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WorksheetsTEST SERIES - 14 - THE PRELUDE, ODE TO DEJECTION & KUBLAKHAN
Total questions: 129
Worksheet time: 2hrs 9mins
Name
Class
Date
1.
In The Prelude, who is the speaker addressing when he says, “Was it for this / That one, the fairest of all Rivers, loved / To blend his murmurs with my Nurse's song”?
a)
His mother
b)
The River Derwent
c)
Nature
d)
A schoolteacher
2.
Which emotion is evoked in these lines from The Prelude: “A meditation rose in me that night / Upon the lonely forest where he walked”?
a)
Elation
b)
Fear
c)
Sublimity
d)
Regret
3.
“Troubled pleasure” in The Prelude best reflects which Romantic theme?
a)
Childhood trauma
b)
Duality of nature’s beauty and fear
c)
Religious devotion
d)
Alienation
4.
Which event is described in these lines from The Prelude: “I heeded not the summons: happy time / It was indeed for all of us”?
a)
School bell ringing
b)
Church bells on Sunday
c)
Call to dinner
d)
Call to return from a game
5.
In The Prelude, the line “The mind of man is framed even like the breath / And harmony of music” suggests Wordsworth’s belief in—
a)
Rationalism
b)
Mechanical learning
c)
Imagination and inner harmony
d)
Human depravity
6.
Identify the emotion conveyed in The Prelude: “When from behind that craggy steep, till then / The horizon’s bound, a huge peak, black and huge...”
a)
Awe and dread
b)
Joy and curiosity
c)
Melancholy and grief
d)
Hope and reverence
7.
“A trouble to my dreams” in The Prelude refers to—
a)
Guilt after stealing a boat
b)
Anxiety over failing school
c)
A nightmare about war
d)
Depression after losing a friend
8.
The image of a "naked lake" in The Prelude is an example of—
a)
Personification
b)
Metaphor for vulnerability
c)
A literal description
d)
Hyperbole
9.
In The Prelude, the “glad animal movements” refers to—
a)
Domestic pets
b)
The liveliness of childhood
c)
Hunting in the woods
d)
Horses running freely
10.
In the following line from The Prelude, what causes the speaker’s fear? “Heaving through the water like a swan; / When from behind that craggy steep...”
a)
The boat’s speed
b)
The sight of a looming mountain peak
c)
A sudden storm
d)
A voice from the forest
11.
Which literary device is used in this line from The Prelude: “With trembling hands I turned, / And through the silent water stole my way”?
a)
Alliteration
b)
Simile
c)
Metonymy
d)
Onomatopoeia
12.
What does Wordsworth mean by “spots of time” in The Prelude?
a)
Periods of geographical exploration
b)
Fleeting yet formative childhood memories
c)
Time gaps in narrative
d)
Time periods between events
13.
“Fair seed-time had my soul, and I grew up / Fostered alike by beauty and by fear.” – In The Prelude, what contrast is emphasized?
a)
Religion and science
b)
Joy and guilt
c)
Beauty and fear shaping childhood
d)
Mind and body development
14.
Which of the following best describes the tone of these lines from The Prelude: “…the bound of the horizon, a huge cliff / Rose up between me and the stars”?
a)
Euphoric
b)
Ominous
c)
Nostalgic
d)
Indifferent
15.
What is the meaning of the line from The Prelude: “No familiar shapes / Remained, no pleasant images of trees”?
a)
The speaker forgot his surroundings
b)
Nature turned from comforting to terrifying
c)
He had a mental breakdown
d)
He was blindfolded
16.
In The Prelude, the “huge peak, black and huge” is an example of which literary device?
a)
Simile
b)
Personification
c)
Imagery
d)
Irony
17.
The Prelude uses "troubled pleasure" as an example of which figure of speech?
a)
Oxymoron
b)
Metonymy
c)
Synecdoche
d)
Euphemism
18.
Which device dominates this passage from The Prelude: “She was an elfin pinnace”?
a)
Hyperbole
b)
Simile
c)
Metaphor
d)
Allusion
19.
The use of first-person narrative in The Prelude is a technique of—
a)
Limited omniscience
b)
Autobiographical introspection
c)
Epistolary narration
d)
Free indirect style
20.
In The Prelude, references to nature as both nurturing and fearsome best demonstrate—
a)
Chiasmus
b)
Juxtaposition
c)
Irony
d)
Allegory
21.
In The Prelude, the word “pinnace” most nearly means—
a)
A mountain peak
b)
A tiny boat
c)
A glowing flame
d)
A kind of bird
22.
What does “elfin” mean in the line “an elfin pinnace”?
a)
Ugly and heavy
b)
Enchanted or fairy-like
c)
Large and stormy
d)
Damaged and broken
23.
In The Prelude, “covert” most nearly means—
a)
Courage
b)
Open view
c)
Shelter or hidden place
d)
Mountain peak
24.
The term “tumult” in The Prelude can best be replaced with—
a)
Peace
b)
Confusion or disorder
c)
Solitude
d)
Certainty
25.
“Chatter” in the phrase “Chatter of the busy brook” is an example of—
a)
Simile
b)
Alliteration
c)
Onomatopoeia
d)
Litotes
26.
Who is the “Nurse” in the early lines of The Prelude?
a)
A literal caretaker
b)
Nature, personified
c)
His schoolteacher
d)
His grandmother
27.
In The Prelude, which river is most associated with Wordsworth’s childhood?
a)
Avon
b)
Thames
c)
Derwent
d)
Severn
28.
Who is the silent companion in Wordsworth’s boat-stealing episode in The Prelude?
a)
His brother
b)
A school friend
c)
No one; he was alone
d)
A spirit of Nature
29.
In The Prelude, the huge peak that haunts the speaker is symbolic of—
a)
Industrialization
b)
Social injustice
c)
Nature’s sublime power
d)
Urban decay
30.
The shepherd mentioned in The Prelude primarily represents—
a)
Formal education
b)
Urban life
c)
Natural simplicity
d)
Religious doubt
31.
Assertion (A): In The Prelude, Wordsworth glorifies the act of stealing a boat. Reason (R): He wanted to show rebellion in youth.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
32.
Assertion (A): The Prelude is a conversation poem in structure. Reason (R): The poet speaks to nature, reflecting on his inner growth.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
33.
Assertion (A): Wordsworth’s The Prelude was published posthumously. Reason (R): The poet had never completed its final draft.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
34.
Assertion (A): The Prelude emphasizes passive experiences. Reason (R): Wordsworth was critical of intense emotions in Romantic poetry.
a)
A is true; R is false
b)
A and R are true; R explains A
c)
Both A and R are false
d)
A is false; R is true
35.
Assertion (A): The imagination is central in The Prelude. Reason (R): Wordsworth believed imagination shaped moral and spiritual understanding.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
36.
In which year was The Prelude first published posthumously?
a)
1805
b)
1810
c)
1850
d)
1798
37.
What subtitle did The Prelude carry in the 1850 edition?
a)
“A Child’s Imagination”
b)
“The Growth of a Poet’s Mind”
c)
“A Tale of the Lakes”
d)
“Recollections of Youth”
38.
Who edited and published The Prelude after Wordsworth’s death?
a)
Samuel Taylor Coleridge
b)
Mary Hutchinson
c)
Dorothy Wordsworth
d)
His wife, Mary Wordsworth
39.
What poetic form is used in The Prelude?
a)
Heroic couplets
b)
Free verse
c)
Blank verse (unrhymed iambic pentameter)
d)
Lyrical sonnets
40.
Which edition of The Prelude is more introspective: the 1805 or the 1850?
a)
1805
b)
1850
c)
Both equally
d)
Neither
41.
In Dejection: An Ode, what mood is conveyed in the line: “A grief without a pang, void, dark, and drear”?
a)
Peaceful nostalgia
b)
Hollow melancholy
c)
Joyful sadness
d)
Enlightened sorrow
42.
Which natural phenomenon is being addressed in this line from Dejection: An Ode: “Late, late yestreen I saw the new Moon, With the old Moon in her arms”?
a)
Eclipse
b)
Supermoon
c)
Earthshine
d)
Aurora
43.
In Dejection: An Ode, what literary device is present in “the dull sobbing draft, that moans and rakes”?
a)
Onomatopoeia
b)
Metaphor
c)
Simile
d)
Oxymoron
44.
“And still she’s going on, and now the storm-blast came...” – In Dejection: An Ode, what does “she” refer to?
a)
The moon
b)
The wind
c)
The storm
d)
The poet's muse
45.
In Dejection: An Ode, the line “O Lady! we receive but what we give” best reflects what Romantic belief?
a)
Nature is objective
b)
The mind shapes perception
c)
Salvation lies in others
d)
Emotion is inferior to reason
46.
What emotion is evoked in Dejection: An Ode when Coleridge says: “Joy, Lady! is the spirit and the power
Which wedding Nature to us gives in dower”?
a)
Resignation
b)
Hope
c)
Despair
d)
Reverence
47.
In Dejection: An Ode, what does the speaker lament losing?
a)
His wife
b)
His health
c)
His poetic imagination and joy
d)
His political freedom
48.
Which line from Dejection: An Ode emphasizes emotional numbness?
a)
“The moon is behind, and at the full”
b)
“I see them all so excellently fair”
c)
“I may not hope from outward forms to win / The passion and the life”
d)
“Me this unchartered freedom tires”
49.
In Dejection: An Ode, the phrase “Me this unchartered freedom tires” implies—
a)
The speaker’s love of liberty
b)
An aversion to routine
c)
Emotional fatigue from chaos
d)
Desire for physical bondage
50.
Which line in Dejection: An Ode affirms the internal origin of joy?
a)
“And joy shall be the lesson taught”
b)
“We receive but what we give”
c)
“O lady, we are all shaped by nature”
d)
“Nature has power to lift the soul”
51.
Which metaphor from Dejection: An Ode represents spiritual emptiness?
a)
“Shapings of the unregenerate eye”
b)
“A grief without a pang”
c)
“Lone and silent breast”
d)
“Unfriended woods”
52.
What does Coleridge mean by “My genial spirits fail” in Dejection: An Ode?
a)
He is possessed
b)
He feels physically weak
c)
His creative energy is exhausted
d)
He is healed emotionally
53.
In Dejection: An Ode, who is the “Lady” addressed in the poem?
a)
Dorothy Wordsworth
b)
Sara Hutchinson
c)
Mary Shelley
d)
His wife, Sara Coleridge
54.
What is suggested by this line in Dejection: An Ode: “And in our life alone does Nature live”?
a)
Nature has no real spirit
b)
Nature’s beauty is projected from human feeling
c)
Nature exists independently of us
d)
Nature has divine agency
55.
What is the tone in the closing wish of Dejection: An Ode where the poet says “May all the stars hang bright above her dwelling”?
a)
Ironic bitterness
b)
Hopeful blessing
c)
Religious fervor
d)
Poetic detachment
56.
Which literary device is used in Dejection: An Ode: “And the poor wind that raves”?
a)
Allusion
b)
Hyperbole
c)
Personification
d)
Apostrophe
57.
The phrase “grief without a pang” in Dejection: An Ode is an example of—
a)
Synecdoche
b)
Metaphor
c)
Paradox
d)
Anaphora
58.
Which device dominates the imagery in the storm section of Dejection: An Ode?
a)
Irony
b)
Symbolism
c)
Visual Imagery
d)
Allegory
59.
The frequent use of apostrophe in Dejection: An Ode (e.g., “O Lady!”) serves to—
a)
Break the fourth wall
b)
Emphasize formality
c)
Intensify personal emotion
d)
Demonstrate satire
60.
What poetic form is Dejection: An Ode written in?
a)
Sonnet
b)
Blank verse
c)
Irregular ode with lyrical stanzas
d)
Heroic couplets
61.
In Dejection: An Ode, the word “genial” in “my genial spirits fail” most closely means—
a)
Cheerful and life-giving
b)
Sad and solemn
c)
Logical and structured
d)
Lazy and idle
62.
In Dejection: An Ode, what does “pang” mean in “a grief without a pang”?
a)
A great reward
b)
Sudden sharp pain
c)
Deep joy
d)
Repetitive dream
63.
What is the meaning of “unregenerate eye” in Dejection: An Ode?
a)
An eye that no longer functions
b)
Eye of an atheist
c)
A worldly, unenlightened perception
d)
Someone’s physical eye
64.
In Dejection: An Ode, “moan and rake” used for the wind implies—
a)
Howling and grasping movement
b)
Singing and waving
c)
Laughing and skipping
d)
Blowing gently
65.
“Yestreen” in Dejection: An Ode means—
a)
Tomorrow night
b)
Yesterday evening
c)
A long time ago
d)
Last month
66.
Who is the “Lady” addressed in Dejection: An Ode?
a)
Dorothy Wordsworth
b)
Sara Hutchinson
c)
Mary Lamb
d)
Charlotte Smith
67.
In Dejection: An Ode, the “wind” symbolizes—
a)
Adventure
b)
The unpredictability of nature
c)
External reflection of inner turmoil
d)
Divine punishment
68.
Which natural image represents emotional disconnect in Dejection: An Ode?
a)
The Moon
b)
The stars
c)
The silent clouds
d)
The wind moaning
69.
Who was Coleridge's close friend and poetic contrast mentioned contextually in relation to Dejection: An Ode?
a)
Lord Byron
b)
William Wordsworth
c)
Robert Southey
d)
William Blake
70.
Which earlier work inspired the emotional framework of Dejection: An Ode?
a)
“Lines Written a Few Miles Above Tintern Abbey”
b)
“Kubla Khan”
c)
“Frost at Midnight”
d)
“Biographia Literaria”
71.
Assertion (A): Dejection: An Ode celebrates the joys of nature. Reason (R): Coleridge found spiritual restoration in the natural world.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
72.
Assertion (A): In Dejection: An Ode, Coleridge speaks of nature’s influence as incomplete without inward joy. Reason (R): He believes joy must come from within to interpret external beauty.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
73.
Assertion (A): Dejection: An Ode is written in regular Pindaric form. Reason (R): It strictly follows the pattern of strophe, antistrophe, and epode.
a)
Both A and R are true
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
74.
Assertion (A): The tone of Dejection: An Ode shifts from despair to blessing. Reason (R): Coleridge ends by wishing peace for the Lady he addresses.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
75.
Assertion (A): Coleridge blames nature for his sadness in Dejection: An Ode. Reason (R): Nature failed to stir his emotions.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
76.
In what year was Dejection: An Ode first published?
a)
1798
b)
1802
c)
1805
d)
1817
77.
Where was Dejection: An Ode first published?
a)
In Lyrical Ballads
b)
In Morning Post
c)
In The Friend
d)
In Biographia Literaria
78.
What was the original title of Dejection: An Ode in its early manuscript form?
a)
“The Wind and the Soul”
b)
“A Letter to Sara”
c)
“A Complaint”
d)
“An Ode to Loss”
79.
Which poetic movement is Dejection: An Ode most associated with?
a)
Enlightenment
b)
Neoclassicism
c)
Romanticism
d)
Pre-Raphaelitism
80.
What thematic concern dominates Dejection: An Ode?
a)
Scientific logic
b)
Emotional paralysis and creative loss
c)
Military bravery
d)
Childhood nostalgia
81.
In Kubla Khan, the line “In Xanadu did Kubla Khan / A stately pleasure-dome decree” refers to—
a)
A mythical kingdom
b)
An Arabian temple
c)
An actual historical place
d)
A European palace
82.
What is being described in Kubla Khan with the phrase “the sacred river, Alph”?
a)
A river in Persia
b)
A legendary and symbolic river
c)
River Nile
d)
River Ganges
83.
“Where Alph, the sacred river, ran / Through caverns measureless to man” in Kubla Khan evokes which feeling?
a)
Logic and clarity
b)
Chaos and fear
c)
Sublimity and awe
d)
Tranquility and order
84.
Which image from Kubla Khan suggests fertility and natural beauty?
a)
“Caverns measureless to man”
b)
“A savage place! as holy and enchanted”
c)
“Gardens bright with sinuous rills”
d)
“A damsel with a dulcimer”
85.
In Kubla Khan, the phrase “woman wailing for her demon lover” best represents—
a)
Rational philosophy
b)
Gothic and supernatural imagery
c)
Comic relief
d)
Political allegory
86.
“It was a miracle of rare device, / A sunny pleasure-dome with caves of ice!” – In Kubla Khan, what contrast is established?
a)
Day vs night
b)
Warmth vs cold
c)
Sunlight vs shadow
d)
Pleasure vs pain
87.
In Kubla Khan, the “damsel with a dulcimer” represents—
a)
Political authority
b)
Exotic music from China
c)
The ideal of lost inspiration
d)
The Muse of Nature
88.
Which line from Kubla Khan suggests the power of poetic imagination?
a)
“And all who heard should see them there”
b)
“Could I revive within me / Her symphony and song”
c)
“A sunny pleasure-dome with caves of ice”
d)
“Where was heard the mingled measure”
89.
What is the “deep romantic chasm” described in Kubla Khan associated with?
a)
Holy scriptures
b)
Historical ruins
c)
Violent natural energy
d)
Sacred temples
90.
Which of the following lines from Kubla Khan reflects a trance-like vision?
a)
“Ancestral voices prophesying war!”
b)
“In Xanadu did Kubla Khan”
c)
“That sunny dome! those caves of ice!”
d)
“Could I revive within me”
91.
In Kubla Khan, the line “Ancestral voices prophesying war!” alludes to—
a)
Spiritual chanting
b)
Historical invasion of Xanadu
c)
The threat of imperial collapse
d)
A visionary experience of conflict
92.
What is the mood created by the line from Kubla Khan: “A savage place! as holy and enchanted”?
a)
Mysterious and sublime
b)
Calm and gentle
c)
Realistic and mundane
d)
Joyful and childlike
93.
In Kubla Khan, “Mount Abora” represents—
a)
A real mountain in Asia
b)
A fictional, symbolic seat of poetic inspiration
c)
A historical site
d)
The site of Kubla’s tomb
94.
What does Coleridge wish to build in Kubla Khan if he could revive the music?
a)
A mansion of truth
b)
A moonlit tower
c)
A dome in air
d)
A fortress of thought
95.
Which line in Kubla Khan connects poetic ecstasy to danger or madness?
a)
“Beware! Beware! His flashing eyes, his floating hair!”
b)
“The shadow of the dome of pleasure”
c)
“Damsel with a dulcimer”
d)
“Caverns measureless to man”
96.
In Kubla Khan, the phrase “A miracle of rare device” is an example of—
a)
Irony
b)
Metaphor
c)
Hyperbole
d)
Alliteration
97.
Which literary device is used in Kubla Khan: “A sunny pleasure-dome with caves of ice”?
a)
Paradox
b)
Euphemism
c)
Metonymy
d)
Oxymoron
98.
What figure of speech is found in Kubla Khan: “The shadow of the dome of pleasure / Floated midway on the waves”?
a)
Simile
b)
Symbolism
c)
Personification
d)
Synecdoche
99.
“A damsel with a dulcimer” in Kubla Khan is an example of—
a)
Allegory
b)
Alliteration
c)
Apostrophe
d)
Assonance
100.
The overall structure of Kubla Khan is best described as—
a)
A dramatic monologue
b)
A visionary fragment
c)
A sonnet cycle
d)
A lyric elegy
101.
In Kubla Khan, what does “dome” most closely mean in the phrase “pleasure-dome”?
a)
A hill
b)
A musical term
c)
A grand, vaulted building
d)
A prison
102.
What does the term “dulcimer” in Kubla Khan refer to?
a)
A wind instrument
b)
A percussion tool
c)
A stringed musical instrument
d)
A religious chant
103.
In Kubla Khan, “sinuous rills” refers to—
a)
Fast rivers
b)
Twisting small streams
c)
Windy mountain paths
d)
Golden ornaments
104.
“Abora” in Kubla Khan is best interpreted as—
a)
A lost continent
b)
A temple to Apollo
c)
A mystical mountain of imagination
d)
A Persian city
105.
In Kubla Khan, “ancestral voices” refers to—
a)
The poet’s conscience
b)
Tribal leaders’ songs
c)
Echoes of ancient prophecy
d)
Wind and weather
106.
Who is Kubla Khan in the poem Kubla Khan?
a)
A fictional warlord
b)
A divine king
c)
A historical emperor of the Mongol dynasty
d)
A British king
107.
In Kubla Khan, the “damsel” is possibly a symbol of—
a)
Death
b)
Poetic creativity
c)
Fate
d)
War
108.
Who is the “visionary figure” Coleridge fears in the end of Kubla Khan?
a)
The Muse
b)
Himself as a frenzied poet
c)
The demon lover
d)
Kubla himself
109.
In Kubla Khan, which historical traveler’s account inspired Coleridge?
a)
Ibn Battuta
b)
Marco Polo
c)
Herodotus
d)
Pliny the Elder
110.
The sacred river Alph in Kubla Khan is likely derived from which classical reference?
a)
The Nile
b)
The river Lethe
c)
The Alpheus in Greek myth
d)
The Tigris
111.
Assertion (A): Kubla Khan is a completed poem. Reason (R): Coleridge revised it multiple times and expanded it into four parts.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
112.
Assertion (A): In Kubla Khan, the river Alph represents poetic inspiration. Reason (R): The river flows through “caverns measureless to man,” symbolizing unconscious imagination.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
113.
Assertion (A): The final part of Kubla Khan portrays a poet in divine possession. Reason (R): The poet warns others with “Beware! Beware!”
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
114.
Assertion (A): Kubla Khan is often interpreted as a dream-poem. Reason (R): Coleridge claimed the poem came to him in an opium-induced dream.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
115.
Assertion (A): Kubla Khan represents Coleridge’s attempt to mimic heroic couplets. Reason (R): The poem follows strict iambic pentameter rhyming lines.
a)
A and R are true; R explains A
b)
A is true; R is false
c)
A is false; R is true
d)
Both A and R are false
116.
When was Kubla Khan first published?
a)
1797
b)
1816
c)
1798
d)
1820
117.
What subtitle did Coleridge give to Kubla Khan upon publication?
a)
“A Fragment”
b)
“A Lyrical Vision”
c)
“A Poetic Reverie”
d)
“An Ode to the East”
118.
In which volume was Kubla Khan first published?
a)
Lyrical Ballads
b)
Biographia Literaria
c)
Christabel: Kubla Khan, and the Pains of Sleep
d)
The Morning Post
119.
Why is Kubla Khan considered a Romantic poem?
a)
It uses strict classical forms
b)
It emphasizes imagination, nature, and the sublime
c)
It criticizes Enlightenment ideals
d)
It discusses urban life
120.
How does Coleridge describe the poem’s origin in the 1816 preface to Kubla Khan?
a)
A memory of childhood
b)
A vision during fever
c)
A dream interrupted after reading about Xanadu
d)
A conversation with Wordsworth
121.
What is the correct lifespan of S.T. Coleridge, the co-founder of the Romantic Movement along with Wordsworth?
a)
1770–1830
b)
1772–1834
c)
1765–1830
d)
1775–1835
122.
Which of the following works was a collaborative publication by Coleridge and Wordsworth in 1798?
a)
The Prelude
b)
Lyrical Ballads
c)
Biographia Literaria
d)
The Recluse
123.
Identify the speaker and poem of the line: “Water, water, everywhere, Nor any drop to drink.”
a)
Ancient Mariner in The Rime of the Ancient Mariner
b)
Kubla Khan in Kubla Khan
c)
Christabel in Christabel
d)
Wanderer in Dejection: An Ode
124.
Which prose work by Coleridge contains his reflections on imagination, philosophy, and literary criticism?
a)
Aids to Reflection
b)
Confessions of an Inquiring Spirit
c)
Biographia Literaria
d)
Lay Sermons
125.
Coleridge divided imagination into two types. What are they?
a)
Fancy and Creative
b)
Primary and Secondary
c)
Static and Dynamic
d)
Passive and Active
126.
Who criticized Coleridge by saying “his intellect was more admirable than his art”?
a)
Matthew Arnold
b)
William Hazlitt
c)
T.S. Eliot
d)
Dr. Johnson
127.
What famous metaphor does Coleridge use in Biographia Literaria to describe Wordsworth’s poetry?
a)
A wild stream of thought
b)
A spiritual echo
c)
The real language of men
d)
A man speaking to men
128.
“Imagination is the shaping spirit” is a concept explored in which work of Coleridge?
a)
The Friend
b)
Biographia Literaria
c)
Aids to Reflection
d)
Lay Sermons
129.
Which of the following best reflects Coleridge's metaphysical and Christian philosophy?
a)
Aids to Reflection
b)
Lyrical Ballads
c)
Dejection: An Ode
d)
The Destiny of Nations
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