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Music Period (History)

Music Period (History)

Assessment

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Computers, Professional Development

7th - 12th Grade

Hard

Created by

Funk Gumbs

Used 44+ times

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8 Slides • 0 Questions

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Music Period (History)

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Musical Periods

Selected Musical Periods: Medieval, Baroque, Renaissance, Classical, Romantic, Twentieth Century,

Caribbean and present-day periods of music, includi

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Medieval 1150 to 1400

  • male vocal singing, unaccompanied;

  • single melodic line, or combination of single melodic lines;

  • fluid tempo, seeming absence of rhythm; and,

  • Latin text.

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Renaissance 1400 to 1600

  • foreign text (Italian/Latin);

  • inclusion of stringed instruments, harpsichord;

  • monody, single melodic line with choral accompaniment;

  • solo and choral singing, unaccompanied and accompanied; and

  • stringed accompaniment without vibrato, both modal and pre-tonal harmony.

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Baroque

  • tonality established, for example, abundance of very clear triads, seventh

  • chords, diminished seventh chords;

  • continuo (harpsichord) present, almost always accompanying string instruments;

  • abundance of polyphony, often dense musical textures; and,

  • occasional use of brass and timpani.

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Classical 1750 to 1825

  • simplification of ornamentation (simple turns);

  • tonality 'simplified'; lesser dense textures;

  • often symmetrical phrasing; clearly stated incomplete and complete cadences

  • non-English text if vocal; and,

  • harpsichord.

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Romantic 1830 to 1920

  • lush, full stringed section in orchestra;

  • thicker harmonic texture; expanded harmonic vocabulary;

  • expressive use of voice, accompanied by piano or orchestra; and,

  • estbablishment of instrumental music as primary mode of music performance.


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20th Century 1920 to Present

  • The period since the Great War is undoubtedly the most bewildering of all, as composers have pulled in various apparently contradictory and opposing directions. Typical of the dilemma during the inter-war years, for example, were the Austrians, Webern and Lehar, the former was experimenting with the highly compressed and advanced form known as 'serial structure', while simultaneously Lehar was still indulging in an operetta style which would not have seemed out of place over half a century beforehand.




Music Period (History)

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