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VDA - Design (Part 1/2)

Total questions: 56

Worksheet time: 56mins

Name
Class
Date
1.

The creation and organization of formal elements in a work of art

a)

Design

b)

Form

c)

Shape

d)

Texture

2.

The shape and structure of something as distinguished from its substance or material

a)

Design

b)

Form

c)

Line

d)

Texture

3.

The edge or contour of a shape

a)

Design

b)

Form

c)

Line

d)

Texture

4.

The outline or surface configuration of a particular form or figure

a)

Design

b)

Line

c)

Shape

d)

Texture

5.

The visual and esp. tactile quality of a surface, apart from its color or form

a)

Design

b)

Shape

c)

Line

d)

Texture

6.

The apparent texture of a surface resulting from the combination and interrelation of colors and tonal values

a)

Visual texture

b)

Tactile texture

7.

The physical, dimensional structure of a surface, apart from its color or form

a)

Visual texture

b)

Tactile texture

8.

Of or pertaining to shapes and forms having irregular contours that appear to resemble those of living plants or animals

a)

Organic

b)

Nonobjective

c)

Geometric

d)

Abstract

9.

Of or pertaining to shapes and forms not representing natural or actual objects. Also, nonrepresentational

a)

Organic

b)

Nonobjective

c)

Geometric

d)

Abstract

10.

Of or pertaining to shapes and forms that resemble or employ the simple rectilinear or curvilinear elements of geometry

a)

Organic

b)

Nonobjective

c)

Geometric

d)

Abstract

11.

Of or pertaining to shapes and forms having an intellectual and affective content dependent solely on their intrinsic lines, colors, and relationship to one another

a)

Organic

b)

Nonobjective

c)

Geometric

d)

Abstract

12.

Something that stands for or represents something else by association, resemblance, or convention, deriving its meaning chiefly from the structure in which it appears

a)

Symbol

b)

Sign

c)

Content

d)

Detail

13.

A mark or figure having a conventional meaning and used in place of a word or phrase to express a complex notion

a)

Symbol

b)

Sign

c)

Content

d)

Detail

14.

A unified composition of two-dimensional shapes or three-dimensional volumes, esp. one that has or gives the impression of weight, density, and bulk

a)

Massing

b)

Additive

c)

Subtractive

d)

Articulation

15.

Characterized or produced by addition, accumulation, or uniting, often resulting in a new identity

a)

Massing

b)

Additive

c)

Subtractive

d)

Articulation

16.

Characterized or produced by removal of a part of portion without destroying a sense of the whole

a)

Massing

b)

Additive

c)

Subtractive

d)

Articulation

17.

A method or manner of jointing that makes the united parts clear, distinct, and precise in relation to each other

a)

Massing

b)

Additive

c)

Subtractive

d)

Articulation

18.

The significance or meaning of an artistic work, as distinguished from its form

a)

Symbol

b)

Sign

c)

Content

d)

Detail

19.

An individual, minute, or subordinate part of a whole

a)

Symbol

b)

Sign

c)

Content

d)

Detail

20.

The characteristic structure given to a surface or substance by the size, shape, arrangement, and proportions of the parts

a)

Texture

b)

Fabric

c)

Pattern

21.

An underlying framework or structure of connected parts

a)

Texture

b)

Fabric

c)

Pattern

22.

An artistic or decorative design, esp. one having a characteristic arrangement and considered as a unit, of which an idea can be given by a fragment

a)

Texture

b)

Fabric

c)

Pattern

23.

The manner of arranging and coordinating the parts of a composition so as to produce a coherent image

a)

Form

b)

Organization

c)

Structure

24.

The systematic arranging of interdependent or coordinated parts into a coherent unity or functioning whole

a)

Form

b)

Organization

c)

Structure

25.

The organization of elements or parts in a complex system dominated by the general character of the whole

a)

Form

b)

Composition

c)

Structure

26.

The basic scheme or concept for an architectural design, represented by a diagram

a)

Parti

b)

Composition

c)

Structure

d)

Form

27.

A drawing, not necessarily representational, that outlines, performs, explains, or clarifies the arrangement and relations of the parts of a whole

a)

Parti

b)

Composition

c)

Diagram

d)

Form

28.

The arranging of parts or elements into proper proportion or relation so as to form a unified whole

a)

Parti

b)

Composition

c)

Diagram

d)

Form

29.

A fundamental and comprehensive concept of visual perception for structuring an aesthetic composition

a)

Design principle

b)

Order

c)

Unity

d)

Harmony

30.

A condition of logical, harmonious, or comprehensible arrangement in which each element of a group is properly disposed with reference to other elements and to its purpose

a)

Design principle

b)

Order

c)

Unity

d)

Harmony

31.

The state or quality of being combined into one, such as the ordering of elements in an artistic work that constitutes a harmonious whole or promotes a singleness of effect

a)

Design principle

b)

Order

c)

Unity

d)

Harmony

32.

The state or quality of being identical, homogeneous, or regular

a)

Uniformity

b)

Homogeneous

c)

Regular

d)

Monotony

33.

Uniform in structure throughout or composed of parts that are all of the same nature or kind

a)

Uniformity

b)

Homogeneous

c)

Regular

d)

Monotony

34.

Uniformly or evenly formed or arranged

a)

Uniformity

b)

Homogeneous

c)

Regular

d)

Monotony

35.

The state or quality of lacking variety

a)

Uniformity

b)

Homogeneous

c)

Regular

d)

Monotony

36.

The orderly, pleasing, or congruent arrangement of the elements or parts in an artistic whole

a)

Design principle

b)

Order

c)

Unity

d)

Harmony

37.

Harmony in the arrangement of parts or colors that is restful to the eye

a)

Repose

b)

Coherent

c)

Agreement

d)

Similarity

38.

Logically or aesthetically ordered or integrated to afford comprehension or recognition

a)

Repose

b)

Coherent

c)

Agreement

d)

Similarity

39.

Correspondence in size, shape, or color among the elements in a work or art

a)

Agreement

b)

Similarity

c)

Coherent

d)

Repose

40.

The state or quality of being alike in substance, essentials, or characteristics

a)

Agreement

b)

Similarity

c)

Coherent

d)

Repose

41.

Nearness in place, order, or relation

a)

Continuity

b)

Alignment

c)

Proximity

42.

The state or quality of being continuous, such as that exhibited by a line, edge, or direction

a)

Continuity

b)

Alignment

c)

Proximity

43.

Arrangement in or adjustment according to a straight line

a)

Continuity

b)

Alignment

c)

Proximity

44.

A system of elements ranked, classified, and organized one above another, according to importance or significance

a)

Hierarchy

b)

Opposition

c)

Juxtaposition

d)

Tension

45.

The state or position of being placed opposite another, or of lying in corresponding positions from an intervening space or object

a)

Hierarchy

b)

Opposition

c)

Juxtaposition

d)

Tension

46.

The state or position of being placed close together or side by side, so as to permit comparison or contrast

a)

Hierarchy

b)

Opposition

c)

Juxtaposition

d)

Tension

47.

The state or condition of being opposed, inconsistent, or logically incongruous

a)

Contradiction

b)

Chaos

c)

Counterpoint

d)

Tension

48.

A tenuous balance maintained in an artistic work between opposing forces or elements, often causing anxiety or excitement

a)

Contradiction

b)

Chaos

c)

Counterpoint

d)

Tension

49.

A state of utter disorder or confusion

a)

Contradiction

b)

Chaos

c)

Counterpoint

d)

Tension

50.

A parallel but contrasting element or theme in a narrative or concept

a)

Contradiction

b)

Chaos

c)

Counterpoint

d)

Tension

51.

A deviation from the normal or expected form, order, or arrangement

a)

Anomaly

b)

Point

c)

Salient

52.

The major idea, essential part, or salient feature of a narrative or a concept

a)

Anomaly

b)

Point

53.

Prominent or conspicuous

a)

Anomaly

b)

Point

c)

Salient

54.

The state or quality of having varied or diverse forms, types, or characteristics

a)

Variety

b)

Emphasis

c)

Contrast

55.

Stress or prominence given to an element of a composition by means of contrast, anomaly, or counterpoint

a)

Variety

b)

Emphasis

c)

Accent

56.

Opposition or juxtaposition of dissimilar elements in a work of art to intensify each element's properties and produce a more dynamic expressiveness

a)

Variety

b)

Emphasis

c)

Contrast