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Principles of hair Design Chapter 9

Total questions: 36

Worksheet time: 18mins

Name
Class
Date
1.

All of the following are reasons cosmetologists should study and have a thorough understanding of hair design principles EXCEPT __________.

a)

understanding hair design principles allows cosmetologists to know why a particular hairstyle will or will not be the best choice for a client

b)

understanding hair design principles assists cosmetologists in achieving their styling vision

c)

understanding hair design principles enables cosmetologists to convince their clients to try their hair styled in a way they don’t typically have it styled

d)

understanding hair design principles gives cosmetologists the skills to create looks that emphasize their client’s best attributes while minimizing areas of concern


2.

Which of the five planning steps to bringing a design to life involves a stylist learning and growing from past design mistakes?

a)

Seek inspiration

b)

Work the plan.

c)

Try and try again.

d)

Take calculated risks.

3.

Which planning step in bringing an artistic design to life is defined as the stylist deciding which tools and techniques are needed to achieve their design?

a)

Work the plan

b)

Seek inspiration.

c)

Try and try again.

d)

Create a plan.

4.

The area surrounding the mass or general outline of a style is:

a)

Space

b)

Form

c)

Line

d)

Wave Pattern

5.

Form or mass may also be called:

a)

Volume

b)

Space

c)

Line

d)

Color

6.

Which element of hair design refers to wave pattern?

a)

General Outline

b)

Positive Form

c)

Design Texture

d)

Negative Form

7.

Lines which are parallel to the floor are called:

a)

Diagonal

b)

Horizontal

c)

Vertical

d)

Perpendicular

8.

Which type of lines will soften a design?

a)

Straight

b)

Angular

c)

Curved

d)

Boxy

9.

Hairstyles using ______ are best on clients who require the minimum of care when styling their hair.

a)

A Single Line

b)

Repeating Lines

c)

Diagonal Lines

d)

Parallel Lines

10.

Finger waves are an example of a style using what type of lines?

a)

A Single Line

b)

Parallel Lines

c)

Diagonal Lines

d)

Contrasting Lines

11.

Horizontal and vertical lines that meet at a 90-degree angle are called:

a)

Repeating Lines

b)

Diagonal Lines

c)

Transitional Lines

d)

Contrasting Lines

12.

Color can help define:

a)

Form and Space

b)

Texture and Line

c)

Volume and Length

d)

Angles and Curves

13.

Colors can be used to make all or part of a hair design appear:

a)

Longer and Fuller

b)

Shorter and Lighter

c)

Larger and Smaller

d)

Thinner and Straighter

14.

Dark and cool colors recede or move in toward the head, creating the illusion of _________.

a)

More Volume

b)

Less Volume

c)

Warm Excitement

d)

More Movement

15.

You can draw a line in a hairstyle in the direction you want the eye to travel by using: ___________

a)

A Lighter Color

b)

A Darker Color

c)

No Part

d)

Monotone

16.

What can create a bold and dramatic accent to a design?

a)

Soft Curves

b)

Subtle Tones

c)

Muted Color

d)

A Single Line Of Color

17.

Curly and overly curly hair does not reflect much light and could be ______ to the touch.

a)

Fine

b)

Dry

c)

Coarse

d)

Limp

18.

Crimping irons are used to create interesting, ________ wave patterns like zigzags.

a)

Unusual

b)

Natural

c)

Smooth

d)

Fine

19.

Using too many wave patterns combinations together could create a look that is__________.

a)

Too Simple

b)

Less Exciting

c)

Overly Busy

d)

More Subdued

20.

What are the five art principles important for hair design?

a)

Proportion, balance, rhythm, space, harmony

b)

Proportion, balance, rhythm, emphasis, harmony

c)

Proportion, balance, form, wave pattern, harmony

d)

Rhythm, proportion, balance, space, wave pattern

21.

The comparative relationship between objects relative to their size is known as:

a)

Balance

b)

Symmetry

c)

Harmony

d)

Proportion

22.

If ______ hair is left too long, it could separate and reveal too much of the client’s scalp unless the hair is thick in density.

a)

Curly, fine

b)

Wavy, medium

c)

Curly, coarse

d)

Fine, straight

23.

Harmony is the creation of _______ in a design and holds all the elements together.

a)

Proportion

b)

Emphasis

c)

Unity

d)

Rhythm,

24.

When both sides of a hairstyles are the same distance from the center, the same length and have the same volume when viewed from the front, it is known to have:

a)

Harmonious balance

b)

Symmetrical balance

c)

Asymmetrical balance

d)

Rhythmic balance

25.

When opposite sides of the hairstyle are different length or have a different volume, it is known to have

a)

Harmonious balance

b)

Symmetrical balance

c)

Asymmetrical balance

d)

Rhythmic balance

26.

The fast or slow pattern that creates movement in a hairstyles is called:

a)

Balance

b)

Emphasis

c)

Harmony

d)

Rhythm

27.

The place the eye sees first in a hairstyle is known as the:

a)

Emphasis

b)

Fast rhythm

c)

Asymmetrical design

d)

Harmonious flow

28.

The principle of design which holds all the elements of design together is known as:

a)

Balance

b)

Rhythm

c)

Harmony

d)

Emphasis

29.

The face shape which is considered to be ideal is:

a)

Oblong

b)

Heart-shaped

c)

Oval

d)

Square

30.

The oval face is about _____ times longer than its width across the bow.

a)

1.25

b)

1.5

c)

1.3

d)

2

31.

When styling hair for a wide face with a round hairline and round chin, the aim is to:

a)

Create the illusion of length

b)

Create the illusion of width

c)

Create the illusion of angles

d)

Create the illusion of fullness

32.

When styling hair for a triangular-shaped face, the aim is to:

a)

Create the illusion of width at the jawline

b)

Create the illusion of narrowness at the jawline

c)

Create the illusion of width at the cheekbones

d)

Create the illusion of width at the forehead

33.

A slight lightening of the hair at the corner of the eyes will give the illusion of width for:

a)

Wide-set eyes

b)

Angled eyes

c)

Close-set eyes

d)

Large eyes

34.

What type of profile is considered to be ideal?

a)

Concave

b)

Straight

c)

Convex

d)

Receding

35.

Directing the bangs over the forehead with an outwardly directed volume will benefit a:

a)

Receding forehead

b)

Large forehead

c)

Protruding forehead

d)

Narrow forehead

36.

To give height to a round or square face and width to a long, thin face, use what type of part?

a)

Triangular

b)

Curved

c)

Zigzag

d)

Diagonal