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TEST - 74

Total questions: 160

Worksheet time: 3hrs 40mins

Name
Class
Date
1.
In The Prologue to The Canterbury Tales, which pilgrim is explicitly noted for having “an ulcer on his knee”?
a)
The Manciple
b)
The Reeve
c)
The Cook
d)
The Franklin
2.
In The Prologue to The Canterbury Tales, which traveler “loved chivalry, truth and honour, freedom and courtesy”?
a)
Knight
b)
Squire
c)
Yeoman
d)
Sergeant at Law
3.
In Chaucer’s The Book of the Duchess (selected chapter), by what emblematic name does the Black Knight refer to his lady?
a)
White
b)
Rose
c)
May
d)
Clare
4.
“Sweet Thames, run softly, till I end my song”—this recurrent refrain belongs to Spenser’s Prothalamion; identify the figure of speech chiefly exemplified by this apostrophe.
a)
Metonymy
b)
Apostrophe
c)
Synecdoche
d)
Litotes
5.
In Spenser’s Epithalamion, the architectonics match the day’s course; how many stanzas precede the envoy?
a)
23
b)
24
c)
25
d)
26
6.
In Bacon’s Of Truth, “What is truth? said jesting Pilate” alludes most precisely to which verse?
a)
Matthew 27:24
b)
John 18:38
c)
Luke 23:22
d)
Mark 15:2
7.
In Bacon’s Of Studies, which activity “maketh a full man”?
a)
Writing
b)
Reading
c)
Conference
d)
Practice
8.
Sidney’s An Apologie for Poetrie defines poetry as “a speaking picture, with this end…”—complete the stated end.
a)
“to move and teach”
b)
“to teach and delight”
c)
“to delight and profit”
d)
“to reform and instruct”
9.
In The Book of Job (Bible), who is the final human speaker before the LORD answers from the whirlwind?
a)
Eliphaz
b)
Bildad
c)
Zophar
d)
Elihu
10.
In Marlowe’s Doctor Faustus, after the bloody signature, what Latin tag appears on Faustus’s arm?
a)
Memento mori
b)
Homo fuge
c)
Caveat lector
d)
Sic transit
11.
In Kyd’s The Spanish Tragedy, who famously bites out his own tongue to thwart interrogation?
a)
Lorenzo
b)
Hieronimo
c)
Horatio
d)
Balthazar
12.
Ben Jonson relocates Every Man in His Humour (1598 stage version) to which city?
a)
Florence
b)
Venice
c)
London
d)
Paris
13.
In Milton’s Paradise Lost Book IX, who first proposes that Adam and Eve work apart in Eden?
a)
Adam
b)
Eve
c)
Raphael
d)
Uriel
14.
Donne’s The Canonization includes the line “We’ll build in sonnets pretty rooms”; which New Critical essay later made “well-wrought urn” emblematic from this poem?
a)
Brooks’s Irony as a Principle of Structure
b)
Brooks’s The Well Wrought Urn
c)
Richards’s Four Kinds of Meaning
d)
Empson’s Seven Types of Ambiguity
15.
In Marvell’s To His Coy Mistress, the speaker places his own vantage “by the tide of” which English river?
a)
Severn
b)
Humber
c)
Avon
d)
Dee
16.
In Pope’s The Rape of the Lock, the “glittering forfex” designates what implement?
a)
Bodkin
b)
Tweezers
c)
Scissors
d)
Bookmark
17.
In Dryden’s Absalom and Achitophel, the satiric “Achitophel” masks which statesman?
a)
Buckingham
b)
Shaftesbury
c)
Danby
d)
Ormond
18.
Gray’s Elegy Written in a Country Churchyard is traditionally linked with which churchyard?
a)
St. Bride’s
b)
St. Mary’s, Cambridge
c)
Stoke Poges
d)
St. Paul’s
19.
Johnson’s Life of Milton censures Lycidas chiefly for what generic fault?
a)
Obscurity
b)
Pastoral artificiality
c)
Political bias
d)
Excess rhyme
20.
In Swift’s Gulliver’s Travels, the Laputan “flappers” are termed, in the language, as which of the following?
a)
Struldbrugs
b)
Climenoles
c)
Houyhnhnms
d)
Yahoos
21.
In Bunyan’s The Pilgrim’s Progress, who is martyred at Vanity Fair?
a)
Christian
b)
Faithful
c)
Hopeful
d)
Evangelist
22.
Defoe’s Robinson Crusoe first appeared in which year?
a)
1704
b)
1711
c)
1719
d)
1726
23.
Wordsworth’s “Ode (Intimations of Immortality)” locates “trailing clouds of glory” in which doctrine-like notion?
a)
Associationism
b)
Recollection in tranquility
c)
Pre-existence of the soul
d)
Pantheistic animism
24.
In Lines Composed a Few Miles above Tintern Abbey, with whom does the poet explicitly share the landscape at the poem’s close?
a)
Coleridge
b)
Dorothy
c)
Mary
d)
De Quincey
25.
The Prelude Book I opens with the poet returning from which locale?
a)
London
b)
Cambridge
c)
France
d)
The Lakes
26.
Coleridge’s Dejection: An Ode contrasts joy as “an inmost” what?
a)
“birthright”
b)
“revenant”
c)
“light”
d)
“motion”
27.
In Kubla Khan, the “Abyssinian maid” plays which instrument?
a)
Lute
b)
Dulcimer
c)
Harp
d)
Viol
28.
Keats’s Ode to a Nightingale places the bird’s song as heard by which ancient figure?
a)
Ruth
b)
Naomi
c)
Esther
d)
Judith
29.
Shelley’s “Ozymandias” originally appeared in which periodical contest venue?
a)
The Examiner
b)
The Reflector
c)
The Friend
d)
The Athenæum
30.
Shelley’s Adonais elegizes which poet?
a)
Byron
b)
Keats
c)
Shelley
d)
Leigh Hunt
31.
Lamb’s Essays of Elia piece “Christ’s Hospital” chiefly recollects which schooling context?
a)
Eton
b)
Westminster
c)
Christ’s Hospital
d)
Charterhouse
32.
Hazlitt’s “My First Acquaintance with Poets” situates first encounter with which poet?
a)
Wordsworth
b)
Coleridge
c)
Southey
d)
Blake
33.
Wordsworth’s Preface to Lyrical Ballads (1802) famously defines poetry as “the spontaneous overflow of powerful feelings,” which it ties to what process?
a)
Fancy
b)
Primary imagination
c)
Recollection in tranquility
d)
Objective correlative
34.
Austen’s Sense and Sensibility was first published in:
a)
1807
b)
1809
c)
1811
d)
1813
35.
Brontë’s Wuthering Heights is framed through which primary narrator aside from Lockwood?
a)
Zillah
b)
Nelly Dean
c)
Joseph
d)
Hareton
36.
Shelley’s lyric drama Prometheus Unbound was published in which year?
a)
1818
b)
1819
c)
1820
d)
1821
37.
Arnold’s “Dover Beach” places the “Sea of Faith” image in which stanza movement?
a)
First
b)
Second
c)
Third
d)
Final
38.
Browning’s “Andrea del Sarto” is often subtitled what?
a)
“A Grammarian’s Funeral”
b)
“The Faultless Painter”
c)
“A Toccata of Galuppi’s”
d)
“Fra Lippo Lippi”
39.
Tennyson’s “Ulysses” frames the speaker at which life stage?
a)
After return to Ithaca
b)
During Trojan War
c)
Before leaving Troy
d)
In Phaeacia
40.
Yeats’s “Byzantium” contrasts with its earlier twin in tone; what is the earlier poem’s title?
a)
“Sailing to Byzantium”
b)
“Lapis Lazuli”
c)
“Among School Children”
d)
“The Second Coming”
41.
Eliot’s The Waste Land ends with which triply repeated word?
a)
“Amen”
b)
“Peace”
c)
“Shantih”
d)
“Om”
42.
Hopkins’s “God’s Grandeur” opens with which energetic phrase?
a)
“The world is charged”
b)
“Glory be to God”
c)
“As kingfishers catch fire”
d)
“Not, I’ll not, carrion comfort”
43.
Auden’s “The Unknown Citizen” is mock-inscribed by which fictional agency?
a)
Ministry of Peace
b)
State Bureau of Standards
c)
Bureau of Statistics
d)
Department of Records
44.
Hughes’s “The Thought-Fox” first creeps in at what hour in the poem?
a)
Noon
b)
Twilight
c)
Midnight
d)
Dawn
45.
Carlyle’s On Heroes Lecture III names Shakespeare what kind of hero?
a)
Hero as Divinity
b)
Hero as Prophet
c)
Hero as Poet
d)
Hero as Man of Letters
46.
Arnold’s “The Study of Poetry” advances which touchstone method?
a)
Best self/other self
b)
Touchstone lines
c)
Negative capability
d)
Objective correlative
47.
Orwell’s “You and the Atom Bomb” was first published in which year?
a)
1939
b)
1945
c)
1947
d)
1949
48.
Dickens’s Hard Times centers on which fictional industrial town?
a)
Casterbridge
b)
Middlemarch
c)
Coketown
d)
Wintoncester
49.
George Eliot’s The Mill on the Floss features which siblings at its core?
a)
Maggie & Tom
b)
Dorothea & Celia
c)
Gwendolen & Rex
d)
Hetty & Adam
50.
Woolf’s Mrs Dalloway is set chiefly over the course of how much time?
a)
One morning
b)
One afternoon
c)
One day
d)
Two days
51.
Osborne’s Look Back in Anger centers on Jimmy Porter’s marital conflict with whom?
a)
Helena
b)
Alison
c)
Jean
d)
Clara
52.
Brecht’s Mother Courage loses how many children in the play?
a)
One
b)
Two
c)
Three
d)
Four
53.
Synge’s Riders to the Sea is set on which Irish islands?
a)
Aran
b)
Skellig
c)
Blasket
d)
Achill
54.
Churchill’s Top Girls famously opens with a dinner hosting women from different eras; which medieval figure attends?
a)
Dido
b)
Pope Joan
c)
Sappho
d)
Hypatia
55.
Shakespeare’s Othello features a handkerchief embroidered with what device?
a)
Olive boughs
b)
Strawberries
c)
Poppies
d)
Violets
56.
In King Lear, which child first declares love in the love-test?
a)
Goneril
b)
Regan
c)
Cordelia
d)
Edgar
57.
In The Tempest, Ferdinand first encounters Miranda while carrying what?
a)
Firewood
b)
Water jars
c)
Nets
d)
Logs of cedar
58.
In Measure for Measure, who assumes the friar’s disguise?
a)
Angelo
b)
Claudio
c)
The Duke
d)
Lucio
59.
Shakespeare’s Sonnet 18 closes with what claim of verse’s power?
a)
To gild decay
b)
To cheat time
c)
To immortalize beauty
d)
To mirror truth
60.
Shakespeare’s Sonnet 116 names love “an ever-fixed” what?
a)
Star
b)
Mark
c)
Beacon
d)
North
61.
Whitman’s “Out of the Cradle Endlessly Rocking” situates the boy-poet by which sea?
a)
Atlantic off Long Island
b)
Pacific near Monterey
c)
Gulf at Galveston
d)
Lake Michigan shore
62.
Anne Bradstreet’s “Prologue” self-positions as a woman with what instrument?
a)
Harp
b)
Pen
c)
Needle
d)
Distaff
63.
Emerson’s “Brahma” adopts which metrical pattern predominantly?
a)
Ballad meter
b)
Iambic tetrameter quatrains
c)
Iambic pentameter couplets
d)
Trochaic tetrameter
64.
Frost’s “Birches” compares bent trees to which boyhood action?
a)
Skating
b)
Swinging
c)
Climbing
d)
Playing ball
65.
Frost’s “Mending Wall” counters the proverb “Good fences make good neighbours” with what retort?
a)
“Something there is that doesn’t love a wall”
b)
“Walls fall where hearts do”
c)
“Kind neighbours need no bars”
d)
“The land will mend itself”
66.
Paul Laurence Dunbar’s “The Sparrow” chiefly turns on which paradox of smallness?
a)
Fragile yet fierce
b)
Lowly yet observed
c)
Meek yet mighty
d)
Slight yet soaring
67.
Maya Angelou’s “I Know Why the Caged Bird Sings” (poem excerpt in the syllabus list) opposes the free bird’s “claim of the sky” to what caged condition?
a)
Broken wing
b)
Clipped wings and tied feet
c)
Blind eyes
d)
Sealed beak
68.
E.E. Cummings’s “the Cambridge ladies who live in furnished souls” exemplifies which stylistic habit?
a)
Strict capitalization
b)
Satirical euphony
c)
Lower-case irony
d)
Heroic couplets
69.
Charlotte Perkins Gilman’s “The Anti-Suffragists” targets which rhetorical strategy?
a)
Apologia
b)
Irony
c)
Zeugma
d)
Parrhesia
70.
Thoreau’s Where I Lived, and What I Lived For advocates which economic principle?
a)
Self-reliant simplicity
b)
Mercantile thrift
c)
Communal pooling
d)
Pastoral feudalism
71.
Emerson’s “The American Scholar” calls the scholar primarily which of the following?
a)
A seer
b)
A man thinking
c)
A social benefactor
d)
A democratic orator
72.
Faulkner’s Nobel Speech insists the writer must forget which fear?
a)
Failure
b)
Poverty
c)
Death
d)
The end of man
73.
Morrison’s Beloved names the revenant girl with what single name?
a)
Grace
b)
Beloved
c)
Denver
d)
Baby
74.
Jhumpa Lahiri’s The Namesake gives Gogol a legal adult name change to which of the following?
a)
Nikhil
b)
Ashoke
c)
Rahul
d)
Amit
75.
Arthur Miller’s Death of a Salesman ends with which character’s Requiem insight that Willy “had the wrong dreams”?
a)
Biff
b)
Happy
c)
Charley
d)
Bernard
76.
O’Neill’s The Emperor Jones features which repetitive sound motif as fate closes in?
a)
Train whistle
b)
Tom-tom
c)
Cannon
d)
Bell
77.
Tennessee Williams’s A Streetcar Named Desire introduces Blanche arriving on which streetcar lines?
a)
Desire then Cemeteries
b)
Desire then Elysian Fields
c)
Desire then Riverfront
d)
Desire then Pontchartrain
78.
Tagore’s Gitanjali lyrics often translate by Yeats’s championing; which Nobel year recognized Tagore?
a)
1909
b)
1911
c)
1913
d)
1915
79.
Nissim Ezekiel’s “Goodbye Party for Miss Pushpa T. S.” satirizes which hallmark of speech?
a)
British Received Pronunciation
b)
Indian English locutions
c)
Scots burr
d)
Cockney slang
80.
Toru Dutt’s “Our Casuarina Tree” memorializes which affect toward the tree?
a)
Piety to custom
b)
National allegory
c)
Personal elegy
d)
Pastoral satire
81.
Kamala Das’s “An Introduction” declares “I am Indian, very brown, born in Malabar”; which posture is central?
a)
Nationalist rhetoric
b)
Confessional identity
c)
Marxist critique
d)
Romantic nostalgia
82.
Sujata Bhatt’s “A Different History” juxtaposes English with which deity of learning?
a)
Lakshmi
b)
Saraswati
c)
Parvati
d)
Durga
83.
Nehru’s An Autobiography (1936) was written chiefly where?
a)
Europe
b)
Allahabad
c)
Prison
d)
Shimla
84.
Ambedkar’s Annihilation of Caste primarily attacks which institution?
a)
Colonial rule
b)
Caste hierarchy
c)
Capitalism
d)
Patriarchy alone
85.
Mulk Raj Anand’s Coolie follows the life of which boy?
a)
Munoo
b)
Mohan
c)
Hari
d)
Gangu
86.
Kamala Markandaya’s A Handful of Rice focuses on which protagonist?
a)
Nathan
b)
Ravi
c)
Rukmani
d)
Velan
87.
Arundhati Roy’s The God of Small Things is set in which Kerala town?
a)
Kottayam
b)
Ayemenem
c)
Alleppey
d)
Palakkad
88.
Girish Karnad’s Hayavadana draws its central motif from which source?
a)
Mahabharata tale
b)
Kathasaritsagara
c)
Thomas Mann
d)
Vetala Panchavimshati
89.
Vijay Tendulkar’s Silence! The Court is in Session centers on a mock trial aimed at whom?
a)
Benare
b)
Rokde
c)
Sukhatme
d)
Ponkshe
90.
Mahasweta Devi’s Rudali portrays Sanichari as which caste-based figure?
a)
Brahmin widow
b)
Tribal mourner
c)
Merchant’s wife
d)
Zamindar’s daughter
91.
Mahesh Dattani’s Dance Like a Man pivots on which classical dance?
a)
Kathak
b)
Bharatanatyam
c)
Odissi
d)
Kathakali
92.
Kath Walker (Oodgeroo Noonuccal)’s “A Song of Hope” advocates what stance?
a)
Secession
b)
Reconciliation
c)
Isolation
d)
Nostalgia
93.
Banjo Paterson’s “Waltzing Matilda” uses “waltzing” to mean what?
a)
Bush-dancing
b)
Itinerant swag-carrying
c)
Boot-polishing
d)
Shearing season
94.
Wole Soyinka’s “Telephone Conversation” turns on an exchange about what?
a)
Rent and race
b)
Passports
c)
Work permit
d)
Train tickets
95.
E.J. Pratt’s “The Dying Eagle” figures the bird chiefly as what?
a)
Imperial Britain
b)
Fading wilderness
c)
Aging poet
d)
North American continent
96.
Judith Wright’s “At Cooloola(h)” registers which ethical unease?
a)
War
b)
Industrialism
c)
Colonial dispossession
d)
Urban alienation
97.
Abioseh Nicol’s “The Meaning of Africa” questions which reduction?
a)
Romantic primitivism
b)
Urban modernity
c)
Revolutionary violence
d)
Religious syncretism
98.
A. D. Hope’s “Australia” famously calls the land “drab green and desolate grey”; this tone is primarily:
a)
Celebratory pastoral
b)
Bitter irony
c)
Neo-classical satire
d)
Gothic lament
99.
Thomas King’s “Godzilla vs. Post-Colonial” parodies what critical habit?
a)
Historicism
b)
Over-academic theorizing
c)
New Critical close reading
d)
Biographical fallacy
100.
Achebe’s Things Fall Apart takes its epigraphic title from which Yeats poem?
a)
“Easter 1916”
b)
“The Second Coming”
c)
“Sailing to Byzantium”
d)
“Leda and the Swan”
101.
Alan Paton’s Cry, the Beloved Country foregrounds which South African city in Book I?
a)
Pretoria
b)
Durban
c)
Johannesburg
d)
Cape Town
102.
Patrick White’s Voss is loosely based on which explorer?
a)
Ludwig Leichhardt
b)
Burke
c)
Eyre
d)
Sturt
103.
Soyinka’s The Lion and the Jewel pits modernity against tradition chiefly via which schoolteacher?
a)
Baroka
b)
Lakunle
c)
Sidi
d)
Sadiku
104.
George Ryga’s The Ecstasy of Rita Joe treats the displacement of which community?
a)
Métis
b)
Inuit
c)
First Nations
d)
Acadian
105.
Jane Harrison’s Stolen is structured around what shared experience?
a)
War exile
b)
Stolen Generations
c)
Labour strike
d)
Religious cult
106.
Aristotle’s Poetics identifies tragedy’s most potent element as:
a)
Diction
b)
Plot
c)
Spectacle
d)
Song
107.
Dryden’s Essay of Dramatic Poesy features which spokesman most aligned with Dryden’s views?
a)
Lisideius
b)
Neander
c)
Crites
d)
Eugenius
108.
Coleridge’s Biographia Literaria Ch. XIV defines primary imagination as which faculty?
a)
Echo of infinite I AM
b)
Fixed Fancy
c)
Passive memory
d)
Associative habit
109.
Coleridge’s Ch. XVII distinguishes secondary imagination chiefly by its:
a)
Mechanical fancy
b)
Repetition in the finite mind
c)
Conscious, dissolving, re-creating power
d)
Mnemonic discipline
110.
Eliot’s “The Metaphysical Poets” coins what phrase to diagnose a modern malady after the seventeenth century?
a)
Negative capability
b)
Dissociation of sensibility
c)
Objective correlative
d)
Unification of sensibility
111.
I. A. Richards’s “Four Kinds of Meaning” lists sense, feeling, tone and which fourth?
a)
Intention
b)
Theme
c)
Allegory
d)
Significance
112.
Empson’s Seven Types of Ambiguity type-counts ambiguity at how many levels?
a)
Five
b)
Six
c)
Seven
d)
Eight
113.
Northrop Frye’s “Archetypes of Literature” correlates mythoi with seasons; which season matches comedy?
a)
Spring
b)
Summer
c)
Autumn
d)
Winter
114.
Cleanth Brooks’s “Irony as a Principle of Structure” argues irony is primarily what?
a)
Ornamental trope
b)
Organizing principle
c)
Occasional device
d)
Historical accident
115.
Allen Tate’s “Tension in Poetry” uses “tension” to denote what relation?
a)
Meter vs. rhythm
b)
Denotation/connotation synthesis
c)
Image vs. idea
d)
Plot vs. theme
116.
Elaine Showalter’s “Towards a Feminist Poetics” names what three historical phases?
a)
Feminine, feminist, female
b)
Proto, modern, post
c)
Liberal, radical, socialist
d)
Classical, romantic, modern
117.
Simone de Beauvoir’s The Second Sex advances the famous dictum “One is not born, but rather…” what?
a)
“socialized”
b)
“made a woman”
c)
“constructed”
d)
“gendered”
118.
In historical linguistics (Unit IX), “Grimm’s Law” describes systematic shifts in which family?
a)
Romance
b)
Germanic
c)
Celtic
d)
Slavic
119.
In phonetics, English has approximately how many phonemic vowels (RP, monophthongs + diphthongs) traditionally enumerated?
a)
12
b)
20
c)
24
d)
44
120.
A diphthong is best described in ELT phonology as:
a)
Two syllables
b)
Gliding vowel nucleus
c)
Consonant cluster
d)
Reduced schwa
121.
In morphology, derivation vs inflection—which changes grammatical category more characteristically?
a)
Inflection
b)
Derivation
c)
Both equally
d)
Neither
122.
Semantics: which relation names words like “buy/sell”?
a)
Gradable antonyms
b)
Complementaries
c)
Converses
d)
Homonyms
123.
Dialect vs idiolect—idiolect refers to:
a)
Regional speech
b)
Class dialect
c)
Individual’s unique variety
d)
Occupational jargon
124.
TG Grammar (Chomsky): “deep structure” most closely represents what?
a)
Surface order
b)
Phonetic output
c)
Abstract syntactic relations
d)
Lexical insertion only
125.
Applied Linguistics: In SLA, Krashen’s hypothesis placing input just beyond current competence is called:
a)
Output hypothesis
b)
Monitor hypothesis
c)
Noticing hypothesis
d)
i+1 input
126.
ELT: A product-oriented writing syllabus emphasizes chiefly:
a)
Process stages
b)
Genre models
c)
Fluency drafting
d)
Peer response
127.
Language Testing: Reliability chiefly concerns what property?
a)
Test validity
b)
Scoring consistency
c)
Washback
d)
Authenticity
128.
Unit X—Which is the correct British vs American pair?
a)
Cheque / check
b)
Trunk / boot
c)
Apartment / flat
d)
Meter / metre
129.
Figures of Speech identification in Shakespeare’s Sonnet 65—“Time’s best jewel”:
a)
Metonymy
b)
Synecdoche
c)
Metaphor
d)
Irony
130.
Choose the correct tense usage (Unit X): “By 2027, she _ the thesis.”
a)
will submit
b)
will have submitted
c)
has submitted
d)
would submit
131.
Voice (Unit X): Active to Passive—“They awarded her the prize.” →
a)
The prize was awarded her.
b)
She was awarded the prize.
c)
The prize has been awarded.
d)
The prize is awarded to her.
132.
Parts of Speech (Unit X): In “Only the brave endure,” brave is:
a)
Noun
b)
Adjective used substantively
c)
Verb
d)
Adverb
133.
Articles/Determiners (Unit X): Correct choice—“_ Ganges is sacred to many.”
a)
A
b)
An
c)
The
d)
No article
134.
Prefix/Suffix (Unit X): Irreverent contains which negative prefix?
a)
un-
b)
dis-
c)
in- (assimilated)
d)
non-
135.
Homophones (Unit X): Choose the correct pair for “reign/rain/rein”—control a horse:
a)
Reign
b)
Rain
c)
Rein
d)
Rane
136.
Compound Words (Unit X): Correct closed compound:
a)
Class room
b)
Class-room
c)
Classroom
d)
Class:room
137.
Sentence Patterns (Unit X): Identify S-V-C—
a)
“She became quiet.”
b)
“They built a bridge.”
c)
“Rain flooded streets.”
d)
“Birds fly south.”
138.
Error spotting (Unit X): Choose the error-free sentence.
a)
He insisted to go.
b)
He insisted on going.
c)
He insisted going.
d)
He insisted for going.
139.
Figures of Speech (Unit X): “The wheels hummed a lullaby”—identify.
a)
Hyperbole
b)
Metaphor
c)
Personification
d)
Synecdoche
140.
Synonyms (Unit X): “Abrogate” ≈
a)
Confirm
b)
Repeal
c)
Ratify
d)
Enact
141.
Antonyms (Unit X): “Intransigent” ≠
a)
Adamant
b)
Obstinate
c)
Compliant
d)
Unyielding
142.
Phrases (Unit X): “At sixes and sevens” means:
a)
In agreement
b)
In confusion
c)
In delight
d)
In pairs
143.
Tenses—sequence (Unit X): “He said that he _ the letter.”
a)
writes
b)
wrote
c)
had written
d)
has written
144.
British/American (Unit X): BrE petrol vs AmE _
a)
Gasoline
b)
Kerosene
c)
Diesel
d)
Propane
145.
From Gray’s Elegy: “The curfew tolls the knell of parting day”—identify the metrical line.
a)
Iambic tetrameter
b)
Iambic pentameter
c)
Trochaic tetrameter
d)
Anapestic trimeter
146.
From Donne’s The Canonization: “For God’s sake hold your tongue” primarily exemplifies what tone?
a)
Pastoral serenity
b)
Courtly flattery
c)
Abrupt imperative
d)
Legal casuistry
147.
From Keats’s Nightingale: “Thou wast not born for death, immortal Bird!”—figura?
a)
Paradox
b)
Apostrophe
c)
Oxymoron
d)
Chiasmus
148.
From Eliot’s The Waste Land: “April is the cruellest month”—which rhetorical inversion of pastoral is this?
a)
Anti-pastoral
b)
Eclogue
c)
Georgic
d)
Bucolic ode
149.
From Arnold’s Dover Beach: “Ah, love, let us be true / To one another!”—the logic appeals chiefly to:
a)
Historical method
b)
Ethical persuasion
c)
Emotional refuge
d)
Scientific proof
150.
From Marvell’s Coy Mistress: “My vegetable love should grow / Vaster than empires”—identify trope.
a)
Litotes
b)
Conceit
c)
Metonymy
d)
Euphemism
151.
From Hopkins’s God’s Grandeur: “It will flame out, like shining from shook foil”—the sonic device central here?
a)
Alliteration
b)
Sprung rhythm with internal echo
c)
End-rhyme only
d)
Caesura suppression
152.
From Frost’s Mending Wall: “Good fences make good neighbours”—used in the poem as:
a)
Poet’s creed
b)
Speaker’s credo
c)
Neighbor’s proverb
d)
Narrator’s maxim
153.
From Spenser’s Prothalamion: “Sweet Thames, run softly”—river invoked is:
a)
Isis
b)
Cam
c)
Thames
d)
Avon
154.
From Shakespeare’s Sonnet 116: “It is the star to every wandering bark”—star serves as:
a)
Synecdoche for compass
b)
Metaphor for constancy
c)
Metonym for voyage
d)
Irony of drift
155.
ELT—Testing (Unit IX): Which best enhances construct validity in a reading test?
a)
Timing pressure
b)
Authentic texts
c)
Obscure vocabulary
d)
Tricky distractors only
156.
SLA—Which hypothesis emphasizes conscious attention to form?
a)
Noticing (Schmidt)
b)
Input i+1 (Krashen)
c)
Interaction (Long)
d)
Output (Swain)
157.
Phonology—Which is a voiceless interdental fricative in English?
a)
/ð/
b)
/θ/
c)
/ʒ/
d)
/v/
158.
Morphology—Which pair shows conversion (zero-derivation)?
a)
enable → enablement
b)
text (N) → to text (V)
c)
happy → unhappy
d)
nation → national
159.
Semantics—Hyponymy: which is a hyponym of vehicle?
a)
Transport
b)
Movement
c)
Bus
d)
Travel
160.
Syntax—Which is a cleft construction?
a)
“Only John saw Mary.”
b)
“It was John who saw Mary.”
c)
“John alone saw Mary.”
d)
“John saw Mary only.”