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Music Test 4 Part 1

Total questions: 85

Worksheet time: 43mins

Name
Class
Date
1.

The movement known as the Enlightenment stressed

a)

the importance of religion over humanity

b)

the centrality of feelings over reason

c)

the centrality of reason in human experience

d)

an increased use of electric light

2.

Which of the following characterizes the Classical style?

a)

strong, regular rhythms

b)

singable, elegant melodies

c)

use of fold and popular elements

d)

all answers are correct

3.

Who was/were (a) stand-out keyboard player(s) of the late eighteenth century?

a)

both Mozart and von Paradis

b)

Anna Magdalena Bach

c)

Maria Theresia von Paradis

d)

Maria Anna Mozart

4.

Which of the following describes(s) musical life in the Classical era?

a)

audiences preferred performances of old music rather than new

b)

the rise of public performances gave composers new venues where their works could be heard

c)

all answers are correct

d)

music was performed only by professionals and aristocrats

5.

Interest in Greek and Roman antiquity during the eighteenth century greatly influenced

a)

all answers are correct

b)

literature

c)

architecture

d)

panting

6.

Which of the following composers is/are considered (a) master(s) of the Viennese School?

a)

Haydn

b)

all answers are correct

c)

Beethoven

d)

Mozart

7.

Which of the following describes the lyrical melodies of the Classical period?

a)

disjunct and leaping in shape

b)

conjunct, diatonic, and singable

c)

based on the chromatic scale

d)

constructed with an irregular phrase structure

8.

Composers working during the Classical era perfected a large-scale form of instrumental music known as

a)

the madrigal

b)

jazz

c)

sonata form

d)

the Mass

9.

Which statement and scientist was central to the American Enlightenment?

a)

William Billings

b)

Paul Revere

c)

Benjamin Franklin

d)

George Washington

10.

The concept of rhythmic regularity suggests

a)

strong rhythms moving at a steady tempo

b)

the regular use of syncopated rhythms

c)

irregular rhythms

d)

meters that frequently change within a piece or movement

11.

A theme can be fragmented by dividing it into small units called

a)

contractions

b)

expansions

c)

motives

d)

sequences

12.

A typical form of the second movement in a multimovement cycle is

a)

rondo

b)

theme and variations

c)

scherzo

d)

sonata-allegro

13.

Which type of chamber music is considered a conversation without words?

a)

piano sonata

b)

symphony orchestra

c)

string quartet

d)

choral music

14.

Music with no literacy basis is referred to as

a)

absolute music

b)

thematic music

c)

program music

d)

incidental music

15.

Chamber music generally implies a large ensemble, with more than one player to a part

a)

true

b)

false

16.

The expansion of a melodic idea is known as thematic development

a)

true

b)

false

17.

Which family of enormously wealthy Hungarian princes famous for their patronage of the arts did Haydn work for?

a)

Esterhazys

b)

Weidinger

c)

Salieri

d)

St. Stephen

18.

Haydn often wrote his quartets in groups of

a)

four

b)

five

c)

two

d)

six

19.

Haydn's String Quartet, Op. 33, No. 2 is nicknamed "Joke" because

a)

the emperor played viola in the first performance

b)

a sudden loud choral woke the dozing audience during the premiere

c)

the main tune in the fourth movement is cut short by pauses

d)

the theme in the fourth movement is based on a folksong

20.

In rondo form, the refrain theme is interspersed with contrasting

a)

ritornellos

b)

episodes

c)

introductions

d)

minuets

21.

Which of the following innovations is NOT found in Haydn's Joke Quartet?

a)

scherzo replacing the minuet dance movement

b)

inverting the order of the middle movements

c)

omission of the slow movement

22.

Multimovement instrumental works in the Classical era typically started with a slow movement

a)

true

b)

false

23.

Which describes the character of a last movement rondo?

a)

dramatic

b)

slow and serious

c)

slow and melancholic

d)

lively and lighthearted

24.

The ____ movement of a string quartet is often in minuet-and-trio form

a)

last

b)

third

c)

first

25.

The favored chamber ensemble in the Classical era was the string quartet

a)

true

b)

false

26.

The first movement of a string quartet or symphony is most likely in _______ form

a)

scherzo

b)

sonata-allegro

c)

rondo

d)

theme and variations

27.

The focus of Classical chamber music is soloistic virtuosity

a)

true

b)

false

28.

The fourth movement of Haydn's String Quartet, Op. 33, No. 2 is composed in what form?

a)

sonata-allegro

b)

minuet and trio

c)

rondo

d)

theme and variations

29.

The multimovement cycle of the Classical composers can be found in their

a)

string quartets

b)

symphonies

c)

concertos

d)

all possible answers

30.

Which composer played a central role in the development of the string quartet?

a)

Beethoven

b)

Bach

c)

Haydn

d)

Mozart

31.

Which composer worked for a good deal of his life under the patronage system?

a)

Haydn

b)

Mozart

c)

Schubert

d)

Beethoven

32.

Which does not apply to rondo form?

a)

recurrence of a musical idea

b)

similar to ritornello procedure

c)

alternating refrains and contrasting episodes

d)

three-part structure

33.

Which is most likely the slow movement in the multimovement cycle?

a)

second

b)

last

c)

first

34.

Which of the following describes the typical string quartet ensemble?

a)

one violin, one viola, two cellos

b)

violin, viola, cello, double base

c)

two violins, one viola, one cello

d)

two violins, two cellos

35.

Which outlines rondo form?

a)

A-B-A

b)

A-A-B-B

c)

A-A-b

d)

A-B-A-C-A

36.

A symphony

a)

all possible answers

b)

is a multimovement work

c)

is a work written for an orchestra

d)

was a new genre of the Classical era

37.

Altering the note durations of a theme is an example of

a)

harmonic variation

b)

rhythmic variation

c)

all possible answers

d)

melodic variation

38.

An example of harmonic variation would be if a composer

a)

changed the meter

b)

altered the tempo

c)

changed the chords that accompany a melody

d)

added or omitted notes to the theme

39.

Classical composers established the orchestra as we know it today

a)

true

b)

false

40.

From which older genre did the symphony develop?

a)

the English oratorio

b)

the French opera overture

c)

the Italian oratorio

d)

the Italian opera overture

41.

Haydn's masterworks in the symphonic genre are his last set of twelve, known as the

a)

Great Twelve

b)

London Symphonies

c)

Paris Symphonies

d)

Viennese Twelve

42.

Haydn's Surprise Symphony

a)

is his best-known symphony

b)

was not well-received at its premiere

c)

was only recently discovered

d)

was not performed during his lifetime

43.

In the Classical orchestra, the woodwinds

a)

sustained harmonies and added volume

b)

provided rhythmic vitality

c)

were the heart of the orchestra

d)

assisted and often doubled the strings

44.

In the Classical orchestra, which instrument was primarily responsible for supplying rhythmic energy?

a)

violin

b)

cello

c)

timpani

d)

tuba

45.

Joseph Haydn wrote _____ symphonies in his lifetime

a)

forty-one

b)

nine

c)

sixty-eight

d)

over one hundred

46.

Theme and variations was a typical form for the second movement of a symphony

a)

true

b)

false

47.

The Classical-era orchestra was typically composed of

a)

ten to twenty players

b)

fifty to seventy-five

c)

seventy to eighty players

d)

thirty to forty players

48.

In a Classical symphony, which of the four movements is typically the slow movement?

a)

first

b)

third

c)

fourth

d)

second

49.

The heart of the Classical orchestra was the ______ section

a)

percussion

b)

woodwind

c)

string

d)

brass

50.

The second movement of Haydn's Symphony No. 94 was composed in a sonata-allegro form

a)

true

b)

false

51.

The use of a quick, aggressively rhythmic theme rising from the low to the high register came to be known as

a)

the rollercoaster

b)

a "rocket theme"

c)

a launch theme

d)

the "steamroller" effect

52.

The use of drawn-out crescendos, slowly gathering force as they build to a climax, is called

a)

the long buildup

b)

the symphonic buildup

c)

the steamroller effect

d)

a "rocket theme"

53.

Typical forms for the second movement of a symphony included

a)

modified sonata-allegro

b)

ternary form (A-B-A)

c)

theme and variations

d)

both ternary form and theme and variations

54.

Which is NOT a trait associated with Haydn's symphonies?

a)

sudden dynamic shifts

b)

expressive effects

c)

traditional, unimaginative modulations

d)

syncopation effects

55.

Which of the following is a contribution to the symphony made by the German school of composers?

a)

the addition of a minuet movement

b)

the use of a "steamroller" crescendo

c)

the use of a "rocket theme"

d)

all possible answers

56.

Which of the following statements regarding symphonies is NOT true?

a)

it was during the Classical era that composers began writing symphonies

b)

symphonies were a popular genre during the Baroque era

c)

symphonies began as three movement works mirroring the fast-slow-fast sections of Italian opera overtures

d)

composers later added a dance movement to the symphony, an elegant minuet

57.

Who is referred as the "father of the symphony"?

a)

Haydn

b)

Beethoven

c)

Schubert

d)

Mozart

58.

Why is Haydn's Symphony No. 94 nicknamed "Surprise"?

a)

a sudden loud chord during the slow movement startling the dozing audience

b)

the emperor played viola in the first performance

c)

the main tune in the second movement is cut short by pauses

d)

the theme in the fourth movement is based on a folksong

59.

With regards to the second movement of Haydn's Surprise Symphony, which does NOT characterize the opening of the A section?

a)

pizzicato string melody outlines triad

b)

regular phrases, each repeated

c)

duple-meter, folklike theme

d)

dramatic minor-key theme, played fortissimo

60.

______ is an example of melodic variation

a)

all possible answers

b)

interweaving countermelodies

c)

adding or omitting notes to the theme

d)

replacing accompanying chords

61.

Conflict and action characterize the _______ in sonata-allegro form

a)

development section

b)

modulating bridge

c)

recapitulation

d)

coda

62.

During the Classical era, which lighter genres were performed in the evening or at social functions?

a)

divertimento and serenade

b)

divertimento and string quartet

c)

string quartet and serenade

d)

divertimento and sonata

63.

Eine kleine Nachtmusik is a

a)

symphony

b)

sonata

c)

suite

d)

serenade

64.

In a multimovement cycle, which does NOT apply to the first movement?

a)

highly organized, often the longest

b)

sonata-allegro form

c)

fast tempo

d)

dancelike character

65.

Which movement of the multimovement instrumental cycle is likely to be a dance?

a)

first

b)

last

c)

third

d)

second

66.

Minuet-and-trio form found its origins in Baroque court dance

a)

true

b)

false

67.

Mozart spent the last ten years of his life in which city?

a)

Leipzig

b)

Venice

c)

London

d)

Vienna

68.

Regarding the second theme in sonata-allegro form, which statement is NOT true?

a)

it is in a contrasting key in the exposition

b)

it is preceded by the first theme and bridge

c)

it is always in the home key

d)

it is typically more lyrical in nature

69.

The longest and most dramatic in the multimovement cycle was generally the

a)

third movement

b)

first movement

c)

fourth movement

d)

second movement

70.

The first movement of Eine kleine Nachtmusik is in ________ form

a)

sonata-allegro

b)

minuet-and-trio

c)

rondo

d)

theme and variations

71.

The literal translation of Eine kleine Nachtmusik is

a)

Some Enchanted Evening

b)

A Little Night Dance

c)

A Little Dance Music

d)

Serenade in the Night

72.

The middle section of minuet-and-trio form is called a "trio" because

a)

the middle section was originally performed three times

b)

all possible answers

c)

it was originally arranged for three instruments

d)

it is in ternary form

73.

The opening of the first movement of Eine kleine Nachtmusik begins with a marchlike theme that rapidly ascends to its peak, a "______ theme" then turns downward at the same time

a)

peak

b)

lightning

c)

launch

d)

rocket

74.

The overall form of the third movement of Eline kleine Nachtmusik is ______

a)

A-A-B-B

b)

A-B-C

c)

A-A-B

d)

A-B-A

75.

W. A. Mozart was born in

a)

Salzburg, Austria

b)

Halle, Germany

c)

London, England

d)

Venice, Italy

76.

Which describes the performing forces of Eine kleine Nachtmusik?

a)

duo sonata

b)

string quartet

c)

string trio

d)

string quartet and double base

77.

Which is a true statement about Mozart's career?

a)

Mozart's career is an example of the patronage system at its best

b)

Mozart worked for wealthy Hungarian princes, the Esterhazys

c)

Mozart became a struggling freelance musician in Vienna when he was twenty-five

d)

Mozart spent the last several decades of his life working at St. Thomas Church in Leipzig

78.

Which is a true statement regarding the movements of Eine kleine Nachtmusik?

a)

the third movement minuet is replaced with a scherzo

b)

it is in four movements

c)

Mozart omitted the dance movement

d)

Mozart inverted the order of the middle movements

79.

Which is an accurate statement?

a)

Mozart was the most extraordinary gifted child in the history of music

b)

Mozart was the son of Leopold Mozart, as esteemed court composer-violinist

c)

all statements are true

d)

at the peak of his career, Mozart produced masterpieces for the Viennese public

80.

Which of the following does not apply to minuet-and-trio form?

a)

ternary form, A-B-A (minuet-trio-minuet)

b)

drama between two contrasting keys

c)

two dances paired together

d)

stately triple meter

81.

Which of the following does not apply to sonata-allegro form?

a)

multiple variations

b)

three main sections: exposition, development, recapitulation

c)

often ends with a coda

d)

drama between two contrasting keys

82.

Which of the following occurs in the development section of sonata-allegro form?

a)

two opposing themes are "exposed"

b)

final cadence in the home key

c)

frequent modulations, wanders through series of foreign keys

d)

restatement of themes in the home key

83.

Which of the following statements regarding form is true?

a)

all statements are true

b)

understanding structural conventions and subtleties increases the enjoyment of listening to music

c)

the use of sonata-allegro form opens up opportunities for profound conversations between composers, performers, and listeners

d)

comprehension of form is essential for deeper understanding of instrumental music

84.

Which statement does NOT apply to the last section of sonata-allegro form?

a)

it is the psychological climax of the form

b)

it wanders through a series of foreign keys

c)

it is called the recapitulation

d)

dominance of the home key is asserted

85.

_______ form became a favorite resource for instrumental composers since the musical story it can tell is significantly more dynamic than other forms

a)

minuet-and-trio

b)

sonata-allegro

c)

theme and variations

d)

rondo