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WorksheetsConarts
Total questions: 59
Worksheet time: 30mins
something that is created using imagination and skill and that expresses idea or feelings
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
generally refers to art being created now
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
defines contemporary art as related to this current event period in art history, and refers to art that is new, recent, modern or pertains to the present moment.
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
regards contemporary art as a specific or stage in the story of the evolution of arts, referring to a specific location in space and time.
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
”art produced in our era or lifetime”
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
old works of art were once contemporary in their own time
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
This view establishes a timeline in which works of art belong to a particular historical period. In this case, Contemporary art is considered to belong to the “contemporary period” which is a period in history following the end of modernism.
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
derived from the Latin prefix con, which means “together” or “with, plus tempus, which means “time”
art
contemporary
CHRONOLOGICAL VIEW
HISTORICAL VIEW
Arts that reflect the current situations, issues, event in the present time.
art
contemporary arts
CHRONOLOGICAL VIEW
HISTORICAL VIEW
After this was a shift of political, cultural, and economic power from Europe to the United States which marked the end of European colonialism
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
This is adhered to by most museums when defining their collections of contemporary artworks
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
This is the most commonly used by art critics due to the emergence at this time of a new generation of artists who were overturning the modernist practice.
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
From this vantage point, this era is taken as a reference point of the change-over from Modern to contemporary.
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
It was an era of repression and censorship of artistic expressions.
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
Marcos state exercised control over the print media, radio, television, schools and the arts through various presidential decrees and established a network of cultural and art institutions governed by his wife, Imelda.
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
Art at this point oriented many young artists to WESTERN art also, the detriment of local artists. Social realism flourished which is a movement sought to expose the real condition of Philippine society and used art to transform it.
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
Contemporary artists felt the need to redefine our social and racial identity in the post-EDSA social context.
ART PRODUCED AFTER 1945
ART PRODUCED SINCE 1960S
1970s
1986 (EDSA People Power Revolution), the end of Martial Law brought the Philippines into Contemporary Period.
Contemporary art emerged in the country due to ___ factors
1
2
3
4
Contemporary art emerged in the country due to three factors
The return of the democracy under the Aquino government
The improved economic and political environment in the country, particularly in the regions
The advent of new technologies and free access to media.
Works of contemporary artists provide not only new art and ideas but also new strategies and tactics for producing art and engaging the artistic processes.
To be new is to be modern; the new is progressive. Works of contemporary artists provide not only new art and ideas but also new strategies and tactics for producing art and engaging the artistic processes.
Contemporary Art as a Breaking of Norms
CONTEMPORARY ART AS A CRITIQUE OF SOCIETY
an important preoccupation in the world of contemporary art
Contemporary Art as a Breaking of Norms
CONTEMPORARY ART AS A CRITIQUE OF SOCIETY
APPROPRIATION
It is the practice of creating a new work by taking a pre-existing image or work from another context- art history, media, advertising and combining the borrowed image with new ones.
Contemporary Art as a Breaking of Norms
CONTEMPORARY ART AS A CRITIQUE OF SOCIETY
APPROPRIATION
is something that can be passed from one generation to the next, can be conserved or inherited and has historic or cultural value
heritage
PHYSICAL OBJECTS AND PLACES OF HERITAGE
PRACTICES OF HERITAGE
old buildings, paintings, public art. Ex. Teatro Porvernir- an old ‘sabungan’ or cockpit arena that was transformed into a community theatre in 2015. Initiated by theatre director Lutgardo Labad.
heritage
PHYSICAL OBJECTS AND PLACES OF HERITAGE
PRACTICES OF HERITAGE
oral traditions, dance, fiestas, etc. Ex. Mandala Art Festivalheld every May since 2012 in Pulilan,Bulacan. It is a competition on the making of Painted miniature, paper mache carabaos, carabao painting and wall mural painting
heritage
PHYSICAL OBJECTS AND PLACES OF HERITAGE
PRACTICES OF HERITAGE
The growing speed of technology, the transfer of ideas, capital, information, and culture around the globe provide the backdrop for the diversity and rapid transformation in contemporary art.
Contemporary Art as a Breaking of Norms
CONTEMPORARY ART AS A CRITIQUE OF SOCIETY
APPROPRIATION
Venues for contemporary artworks are no longer confined within the strict boundaries of the museums and gallery spaces.
Contemporary Art as a Breaking of Norms
CONTEMPORARY ART AS A CRITIQUE OF SOCIETY
APPROPRIATION
Creative exhibition spaces are carved from the existing public spaces like parks, market places or even abandoned buildings
Contemporary Art as a Breaking of Norms
CONTEMPORARY ART AS A CRITIQUE OF SOCIETY
APPROPRIATION
refers to the awareness of beauty or the quality of ones work
(CA for pleasure) Aesthetic
CA as Profession (Creative Industries)
CA as Commentary
CA in Spirituality
refers to industries which combine the creation, production, and commercialization of creative contents which are intangible and cultural in nature
(CA for pleasure) Aesthetic
CA as Profession (Creative Industries)
CA as Commentary
CA in Spirituality
Art has often been used to answer our need for information
(CA for pleasure) Aesthetic
CA as Profession (Creative Industries)
CA as Commentary
CA in Spirituality
Artists may create art to express spiritual beliefs about the destiny of life controlled by the force of a higher power.
(CA for pleasure) Aesthetic
CA as Profession (Creative Industries)
CA as Commentary
CA in Spirituality
is something done as an aid to memory)
CA as Remembrance
CA for Persuasion
CA as Self-Expression
CA in Spirituality
Many art forms have a persuasive and ideological function
CA as Remembrance
CA for Persuasion
CA as Self-Expression
CA in Spirituality
Art fulfills an expressive function when an artist conveys information about his or her personality, feelings, or worldview
CA as Remembrance
CA for Persuasion
CA as Self-Expression
CA in Spirituality
Art fulfills an expressive function when an artist conveys information about his or her personality, feelings, or worldview
CA as Remembrance
CA for Persuasion
CA as Self-Expression
CA in Spirituality
allows the work to be perceived by the senses and its ideas to be communicated through the arrangement of elements as a whole.
form
Creativity
Imagination
Language
the generation of new ideas, insights, and previously unimagined images and artifacts, is usually thought of as central to the making of art.
form
Creativity
Imagination
Language
is a medium by which cultural meanings are formed and communicated.
form
Creativity
Imagination
Language
is a faculty that allows us to generate mental pictures, ideas, and sensations that do not exist in the world and in some cases cannot exist.
form
Creativity
Imagination
Language
is concerned with search for meaning.
Interpretation
Creativity
Imagination
Language
is concerned with power and the distribution of economic resources in the context of art production.
Interpretation
political economy
Imagination
Language
is unearthed and revealed from the surface of the form.
Interpretation
political economy
ideology
Language
Pertains to the artists his/her attitudes, beliefs, interests and values, education and training, biography (including psychology)
primary context
SECONDARY CONTEXT
AESTHETIC EXPERIENCE
CONSENSUS OF THE ART WORLD
Addresses the external conditions in which the work was produced; the apparent function of the work, religious and philosophical convictions, sociopolitical and economic structures, and even climate and geography.
primary context
SECONDARY CONTEXT
AESTHETIC EXPERIENCE
CONSENSUS OF THE ART WORLD
A thing becomes art when it is charged with meaning and value based on the following ____
primary context
criteria
AESTHETIC EXPERIENCE
CONSENSUS OF THE ART WORLD
Are our responses towards phenomenal like enchantment, fear, awe, terror or guilt all that it takes to name something as art, or consider something as artistic, pleasant or enchanting, or something be a thing or commodity?
primary context
secondary context
AESTHETIC EXPERIENCE
CONSENSUS OF THE ART WORLD
The network of institutions (schools, museums, galleries, commercial market systems, and professions) which exercises the power to set the terms with which the public is made to perceive art.
primary context
secondary context
AESTHETIC EXPERIENCE
CONSENSUS OF THE ART WORLD
refer to human labor power and means of production (tools, equipment, buildings, technologies, knowledge, materials and other resources) the social and technical relations of production (property, power, and control relations governing society’s productive assets), and relations between social classes.
Material Conditions
Creativity
AESTHETIC EXPERIENCE
CONSENSUS OF THE ART WORLD
is the ability to bring forth something new that has value. It is usually thought of as a central to the making of art.
Material Conditions
Creativity
AESTHETIC EXPERIENCE
CONSENSUS OF THE ART WORLD
is one of the areas where there is a string regional art tradition, they produced artists that have contributed to their lively art scene.
Negros
Bacolod and Dumaguete
Baguio City
Davao
are both hailed as centers in the local art industry, as many galleries and artist’s group are found their
Negros
Bacolod and Dumaguete
Baguio City
Davao
y is recognized as the regional center of artistic production in the Cordillera region.
Negros
Bacolod and Dumaguete
Baguio City
Davao
is considered as the aesthetic laboratory and cultural hub of many Mindanao artists
Negros
Bacolod and Dumaguete
Baguio City
Davao
Is the process of responding to observations, concepts, emotions, and other experiences that we encounter in the world and interpreting these responses by creating artworks that employ human skill, intuition and imagination to raw materials or medium with appropriate tools and technique of execution.
Art Production
Art Criticism
Art History
Aesthetics
is the presentation of ideas and feelings by creating expressive images through the application of tools and mastery of techniques to a material.
Art Production
Art Criticism
Art History
Aesthetics
Help us defer our judgment process and understand why we respond the way we do. Involves learning other criteria for judgment beyond our personal likes and dislikes.
Art Production
Art Criticism
Art History
Aesthetics
Help us defer our judgment process and understand why we respond the way we do. Involves learning other criteria for judgment beyond our personal likes and dislikes.
Art Production
Art Criticism
Art History
Aesthetics
Help us defer our judgment process and understand why we respond the way we do. Involves learning other criteria for judgment beyond our personal likes and dislikes.
Art Production
Art Criticism
Art History
Aesthetics
