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ART APPRECIATION Finals Reviewer

Total questions: 77

Worksheet time: 39mins

Name
Class
Date
1.

It is the process artists undergo to connect their feelings and experiences with the world around them.

a)

Textile Weaving

b)

Soul-Making

c)

Crafting Image

d)

Story Making

2.

What does crafting images use to express emotions, ideas, or messages without words?

a)

Characters, plots, and settings

b)

Shapes, colors, and forms

c)

Collaboration and consent

d)

Scientific measurement tools

3.

Which method of crafting images involves arranging visual elements?

a)

Mood

b)

Composition

c)

Plot structure

d)

Collaboration

4.

What does crafting stories require according to the handout?

a)

A clear narrative structure

b)

A focus on scientific experimentation

c)

Exclusive use of symbols

d)

The removal of cultural context

5.

What happens when art combines images and stories?

a)

It removes narrative meaning

b)

It limits artistic expression

c)

It blends visuals with narrative to enhance meaning

d)

It reinforces stereotypes

6.

What does Curiosità encourage?

a)

Combining art and science

b)

Engaging the body physically to the arts

c)

Cultivating a desire to learn and explore new ideas

d)

Embracing ambiguity and reject the certainty

7.

Which principle emphasizes testing knowledge through experience and persistence?

a)

Sensazione

b)

Dimostrazione

c)

Sfumato

d)

Connessione

8.

Which principle highlights the senses as essential to perceiving the world more deeply?

a)

Corporalità

b)

Curiosità

c)

Sensazione

d)

Arte/Scienza

9.

What does Sfumato encourage artists to embrace?

a)

Ambiguity and uncertainty

b)

Exclusive focus on precision

c)

Physical training

d)

Cultural symbols

10.

Which principle promotes balancing logic and imagination through whole-brain thinking?

a)

Arte/Scienza

b)

Connessione

c)

Sfumato

d)

Dimostrazione

11.

Which principle stresses the importance of physical presence in art?

a)

Corporalità

b)

Connessione

c)

Sensazione

d)

Curiosità

12.

The principle Connessione is based on which belief?

a)

The five senses are the ministers of the soul.

b)

Everything comes from everything, and everything is made out of everything, and everything returns into everything.

c)

The body must remain in perfect condition to maintain harmonious connection with the environment.

d)

Knowledge must be tested through experience

13.

What does cultural appropriation involve?

a)

Enhancing senses to perceive the world

b)

Borrowing elements from another culture without understanding or respecting their context

c)

Practicing art and science together

d)

Creating own characters and settings reflecting culture

14.

Which act involves using cultural symbols without understanding their significance?

a)

Stereotyping Through Art

b)

Misrepresentation of Cultural Symbols

c)

Lack of Collaboration and Consent

d)

Corporalità

15.

What makes commercialization of cultural art forms problematic?

a)

It always includes proper acknowledgment

b)

It avoids all stereotypes

c)

It benefits others and removes cultural context

d)

It only uses scientific methods

16.

Which act can reinforce harmful stereotypes by simplifying cultures?

a)

Exploitation of Traditional Techniques

b)

Stereotyping Through Art

c)

Commercialization of Cultural Art Forms

d)

Exploitation of Traditional Language

17.

Using intricate African textile patterns without credit is an example of which act?

a)

Exploitation of Traditional Techniques

b)

Commercialization

c)

Misrepresentation of Cultural Symbols

d)

Sfumato

18.

What issue arises when artists use cultural elements without seeking collaboration or consent?

a)

It encourages whole-brain thinking

b)

It creates a power imbalance

c)

It strengthens scientific accuracy

d)

It enhances mood and texture

19.

Why do artists advocate for recognition and respect for their work?

a)

Because digital sharing makes it easy for images to be copied and altered without permission

b)

Because ambiguity must be removed in art

c)

Because narratives for an art could be subjective and the way you understand it will make the art your own

d)

Because cultural symbols require scientific proof

20.

What does textile art utilize to create artistic objects?

a)

Scientific instruments and tools

b)

Various materials and fibers

c)

Only silk and cotton

d)

Only natural dyes

21.

What does textile art often reflect?

a)

Only economic systems

b)

Political events and power

c)

The beliefs, traditions, and stories of individuals

d)

Modern fashion trends (Popular Culture)

22.

What materials used in T'nalak weaving are believed to contain spirits?

a)

Cotton, silk, and abacá

b)

Grass, pineapple fiber, and abaca

c)

Synthetic fibers and wool from sheep

d)

Plastic threads

23.

Who are the “dreamweavers” in T'nalak weaving?

a)

Male elders of the tribe

b)

Traders who sell T'nalak

c)

T'boli women

d)

People in South Cotabato

24.

What do dream-given patterns represent?

a)

Only modern designs like minimalism

b)

Nature, myths, and ancestral wisdom

c)

Commercial symbols

d)

Imported cultural motifs

25.

What does the color black symbolize in T'nalak designs?

a)

Purity

b)

Earth

c)

Wealth

d)

Water

26.

Who received the National Living Treasures Award in 1998 for preserving T'nalak weaving?

a)

Darhata Sawabi

b)

Samponoria Madanlo

c)

Ambalang Ausalin

d)

Lang Dulay

27.

Why must abaca fibers be spliced and knotted?

a)

Because they are extremely long

b)

Because they are relatively short

c)

To remove natural dyes

d)

To make them resist water

28.

Which technique is used to dye T'nalak threads?

a)

Batik technique

b)

Embroidery technique

c)

Ikat technique

d)

Watercolor technique

29.

What tool is essential in weaving the T'nalak?

a)

Foot pedal loom

b)

Backstrap loom

c)

Circular loom

d)

Metal frame loom

30.

What happens during the finishing stage of T'nalak weaving?

a)

The cloth is embroidered

b)

The cloth is softened by hand and inspected

c)

The cloth is digitally printed

d)

The cloth is washed with chemicals

31.

What do T'boli brassworks often include?

a)

Only geometric designs that they hang on their clothes

b)

Animals, mythological figures, and symbols of protection

c)

Decorative patterns with no meaning at all

d)

Only floral motifs with insects

32.

What is the function of beadwork in T'boli culture?

a)

Only for trade

b)

To replace brass accessories

c)

To adorn clothing and play an essential role in rituals

d)

To mark boundaries of land

33.

Which instruments are used in T'boli music?

a)

Kudlong and sludoy

b)

Guitar and violin

c)

Flute and trumpet

d)

Gongs and bells only

34.

What does the Madal tahaw (kadal tahaw) dance reflect?

a)

Historical battles

b)

Their close relationship with nature

c)

Foreign cultural influences

d)

Commercial traditions

35.

Which tribe is known for Dagmay weaving?

a)

Tausug tribe

b)

Yakan tribe

c)

Mandaya tribe

d)

Maguindanao tribe

36.

What patterns are commonly found in Dagmay?

a)

Floral motifs

b)

Metallic designs

c)

Simple geometric patterns

d)

Digital print patterns

37.

Who received the GAMABA Award in 2023 for Dagmay?

a)

Ambalang Ausalin

b)

Darhata Sawabi

c)

Lang Dulay

d)

Samponoria Madanlo

38.

Pis Syabit is a traditional textile of which tribe?

a)

Yakan tribe

b)

Maguindanao tribe

c)

Mandaya tribe

d)

Tausug tribe

39.

What material is commonly used for Pis Syabit?

a)

Plastic fiber

b)

Wood

c)

Silk or cotton

d)

Bamboo

40.

Who is recognized for Pis Syabit weaving and received the GAMABA Award in 2004?

a)

Darhata Sawabi

b)

Lang Dulay

c)

Ambalang Ausalin

d)

Sampronia Madanlo

41.

Which tribe weaves the Sepuntagan?

a)

T'boli tribe

b)

Yakan tribe

c)

Tausug tribe

d)

Maguindanao tribe

42.

What patterns are seen in the Sepuntagan?

a)

Only floral motifs

b)

Diamonds, squares, and zigzags

c)

Only horizontal stripes

d)

Circular spirals only

43.

Who received the GAMABA Award in 2016 for Yakan weaving?

a)

Sampronia Madanlo

b)

Ambalang Ausalin

c)

Darhata Sawabi

d)

Lang Dulay

44.

What does Inaul literally mean?

a)

Dye

b)

Fiber

c)

Weave

d)

Cloth

45.

What shapes are found in Inaul patterns?

a)

Circles and waves

b)

Diamonds, zigzags, and triangles

c)

Letters and numbers

d)

Faces and animals

46.

What is Inaul commonly used for?

a)

Hats

b)

Malongs

c)

Footwear

d)

Tools

47.

What does Inaul symbolize according to the handout?

a)

Growth of modern industries

b)

Strength of the culture and history of a great civilization

c)

Decline of traditional identity

d)

Global fashion trends

48.

What does Philippine art reflect according to the handout?

a)

Only modern industrial influences

b)

Filipinos' identity, history, religion, and philosophy

c)

Purely Spanish cultural values

d)

Only contemporary artistic trends

49.

What do traditional Filipino structures reflect according to the module?

a)

Primarily economic development

b)

Social, cultural, and spiritual beliefs

c)

Only technological advancements

d)

Foreign architectural rules

50.

Which feature is found in the Torogan?

a)

Stone walls with capiz

b)

Boat-shaped bubong

c)

Concrete foundation

d)

Metal roofing

51.

What is the function of the alang in Ifugao houses?

a)

Sleeping area

b)

Granary or communal storage

c)

Dining space

d)

Religious rituals

52.

What prevents rodents from entering the Ifugao bale?

a)

Thick bamboo walls

b)

Halipan around the posts

c)

Metal cages

d)

Cement flooring

53.

What is the silid in the bahay kubo?

a)

A storage shed

b)

A single room serving all purposes

c)

An external workspace

d)

A sleeping loft only

54.

What materials are used for the bintana of the Bahay na Bato?

a)

Colored glass

b)

Capiz shells

c)

Cloth panels

d)

Plastic sheets

55.

What characteristic defines Okir designs?

a)

Asymmetrical animal figures

b)

Intricate, symmetrical designs

c)

Purely horizontal lines

d)

Random abstract forms

56.

Where is Okir commonly seen?

a)

Steel gates and fences

b)

Carvings on Torogan walls, doors, and beams

c)

Modern concrete sculptures

d)

Imported ceremonial objects

57.

What do interconnected shapes in Okir symbolize?

a)

Wealth and commerce

b)

Unity

c)

Warfare

d)

Political power

58.

Which textile examples are listed in the handout?

a)

T'nalak, Pis Syabit, Sepuntangan, Batok

b)

T'nalak, Dagmay, Pis Syabit, Sepuntangan, Inaul

c)

Inaul, Burnay, Kulintang, Bulul

d)

Burnay, Sawali, Tinikling, Amakan

59.

Burnay pottery is known for which characteristics?

a)

Bright colors and woven textures

b)

Dark color, smooth finish, and decorative patterns

c)

Metal inlays and glass coating

d)

Lightweight plastic-like surface

60.

What is the Bulul used for?

a)

To store water

b)

To protect rice crops

c)

To serve as musical instruments

d)

To decorate European-style houses

61.

What is the Sawali or Amakan used for?

a)

Food baskets

b)

Walls and paneling

c)

Weapon handles

d)

Ceremonial masks

62.

What do Batok tattoos represent?

a)

Economic wealth

b)

Bravery, beauty, and social status

c)

Foreign spiritual concepts

d)

Modern artistic styles

63.

What instrument showcases the rich musical heritage of Filipino ethnic groups?

a)

Violin

b)

Kulintang

c)

Steel drum

d)

Harp

64.

What does the Sarimanok symbolize?

a)

Agriculture and trade

b)

Good fortune, prosperity, and spiritual connection

c)

Warfare and defense

d)

Leadership and authority

65.

Which art form uses stylized motifs of flowers, animals, and geometric shapes?

a)

Batok

b)

Okir design

c)

Burnay

d)

Tinikling

66.

Which period introduced religious art in the Philippines?

a)

Pre-colonial

b)

Spanish Colonial

c)

Post-War

d)

Contemporary

67.

Which artist is associated with rural life and landscapes during the American Colonial period?

a)

Juan Luna

b)

Victorio Edades

c)

Fernando Amorsolo

d)

Benedicto Cabrera

68.

Who led the modernist movement after World War II?

a)

Benedicto Cabrera

b)

Fernando Amorsolo

c)

Juan Luna

d)

Victorio Edades

69.

What is a common theme in Philippine contemporary art?

a)

Uniformity in techniques

b)

Diversity in themes, materials, forms, and timelines

c)

Exclusive use of stone and wood

d)

Strict imitation of classical European art

70.

Which new art forms are included in contemporary art according to the module?

a)

Traditional weaving only

b)

BioArt, digital collage, and pixel art

c)

Burnay and Batok

d)

Stone carving and pottery

71.

71. T'nalak : T'boli Tribe : Dagmay :

a)

Mandaya Tribe

b)

Tausug Tribe

c)

Yakan Tribe

d)

Maguindanao Tribe

72.

T'nalak : Lang Dulay : Dagmay :

a)

Ambalang Ausalin

b)

Samporonia Madanlo

c)

Darhata Sawabi

d)

Apuh Ambalang

73.

Pis Syabit : Darhata Sawabi : Seputangan :

a)

Lang Dulay

b)

Samporonia Madanlo

c)

Ambalang Ausalin

d)

T'boli women

74.

T'nalak : dream-inspired designs : Pis Syabit :

a)

floral motifs

b)

daily life

c)

zigzags

d)

royal motifs

75.

Pis Syabit : Tausug Tribe : Seputangan :

a)

Yakan Tribe

b)

T'boli Tribe

c)

Mandaya Tribe

d)

Maguindanao Tribe

76.

Seputangan : Ambalang Ausalin : Pis Syabit :

a)

Samporonia Madanlo

b)

Lang Dulay

c)

Darhata Sawabi

d)

T'boli dreamweavers

77.

Inaul : Maguindanao Tribe : Pis Syabit :

a)

T'boli Tribe

b)

Mandaya Tribe

c)

Tausug Tribe

d)

Yakan Tribe