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Art 2 2nd sem week 5

Total questions: 37

Worksheet time: 19mins

Name
Class
Date
1.

In fifteenth century Northern Europe, most painters continued to work in

the traditions of ______________ art.

a)

Symbolism

b)

oil paints

c)

emotional appeal

d)

Medieval

2.

With ______________artists could produce a smooth glaze that

would give more brilliance to the colors in their paintings.

a)

oil paints

b)

acrylic paints

c)

watercolor paints

d)

tempra paints

3.

Van der Goes tipped up the floor in The Adoration of the Shepherds to give

the observer a better _____________ .

a)

emotional appeal

b)

view

c)

Symbolism

d)

details

4.

Unlike the Italian artists who worked in fresco, the Northern European

artists who used oil paints had more time to add _________________to

their work.

a)

Symbolism

b)

emotional appeal

c)

details

d)

shallow space

5.

In the Descent from the Cross, van der Weyden used ____________

to force the viewer to focus on the drama of the scene.

a)

details

b)

shallow space

c)

Symbolism

d)

 shoe

6.

_________is credited with the invention of the oil painting

technique.

a)

Van Eyck

b)

Van Gogh

c)

Rober Campin

d)

Giovanni Arnolfini

7.

___________was important in Gothic art and, later, in Northern

European art as well.

a)

Van Eyck

b)

details

c)

Symbolism

d)

emotional appeal

8.

The _____________ in The Adoration of the Shepherds reminds

viewers that the event depicted in the painting makes the ground on which

it takes place holy.

a)

shoe

b)

 lamb

c)

shallow space

d)

Medieval

9.

In the Adoration of the Lamb the figures are arranged so that the__________

is emphasized as the center of interest.

a)

details

b)

shoe

c)

view

d)

lamb

10.

Even though it made his works seem less realistic, van der Goes often

altered space if he thought that doing so would increase the _____________

of his works.

a)

emotional appeal

b)

details

c)

symbolism

d)

view

11.

style of art that was meant to mirror

the confusion-filled time in which the

artists lived

a)

Renaissance

b)

Mannerist

c)

Impressionist

d)

landscapes

12.

one of the first artists in Europe to place

importance on landscapes

a)

Bruegel

b)

Mannerist

c)

Giorgione

d)

Bosch

13.

artist whose works were much like Mannerist

paintings in that they mirrored the

growing fears of people living at that time

a)

Bosch

b)

Giorgione

c)

Bruegel

d)

Mannerist

14.

artist who used symbols in his paintings

to tell parables in much the way Medieval

artists told Bible stories

a)

Renaissance

b)

landscapes

c)

Giorgione

d)

Bruegel

15.

what Titian often used to create mood in

his paintings

a)

Protestant Reformation

b)

landscapes

c)

Death and the Miser

d)

oil paints

16.

allowed artists to create delicate changes

in value, hue, and intensity

a)

acrylic paints

b)

wood

c)

oil paints

d)

landscapes

17.

painting by Bosch that was meant to

be viewed both as a story and as a

symbolic message

a)

Death and the Miser

b)

landscapes

c)

Protestant Reformation

d)

Renaissance

18.

period of art that Mannerist

painters rejected

a)

impressionist

b)

classical

c)

Renaissance

d)

Protestant Reformation

19.

movement that contributed to the instability

in society, thus helping to give rise

to the Mannerist style

a)

Renaissance

b)

landscapes

c)

oil paints

d)

Protestant Reformation

20.

Bernini’s David twists in space to create a sense oftwo dimensions.

a)

two dimensions.

b)

movement.

c)

stillness.

d)

calmness.

21.

What was the feature of Caravaggio’s paintings that most influenced

Leyster’s works?

a)

use of hard edges

b)

sense of movement

c)

use of chiaroscuro

d)

use of quick brushstrokes

22.

Baroque sculptors showed interest in

a)

movement.

b)

variety.

c)

contrast.

d)

all of the above.

23.

De Ribera avoided the excitement and action found in Baroque art

in favor of

a)

dynamic movement.

b)

calmness.

c)

hard edges.

d)

pastel colors.

24.

To lead the viewer into and around in the painting St. Nicholas’ Day,

Steen mainly used

a)

diagonal lines.

b)

many colors.

c)

bright light.

d)

curving lines.

25.

By showing his subjects’ flaws, Caravaggio made them look more

a)

human.

b)

ideal.

c)

supernatural.

d)

gentle.

26.

How did Hals manage to give his works a just-finished quality?

a)

he used many right angles

b)

he used very dim lighting

c)

he used chiaroscuro

d)

he used dashing brushstrokes

27.

From which artist’s works did de Ribera borrow dramatic lighting and

realism for his own works?

a)

Michelangelo

b)

van Eyck

c)

Caravaggio

d)

Borromini

28.

In The Raising of the Cross, how did the artist create a feeling of flowing

movement?

a)

use of curving lines

b)

use of very dark colors

c)

use of hard edges

d)

use of many right angles

29.

 Rather than painting portraits of wealthy people, Hogarth was interested

in painting

a)

landscapes.

b)

common people

c)

war scenes.

d)

watercolors.

30.

Rococo style was marked by

a)

graceful movement.

b)

playful use of line.

c)

delicate colors.

d)

all of the above.

31.

What reveals textures and creates value changes in the painting

The Attentive Nurse?

a)

 light

b)

shallow space

c)

symbolism

d)

darkness

32.

What kind of paintings were popular among the wealthy in England?

a)

landscapes

b)

portraits

c)

satire paintings

d)

genre scenes

33.

Unlike the constant movement of Baroque art, Rococo art favored

a)

dark colors.

b)

shallow space.

c)

control.

d)

hard edges.

34.

Which of the following types of people do Chardin’s paintings show going

about their daily lives?

a)

peasants

b)

aristocracy

c)

royalty

d)

artists

35.

The rings in The Duchess of Alba are meant to illustrate

a)

the beauty of the setting.

b)

the wealth of the duchess.

c)

the union of artist and model.

d)

the beauty of the jewelry.

36.

Which of the following did Rococo painters use to help convey the

romance of their scenes?

a)

harsh lighting

b)

deep jewel tones

c)

chiaroscuro

d)

 pastels

37.

Hogarth used his art to

a)

protest war.

b)

tell Bible stories.

c)

impress wealthy patrons.

d)

expose immoral conditions.