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Test after lessons 7 and 8

Total questions: 12

Worksheet time: 18mins

Name
Class
Date
1.

Can you name music styles and genres when parallel 5ths and 8ths were possible and even preferable? (more than one answer)

a)

Early classical style

b)

Impressionism

c)

Renaissance polyphony

d)

Medieval organum

2.

Which parallel movement is permitted in Classical Harmony?

a)
b)
c)

3.

Who was the first to discuss root position triads and inversions, rather than 5/3, 6/3 and 6/4 sonorities?

a)

Jean-Baptiste Lully

b)

Hugo Riemann

c)

Jean-Philippe Rameau

d)

Fedele Fenaroli

4.

What patterns and techniques can you find in this example?

a)

Phrygian cadence

b)

The 7-6 Fauxbourdon

c)

“One-more-time” technique

d)

Compound cadence

5.

The Phrygian cadence is a special kind of cadential phrase ending that involves the movement from __ degree to __ degree in the bass.

(a)  

6.

What patterns and techniques can you find in this example? (more than one answer)

a)

Phrygian cadence

b)

Fauxbourdon

c)

Compound cadence

d)

“One-more-time” technique

7.

Phrygian cadence occurs only in minor

a)

True

b)

False

8.

The 7-6 Fauxbourdon combines 6/3 chords and ____________.

a)

passing tones

b)

suspensions

c)

neighbouring tones

9.

What patterns and techniques can you find in this example?

a)

Fauxbourdon

b)

Compound cadence

c)

Phrygian cadence

d)

The 7-6 Fauxbourdon

10.

The 7– 6 Fauxbourdon can be used both in an ascending and a descending motion

a)

True

b)

False

11.

What patterns and techniques can you find in this example?

a)

Fauxbourdon

b)

Compound cadence

c)

The 7-6 Fauxbourdon

d)

“One-more-time” technique

12.

Which parallel movement is forbidden in Classical Harmony?

a)

b)

c)