part 2

a visually perceived area created by an enclosing line or by color or value changes defining the outer shape

a specific type of artistic distortion that reproduces the world not as it is but as cultural worldview says it should be

natural, organic forms of abstract shapes which suggest plants and even human anatomy, without explicitly resembling anything nameable

irregular shapes that resemble the freely developed curves found in live organisms

based on the standardized shapes used in mathematics

-precise, machine-like

an element in art described as a 'moving point'

a line used to describe only the perimeter of the subject

the design principle in which one removes the nonessential elements from a design to achieve the intended effect

the difference between elements that helps create variety such as

dark/light, big/small, texture/smooth, etc.