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Social Facilitation and Inhibition in Sport

Total questions: 66

Worksheet time: 33mins

Name
Class
Date
1.

What is social facilitation in the context of sporting performance?

a)

The tendency for the presence of others to improve a person's sporting performance

b)

The tendency for athletes to perform worse when alone

c)

The process of learning new skills without an audience

d)

The negative impact of coaching on performance

2.

Which of the following best describes social inhibition?

a)

The beneficial impact on sporting performance caused by performing in front of an audience

b)

The negative impact on sporting performance caused by performing in front of an audience

c)

The improvement of skills through practice alone

d)

The effect of weather on sporting performance

3.

How can the presence of an audience affect an athlete's performance, according to the material?

a)

It always causes anxiety and poor performance

b)

It brings about the predominant response depending on how well the skill has been learned

c)

It has no effect on performance

d)

It only benefits professional athletes

4.

Which term describes the phenomenon where introverts struggle to perform at higher levels of arousal in front of an audience?

a)

Social Facilitation

b)

Social Inhibition

c)

Evaluation Apprehension

d)

Information Processing

5.

What is the effect of an audience on extroverts during performance?

a)

Extroverts struggle to perform

b)

Extroverts tend to thrive in high energy situations

c)

Extroverts require less attention

d)

Extroverts experience evaluation apprehension

6.

How does the presence of an audience affect beginners compared to experts?

a)

Both experience social facilitation

b)

Beginners experience social inhibition, experts experience social facilitation

c)

Both experience social inhibition

d)

Beginners experience social facilitation, experts experience social inhibition

7.

Why do complex skills tend to be inhibited by the presence of an audience?

a)

They require less attention

b)

They require more attention due to the multitude of actions needed

c)

They are performed better at higher arousal

d)

They do not need information processing

8.

Which type of skill is most likely to benefit from social facilitation in front of an audience?

a)

Complex skills

b)

Fine skills

c)

Simple skills

d)

Skills requiring high decision making

9.

What is evaluation apprehension?

a)

The ability to perform better in front of an audience

b)

The feeling of being evaluated by a crowd, causing increased arousal

c)

The process of making decisions during performance

d)

The tendency to thrive in high energy situations

10.

Which group is more likely to suffer from evaluation apprehension?

a)

Athletes with high self-confidence

b)

Athletes who are extroverts

c)

Athletes who suffer from anxiety or low self-confidence

d)

Expert performers

11.

Why do fine skills often require lower arousal levels to be performed successfully?

a)

They need less decision making

b)

They need higher levels of decision making

c)

They require more attention

d)

They are performed better with social facilitation

12.

What happens when a performer perceives evaluators to be of higher status than themselves?

a)

The effect of evaluation apprehension is reduced

b)

The effect of evaluation apprehension is magnified

c)

The performer experiences social facilitation

d)

The performer requires less attention

13.

Which type of skill does not need a high level of information processing to be performed successfully?

a)

Fine skills

b)

Complex skills

c)

Gross skills

d)

Simple skills

14.

Which of the following is a method of blocking out irrelevant cues such as crowd noise to help prevent arousal from rising too high?

a)

Selective attention

b)

Physical training

c)

Nutritional planning

d)

Time management

15.

Which of the following is an example of a cognitive method to reduce anxiety in performers?

a)

Positive self-talk

b)

Increasing physical activity

c)

Changing the venue

d)

Wearing new uniforms

16.

Which strategy is recommended for building confidence and reducing anxiety in performers?

a)

Positive reinforcement and social support from coach and team mates

b)

Ignoring feedback from others

c)

Practicing alone only

d)

Focusing on opponents’ strengths

17.

Why is it important for a performer to manage levels of arousal?

a)

To operate in their optimal zone for best performance

b)

To impress the audience

c)

To avoid physical injury

d)

To increase the length of the game

18.

Which of the following is a benefit of skills being autonomous for a performer?

a)

They need little attention

b)

They require constant supervision

c)

They are always changing

d)

They are difficult to learn

19.

Which of the following strategies involves focusing on the most appropriate cues during performance?

a)

Practice selective attention

b)

Changing the rules of the game

c)

Increasing the size of the audience

d)

Wearing bright uniforms

20.

What is the purpose of using appropriate attribution in sports psychology?

a)

To help maintain optimum levels of arousal

b)

To increase the number of competitions

c)

To reduce the need for training

d)

To focus only on winning

21.

Which of the following best describes the Drive Theory in relation to performance?

a)

The presence of an audience increases arousal, which affects performance.

b)

The presence of an audience decreases arousal, which improves performance.

c)

Arousal levels have no effect on performance.

d)

Performance is only affected by skill level, not arousal.

22.

Who proposed the term "Social Facilitation" to describe the effect of an audience on arousal and performance?

a)

Zajonc (1965)

b)

Freud (1920)

c)

Skinner (1957)

d)

Maslow (1943)

23.

What is social inhibition?

a)

A decrease in performance due to increased arousal in the presence of an audience.

b)

An increase in performance due to increased arousal.

c)

A type of training method for athletes.

d)

A way to improve concentration before a game.

24.

According to the Drive Theory, what happens to players in the cognitive phase of learning when performing in front of an audience?

a)

They experience increased arousal, leading to mistakes and poor performance.

b)

They perform better due to increased arousal.

c)

Their performance remains unchanged.

d)

They become less aroused and more relaxed.

25.

How does arousal affect a performer in the autonomous phase according to the Drive Theory?

a)

Arousal improves performance with the dominant response of correct skills.

b)

Arousal causes more mistakes and poor performance.

c)

Arousal has no effect on performance.

d)

Arousal only affects beginners, not experienced performers.

26.

If a boxer has low arousal levels before a fight, what is likely to happen?

a)

Their reaction time will be slower and performance will be lower.

b)

They will perform at their best.

c)

Their concentration will be higher.

d)

They will have an optimum level for sport.

27.

How does the presence of a large audience typically affect a performer's arousal according to the Drive Theory?

a)

It increases arousal.

b)

It decreases arousal.

c)

It has no effect on arousal.

d)

It only affects the audience, not the performer.

28.

According to Zajonc, what effect does the presence of an audience have on an athlete's arousal level?

a)

Raises arousal

b)

Lowers arousal

c)

Has no effect on arousal

d)

Only affects professional athletes

29.

Which of the following is most likely to increase arousal in athletes, according to the table in the image?

a)

A larger crowd

b)

A smaller crowd

c)

Performing alone

d)

Playing at home

30.

At which stage of learning is high arousal most likely to cause mistakes due to incorrect dominant behaviour?

a)

Associative stage (beginner)

b)

Autonomous stage (expert)

c)

Cognitive stage (advanced)

d)

Professional stage

31.

According to the information provided, why might a professional golfer rarely "slice" or "hook" the ball in front of an audience?

a)

Because the golf swing is a well-learned task

b)

Because the audience is quiet

c)

Because the weather is good

d)

Because they use better equipment

32.

According to Drive Theory, what is likely to happen to a beginner golfer's performance in front of a large audience?

a)

They are more likely to make mistakes due to high arousal

b)

They will always perform better

c)

Their performance will not change

d)

They will become less aroused and more relaxed

33.

What is evaluation apprehension according to Cottrell (1968)?

a)

When a performer feels they are being evaluated by a crowd member, causing increased arousal levels

b)

When a performer feels confident in front of an audience

c)

When a performer ignores the presence of spectators

d)

When a performer is only judged by their coach

34.

Which of the following is MOST likely to increase evaluation apprehension in a performer?

a)

The judges are of high status like team selectors

b)

The audience is silent and supportive

c)

The performer has high self-efficacy

d)

The event is not important

35.

Evaluation apprehension can occur in which of the following situations?

a)

When parents or friends are watching and making judgments

b)

When the performer is alone

c)

When the audience is not paying attention

d)

When the performer is practicing privately

36.

Which of the following is NOT a factor that increases evaluation apprehension?

a)

The performer’s ability level is high

b)

The perceived evaluator is of the opposite sex

c)

The audience are openly and verbally critical

d)

The previous performance was poor

37.

Select the option that best represents evaluation apprehension in the context of a gymnast performing in front of judges and an audience.

a)

This image best represents evaluation apprehension because the performer is being judged by an audience and officials.

b)

This image best represents evaluation apprehension because the performer is practicing alone.

c)

This image best represents evaluation apprehension because the performer is in a non-competitive setting.

d)

This image best represents evaluation apprehension because the performer is not being watched.

38.

Which situation is most likely to cause a performer’s anxiety to increase due to evaluation apprehension?

a)

The event is important and the result is critical

b)

The performer is practicing at home

c)

The audience is supportive and quiet

d)

The performer has just won a previous event

39.

Explain how evaluation apprehension could both enhance and inhibit an athlete’s performance. Choose the best reasoning.

a)

Evaluation apprehension can enhance performance if the athlete is motivated by being judged, but can inhibit performance if anxiety overwhelms their ability to focus.

b)

Evaluation apprehension always enhances performance regardless of the situation.

c)

Evaluation apprehension only inhibits performance and never enhances it.

d)

Evaluation apprehension has no effect on performance.

40.

According to the Distraction-Conflict Theory, what is the main effect of an audience on a performer's attentional capacity?

a)

It increases the performer's focus on the task

b)

It causes distraction due to competition for attentional space

c)

It helps the performer ignore environmental cues

d)

It makes complex actions easier to perform

41.

Which of the following is most likely to be impaired in front of a large crowd, according to Baron (1986)?

a)

Simple tasks requiring little attention

b)

Complex actions requiring more attention

c)

Automatic responses

d)

Routine habits

42.

What is one recommended way for performers to cope with the distraction caused by an audience?

a)

Ignore the audience completely

b)

Train more with an audience and learn how to prevent distraction

c)

Avoid performing in front of crowds

d)

Focus only on the audience

43.

Which of the following statements best summarizes the conclusion about the effect of an audience on performance?

a)

An audience always improves performance

b)

An audience has no effect on performance

c)

An audience can distract the performer, leading to poor performance

d)

An audience only affects experienced performers

44.

Why do spectators create a conflict for the performer’s attention, according to the Distraction-Conflict Theory?

a)

Spectators are always silent

b)

Spectators demand the same amount of attention as other players

c)

Spectators help the performer focus

d)

Spectators reduce the number of environmental cues

45.

A performer is distracted by both the presence of others and the task itself. According to the Distraction-Conflict Theory, what is the likely outcome?

a)

Improved performance on complex actions

b)

Impaired performance on complex actions

c)

No change in performance

d)

Enhanced memory recall

46.

What is the term used to describe the advantage that a home team receives from playing in front of a large supportive crowd?

a)

Home field advantage

b)

Away game effect

c)

Neutral ground benefit

d)

Audience neutrality

47.

Which of the following is NOT a reason for the home field advantage in sports?

a)

Comforts of familiarity with the home environment

b)

Larger and supportive crowd

c)

Pressure to win for home fans

d)

Lack of rules in home games

48.

According to studies, how often do home performers defeat visiting performers in professional sports?

a)

In more than half of total games played

b)

In less than a quarter of total games played

c)

Only during championship matches

d)

Only when the weather is favorable

49.

Which of the following sports is mentioned as having home-field advantage effects?

a)

Football and tennis

b)

Swimming and cycling

c)

Golf and archery

d)

Skiing and snowboarding

50.

How does a supportive home crowd influence the performance of athletes, according to the text?

a)

It increases confidence and motivation

b)

It makes athletes tired

c)

It causes athletes to forget their skills

d)

It leads to more injuries

51.

What is one psychological factor that contributes to home field advantage?

a)

Familiarity with the environment

b)

Unfamiliar equipment

c)

Lack of audience

d)

Frequent travel

52.

Imagine you are a coach preparing your team for an away game. Based on the concept of home field advantage, what strategies could you use to minimize the home team's advantage?

a)

Simulate the home team's environment during practice

b)

Ignore the crowd and focus only on the referee

c)

Change the rules of the game

d)

Only allow experienced players to play

53.

Which theory suggests that the mere presence of others increases arousal, thereby enhancing the dominant response?

a)

Zajonc’s Drive Theory

b)

Evaluation Apprehension Theory

c)

Distraction-Conflict Theory

d)

Home Field Advantage Theory

54.

According to Zajonc’s Drive Theory, what happens when a performer is faced with a new or complex skill in the presence of others?

a)

Performance deteriorates

b)

Performance improves

c)

Performance remains unchanged

d)

Performer becomes more relaxed

55.

Which theory emphasizes that arousal increases not just due to the presence of others, but because of the perception of being judged?

a)

Evaluation Apprehension Theory

b)

Zajonc’s Drive Theory

c)

Distraction-Conflict Theory

d)

Home Field Advantage Theory

56.

What is a key factor in the Evaluation Apprehension Theory that leads to increased arousal?

a)

Belief of being evaluated by others

b)

Familiar surroundings

c)

Reduced travel fatigue

d)

Information overload

57.

According to the Distraction-Conflict Theory, what effect does the presence of others have on a performer?

a)

Causes attentional conflict and distraction

b)

Improves performance on all tasks

c)

Reduces arousal

d)

Increases travel fatigue

58.

How does performance typically change on complex tasks when an audience is present, according to the Distraction-Conflict Theory?

a)

Performance suffers

b)

Performance improves

c)

Performance remains unchanged

d)

Performer becomes more focused

59.

Which of the following is NOT a reason why teams often perform better at home?

a)

Unfamiliar surroundings

b)

Supportive crowd

c)

Reduced travel fatigue

d)

Familiar surroundings

60.

What is the proximity effect in the context of home field advantage?

a)

Closer audience increases arousal

b)

Audience is less supportive

c)

Travel fatigue is increased

d)

Performance is unaffected by audience location

61.

A coach wants to maximize their team’s performance in a closed roof stadium. Based on the theories summarized, what should they consider about the audience?

a)

The closer the audience, the higher the arousal, which can affect performance

b)

The farther the audience, the better the performance

c)

Audience presence has no effect on performance

d)

Only the size of the audience matters, not proximity

62.

Which of the following is considered a passive other in a sports performance setting?

a)

Audience

b)

Competitive co-actors

c)

Social reinforcers

d)

Coach

63.

What is the main difference between passive and interactive others in sports performance?

a)

Passive others compete directly with the performer, while interactive others do not.

b)

Passive others observe without direct interaction, while interactive others engage with the performer.

c)

Passive others are always coaches, while interactive others are always spectators.

d)

Passive others are only present during training, while interactive others are present during competitions.

64.

According to the Zajonc Model, what effect does the presence of an audience or co-actors have on early learning of a skill?

a)

It enhances early learning.

b)

It impairs early learning.

c)

It has no effect on early learning.

d)

It makes learning faster.

65.

Who are considered social reinforcers in a sports performance setting?

a)

Spectators

b)

Coaches

c)

Competitors

d)

Co-actors

66.

When is the dominant response most likely to be correct according to the Zajonc Model?

a)

During early learning of a skill

b)

When the skill or task is well learned

c)

When there are no others present

d)

When the performer is alone