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Modernism

Modernism

Assessment

Presentation

English

11th Grade

Practice Problem

Medium

Created by

Haley Wood

Used 28+ times

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8 Slides • 3 Questions

1

Modernism and the Harlem Renaissance

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​Definition

  • Modernism is a literary and cultural international movement which flourished in the first four decades of the 20th century.

  • It reflects a sense of cultural crisis which was both exciting and disquieting, in that it opened up a whole new vista of human possibilities at the same time as putting into question any previously accepted means of grounding and evaluating new ideas.

  • Modernism is marked by experimentation, particularly manipulation of form, and by the realization that knowledge is not absolute.

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​General Features

Modernism was built on a sense of lost community and civilization and was made up of a series of contradictions , embraced multiple features of modern sensibility

  • Revolution and conservatism

  • Loss of a sense of tradition

  • Increasing dominance of technology

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Thematic Features​

  • Intentional distortion of shapes

  • Focus on form rather than meaning

  • Breakdown of social norms and cultural values

  • Dislocation of meaning and sense from its normal context  Disillusionment

    Rejection of history and the substitution of a mythical past

  • Need to reflect the complexity of modern urban life

  • Importance of the unconscious mind

  • Interest in the primitive and non-western cultures

  • Impossibility of an absolute interpretation of reality

  • Overwhelming technological changes

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Multiple Choice

Modernist literature reflects a sense of

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cultural crisis

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cultural revolution

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Happiness

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generosity

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Multiple Choice

Modernists writing features

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Loss of tradition

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revolution and conservatism

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Increased technology

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A, b, and c

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​Literary Characteristics

  • "a general term applied retrospectively to the wide range of experimental & avant-garde trends in the literature (and other arts) of the early 20th century....

  • characterized chiefly by a rejection of 19th century traditions and of their consensus between author and reader: realism ... or traditional meter.

  • Modernist writers tended to see themselves as an avant-garde, disengaged from bourgeois values, and disturbed their readers by adopting complex and difficult new forms and styles.

  • Modernist writing is predominantly cosmopolitan, and often expresses a sense of urban cultural dislocation, along with an awareness of new anthropological and psychological theories. Its favored techniques of juxtaposition and multiple point of view challenge the reader to reestablish a coherence of meaning from fragmentary forms."

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​Stream of Consciousness

  • Aims to provide a textual equivalent to the stream of a fictional character’s consciousness

  • Creates the impression that the reader is eavesdropping on the flow of conscious experience in the character’s mind

  • Comes in a variety of stylistic forms

  • Narrated stream of consciousness often composed of different sentence types including free indirect style

  • characterized by associative (and at times dissociative) leaps in syntax and punctuation

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​Interior Monologue

  • A particular kind of stream of consciousness writing

  • Also called quoted stream of consciousness, presents characters’ thought streams exclusively in the form of silent inner speech, as a stream of verbalised thoughts

    Represents characters speaking silently to themselves and quotes their inner speech, often without speech marks

  • Is presented in the first person and in the present tense and employs deictic words

  • also attempts to mimic the unstructured free flow of thought

  • can be found in the context of third-person narration and dialogue

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Multiple Choice

Modernist writers included what features in their writing?

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Stream of consciousness and inner monologues

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Streams and rivers

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Outer monologues

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None of these are featured

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​Modernist Authors

  • ​T.S. Elliot

  • ​Langston Hughes

  • ​Robert Frost

  • ​F. Scott Fitzgerald

  • Virginia Woolf

  • ​Arthur Miller

Modernism and the Harlem Renaissance

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