VARIETY OF SHAPES AND TEXTURES

RELATIONSHIPS THE EYE MAKES WITH, BETWEEN THE SIZE, SHAPE, AND TONE OF VARIOUS OBJECTS OR PARTS OF A COMPOSITION

HARMONY, UNRELATED PARTS ARE BROUGHT INTO PROPER RELATIONSHIP

SIZE, MAGNITUDE, RELATIONSHIP OF THE HUMAN BODY WITH ARCHITECTURAL MOTIFS SUCH AS DOORS WINDOWS, STEPS.

REPETITION , REGULAR RECURRENCE OF LINES, SHAPES, FORMS, AND COLORS

IS EXPRESSIVENESS. THE EXTERIOR OF A BUILDING EXPRESSES THE INTERNAL FUNCTION.

SITE AND CLIMATE

STRUCTURE, ENCLOSING PLANES, OPENINGS

CIRCULATION, FORMS AND IMAGES

VOLUME REQUIRED BY ACTIVITIES

FIRST COSTS, MAINTENANCE COSTS

PERCEPTION AND BEHAVIOR

ACTIVITY GROUPING AND ZONING

SYSTEM BASED ON THE DIMENSION AND PROPORTIONS OF THE HUMAN BODY IN RELATION TO FORMS, FURNITURE, HEIGHTS

SYSTEMATIC METHOD OF PROBLEM SOLVING

ALL PARTS MUST FIT TOGETHER IN SUCH A WAY THAT THE COMPOSITION WILL BE DISTRIBUTED IF ONE ELEMENT IS REMOVED

THIS ENHANCES THE PERSPECTIVE

LEADS DIRECTLY TO THE ENTRANCE

THIS PROLONG THE SEQENCE OF THE APPROACH

SIGNIFIES STABILITY. WHEN RESTING ON ONE OF ITS SIDES, THIS SHAPE IS AN EXTREMELY STABLE FIGURE

WHAT IS THE STANDARD SIZE OF A TATAMI FLOOR MAT

THE TERM THEORY OF ARCHITECTURE WAS ORIGINALLY SIMPLY THE ACCEPTED TRANSLATION OF THE LATIN TERM __________. AS USED BY VITRUVIUS.

THIS WAS THE FIRST ARCHITECTURAL HANDBOOK THAT EMPHASIZED THE PRACTICAL RATHER THAN THE THEORETICAL ASPECTS OF ARCHITECTURE, AND IT WAS THE FIRST TO CATALOG THE FIVE ORDERS.

REGOLA DELLE CINQUE ORDINI D’ ARCHITECTURA IN ENGLISH TRANSLATION MEANS _______________.

HE IS CALLED AS “THE FATHER OF MODERN PICTURE BOOKS.” AND HE IS THE AUTHOR OF THE SAID BOOK

CAN DENOTE A GATEWAY SIGNIFYING A PASSAGE FROM ONE PLACE TO ANOTHER

ASSOCIATED WITH LINEARITY AND DIRECTION

WHICH OF THE FOLLOWING IS NOT A PLANAR ELEMENT

THE IDENTIFYING CHARACTERISTIC OF A VOLUME

HE COINED THE TERM “INTERNATIONAL STYLE” ALONG WITH HENRY-RUSSEL HITCHCOCK

IT IS AN ART CHARACTERIZED BY THE USE OF GEOMETRIC PLANES AND SHAPES

INVENTOR OF GEODESIC DOME WHICH WAS BASED ON THE PRINCIPLE OF SPACED FRAME.

A LAVISH AND HEAVILY ORNAMENTED CLASSICAL STYLE

JUAN ARELLANO’S CENTRAL POST OFFICE IS AN EXAMPLE OF?

THE MAJOR CHARACTERISTIC OF THIS STYLE IS SWIRLING “WHIPLASH CURVES”. ITS ORNAMENTS ARE INSPIRED BY ORGANIC SHAPES SUCH AS PLANTS FLOWERS AND ANIMALS, BOTH IN TERMS OF DESIGN AND THE USE OF COLORS.

HE IS ONE OF THE FOUNDERS OF ART NOUVEAU IN THE 1890S AND BECAME NOTABLE FOR THE CENTRAL STAIR HALL OF HOTEL TASSEL IN BRUSSELS.

MET IS ONE OF THE FINEST EXAMPLE OF THIS STYLE IN THE PHILIPPINES. WHO IS THE ARCHITECT OF THIS STRUCTURE?

IT IS OFTEN DESCRIBED AS MINIMALIST DUE TO THE IDEA OF REMOVING ALL ORNAMENTS AND REDUCE TO THEIR MOST BASIC STRUCTURAL ELEMENTS

“ARCHITECTURE BEGINS WHERE ENGINEERING ENDS.”