Embracing the shadows, Vangeline's journey with Butoh dance

Evangeline, a Buto artist, introduces Buto as a dance form originating from Japan in the 1950s, emphasizing its connection to the subconscious and the unity of body, mind, and spirit. She highlights the challenges of Buto training, particularly for incarcerated individuals, and discusses her work in correctional facilities since 2006. Evangeline aims to provide a space for self-acceptance and empowerment, helping participants gain self-knowledge and control. The video underscores the significance of commitment and repetition in achieving transformative results through Buto.

What does Evangeline mean by 'the dance of darkness' in Buto?

How does Buto training challenge individuals, particularly those who are incarcerated?

What does Evangeline mean by 'a blank slate' in her approach to teaching?

In what ways does Evangeline aim to provide a space for rehabilitation?

What is the significance of self-knowledge and self-power in the context of the text?