WorksheetsFloral Design Exam
Total questions: 75
Worksheet time: 6hrs 15mins
Floral design involves a knowledge and understanding of floral design elements, principles and techniques.
T
F
Skills in business, sales, and personnel management are not required for those pursuing a career in the floral industry.
T
F
Professional or trade associations are special interest organizations who serve to promote a positive image for the floral industry and provide training and education for their members.
T
F
Professional florists� associations are not a necessary part of the floral industry.
T
F
Designing with fresh-cut floral materials involves the use of chemical products.
T
F
Safety concerns are an important consideration when working in floral design and the floriculture industry.
T
F
Ancient civilizations including Egyptians, Greeks, Romans, and the Flemish influenced the art of floral design in their uses and arrangement of floral materials.
T
F
The cultures of the Egyptians, the Greeks and the Romans used flowers primarily for religious and civic events to honor gods and heroes.
T
F
The Greeks arranged their floral decorations in upright cornucopias delivering them as offerings and gifts.
T
F
During the Middle Ages, wreaths and garlands served as decoration and personal adornment.
T
F
Many of the symbolic traditions associated with flowers began during the Victorian Period.
T
F
Floral design was taught and recognized as a professional art during the Victorian Period.
T
F
Form is the actual shape of an individual component of a composition.
T
F
Floral designers group flowers and foliages according to their shapes and forms.
T
F
Line materials create the framework of a design while mass materials define the focal area.
T
F
Before choosing specific flowers and foliage for a floral design, a designer must consider the function and purpose of the material within the arrangement.
T
F
Curvilinear line is a line consisting of bends and arcs that flows in more than one direction.
T
F
A perfect, complete flower consists of four basic parts: calyx, corolla, stamens, and pistil.
T
F
During the many stages of the care and handling of cut flowers, proper treatments are necessary to maintain the quality and longevity of the floral materials.
T
F
Every flower consists of four basic parts: calyx, corolla, stamen, and pistil.
T
F
Flower inflorescence is the arrangement of flowers on a stem.
T
F
Two basic classifications of foliage are simple and complex.
T
F
Temperature has a major effect on the transpiration and respiration rates of cut floral materials.
T
F
Ethanol is a gas produced naturally by flowers, decaying plant materials, and ripening fruit.
T
F
Moisture, balance, floral preservative availability, temperature, relative humidity, ethylene, and microbial activity are factors important in maintaining the quality of cut flower material.
T
F
Transpiration and respiration affect the vase life or longevity of cut floral materials.
T
F
The botanical name is the scientific name of a plant or flower that consists of two parts: the genus name and the species name.
T
F
A hydrating solution consists of a nitric acid solution that causes flowers to take up water rapidly; thus reducing the stress of prolonged dehydration due to dry-pack shipping and storage.
T
F
The cell process in which stored food reserves are converted into useful energy for a plant is called respiration.
T
F
Transpiration is the process of plants losing water through the stomata in their leaves.
T
F
The process of holding flowers at room temperature to take up water and ensure maximum turgidity is called care and handling.
T
F
Biocide is a chemical compound used as an additive in long-term floral preservatives to prevent growth of bacteria, yeast, and molds in vase water.
T
F
Acidifier is any substance (i.e., nitric acid) that lowers the pH of a solution and thereby increases its acidity.
T
F
A controlled environment inside the floral cooler reduces transpiration, slows respiration, and reduces ethylene gas production and its effects on the cut flowers.
T
F
The primary principles of design are guidelines that govern the organization of the elements and materials in accordance with the laws of nature.
T
F
Balance, proportion, dominance, contrast, rhythm, and harmony are the primary principles of design.
T
F
A symmetrically balanced arrangement has equal amounts of identical materials on either side of an imaginary central vertical axis.
T
F
�Formal� balance is also referred to as asymmetrical balance.
T
F
The area of strong visual appeal and dominance in an arrangement is the focal area or focal point.
T
F
The relationship in size and quantity between the parts within an arrangement is scale.
T
F
Without Dominance, a lack of unity exists throughout the arrangement.
T
F
A contemporary design often features several focal areas.
T
F
Contrast in a floral arrangement adds visual weight through contradiction.
T
F
Rhythm uses form, line, color, and space to develop the sense of motion that leads the eye to the focal area and throughout the design.
T
F
On the color wheel, complementary color schemes of red and green, or violet and yellow, provide contrast, excitement, and interest.
T
F
Radiating lines originating from the focal point of an arrangement create a focal area.
T
F
Harmony is the carefully blending of textures, shapes, and colors in a floral arrangement.
T
F
The foundation of design is the combination of the traditional elements of design plus two additional contemporary design elements of pattern and size.
T
F
Line allows the eye to travel from one part of the design to another.
T
F
Unity in an arrangement occurs when most of the principles and elements blend together.
T
F
Texture is the visual and tactile surface qualities of an object.
T
F
Form is the overall three-dimensional external shape of a design.
T
F
Pattern is the positive space with an arrangement.
T
F
Color is the reflection of light from a pigmented surface transmitted to the brain by the eyes.
T
F
A hue is the descriptive name of a color.
T
F
Value is the lightness or darkness of a hue achieved by adding white, gray, or brown.
T
F
The three primary colors are: red, yellow, and blue.
T
F
Secondary colors occur equal distance from each other on the color wheel.
T
F
An analogous color harmony consists of unrelated colors that are adjacent on the color wheel.
T
F
Color creates moods and evokes emotions and may possibly be the most important element in floral design.
T
F
Lighting has an effect on color expressions making it important when planning weddings and evening events.
T
F
Selecting an appropriate container and using proper design mechanics are very important in establishing a stable foundation for a floral arrangement.
T
F
The rule of proportion suggests that the height of an arrangement not exceed 1 � to 2 times the height of a tall container or 1 � times the width of a low container.
T
F
When preparing floral foam for an arrangement, force water into the foam for quick saturation.
T
F
Wire gauges are used to indicate the thickness or a wire. The larger the number, the thicker the wire diameter.
T
F
Liquid floral adhesives are primarily used for silk and dried flower arrangements.
T
F
A floral knife is the most important tool used by a floral designer.
T
F
�Decorative botanicals� is the current term used in the floral industry to describe non-fresh floral materials used to create long-lasting floral arrangements.
T
F
When constructing a hand-tied bouquet, the binding point is located between the thumb and four fingers.
T
F
The elements and principles of design for arranging fresh cut flowers also apply to corsage and boutonniere construction.
T
F
A spray or dip that slows the water loss from flowers is an anti-transpirant.
T
F
When pierced by wire, fresh-cut floral materials are not harmed.
T
F
Properly processed flowers with sturdy stems usually do not require wiring.
T
F
Christmas is the longest floral holiday, with Valentine the single busiest holiday.
T
F
The manager of the floral business is the key to keeping the business running smoothly, efficiently and continually evaluating the operating efficiency of the business.
T
F
