WorksheetsArt Appreciation
Total questions: 60
Worksheet time: 45mins
1. It is an ethnic dance among Tigwahanon Manobos in the Province of Bukidnon and performed during their harvest time. This type of dance shows a couple, with their bodies and arms slightly bent forward, mimicking the movement of a pair of flirting among monkeys.
Banog-banog
Inamong
Gangsa
Canao
2. It is a dance performed by the T-boli and Tausug tribes respectively which mimic a mealtime of monkeys in removing nits and lice from each other. A variation of this dance is to mimics a monkey who sits on an anthill by mistake and is attacked by angry ants all over his body.
Banog-banog
Canao
Inamong
Kadal Iwas
3. It is a Bontoc War Dance performed during the planting season and a bountiful harvest.
Kashawing
Kadal Iwas
Mamakar
Inamong
4. It is ritual dance among the Mandaya tribes in Northern Mindanao. This type of dance portrays the Hawks’ use of sweet songs to lure out the hen and the chicks that are made into a meal.
Kinabua
Canao
Inamong
Banog-banog
5. It is a ritual among the Maranaos and is performed to ensure a good harvest.
Inamong
Banog-banog
Kashawing
Kadal Iwas
6. It is a musical instrument of the Kulintang ensemble which is played by one or two persons depending on its number. By using a rubber-padded beater, this instrument is performed on both the boss/knob and the face of the gong.
Gangsa
Agung
Banog-banog
Canao
7. It is a courtship dance of the Bilaan of Davao del Sur mimicking birds during mating season. The females scurry to safety, burying their heads under their wings (using the malong), but the aggressive males follow them wherever they go.
BlitB'laan
Agung
Gangsa
Canao
8. It is an indigenous musical instrument of the Bontoc tribes of Kalinga, Ifugao in the mountain regions (the Cordillera) of the northern Philippines.
BlitB'laan
Banog-banog
Canao
Gangsa
9. It is a dance that portrays hunters shielding in their chickens from the famishing hawk.
Canao
Banog-banog
Agung
Gangsa
10. It is a ritual-dance performed during native feasts or celebrations in the highlands of the Cordilleras in the Luzon area of the Philippines. It is a symbol of triumph or expectation for abundant crops.
Gangsa
BlitB'laan
Canao
Banog-banog
11. It refers to any musical instrument which produces sound by way of a vibrating stretched membrane. Most membranophones are drums, such as:
Membranophone
Telephone
Idiophone
Aerophone
12. It is a ritual dance performed by a male Talaanding tribe presenting their expertise in style and arts in fighting their opponent. This ritual dance is also an offering to their magbabaya (god).
Mayvanuvanua
Pagdiwata
Saut
Ngilin
13. It refers to any musical instrument which produced sound primarily by way of the instrument's vibrating, without the use of strings or membranes.
Telephone
Idiophone
Aerophone
Membranophone
14. It is a war dance performed by the Mandaya tribe. This type of dance requires excellent skill in the handling of a shield, spear, and a sword.
Ngilin
Mayvanuvanua
Pagdiwata
Sampak
15. It is a courtship dance among the Ifugao. This is performed during the celebration of the intaneg (wedding). In this dance, the man traps a woman with an attractive blanket to place on her shapely shoulders.
Saut
Talip
Pagdiwata
Mayvanuvanua
16. It is a local term which refers to the “sayer of prayers” among the Ifugaos in Northern Luzon. These prayers are performed during funerals, wedding, Thanksgiving, and other celebrations. This is offered to the supreme deity, Maknongan.
Mumbaki
Mayvanuvanua
Mamakar
Kadal Iwas
17. It is a dance performed in Vigan, Ilocos Sur. This type of dance mimics fowls wherein a tribal blankets that represent the colorful plumage of wild cocks are shown off by the warriors who intend on winning the attention of the maiden hen.
Kadal Iwas
Mamakar
Man-manok
Inamong
18. It is a cultural dance performed among the Kalinga tribe during Marriage rituals and other celebrations like the budong (peace pact). This type of dance is played to simulate the romantic or peaceful interactions of a rooster and a hen.
Ngilin
Mayvanuvanua
Mamakar
Kadal Iwas
19. It refers to a ritual performed among the ethnic group in the north and central Palawan. The ceremony is held on various occasions including bountiful harvests and weddings.
Kadal Iwas
Ngilin
Mayvanuvanua
Pagdiwata
20. It refers to a sacrificial rite performed at the beginning of the summer fishing season among mataw fishers in Batanes Island. This type of dance is an act of invitation to capture the fish dorado successfully.
Kadal Iwas
Mayvanuvanua
Mamakar
Inamong
1. An art form where the artist expresses his emotions not by using paint, charcoal, or camera, but expresses them through words.
(a)
2. It uses live performers to present accounts or imaginary events before a live audience.
(a)
3. Series of movements that follows the rhythm of the music accompaniment.
(a)
4. A Yakan of Lamitan, Basilan for his dexterity in playing Yakan musical instruments such as the agung, gabbang, tuntungan, and kwintangan.
(a)
5. A T'boli of Lake Sebu, South Cotabato, for her skills in weaving the abaca ikat cloth known as t'nalak
(a)
6. It is a tree-like herb resembling the banana plant. It is durable and dyed in different colors.
(a)
7. A native of Oriental Mindoro who faithfully helps preserve the Hanunuo Mangyan script and their Ambahan poetry.
(a)
8. A traditional tattoo artist (mambabatok) of Buscalan, Tinglayan, Kalinga.
(a)
9. It is a dance that portrays hunters shielding in their chickens from the famishing hawk.
(a)
10. It refers to any musical instrument which produces sound primarily by way of the instrument's vibrating, without the use of strings or membranes.
(a)
11. It is a ritual among the Maranaos and is performed to ensure a good harvest.
(a)
12. It is a war dance performed by the Mandaya tribe. This type of dance requires excellent skill in the handling of a shield, spear, and a sword.
(a)
13. It is presenting the real life subject with the intention to shock the audience through the exposition of the evils in society.
(a)
14. Is the method of presenting subjects as they appear in real life.
(a)
15. A live art and the artist’s medium is mainly the human body which he or she uses to perform, but also employs other kinds of art such as visual art, props, or s
(a)
16. Bamboo buzzer of the Kalingga
(a)
17. Gong chime of the Kalagan, B'laan, Manuvu, Bagobo
(a)
18. Metal xylophone of the Maranao
(a)
19. Bamboo guitar of the Kalingga
(a)
20. Bamboo guitar of the T’boli
(a)
1. An artist is a craftsman who produces directly functional and decorative arts.
TRUE
FALSE
2. The humanities deal with man’s internal world-with his personality and experiences, matters that cannot be exactly measured, classified, or controlled.
TRUE
FALSE
3. Tempera are mixtures of water and egg.
TRUE
FALSE
4. There can be no appreciation of art without experience.
TRUE
FALSE
5. Imagination is more important than knowledge
TRUE
FALSE
6. Art is not a product of man’s creativity, imagination, and expression.
TRUE
FALSE
7. Art is nature because art is man-made.
TRUE
FALSE
8. Art is timeless because it goes beyond the time of our own experience
TRUE
FALSE
9. The humanities deal with the external world of man.
TRUE
FALSE
10. Encaustic is an ancient process of mixing pigments with wax, and then ironing the mixture surface.
TRUE
FALSE
11. Both the sciences and the humanities are not necessary for the development of the complete, social man, ready to take on his responsibilities in this rapidly changing world and to enjoy life as he lives it
TRUE
FALSE
12. The word “art” is from a Latin arti, which means craftsmanship, inventiveness, mastery of form, skill.
TRUE
FALSE
13. Distortion is presenting the subject with the use of cubes and other geometric figures
TRUE
FALSE
14. Zigzag line is made from combined diagonal lines, can create a feeling of confusion or suggest action.
TRUE
FALSE
15. Rhythm is a principle of art concerned with combining one or more elements to create interest by adding slight changes.
TRUE
FALSE
16. Proportion is the comparative relationship of the different parts in relation to the whole.
TRUE
FALSE
17. National Commission for Culture and the Arts (NCCA) is an award that recognizes folk and indigenous artists who remain loyal to their traditions.
TRUE
FALSE
18. Libbit is the conical drum of the Ibaloy.
TRUE
FALSE
19. Form is the development and configuration of the art work; how the elements and the medium or material are put together; the “HOW”
TRUE
FALSE
20. It comes from the latin word humanus which means educated.
TRUE
FALSE
