After this was a shift of political, cultural, and economic power from Europe to the United States which marked the end of European colonialism

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

This is adhered to by most museums when defining their collections of contemporary artworks

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

This is the most commonly used by art critics due to the emergence at this time of a new generation of artists who were overturning the modernist practice.

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

From this vantage point, this era is taken as a reference point of the change-over from Modern to contemporary.

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

It was an era of repression and censorship of artistic expressions.

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

Marcos state exercised control over the print media, radio, television, schools and the arts through various presidential decrees and established a network of cultural and art institutions governed by his wife, Imelda.

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

Art at this point oriented many young artists to WESTERN art also, the detriment of local artists. Social realism flourished which is a movement sought to expose the real condition of Philippine society and used art to transform it.

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

Contemporary artists felt the need to redefine our social and racial identity in the post-EDSA social context.

1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.

Contemporary art emerged in the country due to three factors

The return of the democracy under the Aquino government

The improved economic and political environment in the country, particularly in the regions

The advent of new technologies and free access to media.

Works of contemporary artists provide not only new art and ideas but also new strategies and tactics for producing art and engaging the artistic processes.

To be new is to be modern; the new is progressive. Works of contemporary artists provide not only new art and ideas but also new strategies and tactics for producing art and engaging the artistic processes.

Contemporary Art as a Breaking of Norms

CONTEMPORARY ART AS A CRITIQUE OF SOCIETY

an important preoccupation in the world of contemporary art

Contemporary Art as a Breaking of Norms

CONTEMPORARY ART AS A CRITIQUE OF SOCIETY

It is the practice of creating a new work by taking a pre-existing image or work from another context- art history, media, advertising and combining the borrowed image with new ones.

Contemporary Art as a Breaking of Norms

CONTEMPORARY ART AS A CRITIQUE OF SOCIETY

is something that can be passed from one generation to the next, can be conserved or inherited and has historic or cultural value

PHYSICAL OBJECTS AND PLACES OF HERITAGE

old buildings, paintings, public art. Ex. Teatro Porvernir- an old ‘sabungan’ or cockpit arena that was transformed into a community theatre in 2015. Initiated by theatre director Lutgardo Labad.

PHYSICAL OBJECTS AND PLACES OF HERITAGE

oral traditions, dance, fiestas, etc. Ex. Mandala Art Festivalheld every May since 2012 in Pulilan,Bulacan. It is a competition on the making of Painted miniature, paper mache carabaos, carabao painting and wall mural painting

PHYSICAL OBJECTS AND PLACES OF HERITAGE

The growing speed of technology, the transfer of ideas, capital, information, and culture around the globe provide the backdrop for the diversity and rapid transformation in contemporary art.

CONTEMPORARY ART AS A CRITIQUE OF SOCIETY

Contemporary Art as a Breaking of Norms

Venues for contemporary artworks are no longer confined within the strict boundaries of the museums and gallery spaces.

CONTEMPORARY ART AS A CRITIQUE OF SOCIETY

Contemporary Art as a Breaking of Norms

Creative exhibition spaces are carved from the existing public spaces like parks, market places or even abandoned buildings

CONTEMPORARY ART AS A CRITIQUE OF SOCIETY

Contemporary Art as a Breaking of Norms

refers to the awareness of beauty or the quality of ones work

CA as Profession (Creative Industries)

refers to industries which combine the creation, production, and commercialization of creative contents which are intangible and cultural in nature

CA as Profession (Creative Industries)

Art has often been used to answer our need for information

CA as Profession (Creative Industries)

Artists may create art to express spiritual beliefs about the destiny of life controlled by the force of a higher power.

CA as Profession (Creative Industries)

Conarts

12th Grade

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Conarts

59 questions

something that is created using imagination and skill and that expresses idea or feelings

generally refers to art being created now

defines contemporary art as related to this current event period in art history, and refers to art that is new, recent, modern or pertains to the present moment.

regards contemporary art as a specific or stage in the story of the evolution of arts, referring to a specific location in space and time.

”art produced in our era or lifetime”

old works of art were once contemporary in their own time

This view establishes a timeline in which works of art belong to a particular historical period. In this case, Contemporary art is considered to belong to the “contemporary period” which is a period in history following the end of modernism.

derived from the Latin prefix con, which means “together” or “with, plus tempus, which means “time”

Arts that reflect the current situations, issues, event in the present time.

After this was a shift of political, cultural, and economic power from Europe to the United States which marked the end of European colonialism

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