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Worksheets

vocab extravaganza

Total questions: 92

Worksheet time: 46mins

Name
Class
Date
1.

The methods employed in the telling of a story or an account

a)

narrative techniques

b)

situational irony

c)

onomatopoeia

d)

First person narrator

2.

A narrator who sees, like God, into each character's mind and understands all the action going on

a)

Third-person omniscient narrator

b)

Third-person limited omniscient narrator

c)

Third-person narrator

d)

First person naprator

3.

A narrator who is a character in the story and tells the tale

from their point of view

a)

Third-person omniscient narrator

b)

Third-person limited omniscient narrator

c)

Third-person narrator

d)

First person naprator

4.

A created personality, reflective of the author: provides insight from a third person, not a first-person point of view

a)

persona

b)

opposition

c)

oxymoron

d)

paradox

5.
  1. A speech given by one character alone on stage

a)

monologue

b)

juxtaposition

c)

lament

d)

lyric

6.
  1. A type of poetry that explores the poet's personal interpretation of and feelings about the world (or the part that the poem is about)

a)

monologue

b)

juxtaposition

c)

lament

d)

lyric

7.

A recurring symbol

a)

monologue

b)

juxtaposition

c)

motif

d)

personification

8.

Giving an inanimate object human qualities or form

a)

monologue

b)

juxtaposition

c)

motif

d)

personification

9.

A situation or statement that seems to contradict itself but on closer inspection does not

a)

paradox

b)

parallelism

c)

parallelism

d)

objectivity

10.

Words that imitate sounds

a)

onomatopoeia

b)

stream of consciousness

c)

lament

d)

objectivity

11.

Everything else, not literally, that a word suggests or implies.

a)

connotation

b)

archetypes

c)

apostrophe

d)

couplet

12.

Standard or cliched character types.

a)

connotation

b)

archetypes

c)

apostrophe

d)

couplet

13.

The "cleansing" of emotion an audience member experiences

having lived (vicariously) through the experiences presented on stage.

a)

catharsis

b)

allegory

c)

apostrophe

d)

attitude

14.

A story in which each aspect has a symbolic meaning outside

the tale itself.

a)

catharsis

b)

allegory

c)

apostrophe

d)

attitude

15.
  1. An address to someone not present or to a personified object or idea

a)

catharsis

b)

allegory

c)

apostrophe

d)

attitude

16.
  1. A speaker's, author's, or character's nature toward or opinion

of a subject.

a)

catharsis

b)

allegory

c)

apostrophe

d)

attitude

17.

A startling or unusual metaphor or one developed and

expanded upon over several lines.

a)

conceit

b)

couplet

c)

denotation

d)

diction

18.

A pair of lines that end in rhyme.

a)

conceit

b)

couplet

c)

denotation

d)

diction

19.

A word's literal meaning.

a)

conceit

b)

couplet

c)

denotation

d)

diction

20.

Word choice.

a)

conceit

b)

couplet

c)

denotation

d)

diction

21.
  1. A song for the dead.

a)

dirge

b)

antagonist

c)

protagonist

d)

consonance

22.
  1. A character, group, characteristic, or entity that opposes the protagonist

a)

dirge

b)

antagonist

c)

protagonist

d)

consonance

23.

The repetition of consonant sounds within words.

a)

consonance

b)

bathos

c)

anachronism

d)

atmosphere

24.

When writing strains for grandeur it cannot support.

a)

consonance

b)

bathos

c)

anachronism

d)

atmosphere

25.

Greek for "misplaced in time."

a)

consonance

b)

bathos

c)

anachronism

d)

atmosphere

26.

The emotional tone or background that surrounds a scene.

a)

consonance

b)

bathos

c)

anachronism

d)

atmosphere

27.

A speech (usually a short comment) made by an actor to the

audience, as though momentarily stepping outside of the action on stage.

a)

aside

b)

controlling image

c)

devices of sound

d)

colloquialism

28.

An image that dominates and shapes the entire work.

a)

aside

b)

controlling image

c)

devices of sound

d)

colloquialism

29.

Various techniques used by poems to create sound imagery

through specific word choices to evoke an emotional response, clarify meaning, and/or enhance the reader's experience.

a)

aside

b)

controlling image

c)

devices of sound

d)

colloquialism

30.

A word or phrase used in everyday conversational English

that is not a part of accepted "schoolbook" English.

a)

aside

b)

controlling image

c)

devices of sound

d)

colloquialism

31.

When inanimate objects, animals, or natural phenomena are

given human characteristics, behavior, or motivation.

a)

anthropomorphism

b)

alliteration

c)

allusion

d)

analogy

e)

argumentation

32.

The repetition of initial consonant sounds.

a)

anthropomorphism

b)

alliteration

c)

allusion

d)

analogy

e)

argumentation

33.

A reference to another work or famous figure.

a)

anthropomorphism

b)

alliteration

c)

allusion

d)

analogy

e)

argumentation

34.

A comparison.

a)

anthropomorphism

b)

alliteration

c)

allusion

d)

analogy

e)

argumentation

35.

The act or process of analyzing evidence, drawing conclusions,

and developing claims.

a)

anthropomorphism

b)

alliteration

c)

allusion

d)

analogy

e)

argumentation

36.

The methods, the tools, the "how-they-do-it" ways of the

author.

a)

technique

b)

setting

c)

utopia

d)

tone

37.

The physical location of a play, story, or novel, which often includes information about time and place.

a)

technique

b)

setting

c)

utopia

d)

tone

38.

An idealized place. Imaginary communities in which people are able to live in happiness, prosperity, and peace.

a)

technique

b)

setting

c)

utopia

d)

tone

39.

The manner in which an author expresses their attitude

about a subject.

a)

technique

b)

setting

c)

utopia

d)

tone

40.
  1. A group of lines in verse, roughly analogous in function to the paragraph in prose.

a)

stanza

b)

thesis

c)

refrain

d)

symbol/symbolism

41.
  1. The main position of an argument.

a)

stanza

b)

thesis

c)

refrain

d)

symbol/symbolism

42.
  1. A group of lines in verse, roughly analogous in function to the paragraph in prose.

a)

stanza

b)

thesis

c)

refrain

d)

symbol/symbolism

43.
  1. A line or set of lines repeated several times over the course of a poem.

a)

stanza

b)

thesis

c)

refrain

d)

symbol/symbolism

44.
  1. Anything that stands for or represents something beyond itself.

a)

stanza

b)

thesis

c)

refrain

d)

symbol/symbolism

45.

A comparison between two relatively unlike ideas using like or as.

a)

simile

b)

subjective

c)

pun

d)

tone

46.

A treatment that uses the interior or personal view of a

single observer and is typically colored with that observer's

emotional responses.

a)

simile

b)

subjective

c)

pun

d)

tone

47.

The usually humorous use of a word in such a way as to suggest two or more meanings.

a)

simile

b)

subjective

c)

pun

d)

tone

48.

The main idea or central insight into life or human nature revealed through a literary work.

a)

theme

b)

tragic flaw (hamartia)

c)

soliloquy

d)

unreliable narrator

49.

In a tragedy, this is the weakness of character in an

otherwise good (or even great) individual that ultimately leads to the character's demise.

a)

theme

b)

tragic flaw (hamartia)

c)

soliloquy

d)

unreliable narrator

50.

A speech given by one character alone on stage in which the character expresses their thoughts or feelings.

a)

theme

b)

tragic flaw (hamartia)

c)

soliloquy

d)

unreliable narrator

51.

The manner in which an author writes, which can distinguish

that author from another writer.

a)

theme

b)

tragic flaw (hamartia)

c)

style

d)

unreliable narrator

52.

A first-person narrator who is not entirely credible.

a)

theme

b)

unreliable narrator

c)

style

d)

unreliable narrator

53.

Sentence structure; the way in which words and phrases are structured to create meaning.

a)

syntax

b)

suspension of disbelief

c)

satire

d)

structure

54.

The demand made of a theater audience to accept the

limitations of staging and supply the details with imagination.

a)

syntax

b)

suspension of disbelief

c)

satire

d)

structure

55.

A form of humor that focuses on making fun of society through witty, sometimes dark social commentary; taking things that should be funny and picking on them in a way that raises awareness to ridiculousness and societal frustrations.

a)

syntax

b)

suspension of disbelief

c)

satire

d)

structure

56.

The way in which a work is arranged or divided.

a)

syntax

b)

suspension of disbelief

c)

satire

d)

structure

57.

The contradiction between what is said and what is meant;

sarcasm

a)

verbal irony

b)

Third-person narrator

c)

stream of consciousness

d)

lament

e)

situational irony

58.

A narrator who only reports on what would be visible to a

camera

a)

verbal irony

b)

Third-person narrator

c)

stream of consciousness

d)

lament

e)

situational irony

59.

The author places the reader inside the main character's head and makes the reader privy to all of the character's thoughts as they scroll through the character's consciousness

a)

verbal irony

b)

Third-person narrator

c)

stream of consciousness

d)

lament

e)

situational irony

60.

A poem of sadness or grief over the death of a loved one or or another intense loss

a)

verbal irony

b)

Third-person narrator

c)

stream of consciousness

d)

lament

e)

situational irony

61.

The contradiction between what is expected and what

actually occurs

a)

verbal irony

b)

Third-person narrator

c)

stream of consciousness

d)

lament

e)

situational irony

62.

The main character of a novel or play

a)

protagonist

b)

Third-person limited omniscient narrator

c)

oxymoron

d)

objectivity

e)

point of view

63.

A narrator who generally reports what only one character

sees, and who reports the thoughts of only that one privileged character

a)

protagonist

b)

Third-person limited omniscient narrator

c)

oxymoron

d)

objectivity

e)

point of view

64.

The main character of a novel or play

a)

protagonist

b)

Third-person limited omniscient narrator

c)

oxymoron

d)

objectivity

e)

point of view

65.

A narrator who generally reports what only one character

sees, and who reports the thoughts of only that one privileged character

a)

protagonist

b)

Third-person limited omniscient narrator

c)

oxymoron

d)

objectivity

e)

point of view

66.

A phrase composed of opposites; a contradiction

a)

protagonist

b)

Third-person limited omniscient narrator

c)

oxymoron

d)

objectivity

e)

point of view

67.

An objective treatment of subject matter is an impersonal

or outside view of events

a)

protagonist

b)

Third-person limited omniscient narrator

c)

oxymoron

d)

objectivity

e)

point of view

68.

The perspective from which the action of a novel (or narrative poem) is presented

a)

protagonist

b)

Third-person limited omniscient narrator

c)

oxymoron

d)

objectivity

e)

point of view

69.

Repeated syntactical similarities used for effect

a)

parallelism

b)

opposition

c)

dramatic irony

d)

metaphor

70.

A pair of elements that contrast sharply. It is not necessarily a "conflict" but rather a pairing

a)

parallelism

b)

opposition

c)

dramatic irony

d)

metaphor

71.

The contradiction between what we as readers know to be

true and what characters have yet to discover

a)

parallelism

b)

opposition

c)

dramatic irony

d)

metaphor

72.

A comparison between two relatively unlike ideas where you call one thing something it's not

a)

parallelism

b)

opposition

c)

dramatic irony

d)

metaphor

73.

A subcategory of literature

a)

genre

b)

poetic license

c)

foil

d)

dystopia

74.

When poets mess with syntax

a)

genre

b)

poetic license

c)

foil

d)

dystopia

75.
  1. The excessive pride or ambition that leads to the main character's downfall

a)

genre

b)

poetic license

c)

foil

d)

dystopia

e)

hubris

76.
  1. A secondary character whose purpose is to highlight the

characteristics of a main character, usually by contrast

a)

genre

b)

poetic license

c)

foil

d)

dystopia

77.
  1. A seemingly ideal world where the actual implementation of

    perfection is unsuccessful and destructive

a)

genre

b)

poetic license

c)

foil

d)

dystopia

78.

Latin for "in the middle of things"

a)

in media res

b)

dramatic monologue

c)

imagery

d)

euphemism

79.

When a single speaker says something to a silent audience

a)

in media res

b)

dramatic monologue

c)

imagery

d)

euphemism

80.

An author's use of figurative language, images, or sensory details that appeal to the reader's senses

a)

in media res

b)

dramatic monologue

c)

imagery

d)

euphemism

81.

A word or phrase that takes the place of a harsh, unpleasant, or impolite reality

a)

in media res

b)

dramatic monologue

c)

imagery

d)

euphemism

82.

Poetry written without a regular rhyme scheme or metrical

pattern

a)

free verse

b)

implicit

c)

hyperbole

d)

elegy

83.

Something said or written that suggests and implies but never says it directly or clearly.

a)

free verse

b)

implicit

c)

hyperbole

d)

elegy

84.

The continuation of a syntactic unit from one line or couplet of a poem to the next with no pause

a)

enjabment

b)

explicit

c)

epic

d)

elegy

e)

dramatic irony

85.

Something said or written directly and clearly

a)

enjabment

b)

explicit

c)

epic

d)

elegy

e)

dramatic irony

86.

A very long narrative poem on a serious theme and in a dignified style

a)

enjabment

b)

explicit

c)

epic

d)

elegy

e)

dramatic irony

87.

A type of poem that meditates on death or morality in a serious, thoughtful manner

a)

enjabment

b)

explicit

c)

epic

d)

elegy

e)

dramatic irony

88.

When the audience knows something that the characters in

the drama do not

a)

enjabment

b)

explicit

c)

epic

d)

elegy

e)

dramatic irony

89.

Exaggeration or deliberate overstatement

a)

hyperbole

b)

foreshadowing

c)

figurative language

d)

gothic, gothic novel

90.

An event or statement in a narrative that suggests, in

miniature, a larger event that comes later

a)

hyperbole

b)

foreshadowing

c)

figurative language

d)

gothic, gothic novel

91.

Writing that uses words to mean something other than their

literal meaning

a)

hyperbole

b)

foreshadowing

c)

figurative language

d)

gothic, gothic novel

92.

The sensiblity derived from dark novels donk end twisty stories

a)

hyperbole

b)

foreshadowing

c)

figurative language

d)

gothic, gothic novel