LITERARY VOCABULARY

INTRODUCE THE SETTING, CHARACTERS, BACKGROUND INFORMATION, AND DETAILS OR HINS ABOUT THE CONFLICT

• EXPOSITION

• RISING ACTION

• CLIMAX

• RESOLUTION

Tags

CCSS.RL.9-10.5

AUTHOR'S CHOICE OF WORDS

• DICTION

• SYNTAX

• STRUCTURE

• IRONY

Tags

CCSS.L.11-12.6

CCSS.L.8.6

CCSS.L.9-10.6

CCSS.W.11-12.2D

CCSS.W.9-10.2D

A SITUATION IN WHICH THE OPPOSITE OF WHAT IS EXPECTED HAPPENS

• CONFLICT

• IRONY

• SETTING

• CHARACTERIZATION

Tags

CCSS.L.11-12.6

CCSS.L.8.6

CCSS.L.9-10.6

CCSS.W.8.2D

CCSS.W.9-10.2D

THE BASIC SEQUENCE OF EVENTS IN A STORY

• EXPOSITION

• PLOT

• SETTING

• THEME

Tags

CCSS.L.11-12.6

CCSS.L.8.6

CCSS.L.9-10.6

CCSS.W.11-12.2D

CCSS.W.9-10.2D

A CHARACTER IS THE NARRATOR -- POINT OF VIEW

• FIRST

• THIRD OMNISCIENT

• THIRD LIMITED

• THIRD OBJECTIVE

Tags

CCSS.RL.9-10.5

THE CENTRAL OR UNIVERSAL IDEA OF A LITERARY WORK THAT OFTEN RELATES TO MORALS AND SPEAKS ABOUT THE HUMAN CONDITION

• TONE

• IRONY

• THEME

• PLOT

Tags

CCSS.L.11-12.6

CCSS.L.9-10.6

CCSS.W.11-12.2D

CCSS.W.8.2D

CCSS.W.9-10.2D

THE HIGHEST POINT IN THE PLOT WHERE THE CONFLICT REACHES ITS PEAK

• EXPOSITION

• FALLING ACTION

• CLIMAX

• RESOLUTION

Tags

CCSS.RL.9-10.5

THE SPEAKER'S OR AUTHOR'S ATTITUDE TOWARDS THE SUBJECT

• THEME

• TONE

• SYNTAX

• MOOD

Tags

CCSS.L.3.3A

CCSS.L.4.3A

CCSS.L.5.3A

CCSS.L.6.3A

CCSS.L.6.3B

POINT OF VIEW WHERE THE READER KNOWS NO THOUGHTS OF ANY CHARACTERS

• FIRST

• THIRD OMNISCIENT

• THIRD LIMITED

• THIRD OBJECTIVE

Tags

CCSS.RL.9-10.5

LANGUAGE THAT IS NOT INTENDED TO BE TAKEN LITERALLY BUT LAYERED WITH MEANING

• FIGURATIVE LANGUAGE

• LITERARY ELEMENTS

• CONFLICT

• SOUND DEVICES

Tags

CCSS.L.11-12.6

CCSS.L.8.6

CCSS.L.9-10.6

CCSS.W.8.2D

CCSS.W.9-10.2D