Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Napoleon Crossing the Alps\nDate: 1801\nArtist: jaques – Louis David\nMovement: Neoclassicism – Ancient Greece and Rome, simplicity, order, reason. classical history. Invisible brushstrokes, classical proportions.\nHistorical context: French Revolution, Age of Enlightenment, Pompeii and Herculaneum.

Name: Rain,Speed and Steam\nDate: 1844\nArtist: JM William Turner\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Napoleon Crossing the Alps\nDate: 1801\nArtist: jaques – Louis David\nMovement: Neoclassicism – Ancient Greece and Rome, simplicity, order, reason. classical history. Invisible brushstrokes, classical proportions.\nHistorical context: French Revolution, Age of Enlightenment, Pompeii and Herculaneum.

Name: Rain,Speed and Steam\nDate: 1844\nArtist: JM William Turner\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: 3rd of may 1808\nDate: 1814\nArtist: Francisco Goya\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Napoleon Crossing the Alps\nDate: 1801\nArtist: jaques – Louis David\nMovement: Neoclassicism – Ancient Greece and Rome, simplicity, order, reason. classical history. Invisible brushstrokes, classical proportions.\nHistorical context: French Revolution, Age of Enlightenment, Pompeii and Herculaneum.

Name: Rain,Speed and Steam\nDate: 1844\nArtist: JM William Turner\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Wanderer above the sea of fog\nDate: 1818\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Napoleon Crossing the Alps\nDate: 1801\nArtist: jaques – Louis David\nMovement: Neoclassicism – Ancient Greece and Rome, simplicity, order, reason. classical history. Invisible brushstrokes, classical proportions.\nHistorical context: French Revolution, Age of Enlightenment, Pompeii and Herculaneum.

Name: 3rd of may 1808\nDate: 1814\nArtist: Francisco Goya\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: The Sea of Ice\nDate:\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Wanderer above the sea of fog\nDate: 1818\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: 3rd of may 1808\nDate: 1814\nArtist: Francisco Goya\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: The Sea of Ice\nDate:\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Wanderer above the sea of fog\nDate: 1818\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: 3rd of may 1808\nDate: 1814\nArtist: Francisco Goya\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: The Sea of Ice\nDate:\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: Wanderer above the sea of fog\nDate: 1818\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: The Stone Breakers\nDate: 1849\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: The Sea of Ice\nDate:\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: A Burial at Ornans\nDate: 1850\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Stone Breakers\nDate: 1849\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Liberty leading the People\nDate: 1830\nArtist: Eugene Delacroix\nMovement:  Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: The Sea of Ice\nDate:\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: A Burial at Ornans\nDate: 1850\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Stone Breakers\nDate: 1849\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Sea of Ice\nDate:\nArtist: Caspar David Friedrich\nMovement: Romanticism – Outpour of emotions, dramatic, movement and expression,  visible brushstrokes.\nHistorical context: napoleonic wars, industrialization, escape modern chaos.

Name: A Burial at Ornans\nDate: 1850\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Gleaners\nDate: 1857\nArtist: jean Francois Millet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Angelus\nDate: 1857 – 59\nArtist: jean Francois Millet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: A Burial at Ornans\nDate: 1850\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Gleaners\nDate: 1857\nArtist: jean Francois Millet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Angelus\nDate: 1857 – 59\nArtist: jean Francois Millet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Third Class Carriage\nDate: 1862\nArtist: Honore Daumier \nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Gleaners\nDate: 1857\nArtist: jean Francois Millet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Impression, Sunrise\nDate: 1872\nArtist: Claude Monet\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Third Class Carriage\nDate: 1862\nArtist: Honore Daumier \nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: The Gleaners\nDate: 1857\nArtist: jean Francois Millet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Impression, Sunrise\nDate: 1872\nArtist: Claude Monet\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Third Class Carriage\nDate: 1862\nArtist: Honore Daumier \nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Haystacks\nDate: 1890\nArtist: Claude Monet\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Impression, Sunrise\nDate: 1872\nArtist: Claude Monet\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Third Class Carriage\nDate: 1862\nArtist: Honore Daumier \nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Place de la Concorde\nDate: 1870 \nArtist: Edgar Degas\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Street in Paris on a rainy day\nDate: 1877\nArtist: Gustave Caillebote\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Third Class Carriage\nDate: 1862\nArtist: Honore Daumier \nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Place de la Concorde\nDate: 1870 \nArtist: Edgar Degas\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Street in Paris on a rainy day\nDate: 1877\nArtist: Gustave Caillebote\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Third Class Carriage\nDate: 1862\nArtist: Honore Daumier \nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: On the Terrace of Sevres\nDate: 1880\nArtist: Marie Bocquemond\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Street in Paris on a rainy day\nDate: 1877\nArtist: Gustave Caillebote\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: Vision after the sermon\nDate: 1888\nArtist: Paul Gaugin\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: On the Terrace of Sevres\nDate: 1880\nArtist: Marie Bocquemond\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: After dinner at ornans\nDate: 1848\nArtist: Gustave Courbet\nMovement: Realism – Everyday contemporary life, working class, poverty, depicts reality. against romantic drama and neoclassical idealization.\nHistorical context: Industrial Revolution, Social inequality, new democratic and socialist ideals.

Name: Street in Paris on a rainy day\nDate: 1877\nArtist: Gustave Caillebote\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: Vision after the sermon\nDate: 1888\nArtist: Paul Gaugin\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: On the Terrace of Sevres\nDate: 1880\nArtist: Marie Bocquemond\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

 Name: Sunday afternoon on the island of la grande jatte\nDate: 1884–86\nArtist: George Seurat\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: Street in Paris on a rainy day\nDate: 1877\nArtist: Gustave Caillebote\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Talisman\nDate: 1888\nArtist: Paul Serusier\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: On the Terrace of Sevres\nDate: 1880\nArtist: Marie Bocquemond\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

 Name: Sunday afternoon on the island of la grande jatte\nDate: 1884–86\nArtist: George Seurat\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: Street in Paris on a rainy day\nDate: 1877\nArtist: Gustave Caillebote\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Talisman\nDate: 1888\nArtist: Paul Serusier\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: Hill House Chair\nDate: 1902\nArtist: Charles Rennie Mackintosh\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

 Name: Sunday afternoon on the island of la grande jatte\nDate: 1884–86\nArtist: George Seurat\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: Street in Paris on a rainy day\nDate: 1877\nArtist: Gustave Caillebote\nMovement: Impressionism – En Plein Air, immediate impression. time of day, seasons, visible brushstrokes, bright unmixed colors.\nHistorical Context: Paris redesigned, Rise of middle class.

Name: The Talisman\nDate: 1888\nArtist: Paul Serusier\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: Hill House Chair\nDate: 1902\nArtist: Charles Rennie Mackintosh\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: Desk, Belgium\nDate: 1898\nArtist: Henry van develde\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: Center Plate\nDate: 1898\nArtist: Villeroy y Boch\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: The Talisman\nDate: 1888\nArtist: Paul Serusier\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: Hill House Chair\nDate: 1902\nArtist: Charles Rennie Mackintosh\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: Desk, Belgium\nDate: 1898\nArtist: Henry van develde\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: Center Plate\nDate: 1898\nArtist: Villeroy y Boch\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: The Talisman\nDate: 1888\nArtist: Paul Serusier\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: La Plume\nDate: 1895\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Desk, Belgium\nDate: 1898\nArtist: Henry van develde\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: Center Plate\nDate: 1898\nArtist: Villeroy y Boch\nMovement: Arts and crafts – Against industrialization, traditional craftsmanship, medieval guilds and nature.\nHistorical Context: Industrial revolution

Name: The Talisman\nDate: 1888\nArtist: Paul Serusier\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: La Plume\nDate: 1895\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Cycles Perfecta\nDate: 1897\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Confidente\nDate: 1898\nArtist: Antoni Gaudi\nMovement: Catalan Modernisme – Catalan identity, asymmetry, artisanal. Organic forms, iron, steel, glass. gothic influence. \nHistorical Context: Art Nouveau, wealthy bourgeoise, expansion of eixample, industrialization.

Name: The Talisman\nDate: 1888\nArtist: Paul Serusier\nMovement: Post Impressionism – Wild colors and abstract shapes. Artist inner world, Symbolism and experimentation. Strong expressive colors, puntillism, abstraction.\nHistorical context: Reaction to impressionism, fast changing Paris, color theory.

Name: La Plume\nDate: 1895\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Cycles Perfecta\nDate: 1897\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Confidente\nDate: 1898\nArtist: Antoni Gaudi\nMovement: Catalan Modernisme – Catalan identity, asymmetry, artisanal. Organic forms, iron, steel, glass. gothic influence. \nHistorical Context: Art Nouveau, wealthy bourgeoise, expansion of eixample, industrialization.

Name: Woman with a hat\nDate: 1905\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: La Plume\nDate: 1895\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Cycles Perfecta\nDate: 1897\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Confidente\nDate: 1898\nArtist: Antoni Gaudi\nMovement: Catalan Modernisme – Catalan identity, asymmetry, artisanal. Organic forms, iron, steel, glass. gothic influence. \nHistorical Context: Art Nouveau, wealthy bourgeoise, expansion of eixample, industrialization.

Name: Woman with a hat\nDate: 1905\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Open window, collioure\nDate: 1905\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Cycles Perfecta\nDate: 1897\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Confidente\nDate: 1898\nArtist: Antoni Gaudi\nMovement: Catalan Modernisme – Catalan identity, asymmetry, artisanal. Organic forms, iron, steel, glass. gothic influence. \nHistorical Context: Art Nouveau, wealthy bourgeoise, expansion of eixample, industrialization.

Name: Woman with a hat\nDate: 1905\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: harmony in red\ndate: 1908–9\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Cycles Perfecta\nDate: 1897\nArtist: Alphonse Mucha\nMovement: Art Nouveau – Unify art, luxurious design, curves and natural shapes. Flat decorative, modern materials.\nHistorical Context: Ind. revolution fatigue, urban growth.

Name: Confidente\nDate: 1898\nArtist: Antoni Gaudi\nMovement: Catalan Modernisme – Catalan identity, asymmetry, artisanal. Organic forms, iron, steel, glass. gothic influence. \nHistorical Context: Art Nouveau, wealthy bourgeoise, expansion of eixample, industrialization.

Name: Woman with a hat\nDate: 1905\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: harmony in red\ndate: 1908–9\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: The Dance\nDate: 1910\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Confidente\nDate: 1898\nArtist: Antoni Gaudi\nMovement: Catalan Modernisme – Catalan identity, asymmetry, artisanal. Organic forms, iron, steel, glass. gothic influence. \nHistorical Context: Art Nouveau, wealthy bourgeoise, expansion of eixample, industrialization.

Name: Collioure \nDate: 1905\nArtist: Andre Derain\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: harmony in red\ndate: 1908–9\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: The Dance\nDate: 1910\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Confidente\nDate: 1898\nArtist: Antoni Gaudi\nMovement: Catalan Modernisme – Catalan identity, asymmetry, artisanal. Organic forms, iron, steel, glass. gothic influence. \nHistorical Context: Art Nouveau, wealthy bourgeoise, expansion of eixample, industrialization.

Name: Collioure \nDate: 1905\nArtist: Andre Derain\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Guitar\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: The Dance\nDate: 1910\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Violin\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Collioure \nDate: 1905\nArtist: Andre Derain\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Guitar\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: The Dance\nDate: 1910\nArtist: Henri Matisse\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Violin\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Collioure \nDate: 1905\nArtist: Andre Derain\nMovement: Fauvism – Emotional rep. through color, mood and intensity, challenge traditional approaches. Unnatural colors, simplified forms and flattened space.\nHistorical Context: Social, technological, cultural change. Urbanization + industrialization

Name: Guitar\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Fabrica de Rio tinto en l'estaque\nDate: 1910\nArtist: Georges Braque\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Violin\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Les Demoiselles D' Avignon\nDate: 1907\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Guitar\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Fabrica de Rio tinto en l'estaque\nDate: 1910\nArtist: Georges Braque\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Les Demoiselles D' Avignon\nDate: 1907\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Guitar\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Fabrica de Rio tinto en l'estaque\nDate: 1910\nArtist: Georges Braque\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Les Demoiselles D' Avignon\nDate: 1907\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Guitar\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Dog on a Leash\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Girl running on a balcony\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Guitar\nDate: 1912\nArtist: Pablo Picasso\nMovement: Cubism – Break objects down. Shape over color, multiple viewpoints at once. Geometric shapes, collage experimentation.\nHistorical Context: Rapid Modernization

Name: Dog on a Leash\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Girl running on a balcony\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Dynamism of a cyclist\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Dog on a Leash\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Girl running on a balcony\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Mechanical Head\nDate: 1919\nArtist: Raoul Hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Dog on a Leash\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Cut With a Kitchen knife\nDate: 1919\nArtist: Hannah Boch\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Mechanical Head\nDate: 1919\nArtist: Raoul Hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Dog on a Leash\nDate: 1912\nArtist: Giacomo Balla\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.Historical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: Cut With a Kitchen knife\nDate: 1919\nArtist: Hannah Boch\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Mechanical Head\nDate: 1919\nArtist: Raoul Hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: 3 standard stoppages\nDate: 1913\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Unique Forms of Continuity in Space\nDate: 1913\nArtist: Umberto Boccioni\nMovement: Futurism – Innovation, modernity and speed, glorifies industry, war. Blur, vibrant colors, fragmented forms.\nHistorical context: Nationalism pre WWI, fascist regime. Cars, trains, photography, electricity.

Name: The Fountain\nDate: 1917\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Mechanical Head\nDate: 1919\nArtist: Raoul Hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: 3 standard stoppages\nDate: 1913\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Study for man and machine\nDate: 1921\nArtist: Hannah Boch\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: The Fountain\nDate: 1917\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Mechanical Head\nDate: 1919\nArtist: Raoul Hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: 3 standard stoppages\nDate: 1913\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Dada self portrait\nDate: 1920\nArtist: Raoul hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: The Fountain\nDate: 1917\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Mechanical Head\nDate: 1919\nArtist: Raoul Hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: 3 standard stoppages\nDate: 1913\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Dada self portrait\nDate: 1920\nArtist: Raoul hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: The Fountain\nDate: 1917\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Sleep\nDate: 1937\nArtist: Salvador Dali\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. hyper–realist.\nHistorical context: Freud Psychoanalysis, post WWI

Name: 3 standard stoppages\nDate: 1913\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Dada self portrait\nDate: 1920\nArtist: Raoul hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: This is not a pipe (The treachery of images)\nDate: 1929\nArtist: Rene Magritte\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. hyper–realist.\nHistorical context: Freud Psychoanalysis, post WWI

Name: Sleep\nDate: 1937\nArtist: Salvador Dali\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. hyper–realist.\nHistorical context: Freud Psychoanalysis, post WWI

Name: 3 standard stoppages\nDate: 1913\nArtist: Marcel Duchamp\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: Dada self portrait\nDate: 1920\nArtist: Raoul hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: This is not a pipe (The treachery of images)\nDate: 1929\nArtist: Rene Magritte\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. hyper–realist.\nHistorical context: Freud Psychoanalysis, post WWI

Name: Sleep\nDate: 1937\nArtist: Salvador Dali\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. hyper–realist.\nHistorical context: Freud Psychoanalysis, post WWI

Name: The Great Masturbator\nDate: 1929\nArtist: Salvador Dali\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. \nhyper–realist.Historical context: Freud Psychoanalysis, post WWI

Name: Dada self portrait\nDate: 1920\nArtist: Raoul hausmann\nMovement: Dadaism – Opposed to war, anti – art, state of mind, random, unreasonable, absurd. Readymade, collage, photomontage, random compositions.\nHistorical context: Post WWI, society gone insane, trauma.

Name: This is not a pipe (The treachery of images)\nDate: 1929\nArtist: Rene Magritte\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. hyper–realist.\nHistorical context: Freud Psychoanalysis, post WWI

 Name: Le Déjeuner en Forrure\nDate: 1936\nArtist: Meret Oppenheim\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. hyper–realist.\nHistorical context: Freud Psychoanalysis, post WWI

Name: The Great Masturbator\nDate: 1929\nArtist: Salvador Dali\nMovement: Surrealism – Unconscious mind, symbolic and erotic meanings, dreams, desire fear. ILLOGICAL, SHIFTS IN SCALE. \nhyper–realist.Historical context: Freud Psychoanalysis, post WWI