Red-Orange, Red-Violet, Yellow-Orange, Yellow-Green

The lightness or darkness of a color.

The brightness or dullness of a color.

The lightness or darkness of a color.

The brightness or dullness of a color.

The lightness or darkness of a color.

"non-colors" such as black, white, tan, brown

3 colors evenly spaced on the color wheel

2 colors opposite each other on the color wheel

3 colors evenly spaced on the color wheel

"non-colors" such as black, white, tan, brown

2 colors opposite each other on the color wheel

3 colors evenly spaced on the color wheel

"non-colors" such as black, white, tan, brown

2 colors opposite each other on the color wheel

3 colors evenly spaced on the color wheel

"non-colors" such as black, white, tan, brown

Creates a shorter, heavier silhouette

Lines formed when parts of the garment are constructed

Lines that are applied to the garment for decoration and interest

Considered graceful and feminine

Lines formed when parts of the garment are constructed

Lines that are applied to the garment for decoration and interest

Considered graceful and feminine

Prints based on lines and shapes.

Prints that cannot be recognized as real.

Prints that are realistic and appear as they would naturally.

Prints in which you can recognize the object, but it is not realistic in appearance.

Naturalistic Patterns

Prints that are realistic and appear as they would naturally.

Prints that cannot be recognized as real.

Prints based on lines and shapes.

Prints in which you can recognize the object, but it is not realistic in appearance.

Conventional / Stylized Patterns

Prints in which you can recognize the object, but it is not realistic in appearance.

Prints that cannot be recognized as real.

Prints based on lines and shapes.

Prints that are realistic and appear as they would naturally.

Prints that cannot be recognized as real.

Prints based on lines and shapes.

Prints that are realistic and appear as they would naturally.

Prints in which you can recognize the object, but it is not realistic in appearance.

Rough, smooth, soft, fuzzy, bumpy

Texture that has been applied to the surface of the fabric to simulate tactile texture.

Texture that can be felt by touch.

Refers to the relationships of individual parts of an outfit in comparison to the rest of its parts.

Illusions about the figure can be created by changing the natural proportions.

Refers to how lines and shapes divide an outfit into parts.

Both sides are exactly the same, or a mirror image of each other.

The design is balanced, but each side is different than the other in some way.

Gradual change in lines, shapes, color values or textures within the design.

Direct contrast created by perpendicular lines, black and white, or complementary colors placed next to each other.

Radiation of lines, shapes, colors, or textures outward from a central point or area.

Created by curved lines that lead from one area of a design to another.

Direct contrast created by perpendicular lines, black and white, or complementary colors placed next to each other.

Radiation of lines, shapes, colors, or textures outward from a central point or area.

Created by curved lines that lead from one area of a design to another.

Gradual change in lines, shapes, color values or textures within the design.

Elements & Principles of Fashion Design

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Elements & Principles of Fashion Design

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Practice Problem

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Jennifer Schweigert

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Element of Design

Principle of Design

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Balance

Rhythm

Line

Emphasis/Focal Point

Pattern

Color

Shape/Silhouette

Proportion/Scale

Harmony

Texture

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