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WorksheetsAP Music Quiz #3
Total questions: 38
Worksheet time: 19mins
Name
Class
Date
1.
Double Neighbor
a)
consists of two consecutive non chord tones then resolves to chord tone; first maybe move up then skip chord then down then back to chord tone
b)
when an upper voice is lower than a voice lower than it, and vice versa
c)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
d)
suspension of same note throughout
2.
Lower Neighbor
a)
approached by step down, resolved by step to the original note
b)
when two voice parts move in the same direction
c)
suspension of same note throughout
d)
When the dissonant note is changed to a consonant one.
3.
Upper Neighbor
a)
approached by step up, resolved by step down to the original note
b)
When the dissonant note is changed to a consonant one.
c)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
d)
approached by step, resolved by leap
4.
Ornament
a)
technique of adding or decorating the melody with non chord tones
b)
when the outside voices move in the same direction
c)
approached by step, resolved by leap
d)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
5.
Passing Tone
a)
approach my step, resolve by step, moving in the same direction
b)
involves one note on top of the other
c)
when an upper voice is lower than a voice lower than it, and vice versa
d)
suspension of same note throughout
6.
Pedal Point
a)
suspension of same note throughout
b)
When the dissonant note is changed to a consonant one.
c)
when two voice parts move in the same direction
d)
when the outside voices move in the same direction
7.
Preparation
a)
tone preceding suspension
b)
approached by step, resolved by leap
c)
when an upper voice is lower than a voice lower than it, and vice versa
d)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
8.
Resoulution
a)
When the dissonant note is changed to a consonant one.
b)
nonharmonic tones
c)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
d)
when the outside voices move in the same direction
9.
Retardation
a)
opposite of a suspension; resolves up instead of down
b)
suspension of same note throughout
c)
involves one note on top of the other
d)
when an upper voice is lower than a voice lower than it, and vice versa
10.
Suspension
a)
a tone held from one chord into another, and then resolved down to the chordal note
b)
When the dissonant note is changed to a consonant one.
c)
approached by step, resolved by leap
d)
when two voice parts move in the same direction
11.
Rearticlated Suspension
a)
the suspended voice sounds again at the moment of dissonace
b)
when the outside voices move in the same direction
c)
approached by step, resolved by leap
d)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
12.
Suspension Chain
a)
a combined succession of suspensions, sometimes of a single type or alternatins of two kinds
b)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
c)
nonharmonic tones
d)
When the dissonant note is changed to a consonant one.
13.
Soprano
a)
highest voice in four-part writing
b)
when an upper voice is lower than a voice lower than it, and vice versa
c)
suspension of same note throughout
d)
involves one note on top of the other
14.
Alto
a)
Second highest voice in four-part writing
b)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
c)
when two voice parts move in the same direction
d)
approached by step, resolved by leap
15.
Tenor
a)
second lowest voice in four-part writing
b)
when the outside voices move in the same direction
c)
a combined succession of suspensions, sometimes of a single type or alternatins of two kinds
d)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
16.
Bass
a)
lowest voice in four-part writing
b)
When the dissonant note is changed to a consonant one.
c)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
d)
nonharmonic tones
17.
Close Position
a)
chord is played with all its tones as close together as they can be
b)
when an upper voice is lower than a voice lower than it, and vice versa
c)
involves one note on top of the other
d)
suspension of same note throughout
18.
Doubling
a)
in four part writing, a triad member represented in two different voices
b)
when two voice parts move in the same direction
c)
approached by step, resolved by leap
d)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
19.
First Inversion
a)
triad or seventh chord voiced so that the chordal third is in the bass
b)
When the dissonant note is changed to a consonant one.
c)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
d)
approached by step, resolved by leap
20.
Open Position
a)
notes are spread out ,chord has some "air" between one or more of its tones
b)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
c)
nonharmonic tones
d)
when the outside voices move in the same direction
21.
Root
a)
the note a chord is built on
b)
involves one note on top of the other
c)
when an upper voice is lower than a voice lower than it, and vice versa
d)
suspension of same note throughout
22.
Root Position
a)
root is in the bass
b)
when the outside voices move in the same direction
c)
when two voice parts move in the same direction
d)
approached by step, resolved by leap
23.
Second Inversion
a)
the voicing of a triad, seventh chord, or ninth chord in which the fifth of the chord is the bass note. In this inversion, the bass note and the root of the chord are a fourth apart which traditionally qualifies as a dissonance.
b)
When the dissonant note is changed to a consonant one.
c)
approached by step, resolved by leap
d)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
24.
Anticipation
a)
a single note that gets to the chord before the chord
b)
nonharmonic tones
c)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
d)
approached by step, resolved by leap
25.
Appoggiatura
a)
approached by leap, resolved by step
b)
suspension of same note throughout
c)
involves one note on top of the other
d)
when an upper voice is lower than a voice lower than it, and vice versa
26.
Embellishment
a)
melodic decoration
b)
when the outside voices move in the same direction
c)
approached by step, resolved by leap
d)
when two voice parts move in the same direction
27.
Escape Tone
a)
approached by step, resolved by leap
b)
When the dissonant note is changed to a consonant one.
c)
a combined succession of suspensions, sometimes of a single type or alternatins of two kinds
d)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
28.
Neighboring Tone
a)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
b)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
c)
nonharmonic tones
d)
when the outside voices move in the same direction
29.
Third Inversion
a)
a seventh chord is the voicing in which the seventh of the chord is the bass note and the root a major second above it
b)
suspension of same note throughout
c)
when an upper voice is lower than a voice lower than it, and vice versa
d)
involves one note on top of the other
30.
Common Tone
a)
a tone that is common in two chords
b)
approached by step, resolved by leap
c)
when two voice parts move in the same direction
d)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
31.
Contrary Motion
a)
when two parts move in opposite directions
b)
When the dissonant note is changed to a consonant one.
c)
when the outside voices move in the same direction
d)
approached by step, resolved by leap
32.
Cross Relation
a)
when a note sounds and is followed an altered version of that note in a different part
b)
suspension of same note throughout
c)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
d)
nonharmonic tones
33.
Crossed Voices
a)
when an upper voice goes below a note used previously in a lower voice, and vice versa
b)
when an upper voice is lower than a voice lower than it, and vice versa
c)
involves one note on top of the other
d)
approached by step, resolved by leap
34.
Direct Fifths
a)
when the outside voices move in the same direction
b)
when two voice parts move in the same direction
c)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
d)
a combined succession of suspensions, sometimes of a single type or alternatins of two kinds
35.
Direct Octaves
a)
when two independent parts approach a single perfect fifth or octave by similar motion instead of oblique or contrary motion
b)
When the dissonant note is changed to a consonant one.
c)
approached by step, resolved by leap
d)
tones that move up or down from a chord tone into a non-chord tone, but instead of passing on to the next chord tone, return to the starting notes
36.
Obilque Motion
a)
the relative motion of two melodic parts in which one remains in place or moves relatively little while the other moves more actively.
b)
suspension of same note throughout
c)
nonharmonic tones
d)
when the outside voices move in the same direction
37.
Overlapping Voices
a)
when an upper voice is lower than a voice lower than it, and vice versa
b)
involves one note on top of the other
c)
approached by step, resolved by leap
d)
When the dissonant note is changed to a consonant one.
38.
Parallel Motion
a)
when two voice parts move in the same direction
b)
nonharmonic tones
c)
when the outside voices move in the same direction
d)
suspension of same note throughout
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