WorksheetsCostume History Chapters 7 and 8
Total questions: 50
Worksheet time: 4hrs 10mins
Spain became a major influence in both politics and fashions in the 16th century because
it gained enormous wealth as a result Columbus's voyage to the Americas
it conquered large territories in France
Spanish political ideas and art were superior to those of the rest of Europe
Spain's leading role in starting the Protestant reformation gave it a leadership position throughout Europe
Italian influences in styles were brought to France by Catherine de Medici, an Italian who married a French king
true
false
Intermarriage among members of royal families from different parts of Europe helped t spread fashions from one region to another
true
false
The development of the fashion for wide, stiff neck ruffs came about, in part, because
Queen Elizabeth liked the style and wore it often
Skills for making lace developed rapidly during the 16th century
The French king passed the Edict of Nantes, which required all French people to purchase only French goods
Spanish explorers brought lace back from the Americas
Machine made lace became very cheap
A major change in the fit of stockings came about
when men's gowns grew longer and stockings were no longer visible
when trunk hose became fashionable and stockings were more prominent
when knitting machines were invented at the time of Queen Elizabeth I
When men switched from footed hose to duckbill shaped shoes
all of the above
Which are NOT elements of men's costume during the 16th century in Northern Europe
pecadils
peascod belly
farthingales
Venetians
culots
Which of the following are undergarments today, but were a visible part of the outer garments in the 16th century
petticoats
stays
farthingales
a pair of bodies(later known as the corset)
What is the name of the garment that was sheer, gauze-like veils worn cape-like over the shoulders, with a high, standing collar behind the head?
conch
French bonnet
aiguillettes
Dresses with enormous skirts worn over a wheel-shaped device were called
farlingale
petticoat
busk
The material used for stuffing trunk hose and doublets to achieve a fashionable silhouette in the 16th century was called, in England
ropa
bombast
busk
ruff
Term used interchangeably with jacket
ropa
drawers
jerkin
bases
Outermost gown for women that fits at the shoulder and falls loosely to the floor
ropa
canions
jerkins
bases
A skirted extension of men's jackets, either attached or a separate garment
bases
bum roll
jerkins
galligaskins
What were called braies in the Medieval period?
drawers
codpiece
paltock
canions
A pad worn around the waist to hold out wide skirts
bum roll
cod piece
rops
bases
An extension from the end of the trunk hose to the knee
canions
jerkins
supportasse
paltock
In lightly fitted hose, a pouch of fabric to accommodate the genitals
cod piece
drawers
jerkin
bases
The word “camicia” in Italian refers to:
a. A man’s shirt
a woman's chemise
a high platform shoe
both a and b
. A “ferroniere” was:
a hairstyle arranged into shape of horns on the forehead
the helmet on a suitor armor
a chain of metal or pearls worn across the forehead
the headdress worn by the Venetian Doge
The word "chopines" means
chemise in Italian
High platform-soled shoes
Turban like headdress
Jeweled dress ornaments
The exaggerated pointed toe shoes, poutines, proved to still be popular in Italy and into the 16th century
true
false
Styles during the Italian Renaissance were still similar to those of the Late Middle Ages except for the opulent fabrics
true
false
During the Italian Renaissance, it was unusual and considered inappropriate for undergarments to show
true
false
Italian Renaissance women adopted a turban like headdress, likely a reflection of increased trade and contact with the Middle East
true
false
During the Italian Renaissance, the codpiece was less prominent than before
true
false
slashing
a set of clothing consisting of 2 layers for indoors, and 1 mantle for outdoors
fabric is slit and the undergarment is pulled through
man's pant line undergarment
a common method of attaching hose to doublets, sleeves to armholes and tightening bodices
lacing
a set of clothing consisting of 2 layers for indoors, and 1 mantle for outdoors
fabric is slit and the undergarment is pulled through
man's pant like garment
a common method of attaching hose to doublets sleeves to armholes and tightening bodices
drawers
a set of clothing consisting of 2 layers for indoors, and 1 mantle for outdoors
fabric is slit and the undergarment is pulled through
man's plantlike undergarment
a common method of attaching hose to doublets sleeves to armholes and tightening bodices
guardaroba
a set of clothing consisting of 2 layers for indoors, and 1 mantle for outdoors
fabric is slit and the undergarment is pulled through
man's pant like undergarment
a common method of attaching hose to doublets sleeves to armholes and tightening bodices
Men's and women's clothing of the Northern Renaissance, hd 2 major influences
Italian and German
German and Spanish
Medieval and Italian
Greek and Italian
Intermarriage among members of the royal families from different parts of Europe helped to spread from one region to another
true
false
There was little variety in the design of Trunk Hose during this time period
true
false
The broad shoulders, padding, and exaggerated codpieces of Henry VIII time period were of what country's influence?
Italy
Spain
Germany
England
The exaggerated patting of the deep V waistline of the doublet was called
culots
pecadils
bombast belly
peascod belly
the small square flaps used as embellishment, especially at the waist on doublets, were called
pecadils
petticoats
duckbills
slops
When the emphasis shifted in mens clothing from the broad shoulder to the narrower shoulder and fuller hip, it was said to be the influence from
Italy
Spain
Germany
England
The forerunner of the corset was called
busks
farthingales
supportasse
stays
Which of the following are undergarments today but were a visible part of a woman's dress in the 16th century?
stays
petticoat
farthingales
Verdugales
The period we call the Renaissance
appears to have begun in Constantinople
grew out of a renewed interest in the writings and art of classical antiquity
began in Northern Europe then spread to the South
Among the developments of the Renaissance that continue in use in present day life can be included
the plays of William Shakespeare
patterns and styles in textile fabrics
the invention of gunpowder
styles in furniture
all of the above
Evidence of influence of Italian trade with East Asia during the Renaissance is to be seeing
the popularity of turban-like headdresses for Italian women in the 15th century
the fashion for blonde hair during the Italian Renaissance
the designs in some woven Italian textiles of the Renaissance
a and c
The depiction in Italian Renaissance paintings of costume is generally quite detailed and accurate
true
false
Differences between the dress of Italians and inhabitants of Northern Europe during the first half of the 15th century would have included
shoes in Italy were not so long and pointed as in Norther Europe
Women in Italy covered their hair less completely
men did not adopt the "bowl crop"
all of the above
The Italian word camicia refers to
a man's shirt
a woman's chemis
neither a nor b
both a and b
In order to allow the arm to move easily when jacket sleeves of the Italian Renaissance were cut very tightly, tailors left seams open and the white of the shirt underneath was visible
true
false
a "ferroniere" was
a chain metal or pearls worn across the forehead
a pair of shoes
an under skirt
hair arranged in horns at the forehead
"chopines" were
high platform shoes
a preference for bleached blond hair
women's pants
a chain of metal worn across the forehead
The fashion for puffed and slashed decoration of costume of men and women entered Italian Renaissance costume in the 16th century
true
false
Among the distinctive characteristics of the dress of Venetian women reported by foreign visitors into 16th century were
a preference fro bleached blond hair
high, platform shoes that affected their balance when walking
hair arranged in the shape of 2 horns at the forehead
all of the above
none of the above
Italian styles for men in the 16th century were very much influenced by
French styles
Spanish styles
Burgundian styles
Middle Eastern Styles
