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Intro to costuming and prop theatre terms

Total questions: 61

Worksheet time: 1hrs 1mins

Name
Class
Date
1.

What items belong in the costume shop?

a)

Costume pieces

b)

Shoes

c)

Hats

d)

Jewelry

e)

All of the above

2.

A costume parade is for

a)

Seeing all completed costumes under stage lights and allowing the director to request changes.

b)

The end of the show when actors are taking bows.

c)

Let the actors get the feel for their costume

d)

Allow actors to show costumers which pieces they don’t like.

3.

This person assists with getting an actor quickly into a different costume in a short amount of time during a show.

a)

Cutter

b)

Costume designer

c)

Milliner

d)

Dresser

4.

A time in the show when an actor needs to put on another costume in a short amount of time is called a -

a)

Dresser

b)

Dressing Room

c)

Quick change

d)

Scene change

5.

A seamstress predominately does -

a)

Cutting

b)

Sewing

c)

Designing

d)

Dressing

6.

These small pieces of fabric and other materials are used to show examples of fabric, lights, paint to directors so they can get the vision of a design.

a)

Swatch

b)

Gel

c)

Vision Board

d)

Pinterest board

7.

If you make a mistake and have to get rid of sewing, you would use -

a)

Scissors

b)

A pin

c)

A seam ripper

d)

Your fingers

8.

A wardrobe plot contains which of the following -

a)

Every costume piece an actor will wear

b)

Shoes an actor will wear

c)

Makeup designs for the actor

d)

Accessories like purses, hat, or jewelry an actor wears

9.

What do you use Fabric Scissors for ?

a)

Fabric and Paper

b)

Fabric and Thread

c)

Anything

d)

Just Fabric. Only Fabric. Nothing else.

10.

Table in convenient offstage area on which properties are prepared prior to a performance and to which they should be returned after use.

a)

prop table

b)

color correction

c)

door slam

d)

set dresser

11.
Member of production staff who is responsible for the props and furniture that are required on the set. 
a)
set dresser
b)
fills
c)
tat
d)
double handling
12.
Develops and creates the clothing the actors and actresses will wear to portray a character in a production.
a)
Stage Manager
b)
Costume Designer
c)
Music Director
d)
Set Designer
13.
Responsible for moving scenery, placement of props, and takes directions from the Stage Manager.
a)
Tech/Stage Crew
b)
Prop Master
c)
Director
d)
Producer
14.

Props designers do not collaborate with any other designers.

a)

True

b)

False

15.

One of the first things a props master must do is create a ___ that lists all props used in a show, scene by scene, as well as information about where the prop is placed, who uses it, who can fix it if it gets broken, and who to return it to at the end of the show.

a)

set prop

b)

hand prop

c)

prop plot

d)

decorative prop

16.

A props master does not need to worry about the setting of the play.

a)

True

b)

False

17.

Which of the following are the main types of props?

a)

costume props

b)

set props and set dressing props

c)

hand props

d)

paper props

18.

Costume props are ___.

a)

hand props that cross the areas of both costumes and props, like a cane or a pair of binoculars or an umbrella.

b)

elaborate costumes that can only be worn on stage

c)

fake items that are used in place of perishable props

d)

disposable props that are meant to be used only once

19.

A ___ is an example of a costume prop.

a)

chandelier

b)

carpet

c)

painting

d)

purse

20.

Furniture, carpets, and light fixtures are examples of ___.

a)

set props

b)

decorative props

c)

hand props

d)

costume props

21.

A cell phone, book, or sword is an example of a ___.

a)

set prop

b)

decorative prop

c)

hand prop

d)

costume prop

22.

Details such as artwork, houseplants, and curtains are examples of ___.

a)

set props and set dressing props

b)

decorative props

c)

hand props

d)

costume props

23.

Decorative props are sometimes referred to as ___.

a)

personal props

b)

running props

c)

soft props

d)

set dressing

24.

A props master can build a prop from scratch.

a)

True

b)

False

25.

A prop master can rent or buy a prop.

a)

True

b)

False

26.

A props master should never borrow props from another theatre.

a)

True

b)

False

27.

To "pull" a prop means ___.

a)

the props master literally pulls on a prop

b)

the props master finds a prop in his/her/their stock

c)

the props master borrows a prop from another theatre

d)

the props master rents a prop from another theatre

28.

A perishable prop is one that ___.

a)

dies on stage

b)

is used up, eaten, destroyed, broken, or handled in such a way that it is only good for one performance

c)

is not fit for human consumption

d)

is made from plastic, styrofoam, or plaster

29.

Fresh plants and flowers are examples of perishable props.

a)

True

b)

False

30.

If food will be consumed, one of the most important things for the props crew is ___.

a)

to make sure the actors consuming the food don't have food allergies or other dietary restrictions

b)

to make sure the food is prepared safely and properly

c)

to make sure the food is stored safely and properly

d)

All of the above

31.

Authenticity refers to how realistic a prop appears.

a)

True

b)

False

32.

The props crew's work is complete once all of the props have been acquired.

a)

True

b)

False

33.

The props crew is responsible for removing and replacing props between scenes and acts.

a)

True

b)

False

34.
What is the final step for Costume Designers?
a)
Sewing the costumes
b)
Researching images
c)
Reading the play
d)
Fitting the actors for show time
35.
a)
Costume Fitting
b)
Costume Rendering
c)
Quick Change
d)
Hand and Machine Sewing
36.
a)
Costume Fitting
b)
Costume Rendering
c)
Hand and Machine Sewing
d)
Quick Change
37.
a)
Quick Change
b)
Costume Fitting
c)
Costume Rendering
d)
Hand and Machine Sewing
38.

What era of theatre used masks in addition to clothing?

a)

Elizabethan

b)

Greek

c)

Roman

d)

19th Century

39.

What roles did young boys play in Elizabethan Theatre?

a)

Angels

b)

The Bad Guy

c)

Female

d)

Soldiers

40.

In the middle ages, costumes were often just:

a)

Chef's Coats

b)

Church Robes

c)

Soldier Uniforms

d)

Hand-Me-Downs

41.

In Elizabethan times, the colour that stood for penitence & mourning was:

a)

Blue

b)

Indigo

c)

Gold

d)

Purple

42.

Why were vibrant colors attributed to the rich in the Middle Ages?

a)

They were cheap

b)

They were rare

c)

They were expensive

d)

They were pretty

43.

What indicated the character's status to the audience in the Renaissance?

a)

Texture

b)

Flow

c)

Color

d)

Pattern

44.

Oversees the clothes, accessories, costume crew, quick changes, and cleaning and repair of costumes during the run of the production.

a)

wardrobe supervisor

b)

costume technician

c)

costume designer

d)

dresser

45.

The costume designer collaborates with the ______________ _________________ to make sure they understand how many pockets are needed on the costume for the actor.

a)

lighting designer

b)

production manager

c)

costume technician

d)

props master

46.

With whom does the costume designer collaborate?

a)

lighting designer

b)

props master

c)

set designer

d)

all of the above

47.

The costume designer's primary purpose is to . . .

a)

tell a story through what the actor wears.

b)

dress an actor.

c)

be a fashion guru.

d)

build all costumes.

48.

____________________ directs one’s attention to the central characters to help tell the story of the production. Costumers use costume color, movement, and silhouette to make central characters stand out.

a)

Texture

b)

Line

c)

Focus

d)

Lights

49.

________________ is the study of the time period, setting, history, and appropriate clothing materials for the concept chosen.

a)

Concept

b)

Unity

c)

Research

d)

Focus

50.

In terms of costume construction, what is a Pattern?

a)

The design on the fabric.

b)

Template from which parts of a garment are chalked onto fabric before being cut & assembled.

c)

A protective overshoe.

d)

A particular & repetitive way something is assembled.

51.

What is Pressing?

a)

Applying pressure to the fabric with your hand.

b)

Applying pressure and heat to fabric using an iron.

c)

Applying a weight to fabric on the cutting table to prevent it slipping whilst cutting.

d)

Pinching the fabric between two fingers.

52.

What do we mean when we say that there is a psychological meaning to clothing?

a)

A person’s uniform tells us what his/her occupation is.

b)

The colors a person is wearing can indicate the climate or weather outside.

c)

A person’s clothes can tell us about his/her personality and/or emotional state.

d)

Some costumes are character designs (specific to a particular character) and others are more merely decoration.

53.

If we see a character bundled up in a heavy fur coat, we can assume that the weather is cold. This is an example of how clothing can demonstrate the ______ of a play.

a)

Age

b)

Socioeconomic status

c)

occupation

d)

climate/ season

54.

Uniforms are an obvious indicator of the character’s ______.

a)

age

b)

season/climate

c)

occupation

d)

socioeconomic status

55.

In any period, the color, style, and fit of clothes provide information about the ______ of the wearer. Young people tend to reveal more of their bodes than do their elders.

a)

socioeconomic status

b)

age

c)

climate/ season

d)

occupation

56.

What is the shape formed by the outer lines of clothing?

a)

Decorative lines

b)

Silhouette

c)

Vertical

d)

Proportion

57.

Select all requirements a costume designer must meet:

a)

Reveal character's personality

b)

Reveal age, occupation, wealth, and social position of the character

c)

Reveal setting, both time and place

d)

Reveal the character's name

58.

Check all the ways you can get costumes.

a)

Make

b)

Rent

c)

Buy

d)

Borrow

59.

What is the list of characters and the garments they wear during the show called?

a)

Scenery Schedule

b)

Cast List

c)

Costume Plot

d)

Costume Schedule

60.

One way a costumer will show relationships like groups or families onstage is

a)

Put the information in the playbill

b)

Use different color schemes for different groups of characters

c)

Make some costumes short and others long

61.

When a costumer wants a character to stand out above all others, she often will

a)

Save certain colors only for that character, with no one else on stage in that color

b)

Make the character's costumes be from a different time period than the others

c)

Make the character's clothes light up