Four great styles

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Вышивка 

• embroidery

• headgear

• lacing

• cloth

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Шнуровка

• embroidery

• headgear

• lacing

• cloth

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Головной убор

• embroidery

• headgear

• lacing

• cloth

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Узорчатый 

• patterned

• elongated

• belted

• multi-layered

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Многослойный

• patterned

• elongated

• belted

• multi-layered

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Удлиненный

• patterned

• elongated

• belted

• multi-layered

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broad-toed shoes

• широкополая шляпа

• туфли с широким носком

• обувь со шнуровкой

• широкий силуэт

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wide-brimmed hat

• широкополая шляпа

• туфли с широким носком

• обувь со шнуровкой

• широкий силуэт

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People in Greece and Rome dressed with a cultural bias  – their clothing used  to denote their social status, wealth, etc

• true

• false

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The  colours  of  the  clothes  used  to  denote  the  financial  status  of  the  people.

• true

• false

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Women in Greece and Rome wore a toga over a tunic.

• true

• false

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From 1200s the new period began: both  men  and  women  used  to  wear  a  belted  tunic.  The  women’s  tunic  was  ankle  length.  A  shawl  or  any  headgear  was  necessary.  The  colours  of  the  clothes  used  to  denote  the  financial  status  of  the  people.  The proportions were natural; main fabrics were cotton, linen, and wool. The key points of the fashion are simple and coarse

• true

• false

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Italian  fashion contributed in the history of costume.  The  characteristic  features  were  broad-toed  shoes,  wide-brimmed  hats, clothes  with  slashes  and  slits,  outerwear  and  underwear  being  of  different  colours, lacing at the breast in women’s dresses.

• true

• false

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In  the  beginning  of  XVII  century  Spanish  fashion  became  favorable.    Two  important  elements  of women’s  costume  appeared  during  this  period: a palla (a shawl draped over head) over a stola (a long dress).

• true

• false

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In  the  Middle  Ages  both  men  and  women  used  to  wear  a  belted  tunic.  The  women’s  tunic  was  ankle  length.  A  shawl  or  any  headgear  was  necessary. 

• true

• false

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In  the  beginning  of  XVII  century  Spanish  fashion  became  favorable.  The Spanish introduced geometrical forms into dress, especially triangular. The lines were  unnatural,  clothes  were  stiff  and  uncomfortable. 

• true

• false

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The attributes of Spanish fashion were golden and pearl jewelry, a circular collar with matching ruffs, and the usage of dark deep-coloured velvet. 

• true

• false

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The attributes of Spanish fashion were patterned  fabrics  of  bright  colours, embroidery, golden threads interweaving, richly trimmed dresses with underskirts for women; jerkins, massive capes, and berets for men.

• true

• false

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Сlothes with slashes and slits

• одежда с прорезями и разрезами

• одежда с вышивкой и шнуровкой

• одежда с драпировкой

• одежда с

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Characteristic features of the Spanish style

• The Spanish introduced geometrical forms into dress, especially triangular.

• The lines were  unnatural,  clothes  were  stiff  and  uncomfortable. 

• The  lines  tended  to  be  natural  and  elegant

• The attributes of Spanish fashion were golden and pearl jewelry and a circular collar with matching ruffs.

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Characteristic features of the Italian  fashion 

• The Italian introduced geometrical forms into dress, especially triangular.

• Patterned  fabrics  of  bright  colours, embroidery, golden threads interweaving, richly trimmed dresses with underskirts for women;

• The  lines  tended  to  be  natural  and  elegant

• The attributes of Italian fashion were golden and pearl jewelry and a circular collar with matching ruffs.

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Characteristic features of the Italian  fashion 

• Precious gems were widely used by  both  sexes.

• It  was  the  period  of gorgeous and luxurious dress

• Men wore a toga over a tunic.

• Women  wore  dresses  with  trains  and high headgear.