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中國紮作技藝與獅藝

Total questions: 20

Worksheet time: 10mins

Name
Class
Date
1.

瑞獸表演用品中,北獅和南獅的主要區別是什麼? (p.1)

a)

顏色和體積

b)

款式和大小

c)

裝飾和重量

d)

來源和用途

2.

祭祀先人用品的主要目的是什麼? (p.1)

a)

請神祈福

b)

表達對先人的思念

c)

增加節日氣氛

d)

展示技藝

3.

孔明燈的底部通常有什麼設計以幫助其升空? (p.2)

a)

一個小型馬達

b)

熱氣推動

c)

一個燃燒的元寶

d)

一個氣球

4.

1970至1980年代,香港紙紮作業面臨的主要挑戰是什麼? (p.3)

a)

技術的進步

b)

人才的流失和生活方式的改變

c)

宗教的影響

d)

經濟的繁榮

5.

1990年代香港紮作行業面臨哪些挑戰?(p.4)

a)

國內生產成本低,競爭激烈

b)

香港紮作師傅數量增加

c)

年輕一代對傳統文化的重視程度提高

d)

社會對紮作需求增加

6.

紮作師傅如何應對行業衰落的挑戰? (p.4)

a)

推廣傳統儀式紮紙並加入現代元素

b)

減少紮作的創新設計

c)

降低紮作的成本

d)

停止與藝術家合作

7.

竹篾的特性如何影響紮作作品的設計? (p.4)

a)

竹篾成本低,減輕作品重量

b)

竹篾增加作品的重量

c)

竹篾只能用於固定形狀

d)

竹篾不適合用於舞動的作品

8.

怎樣的布料最適合製作燈籠? (p.5)

a)

脆弱的

b)

硬的

c)

淺色

d)

透光

9.

「紮」的過程中,師傅會使用什麼材料來連接竹篾? (p.5)

a)

膠水和漿糊

b)

紗紙和漿糊

c)

紗紙和繩子

d)

釘子和漿糊

10.

花炮的「紫薇」部分位於哪裡?

a)

花炮底座

b)

長紅

c)

神位

d)

中央位置

11.

1. Which of the following materials is NOT listed as essential for a paper craftsman to form three-dimensional structures? (p.1)

a)

Bamboo strips

b)

Wire

c)

Plastic rods

d)

Tissue paper

12.

What fabric is typically used for mounting in paper crafting? (p.1)

a)

Cotton

b)

Silk

c)

Wool

d)

Polyester

13.

What organization was formed to protect the rights of workers in the industry? (p.2)

a)

The Hong Kong Paper Arts Guild

b)

The Hong Kong & Kowloon Candle, Paper and Paper-work Workers Union

c)

The United Paper Craftsmen Association

d)

The Hong Kong Traditional Arts Union

14.

What event towards the end of the 1940s helped boost the development of the trade in Hong Kong? (p.2)

a)

The invention of new paper types

b)

Increased government funding

c)

Paper-craft masters moving from Mainland China to Hong Kong

d)

A surge in tourism from Europe

15.

Which specific paper-crafted item became popular among foreign tourists and was exported starting in the 1960s? (p.2)

a)

Ancestral tablets

b)

Paper dolls

c)

Lanterns

d)

Kites

16.

To which countries were handcrafted lanterns regularly exported? (p.2)

a)

Japan, Korea, and China

b)

United Kingdom, United States, Sweden, and Canada

c)

France, Germany, and Italy

d)

Australia, New Zealand, and India

17.

What is cited as a reason for the shrinking scale of ritual activities like the Yu Lan Festival? (p.2)

a)

Government regulations

b)

Lack of materials

c)

Urbanisation and changing times

d)

Increased cost of paper

18.

Why is the industry struggling to recruit "young blood" (new workers)? (p.3)

a)

The work is too dangerous

b)

The industry has suffered significantly

c)

There are no training schools

d)

The tools are no longer available

19.

What is one way local masters are seeking to promote their trade to the public? (p.3)

a)

Reducing prices significantly

b)

Creating a television documentary

c)

Organising paper crafting workshops

d)

Moving their shops to shopping malls

20.

How are some masters attempting to create works with "modern appeal"? (p.3)

a)

By using plastic instead of bamboo

b)

By revamping modelling with trendy designs

c)

By stopping the production of traditional religious items

d)

By using digital printing technology