TRUE OR FALSE

dances were not just for entertainment but had functional and symbolic purposes

TRUE OR FALSE

Street dance was born in African-american and Latino communities

the belief that spirits inhabit natural elements

their lives have been centered on appeasing their gods and maintaining a harmonious relationship

their dances are marked by integrate hand and arm movements, accompanied by aging and kulintang. an unrelated muslim-filipino ethnic groups.

non-islamized natives of Mindanao. like the tagakaulo, they practice worshiping anitos through dance

TRUE OR FALSE

the six igorot ethnolinguistic tribes are: bontoc, kankanaey, moro, lumad, apayo, and kalinga tribes

TRUE OR FALSE

Egyptian dances were featured in religious ritual and ceremonies on social occasions in Egyptian funerary practices

they danced to appease gods, to curry favor from powerful spirits, to celebrate a hunt or a harvest, and to mimic exotic life around them

includes dances like the tinkling, which mimics a bird, and the gaway-gaway, which features movements of children pulling stalks of the away root

had its origins during the 17th century and dominated the 18th century until the French Revolution

this person was a major influence in its development. he played as Apollo in balled de la suit and became le roe Soleil

It is from preserved music tablatures and literature (Boccaccio’s Decameron) that we know the names of these lost dances.

requires trained dancers, often for display and entertainment

could be attempted by anyone

how the entire body is molded in space on the configuration of body parts

any human movement included in the act of dancing. the steps and sequences, pauses and moments of stillness

the area the performers occupy and where they move

when? rhythm and dynamics

unbalanced shape; movements do not match

balanced shape; movements are practically identical

forward, side, backward, diagonal, circular. they may also face any direction while executing a single movement

movement propelled by ______ or force. force can initiate or stop an action

movements varied by doing larger or smaller actions

high, medium, or low _____

changing ______ by looking in different directions

internal or external event that signals

movement based on group's organic impulse

based on units of seconds, minutes, or hours

smooth, continuous, with flow. no clear beginning and ending

explosive or sharp movements

consists of trembling or shaking

movement traces a curved line or an arc in space

perched in space, hanging in air, holding raised leg are all examples of?

released in tennis and gradually/abruptly giving into gravity

street dances originated in what date and where?

Bronx, NY/ athletic movements like top rock, downrock, power moves, and footwork

Fresno, CA. contrast and relax muscles producing a jerking effect

LA. fast arm and hand movement, locking into certain positions (Don Campbell)

LGBTQ+ clubs in LA. fast arm movements, dramatic poses, and expressive hand gestures

South Central LA. aggressive and expressive, rapid arm swings, chest pops, and stomps

Chicago & NYC. footwork, fluid movements, and musicality

these are traditional dances that originate from the customs, beliefs, and lifestyles of a specific group or community

Lowland Christian Dances (Spanish Influence)

imitates the graceful movements of the tickling birds as they walk and dodge bamboo traps set by farmers in the rice fields

Lowland Christian Dances (Spanish Influence)

known for its elegance, balance, and grace. dancers balance lamp oils on their head and hands.

Lowland Christian Dances (Spanish Influence)

1.  A romantic dance performed by a male and female pair. playful , flirty, often hiding behind fans or handkerchiefs. 

Indigenous or Tribal Dances (Lumad & Cordillera Groups)

traditional muslim royal dance. portrayal of princess gandingan

Indigenous or Tribal Dances (Lumad & Cordillera Groups)

"merrymaking". reflects a festive and joyful occasion in the community of the kalinga people

Indigenous or Tribal Dances (Lumad & Cordillera Groups)

rich in symbolism and deeply connected to two indigenous groups from mindanao's daily life, environment, and spiritual beliefs

Indigenous or Tribal Dances (Lumad & Cordillera Groups)

a lumad group from bukidnon region. known for art, music, and strong cultural identity

Indigenous or Tribal Dances (Lumad & Cordillera Groups)

larger ethnolinguistic group. one of the oldest and most widespread indigenous groups in mindanao. imitates animals or natural elements.

Muslim Dances (Mindanao)

courtship dance with grace, poise, and beauty. mimics the delicate motions of birds

Muslim Dances (Mindanao)

involves the use of the along (tube skirt) and displays various ways a along can be worn and used

Muslim Dances (Mindanao)

solo dance permed by females. a story of devotion, deep adoration and affection towards a sultan

Rural or Barrio Dances

depicts a mock battle between the muslim moros and christian filipinos (kastilas)

Rural or Barrio Dances

lively dance that mimics the movement of ducks. (visayas region - sagay, negros occidental)

Rural or Barrio Dances

"dance on the bench". dynamic and lively, skillful balancing and performance of intricate movements

vibrant, athletic discipline that merges dance, gymnastics, acrobatics, and spirited chanting

during the late _____, cheer dance began at universities with male cheer squads

TRUE OR FALSE

women began joining; dynamic routines with tumbles and jumps during the 1920s-40s

TRUE OR FALSE

during the 1980s-90s, dance was formally introduced in cheer dance

stepping side-to-side with a touch step

Side step, back step, side step, together.

ripple movement through the torso

controlled wave-like arm motions

controlled and synchronized for effect

Legs extend to the sides in a straddle position.

Both legs forward and straight with arms reaching toward toes.

One leg out (like toe touch), one bent underneath.

the person who is lifted into the air during stunts and pyramids. (liberty, arabesque, scorpion, heel stretch)

provides the main support and lifts the flyer (main base, secondary base - helps guide)

supports the flyer’s back and helps stabilize the stunt from behind

sometimes used for additional balance and support in advanced stunts