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WorksheetsSpeech and hearing midterm
Total questions: 106
Worksheet time: 53mins
distance moved in a given direction
displacement
speed
velocity
speech rate
distance over time (m/s)
displacement
speed
velocity
acceleration
displacement over time with direction (m/s)
displacement
acceleration
speech rate
velocity
change in velocity over time (m/s^2)
displacement
speed
speech rate
acceleration
based on the speed of movement of articulators
displacement
speech rate
velocity
acceleration
an object at rest will stay at rest until a force acts upon it. An object in motion will stay in motion will move at a constant velocity unless a force acts on it
first law - law of inertia
second law force=m*a
third law "equal and opposite reaction"
when a force acts on an object, the object will accelerate in the same direction as the force. When multiple forces act, the acceleration is in the direction of their sum
first law - law of inertia
second la force=mass*acceleration
third law "equal and opposite reaction"
when one object applies a force to another, the second object also applies an equal force upon the first, but in the opposite direction
first law law of inertia
second law force=mass*acceleration
third law "equal and opposite reaction"
a force applied to move an object over a distance
work
energy
power
force x distance (1 joule=1newton*meter)
work
energy
power
the capacity of an object to do work, measured in joules
work
energy
power
the rate at which work can be done
work
energy
power
work/time (1 watt=1joule per second)
work
energy
power
energy of motion
kinetic energy
potential energy
power
energy
mass*velocity^2/2
kinetic energy
potential energy
work
power
stored energy that can be released
kinetic energy
energy
power
potential energy
mass*gravity*height
potential energy
power
kinetic energy
potential energy of gravity
a property of an object that it resists being deformed due to outside force
stiffness
elasticity
pressure
force
a property of an object to be able to return to its original shape after deformation
stiffness
elasticity
pressure
force
a force applied over an area
pressure
work
stiffness
elasticity
force/area 1 pascal = 1 newton/meters^2
force
kinetic energy
potential energy
pressure
a pressure wave created by vibration (oscillation) of air molecules
sound wave
transverse wave
pulse wave
longitudinal wave
particles move parallel to the energy transfer of the wave
longitudinal wave
sawtooth wave
pulse wave
transverse wave
single action creating one wave
pulse wave
transverse wave
longitudinal wave
square wave
movement of particles in perpendicular to direction of energy transfer in the way, think guitar string, up and down
longitudinal wave
period complex waves
sine wave
transverse wave
simple harmonic motion of a longitudinal wave, represented by a pure tone, turning fork emits same single frequency
transverse wave
sine wave
sawtooth wave
square wave
combined sine waves, repeatable, can be broken down into their constituent pure tones, they have to satisfy a mathematic equation called an harmonic relation
complex periodic wave
sawtooth wave
transverse wave
pulse wave
states that all of the frequencies involved in the wave must be multiples of the lowest frequency of the wave
harmonic relation
harmonic series
complex periodic waves
because all of the waves involved are multiples of that lowest frequency, they can add together and keep a repeatable/periodic nature
complex periodic waves
harmonic relation
harmonic series
energy at all odd and even integer multiples of the Fo
square wave
triangle wave
sawtooth wave
sine wave
energy only at odd multiples
sawtooth wave
square wave
triangle wave
energy only at odd multiple but rolls off -12 dB per octave
sawtooth wave
square wave
triangle wave
transverse wave
low pressure areas, more open
rarefaction
compression
trough
crest
high pressure areas
rarefaction
crest
trough
compression
point of high amplitude in wave
crest
trough
rarefaction
compression
point of low amplitude
crest
trough
rarefaction
compression
waves per second 60 hz (60 cycles/1 second)
frequency
period
wavelength
speed
time taken by one cycle 1/60th of second
frequency
wavelength
period
speed
distance from peak to peak of wave (meters)
frequency
period
wavelength
speed
wavelength x frequency
frequency
period
wavelength
speed of wave
in phase of wave: wave periods have same frequency lining up
in pase
out of phase
crests and troughs or rarefactions and compressions of same frequency not lining up
in phase
out of phase
rarefaction+rarefaction=amplification
compress+compress=amplification
constructive interference
destructive interference
beat tones
rarefaction+compress=cancelled out!
deconstructive interference
constructive interference
beat tones
mixes and complex interference
constructive interferene
destructive interference
beat tones
the destructive and constructive interference patterns line up just right so it looks like the wave isn't moving at all, usually occurs in confined spaces
standing waves
transferred waves
antinodes
beat tones
where the waves do not combine, largest amplitude
antinodes
beat tones
pure tones
nodes
these are why we hear differences between vowels, where waves are combined, smallest amplitude, where constructive and destructive line up, in combined space, cancelled out
antinodes
nodes
standing waves
beat tones
an aperiodic wave, random and unpredictable, can be transient or continues, and cycles don't repeat
noise
complex periodic wave
simple harmonic wave
white noise
frequency at which an object vibrates most easily and with the largest amplitude, depends on object material and length of object
natural resonant frequency
acoustic resonators
vibration
resonance
air inside a container is set into vibration, seize of the resonating cavity determines the frequency
acoustic resonators
resonators
vibration
natural resonant frequency
occurs when an items is struck or vibrated once and left alone
free vibration
forced vibration
requires constant input from an oscillator to keep moving, the object set in motion is called a resonator
free vibration
forced vibration
amplitude will be large
if vibrations are tuned together
if not at same frequency
amplitude will be less
if vibrations are tuned together
if vibrations are not at same frequency
20 Hx-20,000 Hz
human hearing
good audibility
upper limit of hearing
1000Hz to 4000 Hz
human hearing
good audibility
upper limit of hearing
120-120 dB SPL
human hearing
good audibility
upper limit of hearing
contracts for inspiration pulling down and forwards, below the lungs
diaphragm
oral cavity
pharynx
larynx
inspiration
internal intercostal muscles
external intercostal muscles
diaphragm
abdominal muscles
expiration
internal intercostal muscles
external intercostal muscles
diaphragm
abdominal muscles
pressure and volume of gas are inversely correlated, when volume increases, pressure decreases, drives breathing process (equalizing pressure)
boyle's law
breathing muscles
law of inertia
second law
move the lungs-passive, expand and compress
diaphragm and ribcage
internal and external intercostal muscles
abdominal muscles
boyle's law
automatic, controlled by autonomic nervous system, sleep continues without thinking, 12/15 breaths per minute, inter and extra costal muscles barely move
tidal breathing
forced breathing
tidal volumes
total lung capacity
for speech, more muscle contraction and groups, active process, diaphragm close to 10 cm of movement
forced breathing
tidal breathing
tidal volume
total lung capacity
greater volume than tidal (ex. doctor's appointment, yoga class)
forced inhale
forced exhale
forced breathing
tidal breathing
air moves out fast in lungs (quick exhales)
forced inhale
forced exhale
forced breathing
tidal breathing
the volume of air exchanged during a single cycle of breathing
tidal volume
residual volume
total lung capacity
vital capacity
the air that remains in the lungs
tidal volume
residual volume
total lung capacity
vital capacity
the maximum volume of air that the lungs can hold
tidal volume
residual volume
total lung capacity
vital capacity
the total volume of air that can be exchanged during a single cycle of maximum inhalation/exhalation
vital capacity
tidal volume
residual volume
total lung capacity
the additional amount that you can inhale
inspiratory reserve volume
expiratory reserve volume
functional residual capacity
tidal volume
amount of air that can still be exhaled after quiet breath
inspiratory reserve volume
expiratory reserve volume
functional residual capacity
vital capacity
amount of air remaining in the lungs when recoil forces are balanced
functional residual capacity
inspiratory reserve volume
tidal volume
total lung capacity
squamous cells and basement membrane, whitish color, assists with hydration and fluid retention
mucous membrane
epithelium
lamina propria
deep layer
superficial + intermediate together
mucosal lining
mucous membrane
vocal ligament
collagen fibers
intermediate + deep together
vocal ligament
mucosal lining
elastin fibers
collagen fibers
cushions vocal folds, made out of randomly oriented fibrous and elastin fibers
superficial layer
connective layer
intermediate layer
deep layer
elastin fibers in anterior/posterior orientation
superficial layer
connective layer
intermediate layer
deep layer
collagen fibers in anterior/posterior orientation
superficial layer
lamina progria
intermediate layer
deep layer
for adducting, antagonist to cricothyroid
-thyrovocalis, thyromuscularis
thyroarytenoid
lateral criciarytenoid
interarytenoid
cricothyroid
medial, tenses/shortens
thyrovocalis
thyromuscularis
lateral, relaxes/lengthens
thyrovocalis
thyromuscularis
adductor, paired
thyroarytenoid
lateral criciartenoid
interarytenoid
cricothyroid
adduct together, two sets, oblique interarytenoid(two) and transverse interarytenoid (one)
thyroartenoid
lateral cricoartenoid
interarytenoid
cricothyroid
forward and down for thyroid cart, opposite of thyoarytenoid, pars recta, pars oblique, main tensor for vocal folds
lateral crciarytenoid
interarytenoid
cricothyroid
posterior cricoartenoid
abductor, both sides
interarytenoid
lateral cricoarytenoid
posterior cricoartenoid
cricothyroid
sensory
internal superior laryngeal branch
external ""
recurrent ""
cricothyroid muscle (forward and down)
internal superior laryngeal branch
external ""
recurrent ""
when vocal fold opens, pressure decreases through small space and air goes through fast
myoelastic aerodynamic theory
cover vibration
cover+body
Bernoulli effect
vocal fold cover, epithelium, superior lamina propria, intermediate lamina vibrate at soft and high frequency phonation
cover dominant
body and cover vibration
myyoelastic areodynamic theory
Bernoulli effect
deep lamina propria and thyroartyenoid muscles, contract and thicken
body and cover vibration
cover dominant
myoelastic aerodynamic theory
Bernoulli effect
sub glottal pressure pushes vocal folds apart, VF bounce back due to their elasticity, Bernoulli effect pushes them apart again, creates wave
-a theory of why our VF create waves
Bernoulli effect
myoelastic aerodynamic theory
cover and body
cover
measured during sustained vowels, reading, and spontaneous speech, typically a small range in natural speech, usually in the lower part of the speaker's range, can change with emotional state, also measures maximum range
Fo
jitter
shimmer
loudness
perturbations in Fo, measured in sustained vowel (ex. /a/), fluctuations in Fo, everyone has some, not relevant clinically, doesn't always improve with treatment
Fo
shimmer
jitter
intensity
looking at ratio of frequency in one cycle compared to one next to it
jitter ratio
airflow measurement
shimmer ratio
natural variation in intensity or loudness (decibel scale)
shimmer
jitter
intensity
noise
compares absolute different between amplitude of different waves and divides by all waves, 3.8 or less
jitter ratio
shimmer ratio
inverse square law
noise measurement
imperfect variations, not repeatable
noise
shimmer
jitter
loudness
intensity and frequency changes documented and graphed, frequency on x axis, intensity on y axis, measure treatment outcomes based on vocal pathology of client
voice angle profile
airflow measurment
pneumotachograph
s/z ratio
compares rate of air pressure being produced to the acoustic power taken as sound leaves mouth
glottal efficiency
s/z ratio
pneumotachograph
phonedogram
someone hold out max phonation time between s and z both, look at ratio between those two times, if z is long then vocal fold path impedes air flow when vocal fold closed, should be equal ratio
s.z ratio
max phonation time
glottal efficiency
phonedogram
sustained vowels measured in sounds, men great, can be affected by learning and practice and exercise
max phonation time
intensity
jitter
shimmer
speaking and widest frequency, chest voice or low voice, most speech occurs, men lower Fo
modal register
glottal fry
falsetto
relaxation of cricothyroid muscle, creates prolonged duration of closed phase, vocal folds are short and thick, Fo is low, mean airflow and sub glottal pressure are lower than modal voice, also termed pulse phonation
modal
glottal fry
falsetto
cricothyroid muscle contract byt thryoartyenoid dosen't shorten, stiff and long, decreased mass and increased stiffness, higher frequency, closed phase is shortened, reduced amplitude of wave when closed
falsetto
modal
glottal fry
