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Theater I: Semester Test Fall 23

Total questions: 90

Worksheet time: 45mins

Name
Class
Date
1.

over-statement of the truth

a)

Avant Garde

b)

Exaggeration

c)

Incongruity

d)

Plant

2.

anything out of time, place or character

a)

Anticipation

b)

Burlesque

c)

Caricature

d)

Incongruity

3.

looking forward to a potential laugh

a)

Anticipation

b)

Running Gag

c)

Exaggeration

d)

Aside

4.

a line, or an action emphasized early in the play, sometimes foreshadowing and used later for a laugh

a)

Burlesque

b)

Caricature

c)

Plant

d)

Hubris

5.

used in comic anticipation that requires the plant, the establisher, and the clinch to make an audience laugh

a)

Running Gag

b)

Low Comedy

c)

Realism

d)

Pathos

6.

lines spoken directly to the audience

a)

Anticipation

b)

Hamartia

c)

Aside

d)

Allegory

7.

relies on physical comedy and is usually a mockery of society's views

a)

Caricature

b)

High Comedy

c)

Avant Garde

d)

Burlesque

8.

exaggerated features of a person or work

a)

Hamartia

b)

Caricature

c)

Allegory

d)

Moral interludes

9.

A play which Is portraying life as it is

a)

Pathos

b)

Catharsis

c)

Realism

d)

Allegory

10.

Using humor To show the faulty logic and actions of a person or situation

a)

Satire

b)

Pathos

c)

Hamartia

d)

Catharsis

11.

The emotional release an audiences after the down fall of a tragic character

a)

Catharsis

b)

Hamartia

c)

Moral interludes

d)

Received pronunciation

12.

A kind of comedy characterized by clowning, practical jokes, and improbable characters and situations ex: taming of the shrew by Shakespeare

a)

Allegory

b)

Farce

c)

Closet drama

d)

Technical quality

13.

A form of story telling that teaches moral concepts by using symbolic characters, events, or objects

a)

Allegory

b)

Raked

c)

Moral interludes

d)

Closet drama

14.

To slant or set at an angle; it inclines from the area closest to the audience upward to the back of the stage

a)

Raked

b)

Closet drama

c)

Prescriptivism

d)

illusion of the first time

15.

A performance art where speaker attempts to communicate his or her sense of meaning and beauty of a work by reading it to an audience Syn. vocal acting

a)

Readers theater

b)

Oral interpretation

c)

Universal appeal

d)

Emotional appeal

16.

Group of people combine their voices in a group reading of a poem Syn. group reading

a)

Choral speaking

b)

Oral interpretation

c)

Universal appeal

d)

Emotional appeal

17.

A group of people read and interpret a play or work of literature through vocal acting. Minimal physical acting.

a)

Universal appeal

b)

Oral interpretation

c)

Readers theater

d)

Emotional appeal

18.

Relevance or relationship to the experience of all human things Syn. everyman

a)

Emotional appeal

b)

Technical quality

c)

Appropriateness for occasion

d)

Universal appeal

19.

Appeals to emotions, feelings, and mind. It's a result of ideas in literature and language syn. pathos, sob story

a)

Universal appeal

b)

Emotional appeal

c)

Technical quality

d)

linguistics

20.

Constructed well. Ideas expressed clearly, precisely, and vividly

a)

Technical quality

b)

Glottal stop

c)

Received pronunciation

d)

Prescriptivism

21.

Must be appropriate for occasion or purpose such as the ideas, tone, and length Syn. cutting

a)

Mood

b)

Glottal stop

c)

Appropriateness for occasion

d)

Prescriptivism

22.

The emotional tone a work exhibits chosen through rhythm and setting Syn. Atmosphere

a)

Technical quality

b)

Descriptivism

c)

Linguistic accommodation

d)

Mood

23.

omission of the 't' in the middle of a word Ex. Butter, Button, Daughter, bitten Ant. pronouncing the 't'

a)

Glottal stop

b)

Received pronunciation

c)

linguistics

d)

Linguistic accommodation

24.

is usually said to be the accent which has the highest status in England syn. the Queen's English

a)

Received pronunciation

b)

linguistics

c)

Prescriptivism

d)

Descriptivism

25.

The science of language, including phonetics, pronunciation, phonology, etc. Syn. speaking fundamentals

a)

Prescriptivism

b)

linguistics

c)

Descriptivism

d)

Paralanguage

26.

an attitude towards language states that features are absolutely right or wrong regardless of the context or actual usage ant. descriptivism

a)

Descriptivism

b)

linguistics

c)

Paralanguage

d)

Prescriptivism

27.

the belief that language is neither 'good' or 'bad' but rather what is appropriate for the context Ant. prescriptivism

a)

Non prestige variants

b)

Paralanguage

c)

Descriptivism

d)

Internalizing

28.

when speakers accent and dialect becomes more like the people they are with Syn. vocal adaptation, conformity

a)

Paralanguage

b)

Externalizing

c)

Linguistic accommodation

d)

Concentrating

29.

often called 'low English' Syn. cockney

a)

Paralanguage

b)

Linguistic accommodation

c)

Non prestige variants

d)

Descriptivism

30.

this is other vocal effects (whispering, laughing, rate, pitch, volumes, stress etc.) used to communicate a message other than the words themselves. syn. vocal communication

a)

Internalizing

b)

Linguistic accommodation

c)

linguistics

d)

Paralanguage

31.

When actors develop a deep personal understanding of what a character is really like. Syn. personal connection

a)

Externalizing

b)

Projecting

c)

Internalizing

d)

Motivating

32.

The process by which the true personality of a character is made visible to an audience Syn. Outward show

a)

Concentrating

b)

Observing

c)

Emotional Memory

d)

Externalizing

33.

The ability to direct all of your thoughts, energies, and skills into what you are doing Syn. mental honing

a)

Observing

b)

Emotional Memory

c)

Concentrating

d)

Projecting

34.

Noting How people communicate fine shades of emotions Syn. people watching

a)

Observing

b)

Emotional Memory

c)

Projecting

d)

Consistent inconsistency

35.

The recalling of specific emotions that you have experienced syn. reflection

a)

Projecting

b)

Motivating

c)

Stretching a Character

d)

Emotional Memory

36.

Strong volume or emotional response that reaches out to the last person in the last row of a distant balcony syn. empathy

a)

Motivating

b)

Stretching a Character

c)

Projecting

d)

Consistent inconsistency

37.

the "Why" of characterization. Why the character wants to do it. syn. desire

a)

Stretching a Character

b)

Playing the objective

c)

Motivating

d)

Playing the obstacles

38.

The process of making a role unique, individual, and interesting. Process should result in a character noticeably different than other characters in a play syn. pushing the limits

a)

Consistent inconsistency

b)

Stretching a Character

c)

Playing the obstacles

d)

Energy

39.

Playing a character through the elements of time, place, weather, objects, and the state of the individual syn. environmental response

a)

Consistent inconsistency

b)

Playing the object

c)

Playing the conditions

d)

Uniqueness

40.

A tryout

a)

Pantomime

b)

Projecting

c)

Audition

d)

Quality

41.

Facing each crisis or obstacle that stands in the way of an objective as the character would face it

a)

Focus

b)

primary source

c)

Playing the obstacles

d)

Energy

42.

The fuel that drives acting. Enlivens a performance Syn. charisma

a)

Focus

b)

Playing the object

c)

Energy

d)

Uniqueness

43.

Has to do with how an actor uses objects onstage to project character Syn. Prop handling

a)

Playing the object

b)

Playing the obstacles

c)

Playing the objective

d)

Playing the conditions

44.

The fuel that drives acting. Enlivens a performance Syn. charisma

a)

Energy

b)

Focus

c)

Playing the object

d)

Playing the objective

45.

The actor's attention, action, emotion, or line delivery to a definite target syn. determination

a)

Uniqueness

b)

straight parts

c)

Focus

d)

Energy

46.

A unique character in a role that is not a mere copy of someone else syn. inconsistency

a)

Focus

b)

Uniqueness

c)

Energy

d)

Playing the object

47.

a role in which the actor and character are similar

a)

straight parts

b)

characterization

c)

character parts

d)

secondary sources

48.

roles in which actors portray traits that differ from their own to produce a desired character

a)

straight parts

b)

primary source

c)

subtext

d)

character parts

49.

putting together all facets of a character to bring life and interest to that character

a)

character parts

b)

Uniqueness

c)

Focus

d)

characterization

50.

the observation of a person's posture, movements, habits, voice inflections, and mannerisms in order to build character

a)

secondary sources

b)

primary source

c)

subtext

d)

typecasting

51.

books that help in developing characterization

a)

primary source

b)

subtext

c)

Diction

d)

secondary sources

52.

a distinctive action that is repeated and serves as a clue to a character's personality, such as a peculiar laugh or walk

a)

master gesture

b)

subtext

c)

typecasting

d)

Voiceless

53.

the meaning "between the lines" that an actor must draw from the script

a)

subtext

b)

typecasting

c)

Diction

d)

Schwa

54.

Casting someone over and over again in the same kind of role

a)

character parts

b)

typecasting

c)

straight parts

d)

Uniqueness

55.

The selection or pronunciation of words and their combinations in speech

a)

Diction

b)

Schwa

c)

Voiceless

d)

Voiced

56.

A pronunciation symbol with the sound of "uh", as in about

a)

Voiceless

b)

Schwa

c)

Voiced

d)

Diction

57.

Referring to constants that do not cause vibration of the vocal folds when sounded

a)

Schwa

b)

Voiceless

c)

Voiced

d)

Diction

58.

Referring to constants that cause vibration of the vocal folds when sounded

a)

Voiceless

b)

Schwa

c)

protagonist

d)

Voiced

59.

The manner of saying words using the correct sounds in words and placing the accent on the stressed syllables

a)

technical/objective acting

b)

Pronunciation

c)

Voiced

d)

ingenue

60.

Run-through of technical aspects of an event such as lighting, sound, special effects, etc.


a)

Isolation

b)

Technical Rehearsal

c)

Reading Rehearsal

d)

Technical Quality

61.

A rehearsal conducted as if it was an actual performance, includes costumes and make-up

a)

Dress Rehearsal

b)

Blocking Rehearsal

c)

Reading Rehearsal

d)

Technical Rehearsal

62.

the lead character who must solve the problem that arises or be defeated in the conflict

a)

antagonist

b)

protagonist

c)

juvenile

d)

ingenue

63.

the lead character who opposes the goals of the protagonist

a)

antagonist

b)

protagonist

c)

principals

d)

supporting roles

64.

the term for a young male lead between the ages of sixteen and thirty

a)

ingenue

b)

supporting roles

c)

juvenile

d)

principals

65.

a young female lead

a)

juvenile

b)

supporting roles

c)

ingenue

d)

antagonist

66.

the lead roles in a play

a)

supporting roles

b)

technical/objective acting

c)

pantomime

d)

principals

67.

are often more challenging and demanding they support the leading roles

a)

principals

b)

improvisation

c)

supporting roles

d)

scene-stealing

68.

the sound of a particular voice

a)

resonance

b)

quality

c)

nasality

d)

pitch

69.

the vibrant tone produced when sound waves strike the chambers of the throat, head, nose, and mouth

a)

quality

b)

nasality

c)

pitch

d)

resonance

70.

the sound produced through nasal passages, leaving the voice flat

a)

pitch

b)

resonance

c)

nasality

d)

inflection

71.

the relative highness or lowness of the voice

a)

nasality

b)

rate

c)

pitch

d)

monotone

72.

modulation, variety in pitch

a)

inflection

b)

pitch

c)

monotone

d)

volume

73.

an unvaried speaking tone; lack of inflection throughout a speech

a)

inflection

b)

nasality

c)

resonance

d)

monotone

74.

the strength, force, or intensity with which sound is made

a)

monotone

b)

volume

c)

rate

d)

nonverbal communication

75.

the speed at which words are spoken

a)

volume

b)

nonverbal communication

c)

rate

d)

gesture

76.

the art of acting without words

a)

gesture

b)

kinesthesis

c)

pantomime

d)

cross

77.

communication using body movements, gestures, and facial expressions rather than speech

a)

kinesthesis

b)

gesture

c)

inclination

d)

nonverbal communication

78.

moving from one place onstage to another

a)

cross

b)

kinesthesis

c)

mime

d)

improvisation

79.

the movement of any body part to help express an idea or emotion

a)

situation-centered approach

b)

gesture

c)

motivated sequence

d)

scene-stealing

80.

system for sensing position and movement of individual body parts

a)

gesture

b)

kinesthesis

c)

inclination

d)

isolation

81.

a performer who portrays characters and situations by gestures instead of words

a)

improvisation

b)

mime

c)

spontaneity

d)

illusion of the first time

82.

the bending of the body to the front, the side, or the rear

a)

isolation

b)

improvisation

c)

illusion of the first time

d)

inclination

83.

separates parts of the body for individual development and expression

a)

illusion of the first time

b)

mime

c)

isolation

d)

scene-stealing

84.

to invent without preparation

a)

improvisation

b)

scene-stealing

c)

character-centered approach

d)

motivated sequence

85.

impulsive action; unplanned events

a)

scene-stealing

b)

illusion of the first time

c)

spontaneity

d)

motivated sequence

86.

Making the audience believe that each performance is the first

a)

scene-stealing

b)

character-centered approach

c)

motivated sequence

d)

illusion of the first time

87.

diverting attention from the character that the audience should be watching

a)

character-centered approach

b)

situation-centered approach

c)

motivated sequence

d)

scene-stealing

88.

focuses on a group of characters who experience different situations

a)

situation-centered approach

b)

motivated sequence

c)

character-centered approach

d)

illusion of the first time

89.

takes a situation and places a number of different characters in the situation to demonstrate how different personalities respond to the same situation

a)

character-centered approach

b)

situation-centered approach

c)

illusion of the first time

d)

spontaneity

90.

natural way in which a person responds to external stimulus

a)

situation-centered approach

b)

illusion of the first time

c)

scene-stealing

d)

motivated sequence