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Worksheets

Traditional Dance Reviewer

Total questions: 50

Worksheet time: 25mins

Name
Class
Date
1.

Blecking step is done in both two four time signature and _______?

a)

One Four Time

b)

Two Four Time

c)

Three Four Time

d)

Four Four Time

2.

Espunti is a dance with the use of pivot step. In what count you see this step?

a)

1

b)

2

c)

3

d)

4

3.

The difference of Engano close to Engano Walts is a step after a close. This step is commonly found in what region in Philippines?

a)

La Union

b)

Bicol

c)

Cebu

d)

Bulacan

4.

Cross step is done in a dance pattern of lose step cross. How will I count this dance pattern?

a)

123

b)

1 and 2 and 3

c)

1 2 and 3

d)

1 and 2 3

5.

This dance was originated in a Non-Christian culture that both of the feet is touching the flat surface?

a)

Pandanggo

b)

Mazurka

c)

Sinulog

d)

Mincing

6.

What is the time signature used in dancing step brush swing hop?

a)

123

b)

1 and 2 and 3 and 4

c)

1234

d)

1 and 2 and 3

7.

This dance can be dance as well with the used of Sarok after a step sideward.

a)

Close step

b)

Change step

c)

Touch Step

d)

Hop step

8.

Change step is a dance step that has a time signature of a two four time and a counting of 1 2. What is the right dance pattern?

a)

Close step

b)

Touch step

c)

Change step point

d)

change step

9.

This dance step when executed in sideward the same foot is leading always.

a)

close step

b)

change step

c)

touch step

d)

pivot

10.

In what preparation step is done in a cut step?

a)

Foot in a second back

b)

Foot in a second front

c)

Foot in third front

d)

Foot in forth front

11.

To glide onne foot along the floor smoothly, with or no transfer of weight.

a)

slide

b)

hop

c)

jump

d)

brush

12.

The person standing in opposite position across the set.

a)

outside foot

b)

inside hand

c)

opposite

d)

inside foot

13.

Spring from one or two feet and lad on both feet.

a)

hop

b)

slide

c)

brush

d)

jump

14.

The foot near one's partner when they stand side by side.

a)

outside foot

b)

inside foot

c)

inside hand

d)

outside hand

15.

heel point

a)

jump

b)

hop

c)

slide

d)

touch

16.

Quick change of weight form one to the other displacing the supporting foot.

a)

cut

b)

set

c)

pivot

d)

hop

17.

Two people walk toward each other, pass by the RIGHT shoulder step sideward to the right and return to position walking backward, passing left shoulder.

a)

outside hand

b)

saludo

c)

do-si-do or dos-s-dos

d)

inside hand

18.

a unit formationn of two or more couples.

a)

set

b)

cut

c)

tap

d)

leap

19.

The hand away from one's partner when they stand side by side.

a)

brush

b)

outside hand

c)

inside hand

d)

place

20.

Touch toe of free foot on the floor and remains there briefly.

a)

brush

b)

pivot

c)

place

d)

point

21.

Like the motion on the handle of the clock moving to the left, when facing the center of an imaginary circle. Right shoulder is toward the center when moving forward.

a)

counterclockwise

b)

clockwise

c)

tap

d)

touch

22.

Weight on one foot, swing the free in an arch, so that the ball or heel strikes the floor at lowest point of the arch. This may done forward, sideward, or backward.

a)

brush

b)

tap

c)

point

d)

hop

23.

The foot not supporting the weight of the body.

a)

place

b)

free foot

c)

heel touch

d)

point

24.

With the weight on one foot, shift the weight into the other foot.

a)

change step

b)

step

c)

close step

d)

hop

25.

Partners _____ to each other to opposite dancers or to the audience.

a)

saludo

b)

clap

c)

smile

d)

greet

26.

Turning on heel, of one or both feet on a fixed place.

a)

blecking

b)

hop

c)

pivot

d)

jump

27.

heel place, close

a)

blecking step

b)

touch step

c)

close step

d)

cross step

28.

step, hop.

a)

cross step

b)

touch step

c)

hop step

d)

close step

29.

point, close

a)

touch step

b)

close step

c)

cross step

d)

blecking

30.

a dance step where heels raised, take as many steps as desired.

a)

step swing

b)

mincing step

c)

change step

d)

cross step

31.

step, close, step

a)

close step

b)

change step

c)

polka

d)

blecking

32.

Hop, step, close, step

a)

polka

b)

hop change step

c)

change step

d)

hop polka

33.

step, close

a)

close step

b)

touch step

c)

change step

d)

blecking

34.

what is this (X) code stands for?

a)

boy

b)

girl

c)

audience

d)

stage

35.

what is this (O) code stands for?

a)

boy

b)

girl

c)

audience

d)

stage

36.

what is this (↑) code stands for?

a)

boy

b)

girl

c)

where facing or going

d)

stage

37.

(M) for...

a)

management

b)

midterm

c)

measurement

d)

measure/s

38.

fig. for

a)

figuration

b)

figure

c)

figure

39.

of the following patterns of movements, the one that best describes the MAZURKA step is.

a)

hop, cut, and slide

b)

hop, slide, close

c)

slide, slide, hop

d)

slide, cut, hot

40.

founder of Philippine folk dance?

a)

enda bulaklak

b)

delsa usal

c)

francisca aquino

41.

sway balance, waltz, mazurka, and kuradang. what time signature is used in all these steps?

a)

2/4 time

b)

3/4 time

c)

4/4 time

d)

6/8 tme

42.
a)

double circle partners facing in opposite direction

b)

double circle partners facing each other

c)

double circle partners facing counterclockwise

d)

double circle two pairs facing each other

43.

what formation is thisd?

a)

double circle partners facing counterclockwise

b)

double circle partners facing each other

c)

double circle partners facing in opposite direction

d)

double circle partners facing in

44.

what formation is this?

a)

double circle partners facing counterclockwise

b)

double circle two facing each other

c)

double circle partners facing in

d)

double circle partners back to back position

45.
a)

line formation partners facing each other

b)

semicircle formation partners facing front

46.
a)

single line formation partners side by side facing front

b)

line formation partners facing each other

47.
a)

column formation partners facing each other

b)

column formation partners facing front

48.
a)

column formation partners facing each other

b)

line formation partners facing each other

49.

where does the girl must always stay?

a)

left

b)

right

c)

behind

d)

front

50.

where does the boy must always stay?

a)

left

b)

right

c)

behind

d)

front