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TOA: A-E

Total questions: 35

Worksheet time: 20mins

Name
Class
Date
1.

Harmony, unrelated parts are brought into proper relationship.

a)

Unity & Hierarchy

b)

Rhythm

c)

Character

d)

Balance

2.

is expressiveness. The exterior of a building expresses the internal function.

a)

Rhythm

b)

Character

c)

Contrast

d)

Balance

3.

Size, magnitude, relationship of the human body with architectural motifs such as doors, windows, steps.

a)

Balance

b)

Proportion

c)

Scale

d)

Rhythm

4.

Equilibrium, Equality, Adjustment of Tones, Values.

a)

Balance

b)

Rhythm

c)

Unity & Hierarchy

d)

Proportion

5.

Relationships the eye makes with, between the size, shape, and tone of various objects or parts of a composition.

a)

Proportion

b)

Balance

c)

Unity & Hierarchy

d)

Character

6.

Volume required by activities

a)

Space

b)

Context

c)

Enclosure

d)

Function

7.

Activity grouping and zoning

a)

Economic

b)

Systems

c)

Context

d)

Function

8.

Site and climate.

a)

Function

b)

Enclosure

c)

Context

d)

Economic

9.

Sanitation, electrical, structural, lightning, HVAC, Acoustics, water

a)

System

b)

Economic

c)

Function

d)

Economic

10.

Circulation, forms and images

a)

Space

b)

Enclosure

c)

Geometry

d)

Function

11.

Thin and thick, horizontal or vertical direction of beams, columns.

a)

Contrast of Line

b)

Contrast of Character

c)

Contrast of Form

d)

Contrast of Treatment

12.

Having light and dark colored materials.

a)

Contrast of Tone

b)

Contrast of Line

c)

Contrast of Treatment

d)

Contrast of Character

13.

An ecclesiastical with Domestic building

a)

Contrast of Character

b)

Contrast of Tone

c)

Contrast of Line

d)

Contrast of Form

14.

Using different materials, glass, marble, steel.

a)

Contrast of Form

b)

Contrast of Treatment

c)

Contrast of Character

d)

Contrast of Line

15.

A building of mixed shapes, angles.

a)

Contrast of Form

b)

Contrast of Line

c)

Contrast of Size

d)

Contrast of Character

16.

A system based on the dimension and proportions of the human body in relation to forms, furniture, heights.

a)

Anthropomorphic

b)

Anthropometric

c)

Ergonomic

d)

Generic Scale

17.

A monumental effect, has a central axis, can be formal or with a radial effect.

a)

Absolute Proportion

b)

Symmetrical Balance

c)

Human Scale

d)

Relative Proportion

18.

Deals with the relationship between an object and the whole structure The window to the wall.

a)

Absolute Proportion

b)

Relative Proportion

c)

Symmetrical Balance

d)

Axis

19.

The measurement of man implemented to accommodate him to machines.

a)

Ergonomic

b)

Anthropomorphic

c)

Human Scale

d)

Generic Scale

20.

All parts must fit together in such a way that the composition will be disturbed if one element is removed.

a)

Relative Proportion

b)

Absolute Proportion

c)

Organic

d)

Unsymmetrical Balance

21.

Has an informal effect

a)

Human Scale

b)

Inorganic

c)

Unabsolute Proportion

d)

Unsymmetrical Balance

22.

An elementary means of organizing forms and spaces in architecture. It is a line established by two points.

a)

Axis

b)

Organic

c)

Symmetrical Balance

d)

Relative Proportion

23.

This deal between the parts of an object and the whole object, ex: window panes and the whole jamb.

a)

Relative Proportion

b)

Symmetrical Balance

c)

Generic Scale

d)

Methodology

24.

The size of a building element relative to the dimensions and proportion of the human body.

a)

Human Scale

b)

Anthropomorphic

c)

Ergonomic

d)

Generic Scale

25.

Has a picturesqueness of surroundings.

a)

Organic

b)

Axis

c)

Gravitational

d)

Methodology

26.

Forms and spaces especially placed to call attention to themselves as being the important elements in composition.

a)

Accent

b)

Function

c)

Association

d)

Strategic Location

27.

In unity, shapes, sizes of elements are shown one after the other.

a)

Alternation

b)

Association

c)

Accent

d)

Akdog

28.

Influence of traditional types (spires, classical orders, Gothic)

a)

Repetition

b)

Accent

c)

Alternation

d)

Association

29.

To be unique, forms and spaces are visually dominant, and different from that of the other elements in the composition.

a)

Unique in Shape

b)

Unique in building

c)

Unique in IV of Spades

d)

Alternation

30.

Human quality or emotional appeal (dignified, dynamic, strong, forbidding, light)

a)

Personality

b)

Accented Rhythm

c)

Accent

d)

Unique Building

31.

To give an emphasis or interest in unity.

a)

Association

b)

Personality

c)

Alternation

d)

Accent

32.

This reflects the degree of importance, the functional and symbolic roles they play in the organized design.

a)

Exceptional Size

b)

Unique Building

c)

Unique in Shape

d)

Strategic Location

33.

Use of building, like for a shop, a bank or a church.

a)

Alternation

b)

Personality

c)

Association

d)

Function

34.

Significantly different in dimension than all other elements in the composition. (The biggest, or the smallest to be noticed)

a)

Exceptional in Shape

b)

Exceptional Size

c)

Unique in Shape

d)

Personality

35.

Deals with motifs of more than one member, or same size and same energy.

a)

Accent

b)

Alternation

c)

Repetition

d)

Association