaonon Tribe:

a)

Binaylan

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

69.

a typical dance of the Higaonons depicting a mother hen and her chicks being attacked by a ferocious hawk, three hunters save the hen from the clutches of the “Banog” or hawk

a)

Binaylan

b)

Kadal Iwas

c)

Dugso

d)

Binanog

e)

Kinabua

70.

Here are an example of ethnic dance specifically Countryside/Rural Dances:

a)

MAGLALATIK

b)

KALAPATI

c)

SINALAMPATI

d)

LA JOTA MANILEÑA

e)

TINIKLING

71.

The subject matter of this dance is open combat between Christian and Muslim soldier over “LATIK” or coconut residue. What is unique is that no sword or dummy are used. Instead, each combatant has eight coconut shells tied to his body on the chest, behind the shoulders, above the knees, and on the hips. In addition, each combatant has a pierce of shell in each hand.

a)

MAGLALATIK

b)

KALAPATI

c)

SINALAMPATI

d)

LA JOTA MANILEÑA

e)

TINIKLING

72.

Depicts the movements of DOVES.

a)

MAGLALATIK

b)

KALAPATI

c)

SINALAMPATI

d)

LA JOTA MANILEÑA

e)

TINIKLING

73.

Dance from Tanjay, Negros Oriental which depicts the actions of mother doves fonding, caressing and feeding their young.

a)

MAGLALATIK

b)

KALAPATI

c)

SINALAMPATI

d)

LA JOTA MANILEÑA

e)

TINIKLING

74.

It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.

a)

MAGLALATIK

b)

KALAPATI

c)

SINALAMPATI

d)

LA JOTA MANILEÑA

e)

TINIKLING

75.

Dancers hopping between two bamboo poles held just above the ground and struck together in time to music. Originated from Leyte Province, this dance is in fact a mimic movement of tikling birds hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.

a)

MAGLALATIK

b)

KALAPATI

c)

SINALAMPATI

d)

LA JOTA MANILEÑA

e)

TINIKLING

76.

This dance is one of the most popular dance in the Philippines and the favorite in Batangas. This dance is simply ceremonial in nature and this is performed as homage to the Holy Cross. The Holy Cross is known by the locals as the 'Mahal na Poong Santa Krus', and the Holy Cross plays an important role in the development of the dance. In fact, the Holy Cross is considered at the center of the dance and without the Holy Cross the dance will not materialize.

a)

Subli-Batangas

b)

Binatbatan Dance

c)

Pandanggo Santa Clara

d)

Maramion

e)

Binasuan

77.

The _____ is an occupational dance from Paoay, Ilocos Norte. It depicts the beating of cotton pods to separate the seeds drom the fibers. Weavers in Paoay often engage themselves in abel-making contests. Dancers maneuver in and out of parallel batbat sticks, each about 18 inches long. The rhythm and speed of the beating of the sticks make for a lively and colorful display.

a)

Subli-Batangas

b)

Binatbatan Dance

c)

Pandanggo Santa Clara

d)

Maramion

e)

Binasuan

78.

More popular as the Sayaw sa Obando, this among the few fertility dances of the Philippines, particularly among the lowland Christianized Filipinos. The dance is a sort a supplication prayer to Santa Clara (the town’s patroness) for married couple who find it hard bear a child. The supplicants, as we may call the dancers, follow the route of the procession dancing the pandanggo. The prayer ends with the ritualistic offering of duck or chicken eggs to the patroness.

a)

Subli-Batangas

b)

Binatbatan Dance

c)

Pandanggo Santa Clara

d)

Maramion

e)

Binasuan

79.

It is a courtship dance that is popular in the islands of Cebu and Bohol. It is a pantomime of a courtship story. Females are dressed in Visayan folk costume, in patadyong while males are dressed in barong tagalog with white trousers.

a)

Subli-Batangas

b)

Binatbatan Dance

c)

Pandanggo Santa Clara

d)

Maramion

e)

Binasuan

80.

It is a folk dance that originated in Bayambang, Pangasinan,. The word “binasuan” means “with the use of drinking glasses.” The dancers balance glasses

on their heads and in their hands as they move. The glasses are filled with rice wine, which makes any misstep a messy mistake.

a)

Subli-Batangas

b)

Binatbatan Dance

c)

Pandanggo Santa Clara

d)

Maramion

e)

Binasuan

81.

Bamboo noisemakers played by Cuyunen men to accompany gaily dressed ladies in a boisterous street parade.

a)

Karatong

b)

Binatbatan Dance

c)

Pandanggo Santa Clara

d)

Maramion

e)

Binasuan

82.

Meaning “Dance of the Doves”. This dance is the highlight of Sorsogon’s Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from imitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.

a)

Pantomina

b)

Sayaw Ed Tapew na Bangko

c)

Pandanggo Santa Clara

d)

Maramion

e)

Binasuan

83.

Dance which means “Dance of a Bench”. A lively and skillful dance from the barrio of Pangapisan, Lingayen, Pangasinan.

a)

Sakuting

b)

Sayaw Ed Tapew na Bangko

c)

Bendian

d)

Kuratsa

e)

Itik-itik

84.

It is a dance from the orovince of Abra. It was originally an all-male dance performance presenting a mock fight between Ilocano Christians and non-

Christians using sticks.

a)

Sakuting

b)

Sayaw Ed Tapew na Bangko

c)

Bendian

d)

Kuratsa

e)

Itik-itik

85.

It is a circle dance, of Ibaloy. This was long known as a dance to celebrate the arrival of successful headhunters. The circular movements pf the dance symbolize unity and harmony among the Ibaloys. Now a part of every Benguet festivity with the circles slowly giving way to other formations and interpretations. .

a)

Sakuting

b)

Sayaw Ed Tapew na Bangko

c)

Bendian

d)

Kuratsa

e)

Itik-itik

86.

It is commonly performed during festivals in Bohol and other Visayan towns, this dance portrays a young playful couple’s attempt to get each other’s attention.

a)

Sakuting

b)

Sayaw Ed Tapew na Bangko

c)

Bendian

d)

Kuratsa

e)

Itik-itik

87.

According to history of this dance, a young woman named Kanang (short for Cayetana) happened to be the best performer in the province of Surigao del Norte. At one baptismal reception, she was asked to dance the Sibay, and began improvising her steps in the middle of her performance imitating the movements of an “itik”, a duck, as it walks with choppy steps and splashes water on its back while attracting its mate.

a)

Sakuting

b)

Sayaw Ed Tapew na Bangko

c)

Bendian

d)

Kuratsa

e)

Itik-itik

88.

Kalinga, Cordillera. This is a courtship dance that symbolizes a rooster trying to attract the attention of a hen. This is performed and portrayed by both male and female dancers as the rooster and hen respectively.

a)

Salisad

b)

Palok

c)

Lumagen

d)

Idudu

e)

Dinuyya

89.

Kalinga, Cordillera. A tribal dance. The natives of Kalinga perform this dance in most of their social events. Male dancers hold gangsa or gong- a percussion instrument made of copper, and beat it with wooden stick.

a)

Salisad

b)

Palok

c)

Lumagen

d)

Idudu

e)

Dinuyya

90.

Kalinga, Cordillera A tribal dance. This is a tradistional thanksgiving dance by the Kalinga tribe performed to celebrate good harvest and events such as birth of first-born child, victory in battles and weddings.

a)

Bendayan

b)

Binaylan

c)

Lumagen

d)

Idudu

e)

Dinuyya

91.

Abra, Cordillera A tribal dance. This dance stages a common family life in the Itneg or Tinguian society. It illustrates the family as the main foundation of the tribe`s community. Several traits of an ordinary family are shown. It depicts a father plowing the field while the mother caring for the children. But as soon as the father finishes work, the mother takes over on planting, sowing and all the remaining chores to do in the field. At this time the father is left to take care of the kids. During the dance a Local singer breaks into ______ or lullaby to put the baby to sleep. This is a dance taken from ____ lullaby, obviously portrays the different roles in a Tinguian family.

a)

Bendayan

b)

Binaylan

c)

Lumagen

d)

Idudu

e)

Dinuyya

92.

Cordillera Ifugao dance Famous in the Ifugao region, this dance is regularly staged during festivals in Lagawe. Three kinds of gong instruments such as, ordinary gongs, tobtob- a brass gong played by beating with open palms and, hibat, a kind of gong played by beating the inner surface with a softwood are used in this dance.

a)

Bendayan

b)

Binaylan

c)

Lumagen

d)

Idudu

e)

Dinuyya

93.

Benguet. This dance, which is more known as Bendian, is performers dance in a circle and show off their lively traditional steps.

a)

Bendayan

b)

Binaylan

c)

Lumagen

d)

Idudu

e)

Dinuyya

94.

Agusan. This is a ritual dance, which originated from Bagobo tribe living in the central uplands of Mindanao, imitating the movements of a hen, here banog or baby chicks, and a hawk. The hawk is sacred and is believed that it has the power over the well being of the tribe. The hawk tries to capture one of the baby chicks and is killed by the hunters.

a)

Bendayan

b)

Binaylan

c)

Lumagen

d)

Idudu

e)

Dinuyya

95.

Sulu.The dance is a unique fighting dance in a form of martial arts by the Tausug tribe. Performers demonstrate a battle between hawk and a cat. With their acrobatic movements and tough facial expressions, this dance is highlighted with the accompanying energetic beat of drums and gongs.

a)

Burung-Talo

b)

Kadal-Blelah

c)

Sayaw sa Cuyo

d)

Gayong-gayong

e)

Pangalay

96.

South Cotabato. A tribal dance where in the dancers perform simulation of movements of birds.

a)

Burung-Talo

b)

Kadal-Blelah

c)

Sayaw sa Cuyo

d)

Gayong-gayong

e)

Pangalay

97.

Palawan Cuyo is a small island and capital of Palawan. There, the feast day of St. Augustin is traditionally celebrated with parades, processions and small performances by groups coming from all over Cuyo Island and the nearby islets. Island dances, blended with strong Old Cuyo ethnicity and Spanish-influenced steps, are all brought out when Cuyo celebrates its festivals. Today, pretty young girls daintily swirl hats to the waltz and other European steps designed to bring out the freshness and glow of the performers.

a)

Burung-Talo

b)

Kadal-Blelah

c)

Sayaw sa Cuyo

d)

Gayong-gayong

e)

Pangalay

98.

Capiz- A Muslim dance. In rural gatherings, this dance offers much fun. ____ is a pet name for Leodegario. According to the legend and to the words of the song. ____ and Maisong (pet name for Dalmacio) once attended a feast commemorating the death of a townsman. While eating, Masiong choked on a piece of adobo so he called, “____! ____!” to ask for help to dislodge a bone from the adobo meal from his throat. In this dance, Masiong’s liking for feasts and the consequence of his gluttony are held up to playful ridicule.

a)

Burung-Talo

b)

Kadal-Blelah

c)

Sayaw sa Cuyo

d)

Gayong-gayong

e)

Pangalay

99.

Zamboanga Del Sur. A muslim dance. Originally performed by wealthy families during a wedding celebration, this fingernail dance is now a popular festival dance in Sulu.

a)

Burung-Talo

b)

Kadal-Blelah

c)

Sayaw sa Cuyo

d)

Gayong-gayong

e)

Pangalay

100.

A lively dance in triple meter where small steps were essential part of the dance gained popularity during the time of King Louis XIV, the Sun King.

(a)  

101.

which owes its name from the Latin volvere – to turn, was introduced to fashionable ballrooms in the early 19th century and became the most popular of all the new dances.

(a)  

102.

It is an American round dance mixer and it is used as a prerequisite to square dancing.

(a)  

103.

It is an American dance traditionally performed with one boy at the middle and two girls in each set of three. The dancers sing aloud as they perform the dance.

(a)  

104.

This arrived from Argentine. Its origin can be traced to a slave dance in Cuba, and by no means respectable. It was introduced into Europe at the beginning of the 20th century, and in France, where it was transformed into a more polite form.

(a)  

105.

This was originated by a comedian, Harry Fox, who worked in the Ziegfeld Follies, emerged in 1914.

(a)  

106.

DANCE IN LATIN AMERICA:

____ is a relic of Spanish occupation, a dance usually given by four men, whose leader is identified as St. James.

a)

Los Moros

b)

Los Viejetos (the little old men)

c)

La Costilla

d)

La Cucaracha

e)

La Virgencita

107.

DANCE IN LATIN AMERICA:

____ is danced by young men who disguised themselves with masks and lean on sticks.

a)

Los Moros

b)

Los Viejetos (the little old men)

c)

La Costilla

d)

La Cucaracha

e)

La Virgencita

108.

DANCE IN LATIN AMERICA:

____ is a popular couple dance among the rancheros of Mexico.

“Costilla” is an affection term used in Mexico for wives.

a)

Los Moros

b)

Los Viejetos (the little old men)

c)

La Costilla

d)

La Cucaracha

e)

La Virgencita

109.

DANCE IN LATIN AMERICA:

____ means the “little cockroach” is a dance known all over Mexico.

a)

Los Moros

b)

Los Viejetos (the little old men)

c)

La Costilla

d)

La Cucaracha

e)

La Virgencita

110.

DANCE IN LATIN AMERICA:

____ which means “the little maiden” is a dance popular in Mexico.

a)

Los Moros

b)

Los Viejetos (the little old men)

c)

La Costilla

d)

La Cucaracha

e)

La Virgencita

111.

EUROPEAN FOLK DANCES

__________ is a very lively dance for big men due to the characteristic gesture of the arms and the energetic steps inherent among Russian dancers.

a)

Arkadsky

b)

Bavarian Landler

c)

Barbary Bell

d)

Cshebogar

e)

Danish Dance of Greetings

112.

EUROPEAN FOLK DANCES

__________ is a traditional dance of farmers in Alemania.

a)

Dutch Couple Dance

b)

Bavarian Landler

c)

Barbary Bell

d)

Cshebogar

e)

Danish Dance of Greetings

113.

EUROPEAN FOLK DANCES

__________ is an old-fashioned country dance among the village people in England.

a)

Dutch Couple Dance

b)

Highlang Fling

c)

Barbary Bell

d)

Cshebogar

e)

Danish Dance of Greetings

114.

EUROPEAN FOLK DANCES

__________ is a Hungarian “grief dance”.

a)

Dutch Couple Dance

b)

Highlang Fling

c)

Kalvelis

d)

Cshebogar

e)

Danish Dance of Greetings

115.

EUROPEAN FOLK DANCES

__________ is a simple dance showing the national traits of the Danish people – friendly, kind, and helpful.

a)

Dutch Couple Dance

b)

Highlang Fling

c)

Kalvelis

d)

Norwegian Mountain March

e)

Danish Dance of Greetings

116.

EUROPEAN FOLK DANCES

__________ is a humorous dance of Holland depicting how the boy teasingly asks a bite from an apple.

a)

Dutch Couple Dance

b)

Highlang Fling

c)

Kalvelis

d)

Norwegian Mountain March

e)

Oyda

117.

EUROPEAN FOLK DANCES

__________ is a vigorous folk dance from Scotland especially adapted for boys.

a)

Puttjenter

b)

Highland Fling

c)

Kalvelis

d)

Norwegian Mountain March

e)

Oyda

118.

EUROPEAN FOLK DANCES

__________ is an occupational dance which means “little smith” where the clapping of the hands suggest the hammer and the anvil of the blacksmith.

a)

Puttjenter

b)

Tropanka

c)

Kalvelis

d)

Norwegian Mountain March

e)

Oyda

119.

EUROPEAN FOLK DANCES

__________ is a dance from Norway that depicts mountain climbing with the boy at the center as guide of the two girls behind him.

a)

Puttjenter

b)

Tropanka

c)

Varsovienne

d)

Norwegian Mountain March

e)

Oyda

120.

EUROPEAN FOLK DANCES

__________ is a dance which is a good example of round dances performed in the earlier centuries.

a)

Puttjenter

b)

Tropanka

c)

Varsovienne

d)

Norwegian Mountain March

e)

Oyda

121.

EUROPEAN FOLK DANCES

__________ originated in the province of Westphalia, is a popular dance among the peasants of Germany.

a)

Puttjenter

b)

Tropanka

c)

Varsovienne

d)

Norwegian Mountain March

e)

Oyda

122.

EUROPEAN FOLK DANCES

__________ is Bulgarian stamping dance.

a)

Puttjenter

b)

Tropanka

c)

Varsovienne

d)

Norwegian Mountain March

e)

Oyda

123.

EUROPEAN FOLK DANCES

__________ is a German delightful dance for girls.

a)

Puttjenter

b)

Tropanka

c)

Varsovienne

d)

Norwegian Mountain March

e)

Oyda

124.

Western Influenced - Quadrille Dances

A quadrille dance commonly performed in formal gatherings in a quadrille formation.

a)

Rigodon de Honor

b)

Lanceros de Tayabas

c)

Pasakat

d)

Lanceros de Lingayen

e)

Lanceros de Negros

125.

Western Influenced - Quadrille Dances

A quadrille dance from Tayabas, Quezon performed by old folks during the early 2 days.

a)

Rigodon de Honor

b)

Lanceros de Tayabas

c)

Pasakat

d)

Lanceros de Lingayen

e)

Lanceros de Negros

126.

Western Influenced - Quadrille Dances

A quadrille dance from Sta. Rosa, Laguna.

a)

Rigodon de Honor

b)

Lanceros de Tayabas

c)

Pasakat

d)

Lanceros de Lingayen

e)

Lanceros de Negros

127.

Western Influenced - Quadrille Dances

A version of lanceros from Pangasinan.

a)

Rigodon de Honor

b)

Lanceros de Tayabas

c)

Pasakat

d)

Lanceros de Lingayen

e)

Lanceros de Negros

128.

Western Influenced - Quadrille Dances

A dance from Silay, Negros Occidental which was not in quadrille formation but in linear formation.

a)

Rigodon de Honor

b)

Lanceros de Tayabas

c)

Pasakat

d)

Lanceros de Lingayen

e)

Lanceros de Negros

129.

Western Influenced - Mazurka Dances

A social dance from Cuyo Island, and early Spanish settlement in Palawan.

a)

Mazurka

b)

Mazurka De Jagna

c)

Mazurka Mindoreña

d)

Mazurka Boholana

e)

Mazurka Val

130.

Western Influenced - Mazurka Dances

A ______ named after Jagna town.

a)

Mazurka

b)

Mazurka De Jagna

c)

Mazurka Mindoreña

d)

Mazurka Boholana

e)

Mazurka Val

131.

Western Influenced - Mazurka Dances

A premiere dance of the elite in Mindoro, and Don Antonio Luna, who considered best dancer of his time popularized it.

a)

Mazurka

b)

Mazurka De Jagna

c)

Mazurka Mindoreña

d)

Mazurka Boholana

e)

Mazurka Val

132.

Western Influenced - Mazurka Dances

A traditional dance from Bohol which was originally performed by couples informally gathered in the ballroom with no definite sequence steps.

a)

Mazurka

b)

Mazurka De Jagna

c)

Mazurka Mindoreña

d)

Mazurka Boholana

e)

Mazurka Val

133.

Western Influenced - Mazurka Dances

A combination of the two dances, mazurka and valse, which features the skill of coordination of movement of both dancers as the boy carries the girl on his feet while dancing.

a)

Mazurka

b)

Mazurka De Jagna

c)

Mazurka Mindoreña

d)

Mazurka Boholana

e)

Mazurka Val

134.

Western Influenced - Polka Dances

A dance which acquired its name from two well-known steps polka and valse, corrupted into one word as polkabal, by the people of Atimonan, Quezon.

a)

Polkabal

b)

Polka Tagala

c)

Maliget-Ah-Polka

d)

Sileleddaang

e)

Polka sa Nayon

135.

Western Influenced - Polka Dances

A dance from Bataan, where one of the figures, the ladies pick their voluminous skirts forward and backward to show-off their beautiful lace petticoats.

a)

Polkabal

b)

Polka Tagala

c)

Maliget-Ah-Polka

d)

Sileleddaang

e)

Polka sa Nayon

136.

Western Influenced - Polka Dances

A dance from Pangasinan which means happy polka.

a)

Polka sa Sala

b)

Polka Tagala

c)

Maliket-Ah-Polka

d)

Sileleddaang

e)

Polka sa Nayon

137.

Western Influenced - Polka Dances

A dance which means laden with sorrow in Ilocos Norte.

a)

Polka sa Sala

b)

Polka Tagala

c)

Maliket-Ah-Polka

d)

Sileleddaang

e)

Polka sa Nayon

138.

Western Influenced - Polka Dances

A polka dance version from Batangas.

a)

Polka sa Sala

b)

Polka Tagala

c)

Maliket-Ah-Polka

d)

Sileleddaang

e)

Polka sa Nayon

139.

Western Influenced - Polka Dances

A polka dance version from Mindoro.

a)

Polka sa Sala

b)

Polka Tagala

c)

Maliket-Ah-Polka

d)

Sileleddaang

e)

Polka sa Nayon

140.

ASIAN DANCES

A famous theatrical dance performance that takes place outdoors and last all nights which is held in Burma.

a)

Pwe

b)

Bharata Natyam

c)

Chinese Fan Dance

d)

Odori

e)

Furi

141.

ASIAN DANCES

It is the oldest dance in the world that is still performed today. It is a dance originally performed in the temples of India, combines rhythmically complicated dancing with Hindu legends told in song and pantomime.

a)

Pwe

b)

Bharata Natyam

c)

Chinese Fan Dance

d)

Odori

e)

Furi

142.

ASIAN DANCES

It is a simple but interesting dance from China suitable for girls.

a)

Bon Dance

b)

Japanese Parasol Dance

c)

Chinese Fan Dance

d)

Odori

e)

Furi

143.

ASIAN DANCES

The popular style taken from folk art (Japan).

a)

Bon Dance

b)

Japanese Parasol Dance

c)

Chinese Fan Dance

d)

Odori

e)

Furi

144.

ASIAN DANCES

This are realistic mime movements and gestures which have been introduced from daily life. (Japan)

a)

Bon Dance

b)

Japanese Parasol Dance

c)

Chinese Fan Dance

d)

Odori

e)

Furi

145.

ASIAN DANCES

It is a Japanese folk dance performed during the blooming of the Cherry Blossoms or during full moon.

a)

Bon Dance

b)

Japanese Parasol Dance

c)

Chinese Fan Dance

d)

Odori

e)

Furi

146.

ASIAN DANCES

It is an easy, very colorful dance for girls. It is customary with the Japanese girls to use umbrella for rain or shine.

a)

Bon Dance

b)

Japanese Parasol Dance

c)

Chinese Fan Dance

d)

Odori

e)

Furi