Font size
WorksheetsACADEC 2025 Music Test #1
Total questions: 100
Worksheet time: 1hrs 1mins
Bar Line
a thin vertical line that separates measures
the symbol that shows how many beats are in a measure and what kind of note gets one beat.
a rest for half of a beat
gradually louder
Dot
the sign added to a note or rest that increases its duration by one-half
the curved line that connects two adjacent notes of the same pitch, thus combining their durations
the standard of measurement in music in which bar lines separate rhythms into manageable sections
a rest for half of a beat
Double Bar Line
the thin line followed by a thick line written after the final measure of a piece of music
a list of sharps or flats at the beginning of a staff line that indicate what scale, i.e. key, is in use
a rest for half of a beat
the distance between two pitches
Measure
the standard of measurement in music in which bar lines separate rhythms into manageable sections
the standard five lines and four spaces on which music is written
two or more pitches sounded at the same time to create purposefully a pleasant or unpleasant sound
moving in an upward pattern
Rest
the durational symbol that indicates silence in music
the sign added to a note or rest that increases its duration by one-half
medium soft
an accidental that lowers a note's pitch half step
Tie
the curved line that connects two adjacent notes of the same pitch, thus combining their durations
the durational symbol that indicates silence in music
playing soft
three notes played in the rhythmic space of two notes of identical value
Time Signature
the set of numbers at the beginning of a piece of music that show the meter
a thin vertical line that separates measures
two of these notes equal the time of one quarter note
the standard of measurement in music in which bar lines separate rhythms into manageable sections
Triplet
three notes played in the rhythmic space of two notes of identical value
the forward movement of music in time and the basis for "keeping time" in music
the standard five lines and four spaces on which music is written
a short, horizontal line that allows a note to be written outside the staff; also spelled leger
Accidental
a sign written before a note that changes the pitch of that note slightly for an entire measure
sharps or flats at the beginning of a piece that show what key to play in
join two notes without tonguing
a note that lasts for the whole bar of any time signature
Bass Clef
a sign used to show lower pitches on the staff
gradually louder
an accidental that cancels a sharp or flat
sharps or flats at the beginning of a piece that show what key to play in
Flat
an accidental that lowers a note's pitch half step
gradually softer
the sign used to show higher pitches on the staff
the length of time a note or rest is sustained
Grand Staff
treble and bass clef staves joined by a bracket
playing or singing for the first time a musical piece never seen before
join two notes without tonguing
the curved line that connects two adjacent notes of the same pitch, thus combining their durations
Ledger Line
a short, horizontal line that allows a note to be written outside the staff; also spelled leger
two or more pitches sounded at the same time to create purposefully a pleasant or unpleasant sound
a rhythm that accents a weak beat instead of a strong beat
the sign added to a note or rest that increases its duration by one-half
Melodic Interval
an interval with pitches sounded consecutively
join two notes without tonguing
an accidental that raises a note's pitch half step
a sign used to show lower pitches on the staff
Melody
a series of pitches of varying intervals and duration arranged in a specific order to make a meaningful tune which is the basis for a piece of music
Play very strongly
the sign added to a note or rest that increases its duration by one-half
a thin vertical line that separates measures
Natural
an accidental that cancels a sharp or flat
two of these notes equal the time of one quarter note
a note that lasts for the whole bar of any time signature
the thin line followed by a thick line written after the final measure of a piece of music
Sharp
an accidental that raises a note's pitch half step
moving in an upward pattern
playing soft
join two notes without tonguing
Staff
the standard five lines and four spaces on which music is written
a rhythm that accents a weak beat instead of a strong beat
three notes played in the rhythmic space of two notes of identical value
a steady pulsing in a regular pattern
Treble Clef
the sign used to show higher pitches on the staff
the thin line followed by a thick line written after the final measure of a piece of music
a steady pulsing in a regular pattern
a series of pitches of varying intervals and duration arranged in a specific order to make a meaningful tune which is the basis for a piece of music
piano
playing soft
a person who writes an original piece of music
the curved line that connects two adjacent notes of the same pitch, thus combining their durations
Each part playing at the right volume so everything can be heard.
crescendo
gradually louder
Each part playing at the right volume so everything can be heard.
repeat the previous section
the durational symbol that indicates silence in music
decrescendo
gradually softer
the sign used to show higher pitches on the staff
the length of time a note or rest is sustained
treble and bass clef staves joined by a bracket
sixteenth notes
four of these notes equal one quarter note
three notes played in the rhythmic space of two notes of identical value
playing or singing for the first time a musical piece never seen before
a rhythm that accents a weak beat instead of a strong beat
eighth notes
two of these notes equal the time of one quarter note
medium soft
moving in an upward pattern
the forward movement of music in time and the basis for "keeping time" in music
whole notes
a note that lasts for the whole bar of any time signature
an accidental that raises a note's pitch half step
the forward movement of music in time and the basis for "keeping time" in music
two of these notes equal the time of one quarter note
time signature
the symbol that shows how many beats are in a measure and what kind of note gets one beat.
a sign used to show lower pitches on the staff
a short, horizontal line that allows a note to be written outside the staff; also spelled leger
a list of sharps or flats at the beginning of a staff line that indicate what scale, i.e. key, is in use
key signature
sharps or flats at the beginning of a piece that show what key to play in
playing soft
an accidental that lowers a note's pitch half step
gradually softer
accelerando
gradually increase the tempo
the set of numbers at the beginning of a piece of music that show the meter
a series of pitches of varying intervals and duration arranged in a specific order to make a meaningful tune which is the basis for a piece of music
a sign written before a note that changes the pitch of that note slightly for an entire measure
slur
join two notes without tonguing
a short, horizontal line that allows a note to be written outside the staff; also spelled leger
the durational symbol that indicates silence in music
rest for the number of bars shown
Repeat sign
repeat the previous section
treble and bass clef staves joined by a bracket
Each part playing at the right volume so everything can be heard.
playing soft
Fortissimo
Play very strongly
a rest for half of a beat
a list of sharps or flats at the beginning of a staff line that indicate what scale, i.e. key, is in use
gradually increase the tempo
eighth rest
a rest for half of a beat
repeat the previous section
the distance between two pitches
the standard five lines and four spaces on which music is written
multi bar rest
rest for the number of bars shown
the distance between two pitches
gradually increase the tempo
playing or singing for the first time a musical piece never seen before
mezzo piano
medium soft
a series of pitches of varying intervals and duration arranged in a specific order to make a meaningful tune which is the basis for a piece of music
a thin vertical line that separates measures
the standard five lines and four spaces on which music is written
C major
key with no sharps or flats
the distance between two pitches
a short, horizontal line that allows a note to be written outside the staff; also spelled leger
an interval with pitches sounded consecutively
Which medium did not significantly add to the dissemination of music during the Jazz Age?
phonograph
piano player
radio
vaudeville
The initiation of the Jazz Age in New York is generally marked by the appearance at Reisenweber's of which of the following?
Bix Beiderbecke
Brown's Dixieland Band
the Original Dixieland Jazz Band
W. C. Hardy
The Original Dixieland Jazz Band formed in
Chicago
Kansas City
New Orleans
St. Louis
The first white combo to move from New Orleans to Chicago was
the Knew Orleans Rhythm Kinga
the Original Dixieland Jazz Band
Tom Brown's Band
the Wolverines
The initial reaction of the Chicago Musicians Union to jazz was one of
approval
indifference
rejection
welcome
Louis Armstrong played the
cornet
clarinet
piano
trombone
In 1926, while he was working at Chicago's Vendome Theatre with Erskine Tate's "symphonic jazz orchestra," Louis Armstrong switched from
cornet to trumpet
cornet to trombone
crumpet to cornet
trombone to trumpet
Jelly Roll Morton combined elements of all of the following in his music EXCEPT
blues
jazz
New Orleans marching band music
Tin Pan Alley popular songs
The reason Bix Beiderbecke was able to cope in Paul Whiteman's symphonic jazz band was his
ear for music
friendship with Louis Armstrong
sight-reading ability
sophisticated arrangement
Richard Hadlock is quoted as saying that Bix Beiderbecke's use of which of the following was three decades ahead of 1927?
arpeggios
rhythm
scales
whole tones
Who was responsible for jazz's acceptance from coast to coast?
Bix Beiderbecke
Duke Ellington
Louis Armstrong
Paul Whiteman
No one played a more vital role in establishing dance music as the popular music of the 1920s than
Duke Ellington
Fletcher Henderson
Louis Armstrong
Paul Whiteman
Gershwin's Rhapsody in Blue was introduced in a concert by the
Duke Ellington Orchestra
Fletcher Henderson Orchestra
New York Symphony Orchestra
Paul Whiteman Orchestra
The vocal styling in "Heebie Jeebies" is accompanied by
a banjo
the entire jazz band
a piano
various solo instruments
Ethel Water's song choices were
eclectic
jazzed up pop classics
strictly blues
theatrical numbers
The Broadway musical revue Hot Chocolates started as
a floor show
an idea meant to challenge Broadway ideas
an off-Broadway hit
a vehicle to showcase black musicians
Black entertainers and white patrons converged in
Carl and Fania Van Vechten's apartment
Harlem clubs
Manhattan speakeasies
unpublicized salons
The atmosphere of the Harlem Renaissance permitted the evolution of all EXCEPT
Black musicals
blues
jazz-influenced classical music
stride piano
Prior to the 20th century, the blues were
centered in St. Louis
conflated with ragtime
limited to minstrel shows
transmitted orally
Blues records featured singers from
Black vaudeville theatres
Harlem clubs
minstrel shows
southern jazz bands
According to Arnold Shaw, Bessie Smith was the ____ of blues.
Duke Ellington
Fats Waller
Fletcher Henderson
Louis Armstrong
Black music publishing firms prior to the 1920s came into existence because
black composers weren't encouraged and supported by established publishing houses
black composers preferred publishing houses in Harlem
black music wasn't appealing to non-black audiences
they also recorded and sold the music
A form of 1920s entertainment that was rooted in African American culture is...
jazz
movies
football
speakeasies
The Harlem Renaissance of the 1920s was a period when African Americans...
left the United States in large numbers.
migrated west to get jobs.
created noteworthy works of art, music, and literature in New York.
fought segregation in the army.
How did the automobile (car) industry change in the 1920s?
Cars were made every year with new models released with improvements.
Cars were multi-purpose and were used as boats and airplanes.
Cars were driven in World War 1.
People did not buy cars at all.
Prohibition banned the selling, making, and distributing alcohol in the U.S. People agreed and disagreed with Prohibition. These people were known as “Wets” and “Drys”. What were “Wets” and “Drys”?
“Wets” did not want alcohol and “Drys” wanted alcohol.
“Drys” did not want alcohol and “Wets” wanted alcohol.
Both “Wets” and “Drys” wanted alcohol.
Both “Wets” and “Drys” did not want alcohol.
Bootleggers...
Carefree women of the 1920’s.
A term that people called communists.
Producing and selling illegal alcohol.
People who wanted no government.
Illegal Bars.
Flappers...
Carefree women of the 1920’s.
A term that people called communists.
Producing and selling illegal alcohol.
People who wanted no government.
Illegal Bars.
Fitzgerald is among the famous writers of the 1920's, also known as the" ____________ Age"
Old
Depression
Jazz
Diamond
The short hair cut that women wore in the 1920's was known as the _____.
Mullet
Joe
Perm
Bob
An area in New York city where song writing and musical ideas mixed together to form popular American music.
Brooklyn
Nashville
Tin Pan Alley
Wall Street
The establishment of speakeasies in the 1920s was an unintended consequence of which federal government action?
The taxation of imported luxury goods
The deportation of suspected communist sympathizers
The prohibition of the sale of alcoholic beverages
The implementation of immigration restrictions
Which inference about the 1920s is supported by this illustration?
Women confronted discrimination in employment and education.
Women challenged traditional attitudes and social norms.
Reform organizations targeted women's issues.
Mass media reflected trends popular in rural communities.
How does this excerpt reflect a significant turning point in American history?
It depicts the reaction to victory in the Spanish-American War
It portrays the changing social norms of the Jazz Age
It describes the experiences of immigrant workers during the Gilded Age
It details the industrial progress of the post-World War I era
How did the events on this time line affect U.S. businesses?
Profit sharing became a standard practice for industrial corporations
Monopolistic practices were abolished by federal legislation
Mass-manufacturing techniques were adopted to maximize production
Retirement plans were guaranteed to factory workers
trend that emphasized science and secular values over traditional religious ideas
modernism
fundamentalism
conservativism
liberalism
blues singer known as the "Empress of the Blues"
Marcus Garvey
Louis Armstrong
Gladys Knight
Bessie Smith
What composers showed the world how to write classical music the American way, combined with jazz?
Aaron Copland and Louis Armstrong
George Gershwin and Duke Ellington
Aaron Copland and George Gerswhin
Louis Armstrong and Bessie Smith
In 1924, George Gershwin introduced the jazz-influenced ___________?
Appalachian Spring
Rhapsody in Blue
What a Wonderful World
Heebie Jeebies
He shaped the evolution of jazz. He was a jazz composer, bandleader, and pianist. He is recognized as one of the greatest jazz composers.
Louis Armstrong
Duke Elligton
Langston Hughes
F. Scott Fitzgerald
One of Duke Ellington's classic jazz compositions is _______________.
What a Wonderful World
Hello Dolly
Rhapsody in Blue
Mood Indigo
How did Louis Armstrong transform the American music scene?
In the song, "Heebie Jeebies"
Through his trumpet solos and "scat" singing
Through his classical jazz composition, "Mood Indigo"
As one of the greatest blues singers of the 1920s
Which of the following is one of Louis Armstrong's major works?
What a Wonderful World
Down Hearted Blues
Mood Indigo
Rhapsody in Blue
Who was Bessie Smith?
One of the greatest blues singers of the 1920s.
One of the greatest jazz singers of the 1920s.
A jazz composer
The author of "The Great Gatsby"
Which of the following are types of entertainment during the 1920s?
Silent Movies
The Charleston
The Radio
All of the above
