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Film Analysis: Portrayal of women characters in films

Total questions: 33

Worksheet time: 17mins

Name
Class
Date
1.

What does Sarika’s character mainly symbolize in the film?

a)

Political authority

b)

Migration and urbanisation

c)

Innocence caught in suffering

d)

Modern education

2.

The scene where Sarika carries a pot for water signifies:

a)

Women’s devotion to household chores

b)

Social status of rich families

c)

Gendered burden of water scarcity

d)

Youth empowerment

3.

In Sarika’s scenes, the recurring imagery of empty pots highlights

a)

Material possessions

b)

Village prosperity

c)

Deserted landscape

d)

Drought and deprivation

4.

Who plays Sarika’s character in the film?

a)

Saritha

b)

Suhasini

c)

Sharada

d)

Sarika herself

5.

Sarika’s emotional breakdown during water collection reflects

a)

Individual defeat only

b)

Political propaganda

c)

Collective trauma of villagers

d)

Corruption of officials

6.

Sarika’s scene near the dry well is primarily used to express

a)

Love interest

b)

Humor in village life

c)

Hopelessness and thirst

7.

In many of Sarika’s scenes, silence is used by Balachander to

a)

create suspense

b)

avoid dialogues

c)

allow natural environment sound

d)

communicate helplessness non-verbally

8.

The dusty visual background in Sarika’s sequence represents

a)

Rural beauty

b)

Cultural festivals

c)

Atmosphere of scarcity

d)

Agricultural richness

9.

Sarika’s interactions with other women mainly highlight

a)

family disputes

b)

social gossip

c)

shared water struggle

d)

celebration of traditions

10.

The director’s close-up on Sarika’s face during the water crisis emphasizes

a)

glamour and beauty shots

b)

emotional suffering and social message

c)

romantic attraction

d)

comic relief in the story

11.

The heroine Nandini mainly represents

a)

Traditional domestic woman

b)

Victim of social hypocrisy

c)

Urban modernization

d)

Political power

12.

Which actress played the role of Nandini in the film?

a)

Saritha

b)

Deepa

c)

Sharada

d)

Suhasini

13.

Nandini’s emotional suffering is primarily linked with

a)

financial problems

b)

caste discrimination

c)

marital betrayal

d)

political rivalry

14.

In many scenes, the close-up shots on Nandini are used to

a)

show physical beauty

b)

underline dramatic glamour

c)

reveal inner emotional conflict

d)

increase commercial appeal

15.

The heroine’s silence in crucial moments highlights

a)

passive obedience

b)

personal ego

c)

patriarchal domination

d)

superstition

16.

Which theme strongly surrounds Nandini’s portrayal?

a)

Feminist resistance

b)

Tragic victimhood

c)

Professional ambition

d)

Political propaganda

17.

Nandini’s costume (red blouse) symbolically suggests

a)

celebration

b)

violence

c)

passion and suffering

18.

Through Nandini, the film questions

a)

urban life

b)

religious practices

c)

male privilege and morality

d)

modernization

19.

The heroine’s emotional breakdown scene primarily conveys

a)

failure of marriage as an institution

b)

celebration of womanhood

c)

power of romance

d)

importance of patience

20.

The narrative arc of Nandini ends with

a)

triumph of love

b)

reconciliation of family

c)

moral punishment of the hero

d)

personal tragedy

21.

The heroine Kalki’s character primarily represents

a)

Obedient traditional wife

b)

Passive victimhood

c)

Feminist self-assertion

d)

Romantic sacrifice

22.

Which of the following describes Kalki’s attitude toward patriarchy in the narrative?

a)

Silent acceptance

b)

Submissive negotiation

c)

Open questioning and resistance

d)

Diplomatic compromise

23.

Kalki’s decision to live independently shows

a)

hatred towards men

b)

economic ambition alone

c)

moral punishment to her partner

d)

reclaiming personal identity

24.

Balachander uses Kalki’s dialogues mainly to

a)

provide comic relief

b)

express modern female consciousness

c)

criticize religion

d)

highlight political issues

25.

In many scenes, Kalki’s costume styling signifies

a)

cultural rebellion

b)

luxurious lifestyle

c)

Western glamour

d)

simplicity and self-respect

26.

Kalki’s interaction with men in the film reveals

a)

dependence

b)

negotiation with patriarchal norms

c)

ritualistic obedience

d)

romantic idealism

27.

The heroine’s transformation in the second half highlights

a)

economic miracles

b)

submissive acceptance of marriage

c)

empowerment after emotional damage

d)

return to conventional roles

28.

Kalki’s motherhood is portrayed as

a)

punishment

b)

social obligation

c)

emotional liberation

29.

Which cinematic technique is importantly used to present the heroine’s inner pain?

a)

Wide-angle shots of festivals

b)

Close-ups and reflective silences

c)

Fast-paced song sequences

d)

Low-angle heroic framing

30.

By the end of the story, Kalki symbolizes

a)

loss of traditional womanhood

b)

self-made feminine autonomy

c)

failure of modern women

d)

return to family values

31.

In the Air Force training camp, Gunjan experiences discrimination because she is:

a)

Foreign

b)

Too young

c)

A woman — lacking facilities like separate toilets/changing rooms, and being socially excluded

d)

From a different caste

32.

The relationship between Gunjan and her father in the film is portrayed as:

a)

Distant and unsupportive

b)

Supportive and motivating — father encourages her dream despite social prejudice

c)

Strict and discouraging

d)

Indifferent and apathetic

33.

The film uses Gunjan’s character to highlight which of the following social issues?

a)

Poverty and unemployment

b)

Gender discrimination / sexism in male-dominated institutions

c)

Caste-based oppression

d)

Rural–urban migration